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Member for Wakefield South Australia
Conference delegates 2016 *Asterisks identify the recipients of the 2016 Crawford Fund Conference Scholarships ACHITEI, Simona Scope Global ALDERS, Robyn The University of Sydney ANDERSON AO, John The Crawford Fund NSW ANDREW AO, Neil Murray-Darling Basin Authority ANGUS, John CSIRO Agriculture *ARIF, Shumaila Charles Sturt University ARMSTRONG, Tristan Australian Government Department of Foreign Affairs & Trade ASH, Gavin University of Southern Queensland ASTORGA, Miriam Western Sydney University AUGUSTIN, Mary Ann CSIRO *BAHAR, Nur The Australian National University BAILLIE, Craig The National Centre for Engineering in Agriculture (NCEA), University of Southern Queensland *BAJWA, Ali School of Agriculture & Food Sciences, The University of Queensland BARLASS, Martin Plant Biosecurity Cooperative Research Centre BASFORD, Kaye The Crawford Fund *BEER, Sally University of New England, NSW *BENYAM, Addisalem Central Queensland University BERRY, Sarah James Cook University / CSIRO *BEST, Talitha Central Queensland University BIE, Elizabeth Australian Government Department of Agriculture & Water Resources BISHOP, Joshua WWF-Australia BLACKALl, Patrick The University of Queensland *BLAKE, Sara South Australian Research & Development Institute (SARDI), Primary Industries & Regions South Australia BLIGHT AO, Denis The Crawford Fund *BONIS-PROFUMO, Gianna Charles Darwin University BOREVITZ, Justin The Australian National University BOYD, David The University of Sydney BRASSIL, Semih Western Sydney University BROGAN, Abigail Australian Centre -
Latest Financials
Page 1 CONTENTS - Acknowledgment of country and partnerships - President's Report - Treasurer's Report - Station Manager's Report - Year at a glance - The Stats - Financial Report - 2018 AGM Meeting Minutes Page 2 We would like to start my report with acknowledging the traditional owners of the land that we meet, the station resides, and that we broadcast from. We pay our respects to the Yugara and Turrbal people and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past, present and emerging. Page 3 PRESIDENT'S REPORT Hi everyone and welcome to our AGM. As you will have been aware there have been huge changes at the Station and I would like to just take a few moments to put things into perspective. We have lived through what is probably the fastest changing dynamic the world has ever seen and the momentum is growing. When I grew up all we had was radio and we listened faithfully to all the programmes as there was only one Station – the BBC in England and the ABC here. I worked at the BBC in the 50s and we had the huge tapes that I recognised when I came to 4RHP about 12 years ago. My first training on a computer was in the mid 70s and that was at one of the first companies to use computers. All very strange to us. The machines were big and bulky and the computer had a whole room to itself. We slowly got used to that and when I opened my own business in the early 80s we had home computers and can you believe it a mobile phone that was huge. -
Apo-Nid63005.Pdf
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1991-92 Australian Broadcasting Tribunal Sydney 1992 ©Commonwealth of Australia ISSN 0728-8883 Design by Media and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 Contents 1. MEMBERSIDP OF THE TRIBUNAL 1 2. THE YEAR IN REVIEW 7 3. POWERS AND FUNCTIONS OF THE TRIBUNAL 13 Responsible Minister 16 4. LICENSING 17 Number and Type of Licences on Issue 19 Grant of Limited Licences 20 Commercial Radio Licence Grant Inquiries 21 Supplementary Radio Grant Inquiries 23 Joined Supplementary /Independent Radio Grant Inquiries 24 Remote Licences 26 Public Radio Licence Grants 26 Renewal of Licences with Conditions or Licensee Undertaking 30 Revocation/Suspension/Conditions Inquiries 32 Allocation of Call Signs 37 5. OWNERSHIP AND CONTROL 39 Applications and Notices Received 41 Most Significant Inquiries 41 Unfinished Inquiries 47 Contraventions Amounting To Offences 49 Licence Transfers 49 Uncompleted Inquiries 50 Operation of Service by Other than Licensee 50 Registered Lender and Loan Interest Inquiries 50 6. PROGRAM AND ADVERTISING STANDARDS 51 Program and Advertising Standards 53 Australian Content 54 Compliance with Australian Content Television Standard 55 Children's Television Standards 55 Compliance with Children's Standards 58 Comments and Complaints 59 Broadcasting of Political Matter 60 Research 61 iii 7. PROGRAMS - PUBLIC INQUIRIES 63 Public Inquiries 65 Classification of Television Programs 65 Foreign Content In Television Advertisements 67 Advertising Time On Television 68 Film And Television Co-productions 70 Australian Documentary Programs 71 Cigarette Advertising During The 1990 Grand Prix 72 Test Market Provisions For Foreign Television Advertisements 72 Public Radio Sponsorship Announcements 73 Teenage Mutant Ninja Turtles 74 John Laws - Comments About Aborigines 75 Anti-Discrimination Standards 75 Accuracy & Fairness in Current Affairs 76 Religious Broadcasts 77 Review of Classification Children's Television Programs 78 8. -
Editable Food Film Catering
EDITABLE FOOD FILM CATERING m. 0410 507 534 t. 03 9808 5885 f. 03 9808 2263 e. [email protected] CREDITS: Film & Television / Drama: WINNERS AND LOSERES SERIES 3 Seven Network Operations LTD T.V Series Line Producer: Chris Page March 2014- April 2014 TIME OF OUR LIVES SERIES 2 Time Productions T.V Series Production Manager: Jenny Barty January 2014-February 2014 CUT SNAKE Cut Snake Productions Feature Film Line Producer: James Grandison November 2013-December 2013 HOUSE HUSBANDS 2 Playmaker1 SPV T.V Series Line Producer: Esther Rodewald April 2013-June 2013 OFFSPRING 4 Southern Star Productions T.V Series Line Producer: Peter Muston February 2013-March 2013 WINNERS & LOSERS SERIES 3 Seven Network T.V Series Line Producer: Chris Page January 2013-February 2013 MR & MRS MURDER Freemantle media Australia Pty Ltd T.V Series Producer: Andy Walker October 2012-December 2012 PAPER GIANTS 2-MAGAZINE WARS Southern Star Productions T.V Series Assoc Producer: Jane Lindsay August 2012-September2012 THE HUNTER Brown Cab Productions Short Film Prod Manager: Pauline Clague May 2012 PLEASE LIKE ME Please Like Me Productions T.V Series Line Producer: Annie Flynn March 2012-April 2012 Bookings. Freelancers Promotions 613 9682 2722 Film & Television / Drama cont: OFFSPRING 3 – 2 ND UNIT Southern Star Productions T.V Series Line Producer: Ross Allsop February 2012-March 2012 WINNERS AND LOSERS Series 2 Seven Network Ltd T.V Series Line Producer: Amanda Crittenden November 2011-January 2012 LOWDOWN Series 2 Highwire Films T.V Series Production Manager: -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Tune Into 2020 Victorian Seniors Festival Radio Reimagined Programs
Tune into 2020 Victorian Seniors Festival Radio reimagined programs The Festival has produced more than 80 Also, we are also excited to announce that radio programs in 2020. These programs are 25 Victorian community radio stations are very diverse in nature. They include many airing our programs. For information on your music features, radio plays, spoken word and local broadcaster and where to find them on discussion forums. your radio dial, visit our website at: This active PDF enables you to click at the top www.seniorsonline.vic.gov.au/ of each page to go directly to the relevant festivalsandawards/local-radio-schedule www.seniorsonline page to listen to programs. The categories available to you are: • Music Features • Radio Plays • Spoken Word • Design and Ideas Check out the Festival reimagined website for more great Festival content, leave us a comment, and share with your friends: www.seniorsonline.vic.gov.au/festival Music Features Click here to listen: https://www.seniorsonline.vic.gov.au/festivalsandawards/listen-now/music-features Music and entertainment features from Golden Days Radio Remembering Wireless Music of the 60s Part Two Seniors Dance Hall The Great American Parts 1 & 2 Song Book Featuring the music, popular Old time dance favourites to Remembering the role that culture and history of this sit back and listen to or get up Song and jazz standards from radio has played in our pivotal period. Hosted by Carol and dance along. Hosted by the 20th century performed by lives since the 1930s with Farman. Larry James. some of the greatest singers. a selection of music and Hosted by Peter Thomas. -
Office of Professor David Flint Chairman 27 October 2000 Hon
Office of Professor David Flint Chairman 27 October 2000 Hon. Paul Neville MP Chairman Standing Committee on Communications, Transport and the Arts RG.95 Parliament House Canberra ACT 2600 [Dear Mr Neville] ABA Submission to the House Committee on Communications Government’s announcement of the inquiry into the radio industry, particularly the adequacy of radio services in regional and rural Australia, is very timely. The Australian Broadcasting Authority (ABA) has implemented many of the provisions of the Broadcasting Services Act 1992, including those relating to the planning and allocation of new services. Eight years later, it is opportune to consider the extent to which the deregulation of radio broadcasting has delivered improved services, and whether legislative provisions have adequately addressed community needs. The ABA welcomes the opportunity to provide the attached submission to the House Committee. The submission provides an overview of the effectiveness of the legislative provisions, in particular, those that are relevant to the Inquiry’s terms of reference. We would be happy to provide additional information on any particular aspect of the ABA’s submission should the House Committee so require. I note the House Committee may conduct public hearings in relation to matters covered by this inquiry, and I would be happy to attend if invited to do so. Please do let me know if we could be of further assistance in the meantime. Yours sincerely [David Flint] Submission by the Australian Broadcasting Authority to the House Committee on Communications Inquiry into the Radio Industry The changing regulatory environment Twenty years ago, a ‘typical’ regional Australian radio market contained, in addition to one or more ABC services, a single commercial radio station operating on the AM band. -
AUSTRALIAN PODCAST RANKER TOP 100 PODCASTS Reporting Period: 25 November - 22 December
AUSTRALIAN PODCAST RANKER TOP 100 PODCASTS Reporting Period: 25 November - 22 December RANK PODCAST PUBLISHER SALES REPRESENTATION RANK CHANGE 1 Hamish & Andy SCA-PodcastOne Australia PodcastOne Australia 0 2 The Lighthouse News Corp Australia News Corp / Nova Ent h5 3 Kate, Tim & Marty Nova Nova Entertainment 0 4 7am Schwartz Media Schwartz Media New 5 The Kyle & Jackie O Show Australian Radio Network Australian Radio Network i3 6 Life and Crimes with Andrew Rule News Corp Australia News Corp / Nova Ent h2 7 SEN Breakfast SEN / Crocmedia SEN / Crocmedia i2 8 Whateley SEN / Crocmedia SEN / Crocmedia i4 9 Sky News - News Bulletin News Corp Australia News Corp / Nova Ent h5 10 WILOSOPHY with Wil Anderson TOFOP Productions Whooshkaa New 11 Money News with Ross Greenwood Nine Radio1 Nine Radio i5 12 The Alan Jones Breakfast Show Nine Radio Nine Radio i2 13 Bedtime Explorers The Parent Brand The Parent Brand New 14 Kennedy Molloy SCA-Triple M SCA i5 15 The Howie Games SCA-PodcastOne Australia PodcastOne Australia i4 16 Hughesy and Kate SCA-Hit SCA i1 17 Moonman In The Morning - 104.9 SCA-Triple M SCA i5 Triple M Sydney 18 The Hot Breakfast SCA-Triple M SCA h1 19 Who the Hell is Hamish? News Corp Australia News Corp / Nova Ent i6 20 Chrissie, Sam & Browny Nova Nova Entertainment i4 21 Jase & PJ Australian Radio Network Australian Radio Network i1 22 Tech News News Corp Australia News Corp / Nova Ent h3 23 Police Tape News Corp Australia News Corp / Nova Ent h24 24 The Ray Hadley Morning Show Nine Radio Nine Radio i3 25 Motley Fool Money Australia -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville -
Griffith University Centre for Public Culture and Ideas
Submission 89 GRIFFITH UNIVERSITY CENTRE FOR PUBLIC CULTURE AND IDEAS TUNING IN TO COMMUNITY BROADCASTING SUBMISSION TO THE HOUSE OF REPRESENTATIVES STANDING COMMITTEE ON COMMUNICATIONS, INFORMATION TECHNOLOGY AND THE ARTS 23 MARCH 2006 CONTENTS 1. Introduction 2. Culture, Commitment, Community: Looking at the stations 2.1 Scope of the study 2.2 Key findings 2.2.1 Metropolitan and regional stations 2.2.2 Indigenous and ethnic stations 2.2.3 Training 3. Qualitative Audience Research Project, Australia Talks Back 3.1 Scope of the study 3.2 Preliminary Findings of Audience-Based Research 3.2.1 Connecting Communities 3.2.2 Local News and Information 3.2.3 Indigenous Audiences 3.2.4 Ethnic audiences 3.2.5 Community Television 4. Summary and Conclusions REFERENCES APPENDIX A: Schedule of completed metropolitan and regional audience focus groups, and community group interviews Meadows, Forde, Ewart, Foxwell 2 Griffith University Tuning in to community broadcasting 1. Introduction Since 1999, researchers from Griffith University have undertaken national research on Australia’s community broadcasting sector. This research has involved two national projects. The first project (1999-2001) was station-based and was designed to gather data on the sector’s stations and participants. The second study (2003- ), currently underway is an audience-based study which has gathered qualitative data on community broadcasting audiences. This audience study, Australia’s Community Broadcasting Audiences Talk Back, is designed to complement the quantitative study of community broadcasting audiences completed by McNair Ingenuity (2004) and also to complete the circle of community radio stations and their audiences initiated by the first Griffith University study.