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Feedtime and Rachael Leahcar Rise to the Top Spots in the Community Radio Charts
Feedtime and Rachael Leahcar Rise To The Top Spots in The Community Radio Charts By Kate Marning Published April 26th, 2017 www.themusicnetwork.com/news/feedtime-and-rachel-leahcar-rise-to-the-top-spots-in- the-community-radio-charts Amrap Metro and Amrap Regional Charts provide insight into what’s gaining airplay and attention on community radio. The charts show the top ten tracks ordered for airplay by community broadcasters through the Amrap's AirIt music distribution service. This week feedtime move up into the top spot in the Amrap Metro Chart, with Rachael Leahcar rising up to #1 in the Amrap Regional Chart. Sydney-based trio feedtime have taken out #1 in the Amrap Metro Chart with Any Good Thing. Feedtime's latest album Gas, their first release in over 20 years, was PBS FM Melbourne's Feature Record of the Week. Any Good Thing features in Tone Deaf's 'The 7 Best Aussie Songs You Haven't Heard' with PBS FM Melbourne's Music Director Cam Durnsford'. Check out the article here. The post-punk charting track has received airplay support from 6HFM, Radio Goolarri and Harvey Community Radio in WA, OCR FM, 3WAY FM and 96.5 Inner FM in VIC, 5 Triple Z, Three D Radio, PBA FM and Three D Radio in SA as well as 2SEA, Yass FM, Nim FM, 2EAR FM, FBi Radio and Radio Skid Row in NSW. Rachael Leahcar has earned #1 in the Amrap Regional Chart with What They Don't Tell You. Watch the official video teaser for the pop-country track as featured viaAmrap pages, on station websites including Voice of the Avon FM in WA, Fraser Coast FM in QLD, PBA FM in SA, 3WAY FM and 979fm Community radio in VIC, as well as Northside Radio and Valley FM in NSW . -
Art Gallery of New South Wales Annual Report 2012 – 13
ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2012 – 13 1 CONTENTS 4 Vision and strategic direction 2010 – 15 5 President’s foreword 9 Director’s statement 13 At a glance 15 Access 15 Exhibitions and audience programs 19 Future exhibitions 21 Publishing 23 Engaging 23 Digital engagement 23 Community 30 Education 35 Outreach Regional NSW 40 Stewarding 40 Building and environmental management 42 Corporate Governance 58 Collecting 58 Major collection acquisitions 67 Other collection activity 70 Appendices 123 General Access Information 131 Financial statements 2 ART GALLERY OF NSW ANNUAL REPORT 12-13 The Hon George Souris MP Minister for Tourism, Major Events, Hospitality and Racing, and Minister for the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister It is our pleasure to forward to you for presentation to the NSW Parliament the annual report for the Art Gallery of NSW for the year ended 30 June 2013. This report has been prepared in accordance with the provisions of the Annual Report (Statutory Bodies) Act 1984 and the Annual Reports (Statutory Bodies) Regulations 2010. Yours sincerely Steven Lowy Michael Brand President Director Art Gallery of NSW Trust 21 October 2013 3 VISION AND STRATEGIC DIRECTION 2010 – 2015 Vision The Gallery is dedicated to serving the widest possible audience, both nationally and internationally, as a centre of excellence for the collection, preservation, documentation, . interpretation and display of Australian and international art. The Gallery is also dedicated to providing a forum for scholarship, art education and the exchange of ideas. Strategic Directions Access To continue to improve access to our collection, resources and expertise through exhibitions, publishing, programs, new technologies and partnerships. -
Latest Financials
Page 1 CONTENTS - Acknowledgment of country and partnerships - President's Report - Treasurer's Report - Station Manager's Report - Year at a glance - The Stats - Financial Report - 2018 AGM Meeting Minutes Page 2 We would like to start my report with acknowledging the traditional owners of the land that we meet, the station resides, and that we broadcast from. We pay our respects to the Yugara and Turrbal people and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past, present and emerging. Page 3 PRESIDENT'S REPORT Hi everyone and welcome to our AGM. As you will have been aware there have been huge changes at the Station and I would like to just take a few moments to put things into perspective. We have lived through what is probably the fastest changing dynamic the world has ever seen and the momentum is growing. When I grew up all we had was radio and we listened faithfully to all the programmes as there was only one Station – the BBC in England and the ABC here. I worked at the BBC in the 50s and we had the huge tapes that I recognised when I came to 4RHP about 12 years ago. My first training on a computer was in the mid 70s and that was at one of the first companies to use computers. All very strange to us. The machines were big and bulky and the computer had a whole room to itself. We slowly got used to that and when I opened my own business in the early 80s we had home computers and can you believe it a mobile phone that was huge. -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Reclink Annual Report 2017-18
, Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1. -
Brisbane Used to Be Called the Deep North
Radical Media in the Deep North: The origins of 4ZZZ-FM by Alan Knight PhD Brisbane used to be called the Deep North. It spoke of a place where time passed slowly in the summer heat, where rednecks ran the parliament and the press, blacks died from beatings and the police thought themselves above the law. Even though Brisbane is situated in the bottom southeast quarter of the great northern state of Queensland, it's sobriquet represented a state of mind. Queensland was described as a cultural backwater lacking bookshops, political pubs, radio and television network headquarters and the publishing centres where Australian intellectuals could be seen and heard. It was fashionable, then as now, for many in Sydney and Melbourne to dismiss Queenslanders as naive, if not malignant conservatives. Yet in 1975, Brisbane created Australia's most radical politics and music station, 4ZZZ-FM. It broadcasts to this day. How did it come about and why? The Bitter Fight Queensland has a long, yet often forgotten history of conflict between conservatives and radicals. In a huge, decentralised state, the march to democracy has been signposted by demands for free speech expressed through a diversified media. ZZZ is an offspring of these battles, which were in part fought out in the state's mainstream and underground media. The bitter fight began in earnest in 1891, when Queensland shearers went on strike over work contracts. The strikers produced a flurry of cartoons, articles and satirical poems, which were passed around their camp fires. They joined armed encampments, which were broken up only after the government called in the military. -
NEMBC EB Summer 2001
Summer 2001 Edition National Ethnic and Multicultural Broadcasters’ Council Broadcaster 2001 A Big Decision Year inside: Ethnic Jason Li : Turning Down the Static on Multicultural Radio More Music to Your Ears Re-Writing Her-story: NEMBC Migrant Women’s Oral History Project Graveyard Groovers at 2000FM The Check Your Media Law Skills Contents INTERNATIONAL WOMEN’S DAY MARCH 8th 2001 3 2001: A Big Decision Year The NEMBC has recorded George Zangalis, NEMBC President greeting and information 4 Rewriting Her -Story messages for IWD in 20 Migrant Women in the Workforce languages on CD and a copy Oral History has been sent to your station. If you can’t get hold of the CD, 6 Graveyard Groovers: 2000FM please ring the NEMBC on 03 9486 9549 or email us at 7 More Youngs on Seats: [email protected] Youth Strategy You can get more information 8 Music to Your Ears : about IWD activities in your state Australian Music Radio Airplay Project at: ACT www.act.gov.au/government/ 10 Curriculum Developments womenact NSW www.women.nsw.gov.au 11 Check Your Media Law Skills quiz WA www.wa.gov.au/wpdo 12 International Women’s Day NT www.owp.nt.gov.au VIC www.women.vic.gov.au 13 Emerging Communities TAS www.women.tas.gov.au QLD www.qldwoman.qld.gov.au 14 Innovate or Perish: SA www.sacentral.sa.gov.au/ Somali Radio Health Project at 2000FM agencies/ofw/ofw.htm 16 2000 NEMBC Conference: see page 12 for more IWD info. Our Emerging Futures 19 News 22 No Ordinary Day: www.nembc.org.au Melbourne Walk for Reconciliation visit the nembc website 24 Counting on Diversity and find.. -
Reaching Rural & Regional Australia with Over 370
THE MAGAZINE OF THE CBAA REACHING RURAL & REGIONAL AUSTRALIA WITH OVER 370 COMMUNITY RADIO STATIONS MAY 2019 13 5 22 MAY 2019 16 18 President's Column ....................................................................................................2 CONTENTS CBAA Update ...............................................................................................................3 MV88+ VIDEO KIT PREMIUM STEREO MICROPHONE CBF Update: Helping stations succeed ..................................................................4 Let’s Get Together: 2BBB Bellingen and 2NVR Nambucca ..............................5 Community Radio and the 2019 Federal Election...............................................6 A CREATION Pro Audio on the Go ...................................................................................................9 Board Balance – Getting the Mix Right ................................................................ 10 Broadcast Components supports regional broadcasting tech ......................12 FOR CREATORS. Getting the message across: Dan Ahern .............................................................13 Supporting Volunteers at your Station ............................................................... 14 JUST ADD PHONE. Financial sustainability and fundraising for your community station ......... 16 Why Community Radio Broadcasters Make the Best Podcasters ................ 18 Professional sound for Vloggers, Filmmakers, Musicians & Podcasters. 4ZZZ – providing quality independent journalism ......................................... -
Australian Broadcasting Authority
Australian Broadcasting Authority annual report Sydney 2000 Annual Report 1999-2000 © Commonwealth of Australia 2000 ISSN 1320-2863 Design by Media and Public Relations Australian Broadcasting Authority Cover design by Cube Media Pty Ltd Front cover photo: Paul Thompson of DMG Radio, successful bidder for the new Sydney commercial radio licence, at the ABA auction in May 2000 (photo by Rhonda Thwaite) Printed in Australia by Printing Headquarters, NSW For inquiries about this report, contact: Publisher Australian Broadcasting Authority at address below For inquiries relating to freedom of information, contact: FOi Coordinator Australian Broadcasting Authority Level 15, 201 Sussex Street Sydney NSW 2000 Tel: (02) 9334 7700 Fax: (02) 9334 7799 .Postal address: PO Box Q500 Queen Victoria Building NSW 1230 Email: [email protected] Web site: www.aba.gov.au 2 AustJt"aHan Broadcasting Authority Level 1 S Darling Park 201 Sussex St Sydney POBoxQ500 Queen Victoria Building August 2000 NSW1230 Phone (02) 9334 7700 Fax (02) 9334 7799 Senator the Hon. RichardAlston E-mail [email protected] 'nister for Communications,Information Technology and the Arts DX 13012Marlret St Sydney liarnentHouse anberraACT 2600 In accordancewith the requirements of section 9 andSchedule 1 of the Commonwealth Authorities and Companies Act 1997, I ampleased to present, on behalfof the Members of the AustralianBroadcasting Authority, thisannual reporton the operations of the llthorityfor the year 1999-2000. Annual Report 1999-2000 4 Contents Letter of transmittal 3 Members' report -
Published Version (PDF 2MB)
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McIntyre, Phillip, Kerrigan, Susan, & McCutcheon, Marion (2021) Australian Cultural and Creative Activity: A Population and Hotspot Anal- ysis: Marrickville. QUT Digital Media Research Centre, Brisbane. This file was downloaded from: https://eprints.qut.edu.au/208593/ c 2021 The Authors This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Free-to-read at publisher Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. This may be the author’s version of a work that was submitted/accepted for publication in the following source: McIntyre, Phillip, Kerrigan, Susan, & McCutcheon, Marion (2021) Australian Cultural and Creative Activity: A Population and Hotspot Anal- ysis: Marrickville. -
NEMBC EB Autumn Winter 2016
Autumn/WinterSummer/Autumn 2016 2015 Edition Edition – Journal – Journal of the of the National National Ethnic Ethnic & Multicultural & Multicultural Broadcasters’ Broadcasters’ Council Council The National Ethnic and Multicultural Broadcasters’ Council (NEMBC) is a national peak body that advocates for ethnic community broadcasting: promoting multiculturalism, addressing racism and contributing to media diversity. Contents NEMBC Executive Committee President’s Pen ............................................. 1 President: Tangi Steen SA Treasurer: Joe De Luca NT Why Australia Needs a Multicultural Act . 2 Secretary: Luigi Romanelli TAS Australia’s Multicultural Story ................. 3 Nick Dmyterko QLD Cristina Descalzi SA Back Towards a Balanced Language Policy 4 Osai Faiva NSW George Salloum VIC Diversity in the Media .................................. 6 Irene Tavutavu QLD Curtis Ho TAS The Role of the Media in Citizenship .......... 7 Werner Albrecht ACT Manuel Rodrigues WA New Media in Perspective ............................ 8 Abdul Ghannoum NSW Effects of New Media .................................... 9 NEMBC Staff How to Ditch Internalised Racism Executive and Policy Officer: Russell Anderson and Imposter Syndrome ............................ 10 Operations Officer: Fiv Antoniou Project Officer: Tara Egan Public Hysteria Not the Answer ................ 12 Administration Officer: Sarita Yadav Bookkeeper: Rod Borlase Racism. It Stops With Me Campaign ....... 13 The Ethnic Broadcaster Everyday Racism App ...............................