Meet the Buyer 2015 Screen Forever Conference, Melbourne Australia

Total Page:16

File Type:pdf, Size:1020Kb

Meet the Buyer 2015 Screen Forever Conference, Melbourne Australia MEDIA RELEASE: Friday 23 October MEET THE BUYER 2015 SCREEN FOREVER CONFERENCE, MELBOURNE AUSTRALIA Australian producers have the opportunity to hear first hand from 21 leading local and international Development Executives, Commissioning Editors, Programmers and Controllers in Meet The Buyer, a highlight event of SCREEN FOREVER 2015, the premier conference for the screen industry in Australia. The invaluable three-day Partnership Event invites leading executives from significant media platforms and channels to outline their programming priorities, production schedules and target audiences, and to articulate how Australian producers may best facilitate collaborations. Screen Producers Australia is delighted to confirm the 21 Network Executives from SBS Television, ABC Television, NetworK Ten, NetworK Seven, Foxtel and STAN, who will participate in Meet The Buyer and link up with Australian producers. "The importance for producers and creators of screen content to understand the key programming needs of media platforms in Australia and overseas cannot be overstated. We are delighted to have 21 key representatives join us for Meet The Buyer at SCREEN FOREVER 2015, bringing potential partners together and facilitating successful productions,” said Matthew Deaner, CEO, Screen Producers Australia. The representatives confirmed for Meet the Buyer include the following executives: ABC TELEVISION Adrian Swift Head of Content Jon Casimir Head of Entertainment Carole Sklan Head of Fiction Kath Earle Acting Head of Arts Rick Kalowski Head of Comedy FOXTEL Ross Crowley Director of Movies and Content Duane Hatherly Director of Production Hannah Barnes General Manager, The LifeStyle Group Penny Win Head of Drama NETWORK SEVEN Rikkie Proost Executive Producer, Reality TV Sonya Wilkes Head of Programme Development MaryAnne Carroll Executive Producer, Comedy NETWORK TEN Stephen Tate Head of Entertainment and Factual Programming Azar Marashian Head of Acquisitions, Development Manager Daniel Monaghan Programming Manager SBS TELEVISION Marshall Heald Director, Television and Online Content Sue Masters Executive Producer, Drama and Comedy John Godfrey Head of Documentaries Kylie Boltin Executive Producer, Documentaries and Drama Online STAN Nick Forward Director, Content and Product Rob Gibson Head of Originals Development The Meet The Buyer sessions at SCREEN FOREVER 2015 are produced by Lou Porter (Production Executive, TV Entertainment, ABC Television) and will be moderated by Jason Burrows, Managing Director/EP Television at Jungleboys. Meet the Buyer is a three-day Partnership Event spanning the 2015 SCREEN Forever Conference, 17-19 November. SCREEN FOREVER 17-19 November 2015, Crown Conference Centre, Melbourne Australia Registrations now open at www.screenforever.org.au. - ends – Media Enquiries: Miranda Brown | Miranda Brown Publicity ph: 03 9419 0931 mob: 0411 568 781 [email protected] Stephanie Pirrie |Miranda Brown Publicity | ph: 03 9419 0931 mob: 0430 517 722 | [email protected] SCREEN FOREVER, marking 30 years in 2015, is one of the largest congregations of screen professionals in the southern hemisphere, providing a forum for discussion and debate on local and global trends, issues and challenges facing the business of screen production. Past keynote speakers include Gale Anne Hurd (The Walking Dead, Aliens, The Terminator); Beau Willimon (House of Cards); Emile Sherman (The King’s Speech, Top of the Lake); Sydney Pollack (Tootsie); Ted Hope (21 Grams), David Puttnam, Kt, CBE (The Mission), Jon Plowman (The Office), Matthew Weiner (Mad Men) and George Lucas (Star Wars). .
Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • International Production Notes
    INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan.
    [Show full text]
  • Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
    A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films
    [Show full text]
  • For Gale Anne Hurd
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA637539 Filing date: 11/06/2014 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91204259 Party Plaintiff Valhalla Motion Pictures, Inc. Correspondence MICHAEL K GRACE Address GRACE GRACE LLP 790 E COLORADO BLVD, SUITE 797 PASADENA, CA 91101 UNITED STATES [email protected] Submission Plaintiff's Notice of Reliance Filer's Name Pamela D. Deitchle Filer's e-mail [email protected], [email protected], [email protected] Signature /Pamela D. Deitchle/ Date 11/06/2014 Attachments 20141106 VMP Third Notice of Reliance.pdf(4025091 bytes ) IN THE UNITED STATES TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In Re: Serial Nos. 77/948,333; 77/948,895; 85/310,089 Applicant’s Marks: VALHALLA GAME STUDIOS; VALHALLA GAME STUDIOS and Design; VALHALLA ENTERTAINMENT VALHALLA MOTION PICTURES, INC., Opposer; v. Opposition No. 91204259 (parent case) VALHALLA GAME STUDIOS CO. LTD., Applicant. VALHALLA GAME STUDIOS CO. LTD., Opposer; v. Opposition No. 91206662 VALHALLA MOTION PICTURES, INC, Applicant. THIRD NOTICE OF RELIANCE Pursuant to TMBP § 704.03(b)(1)(A), Opposer hereby serves notice that it will rely upon the following online publications: 1. Screenshot of http://twitter.com/valhallapics, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 1. 1 2. Screenshot of http://www.valhallaentertainment.com, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 2. 3. Screenshot of http://www.valhallaentertainment.com/films.html, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 3.
    [Show full text]
  • Aliens” (1986) – Superior Sequel to the Original Source
    “Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Night of the Living Dead
    FIRST RUN FEATURES PRESENTS a definitive look at niGHt of tHe livinG dead tHe filM tHat spaWned tHe ZoMBie industry “Birth of the Living Dead has the horror community buzzing, and there’s good reason.” - Matt Molgaard, Best Horror Movies “If you’re a fan of zombies in any way, shape, or form, you need to watch this movie – one of the most extensive, informative, and even entertaining looks at Night of the Living Dead. Very highly recommended.” - Brian M. Sammons, Hell Notes “Fascinating, hugely entertaining documentary chronicles the making of the classic horror film while also tracing its lineage, its colossal influence on the zombie sub-genre, and analysis of its cultural import. And kudos to director Rob Kuhns; he’s crafted a spot-on, ingratiating, informative film that should appeal to the died-in-the-wool horror fanatic as well as the interested newbie. This is easily one of my favorites of 2013 so far.” - Dean Galanis, Forces of Geek “Mesmerizing...I finally understand why I was not only scared out of my wits, but was simultaneously In 1968 a young college drop-out named watching a cinematic breakthrough and cultural George A. Romero directed Night of the phenomenon. Birth of the Living Dead is immensely Living Dead, a low budget horror film that watchable and abundantly enlightening, shocked the world, became an icon of the counterculture, and spawned a zombie with one ah-hah moment after another.” industry worth billions of dollars that contin- - Bill Moyers ues to this day. FEATURING INTERVIEWS WITH Birth of the Living Dead shows how Romero GEORGE A.
    [Show full text]
  • James Mase, C.A.S
    JAMES MASE, C.A.S. Production Sound Mixer Member IATSE 695 & 479 James Mase has worked in sound his entire adult life in production, post production and music. No surprise, he has a deep understanding of the process and of the technical and engineering side. Starting out in music in Boston, James helped engineer the first New Edition album. He then moved to New York and worked in music engineering for artists like Run-DMC, Chaka Kahn and others. Another move back to Boston introduced James to video production and post work including commercial work and his first experience with sound for picture. Three years were spent on projects taking him to Europe, Russia and South America. James is based in Atlanta, Georgia. Television (Selected Credits); Production Director/Producer/Company/Network 61st STREET (Season 1) Various / Michael B. Jordan, Hilary Salmon / AMC THE WALKING DEAD (Season 11, 3 Episodes) Various / Gale Anne Hurd, David Alpert / AMC DISPATCHES FROM ELSEWHERE (Season 1) Various / Scott Rudin, Eli Bush / AMC Studios / AMC THE PASSAGE (Full Season) Various / Ridley Scott / Scott Free / Fox LODGE 49 (Seasons 1 & 2) Various / Paul Giamatti / Touchy Feely / AMC CHAMPAIGN, ILL (Season 1) Various / Jamie Tarses / Sony TV / YouTube LOVE IS … (Season 1, 6 eps) Salim Akil / Oprah Winfrey / Warner Horzizon / OWN SURVIVOR’S REMORSE (Season 4) Various / LeBron James, Tom Werner / Starz DAYTIME DIVAS (Full season) Various / Josh Berman, Star Jones / Sony TV / VH1 NOTORIOUS (2016 pilot) Michael Engler / Jeff Kratinetz / Sony TV / ABC POWERS
    [Show full text]
  • Leading Us Film & Broadway Producer Paula Wagner
    MEDIA RELEASE: Thursday 8 October 2015 LEADING US FILM & BROADWAY PRODUCER PAULA WAGNER CONFIRMED FOR 2015 SCREEN FOREVER CONFERENCE Screen Producers Australia is delighted to announce that Paula Wagner— co-founder of Cruise/Wagner Productions with Tom Cruise and producer of more than 20 films including the Mission: Impossible trilogy, The Last Samurai, Vanilla Sky, The Others and War of the Worlds—is confirmed to speak at SCREEN FOREVER 2015, the premier conference for the screen industry in Australia. "We are honoured to have such a highly respected producer as Paula Wagner participating in this year’s SCREEN FOREVER conference,” said Matthew Deaner, CEO, Screen Producers Australia. “Paula’s leadership, outstanding experience, and creative vision inspire producers and film executives around the world.” Paula Wagner is a film and theatre producer who has worked in the top ranks of the American entertainment industry, and whose many Academy Award-nominated films shatter box-office records. After commencing as a prominent agent at Creative Artists Agency, representing top Hollywood talent such as Tom Cruise, Sean Penn, Oliver Stone, Val Kilmer, Demi Moore and Liam Neeson, Wagner launched Cruise/Wagner Productions with her former client Tom Cruise in 1993. Over the next 13 years, Wagner and Cruise produced a wide range of films that earned numerous prestigious awards, critical praise, and more than $3 billion in worldwide box-office receipts for films such as the Mission: Impossible trilogy, The Last Samurai, Vanilla Sky, and The Others. The Mission: Impossible trilogy is a series of action spy thriller films based on the television series of the same name, starring Tom Cruise.
    [Show full text]
  • Open Letter from Film Community
    AN OPEN LETTER FROM THE CREATIVE COMMUNITY ON PROTECTING THE MOVIE‐GOING EXPERIENCE We are the artists and business professionals who help make the movie business great. We produce and direct movies. We work on the business deals that help get movies made. At the end of the day, we are also simply big movie fans. Lately, there’s been a lot of talk by leaders at some major studios and cable companies about early‐to‐the‐home “premium video‐on‐demand.” In this proposed distribution model, new movies can be shown in homes while these same films are still in their theatrical run. In this scenario, those who own televisions with an HDMI input would be able to order a film through their cable system or an Internet provider as a digital rental. Terms and timing have yet to be made concrete, but there has been talk of windows of 60 days after theatrical release at a price of $30. Currently, the average theatrical release window is over four months (132 days). The theatrical release window model has worked for years for everyone in the movie business. Current theatrical windows protect the exclusivity of new films showing in state‐of‐the‐art theaters bolstered by the latest in digital projection, digital sound, and stadium seating. As a crucial part of a business that last year grossed close to $32 billion in worldwide theatrical ticket sales, we in the creative community feel that now is the time for studios and cable companies to acknowledge that a release pattern for premium video‐on‐demand that invades the current theatrical window could irrevocably harm the financial model of our film industry.
    [Show full text]
  • Engineering (Mail Stop No
    COUNCIL FILE NO. /c2.- /5~ COUNCIL DISTRICT NO. 13 /' APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S 1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: -} A. Future Street Acceptance. -} B. Quitclaim of Easement(s). -} C. Dedication of Easement(s). -} D. Release of Restriction(s). 11 E. Request for Star in Hollywood Walk of Fame. -} F. Brass Plaque(s) in San Pedro Sport Walk. -} G. Resolution to Vacate or Ordinance submitted in response to Council action. -} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ___ } Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ___ -J} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council sC:P 211m2 Of the City of Los Angeles Honorable Members: CD. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk ~ GALE ANNE HURD RECOMMENDA TIONS: A.
    [Show full text]
  • Bear Mccreary
    BEAR MCCREARY COMPOSER AWARDS INTERNATIONAL FILM MUSIC CRITICS ASSOCIATON AWARD 2019 Film Composer of the Year ASCAP COMPOSER’S CHOICE AWARD 2016 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION OUTLANDER (2015) Outstanding Music Composition for a Series ASCAP COMPOSER’S CHOICE AWARD 2014 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION BLACK SAILS (2014) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD WINNER DA VINCI’S DEMONS (2013) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD NOMINATION HUMAN TARGET (2010) Outstanding Original Main Title Theme Music MOTION PICTURES FREAKY Christopher Landon, dir. Blumhouse Productions AVA Tate Taylor, dir. Vertical Entertainment THE BABYSITTER: KILLER QUEEN McG, dir. Netflix FANTASY ISLAND Jeff Wadlow, dir. Sony 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 McCreary Page 1 of 5 BEAR MCCREARY COMPOSER MOTION PICTURES (cont’d) CRIP CAMP James Lebrecht, Nicole Newnham, dirs. Higher Ground Productions THE SHED (score produced by) Frank Sabatella, dir. A Bigger Boat ELI Ciaran Foy, dir. Netflix CHILD’S PLAY Lars Klevberg, dir. United Artists GODZILLA: KING OF THE MONSTERS Michael Dougherty, dir. Warner Bros. RIM OF THE WORLD McG, dir. Netflix THE PROFESSOR AND THE MADMAN Farhad Safinia, dir. Icon Entertainment International HAPPY DEATH DAY 2U Christopher Landon, dir. Universal Pictures WELCOME HOME George Ratliff, dir. AMBI Group I STILL SEE YOU Scott Speer, dir. Golden Circle Films HELL FEST Gregory Plotkin, dir. CBS Films TAU Federico D’Alessandro, dir. Bloom THE CLOVERFIELD PARADOX Julius Onah, dir. Netflix ANIMAL CRACKERS Tony Bancroft, Scott Christian Sava, dir.
    [Show full text]