SCREENING CEC Meeting Room N102-N103

Total Page:16

File Type:pdf, Size:1020Kb

SCREENING CEC Meeting Room N102-N103 DAILY FILMART MAR. ��, � �� � № � THR.COM�FILMART TODAY 16:00- SCREENING CEC Meeting Room N102-N103 Meet us at J a p a n B o o t h 1D-C13 [email protected] PROMOTION The Definitive Voice of Entertainment News FILMART DISCOUNT A L MO S T 40% OFF R E G U L A R R AT E SUBSCRIBE TODAY! THR.COM/FILMARTSPECIAL MARCH ��, ���� THR.COM�FILMART HONG KONG №� HK TODAY TOMORROW WEATHER AND HIGH ��° F ��° F TEMPS ��° C ��° C Emperor’s ���� Slate Led by ������ Creepy Yuen Wo-ping Japan’s Kiyoshi Kurosawa abandons his auteurist chores of late to return By Gavin J. Blair to the classic horror that made him a cult figure �� ������� ����� mperor Motion Nishijima, center, is a Pictures slate for former detective with some very troubling neighbors. E 2016 will be led by Hand Over Fist , a new feature directed by kung fu legend Yuen Wo-ping. Hand Over Fist is the tale of a 600-year long feud between ancient rival kung fu masters that draws modern Hong Kong protago- nists into the action. Yuen is known around the globe for his fight choreog- raphy on The Matrix trilogy, CONTINUED ON PAGE � JOHNNIE TO READIES ELECTION � HE GOOD NEWS FOR FANS OF KIYOSHI disappointing ending. As a matter of fact, By Karen Chu Kurosawa’s early psychological J-horror Creepy feels an awful lot like the director’s 1997 irector Johnnie To is Tis that the master is back with all his cult horror piece Cure, with the caveat that readying Election 3 signature tropes intact: the haunted houses and there’s more smoke than fire in the mind-games D for a tentative 2018 scary atmosphere; the hypnotic evil-doer who featured here, and one can see the ending com- production date. forces others to do his unholy bidding; the good ing from a very long way off. The Hong Kong auteur detective going insane over a case that hits too Still, this is prime real estate for midnight told THR that he is almost close to home; his mentally unstable wife; and a CONTINUED ON PAGE �� finishing the script of the third installment of his critically acclaimed Election series. He is considering whether Louis Koo, will reprise his role in the New Macau Film Fest Goes Big third film. The gleaming casino enclave showed its hand on day two of Filmart, revealing an ambitious “The script is rather long bid to become a major hub on the global festival circuit By Patrick Brzeski right now, I haven’t decided irst announced in exploit a moment of uncertainty announced that Hong Kong which section of the script to February at the in the regional film festival scene, industry titans Johnny To and Ann be used,” said To. “If I use the F Berlinale, the inaugural while also riding a boom in the Hui have boarded the festival as later section, Koo might not International Film Festival and greater Chinese movie official ambassadors. The be in it.” Awards Macao (IFFA Macao) business, to become a pre- festival’s programming Election (2005) and its will kick off in the second week eminent industry platform plan is also beginning sequel were both huge local of December this year. The in East Asia. to come into greater hits in Hong Kong. Both films Macanese government has “Greater China needs Mueller focus. For the first edition, have become cult hits, becom- recruited former Venice and a film festival and market Mueller has recruited ten ing something akin to The Rome Film Festival head Marco organized in an internationally Asian genre filmmakers — whom Godfather films thanks to their Mueller to topline the upstart connected and welcoming envi- he says will be “big names” — to operatic look at the innner event. Mueller and his partners ronment — and Macau can fill lend their star power by selecting workings of local organized are betting that with the right that gap,” says Mueller. one film each to screen at the crime figures. positioning, IFFA Macao can On Tuesday, IFFA Macao CONTINUED ON PAGE � THE HOLLYWOOD REPORTER 1 theREPORT Macau is often called the ‘Las Vegas of Asia’ thanks to it’s numerous casinos and hotels MACAU CONTINUED FROM PAGE � estival. To suit the interests o the local audience — as well as the realities around film import in Mainland China — Mueller says the estival will have a delib- WO�PING erate slant towards genre films CONTINUED FROM PAGE � and popular cinema: “They will be mainstream films, but those Kill Bill and oreign language with interesting differences,” Oscar-winner Crouching Tiger, he explains, adding “it would be Hidden Dragon, as well as pointless to offer a new estival directing this year’s sequel in Greater China unless the films Crouching Tiger, Hidden had some chance o entering the Chinese market.” next year as the biggest box office on the planet — Dragon: Sword of Destiny. He Meanwhile, other would-be regional leaders in the right in the middle o awards season. made his name in Hong Kong East Asian scene are seen to be altering. The Busan “The key point would be to make Macau into the in the late 1970s directing International Film Festival, long artistically preemi- major hub or press junkets or Hollywood awards what would become kung u nent, has been battling brand-damaging political season films,” Mueller says — “especially since classics like Drunken Master intererence since its 2014 edition, when city offi- [the types o mainstream, creative films we want to and Snake in the Eagle’s cials lashed back at organizers or their decision to screen] would be those campaigning or awards.” Shadow. show the activist documentary Diving Bell (aka The “These films can have a premiere in Los Angeles Rounding out the slate, Truth Shall Not Sink With Sewol ), which explored or New York, and then they can come to us or inter- Hong Kong actor, singer, the Korean government’s response to the deadly national premiere,” he adds. songwriter, musician, Sewol erry disaster. In mainland China, neither Although IFFA Macao may add industry panels entrepreneur, and martial the Shanghai nor Beijing film estivals have carved and market activities, too, Filmart organizers say artist Nicholas Tse will star in out much global influence. And the much hyped they believe there is plenty o space in the Greater Emperors Cook Up A Storm, Qingdao International Film Festival — which was Chinese film sector or another major event. “The directed by Raymond Yip. expected to debut in 2017 at the $10 billion commer- Asian market now has the attention o consumers Emperor regular Tse will play cial real estate development-cum-movie production around the world,” says Peggie Liu, senior service a Cantonese street cook who acility being built by Dalian Wanda Group — is promotion manager o Filmart organizer HKTDC. competes against a Michelin- currently in jeopardy afer government regulators “The demand or quality entertainment content in starred che. denied it permission to hold an international jury the region is huge.” Meow, directed by Benny competition. IFFA Macao’s new ambassador To, who also Chan ( Shaolin) and starring Mueller and his team are also banking that serves as the vice-chairman o the Hong Kong Louis Koo and Ma Li, will be a Hollywood will be eager to participate in Macau, as International Film Festival, agrees that there is no comedy in which two pet own- the event will provide an invaluable international need or tension between the neighboring events. “I ers find out that their cats are PR opportunity in the ballooning Greater Chinese don’t believe in such a thing as conflict between film actually aliens come to earth market — Mainland box office grew by 48 percent estivals. We all promote film culture multilaterally to domesticate them. last year and is on track to surpass North America — I respect any estival that promotes cinema.” China’s Huace Partners With Korea’s Kakao in Cartoon Adaptation Deal By Patrick Brzeski orea’s dominant mobile chat app and social media platorm Kakao has partnered with K leading Chinese film and TV company Huace Group to adapt five internet cartoon titles into eature films, TV shows and online dramas in China. Kakao’s first success in bringing its digital cartoons to screen came with the local Korean adap- tations o Moss in 2010, Secretly, Greatly in 2013 and Excl usi ve First Look the TV series Misaeng: Incomplete Life in 2014. Four o the new titles that Huace will adapt include Help! Breakup Ghost, Just One Shot , Girl in the Mirror and Casheoro. The fifh title is expected to be My Boss Dies Once a Day, according to local Call of Heroes sources. Sean Lau, center, leads a group of villagers in a rebellion against a corrupt general during the Qing Dynasty in directorBenny Chan’s period adventure Call of Heroes. The film is repped at Filmart by Universe Films. KakaoTalk, the company’s chat app, is used by 93% o smartphone owners in South Korea. THE HOLLYWOOD REPORTER 2 e n Gaza Biopic Offers Unlikely Musical Uplif Nikkatsu Tests H i d d M Online Market G E Director Hany Abu-Assad turns dismay into delight with his poignant look at a determined wedding singer from a refugee camp who wins Arab Idol By Alex Ritman With Distance he story o how Mohammed Assaf in 2013 won stopped accepting auditions. The story goes that By Gavin J. Blair the second season o Arab Idol , the Middle Assa climbed over walls, but without a pass to apan’s Nikkatsu released TEast version o the global talent show, almost perorm was lef waiting in the hall, singing to the its Filmart market title seems as i it were written with a swooping musical other contestants.
Recommended publications
  • Masato Sakai, Teruyuki Kagawa, Ryoko Hirosue Key of Life
    Japanese日本映画祭 FilmFestival ADMISSION FREE, NO BOOKINGS – Big Venue 500+ Seats Monday 3 October ~ VENUE: Charles Luney Auditorium, St Margaret’s College Thursday 6 October 2016 12 Winchester Street, Christchurch Presented by Consular Office of Japan, South Island JET-Alumni Association, Monbukagakusho Scholarship-Alumni Association and The Japan Foundation Monday 3rd Oct. 6:30 pm Suitable for Mature Audiences 16 Years and over M Note: Violence Blindly in Love 箱入り息子の恋 Warm-hearted love story! ©2013“Blindly in Love”Film Partners Tuesday 4th Oct. 6:30 pm TBC Being Good きみはいい子 Can Kindness save Someone? ©2015 "Being Good" Film Partners Wednesday 5th Oct. 6:30 pm TBC Sketches of Kaitan City 海炭市叙景 Set in Hakodate! ©2010 Yasushi Sato/"Sketches of Kaitan City" Production Committee Thursday 6th Oct. 6:30 pm TBC Key of Life 鍵泥棒のメソッド Crazy Mix-ups & Suspense! ©2012"Key of Life" Film Partner 日本映画祭 ENQUIRIES: Consular Office of Japan (03) 366 5680 / [email protected] JapaneseFilmFestival facebook.com/JapanConsChristchurch/ ADMISSION FREE, NO BOOKINGS – Big Venue 500+ Seats Monday 3 October ~ Thursday 6 October VENUE: Charles Luney Auditorium 5.45 pm Complimentary tickets available at venue St Margaret’s College, 6.00 pm Short cultural films 12 Winchester Street, Christchurch 6.30 pm Main Feature Classifications to be advised on Facebook In Japanese with English subtitles Monday 3rd October 6:30 pm Blindly in Love 箱入り息子の恋 2013 / 117 minutes / M Kentaro is an introverted 35-year-old whose only interests are his work and his pet frog. He meets Naoko, a beautiful blind woman, but her father is convinced that he is thoroughly unworthy to marry her.
    [Show full text]
  • Published 26 February 2019 LKFF 2018
    1–25 NOVEMBER LONSM_350_ .pdf 1 2018. 8. 22. �� 8:48 It is my pleasure to introduce to you the 13th instalment of the London Korean Film Festival, our annual celebration of Korean Film in all its forms. Since 2006, the Korean Cultural Centre UK has presented the festival with two simple goals, namely to be the most inclusive festival of national cinema anywhere and to always improve on where we left off. As part of this goal Daily to Seoul and Beyond for greater inclusivity, in 2016 the main direction of the festival was tweaked to allow a broader, more diverse range of Korean films to be shown. With special themes exploring different subjects, the popular strands covering everything from box office hits to Korean classics, as well as monthly teaser screenings, the festival has continued to find new audiences for Korean cinema. This year the festival once again works with critics, academics and visiting programmers on each strand of the festival and has partnered with several university film departments as well. At the time of writing, this year’s festival will screen upwards of 55 films, with a special focus entitled ‘A Slice of Everyday Life’. This will include the opening and closing films, Microhabitat by Jeon Go-woon, and The Return by Malene Choi. C ‘A Slice of Everyday Life’ explores valuable snapshots of the sometimes-ignored M lives of ordinary Koreans, often fragile individuals on the edge of society. One Y will also see director Lee Myung-se's films in the Contemporary Classics strand and Park Kiyong's films in the Indie Firepower strand.
    [Show full text]
  • THE SUMMIT a Chronicle of Stones
    THE SUMMIT A Chronicle of Stones (TSURUGIDAKE: TEN NO KI) A Toei/Fuji TV Production Director: Daisaku Kimura Cast: Tadanobu Asano (“Mongol” “Invisible Waves” “Kabei - Our Mother”) Teruyuki Kagawa (“Tokyo Sonata” “Tokyo!”) Toru Nakamura (“2009 Lost Memories” “Purple Butterfly”) Ryuhei Matsuda (“Gohatto -Taboo-“ “Nightmare Detective”) Aoi Miyazaki (“Atsuhime” (TV) “Nana” “Heavenly Forest”) Koji Yakusho (“Babel” “Silk” “Memoirs of a Geisha”) In 1907, a band of men challenged Japan’s last unconquered mountain, in order to complete a map of their nation. Mt. Tsurugidake - Located in Tateyama mountain range in the Northern Alps in Toyama Prefecture, Mt. Tsurugidake stands 2999m above sea level. Tsurugidake is renowned as a difficult mountain and since the beginning of historical records, it has been designated as the “god” for those engaged in mountain asceticism-shamanism and sometimes referred as “needle mountain” or “mountain of death” for its inaccessibility. Neither for fame, nor for profit, the men staked their lives on an impossible mission, for nothing more than a map. This true story gives us a frank view of the noble spirit of devotion and royal spirit, gradually becoming lost to the society of today. “This work is certainly not a film about the mountains: rather, it is a tale of human emotions and feelings and a film about life, set against the background of the mountains.” -Dir. Daisaku Kimura To realistically depict the noble existence of the climbers, Daisaku Kimura, a veteran cinematographer who filmed “Mount Hakkoda” (1977) “Virus: Day of Resurrection (Fukkatsu no Hi)” (1980) and “Poppoya-Railroad Man” (1999) challenged the shooting together with the hand-picked staff and cast set off like a group of mountaineers to challenge the beautiful yet cruel Mt.
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
    PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of
    [Show full text]
  • Lifetime Achievement Award
    100 % BLUE AGAVE • 5 TIMES DISTILLED • HANDMADE SMALL BATCH, SINGLE BARREL • ULTRA PREMIUM THE OFFICIAL TEQUILA OF FANTASTIC FEST Enjoy tequila Ambhar responsibly. Imported by Santo Spirits, Inc. Austin, Texas 78751 Ambhar.com AmbharFantFestAd1.indd 1 8/16/10 10:56 AM DON’T YOU WISH EVERYTHING IN YOUR HOME COULD BE THIS FAST? THAT’S WHY THERE’S ROAD RUNNER HIGH SPEED ONLINE. ® Order Road Runner and get: • Road Runner® High Speed Online 7.0 Mbps, with speeds over 4X faster than DSL’s standard package • FREE PowerBoost® can provide a burst of download speed up to 50% faster • Our Advanced Fiber Network keeps you connected at all times Order Digital Cable and get: $ • No-Fee HD — unlike Satellite, there’s no contract required per month • Enjoy CBS, NBC, FX, USA and more on your schedule with FREE for 12 months Primetime On Demand 25when you bundle with Digital Cable and Digital Home Phone* Order Digital Home Phone and get: • Unlimited calling to anywhere in the U.S., Canada and Puerto Rico with Digital Home Phone Unlimited Nationwide • Caller ID, Call Waiting, 3-Way Calling, and more popular calling features — FREE 100 % BLUE AGAVE • 5 TIMES DISTILLED • HANDMADE SMALL BATCH, SINGLE BARREL • ULTRA PREMIUM Call 1-888-TWC-8585 THE OFFICIAL TEQUILA OF FANTASTIC FEST or visit timewarnercable.com *Limited time offer. Valid for new residential customers only. Road Runner High Speed Online 7.0 Mbps for $25 price applies when All The Best bundle is purchased for $109.99 per month for 12 months. All The Best bundle includes Digital Cable, Road Runner High Speed Online 7.0 Mbps and Digital Home Phone Unlimited Nationwide.
    [Show full text]
  • Ficm Cat16 Todo-01
    Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179
    [Show full text]
  • La La Land | Planet Earth II | I Am Not Your Negro | Blood on the Mountain | Fire at Sea | Confronting ISIS | Tower Scene & Heard
    May- June 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 3 IN THIS ISSUE La La Land | Planet Earth II | I Am Not Your Negro | Blood on the Mountain | Fire at Sea | Confronting ISIS | Tower scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review La La Land HHHH breezy romanticism of make-believe through Lionsgate, 128 min., PG- entrancing, unabashedly twinkly musical 13, DVD: $29.99, Blu- numbers choreographed by Mandy Moore ray/DVD Combo: $39.99, (not the pop singer) that are reminiscent of Publisher/Editor: Randy Pitman Apr. 25 Fred Astaire/Ginger Rogers and Gene Kelly/ Opening with a Debbie Reynolds, particularly when the Associate Editor: Jazza Williams-Wood fabulous fantasy song- lovebirds glide into the heavens during the Editorial Assistant: Christopher Pitman and-dance sequence sparkling “City of Stars” at the Griffith Ob- Graphic Designer: Carol Kaufman featuring commuters servatory.
    [Show full text]
  • 2013 Toronto Japanese Film Festival
    2013 Toronto Japanese Film Festival: 2 Weeks 18 Films トロント日本語映画祭2013:2週間で18作品上映 Summer Events Preview 夏のイベント紹介 May 2013 2013年5月 Vol.39 Issue 5 1 2012-13 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Peter Wakayama VP, Legacy Art Ito 日 2 JCCC Annual Bazaar VP, Management Ann Ashley VP, Strategic Planning Donna Davis 2 May Movie Secretary Sharon Marubashi Treasurer Chris Reid 系 Directors Ken Fukushima 3 Nikkei Heritage Centre Inscriptions Chris Hope Shari Hosaki 文 Warren Kawaguchi 4-5 Upcoming events Lorene Nagata Christine Nakamura Yuki Nakamura 化 6-7 Heritage News Cary Rothbart Nao Seko 8-10 TJFF Movie Lineup Takato Yamashita 会 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 11-13 Community News Sid Ikeda Miki Kobayashi 館 Mickey Matsubayashi 17-20 日本語紙面 Steve Oikawa Fred Sasaki 役 Connie Sugiyama Foundation Chair Shari Hosaki JCCC Staff 員 James Heron Executive Director [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Accounting/General Administration Manager [email protected] 416-441-2345 ext.229 び Calendar of Events Christine Takasaki Community Events/Volunteer Coordinator May [email protected] 416-441-2345 ext.221 ス Thu 2 Ken Fukushima Exhibit Opening Haruko Ishihara Community Rentals Sat 4 JCCC Bazaar [email protected] 416-441-2345 ext.228 タ Sat 18 Karaoke Club Christine Seki Corporate Rentals/Programming and Business Development Mon 20 JCCC closed – Victoria Day [email protected] 416-441-2345 ext.231 ッ Thu 23 Origami workshop Sally Kumagawa
    [Show full text]
  • Movie Museum NOVEMBER 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
    Movie Museum NOVEMBER 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! SICARIO: DAY OF 2 Hawaii Premieres! THREE IDENTICAL Hawaii Premiere! THE 12TH MAN THE SOLDADO HAMILTON: STRANGERS WHEELS (2017-Norway) (2018-US/Mexico) In the Interest of the Nation (2018-UK) in widescreen (2014-US) in widescreen Eng/Norwegian subtitled ws English/Spanish subtitled ws (2012-Sweden) Three complete strangers are Written, Co-Directed by & with Thomas Gullestad Benicio Del Toro, Josh Brolin Swedish w/Eng subtitles ws identical triplets in this doc. Starring Donavon Warren 11:45am, 4:15 & 8:45pm 11:00am, 3:15 & 7:30pm with Mikael Persbrandt 12:00, 3:30 & 7:00pm 11:30am, 3:45 & 8:00pm ------------------------------------ ------------------------------------ 12:00, 4:30 & 9:00pm ---------------------------------- ------------------------------------ THE CATCHER WAS A Hawaii Premiere! ---------------------------------- Hawaii Premiere! SICARIO: DAY OF SPY WHEELS THE 12TH MAN THE CATCHER WAS A THE SOLDADO (2018-US) in widescreen (2014-US) in widescreen (2017-Norway) SPY (2018-US/Mexico) Paul Rudd, Paul Giamatti with Donavon Warren Eng/Norwegian subtitled ws (2018-US) in widescreen English/Spanish subtitled ws 2:30 & 7:00pm 1 1:15 & 5:30pm 2 2:00 & 6:30pm 3 1:45, 5:15 & 8:45pm 4 1:30 & 5:45pm 5 LEAVE NO TRACE MAMMA MIA! INCREDIBLES 2 BLACKkKLANSMAN MAMMA MIA! (2018-US/Canada) HERE WE GO AGAIN (2018-US) animation ws (2018-US) in widescreen HERE WE GO AGAIN in widescreen (2018-UK/US) with Craig T. Nelson, Holly with John David
    [Show full text]
  • 2Nd Grade School Excursion to Okinawa
    YS is published by 2-1 class. YS tells you the news around us. The reason why we publish YS is we want to tell many people about events around us, our opinions, and very interesting original stories. We will try to publish YS every week. YS was renewed on October 4. Please look forward to reading it! Renewal ---YS Renewal Vol.9 December 20, 2013 Editor S.S The Grand Prix of the buzzwords in 2013 The other day, the Grand Prix of the buzzwords in 2013 was announced. There are four words this year, ”Je Je Je” “Imadesho(Now is the time)” “Omotenashi(treatment)” “Baigaeshi(the double revenge)”. This is the first time when as many as four words are chosen to be the Grand Prizes. Now, let me explain each words in turn. First, “Je Je Je” is the word which is used when you are surprised. It became famous because in a series of the NHK TV drama “Amachan,” it is used. The mildness of it may attract people. I came across a parent and child in a fancy dress like Amachan on TV program, Uta No Ohsama(king of singers). I felt tenderness in it. Incidentally Ginji, who is a member of the Eagles, appeared. Second, “Imadesho” is the word said by Osamu Hayashi, who is a teacher of Toshin high school. This word is also chosen to be the Grand Prix of the first half of the year. The origin of this word is the CM of Toshin high school. He said at the end of the CM, “Itsuyaruka, Imadesho!!(When do you study? Now is the time!!) After this, people in Japan began to use this word all the time.
    [Show full text]
  • KT Seit 1998 Ist Kim Dae-Jung Demokratisch Gewählter
    Wettbewerb/IFB 2002 KT KT KT KT Regie: Junji Sakamoto Japan/Republik Korea 2001 Darsteller Masuo Tomita Koichi Sato Länge 138 Min. Kim Chang-Won Kim Kab-Soo Format 35 mm, 1:1.85 Kim Dae-Jung Choi Il-Hwa Farbe Kim Kab-Soo Michitaka Tsutsui Lee Jeong-Mi Yang Eun-Yong Stabliste Haruo Satake Teruyuki Kagawa Buch Haruhiko Arai, Shoichi Tsukada Hirochi Oguchi nach dem Roman Hiroshi Uchiyama Akira Emoto „Rachi“ von Yu Chun-Seong Ken Mitsuishi Eisuke Nakazono Hong Seong-Jin Go Riju Kamera Norimichi Kasamatsu Susumu Kawahara Akaji Maro Schnitt Toshihide Fukano Kab-Soos Mutter Kyoko Enami Ton Fumio Hashimoto Toshiko Takashima Nana Nakamoto Musikalische Leitung Tomoyasu Hotei Kim Junk-Won Kim Byong-Se Ausstattung Mitsuo Harada Akikazu Kamikawa Yoshio Harada Kostüm Fumio Iwasaki Maske Kyoko Toyokawa Regieassistenz Yasukazu Sugiyama Produzent Yukiko Shii Executive Producer Lee Bong-Ou Choi Il-Hwa, Kim Byong-Se, Kim Kab-Soo, Koichi Sato Co-Produktion Eisei Gekijo,Tokio Mainichi Broadcast- ing Systems,Osaka KT Digital Site Korea, Seit 1998 ist Kim Dae-Jung demokratisch gewählter Staatspräsident der Seoul Republik Korea, 2000 wurde ihm der Friedensnobelpreis verliehen. Der Film beleuchtet eine dramatische Episode aus den 70er Jahren, in denen er der Produktion führende Oppositionelle gegen die Militärdiktatur in seinem Land war. Cine Qua Non 15-3 Maruyama-cho Im Oktober 1972, kurz vor Verhängung des Kriegsrechts, hatte er Korea ver- Shibuya-ku lassen und war nach Japan gekommen, um aus dem Exil heraus seine poli- J-Tokyo 150-0044 tische Arbeit fortzuführen. Am 8. August 1973 wurde Kim, der schon mehr- Tel.:3-54 58 65 71 mals das Ziel von Mordanschlägen gewesen war, aus einem Hotel in Tokio Fax:3-54 58 65 72 entführt.
    [Show full text]