DOCSLIB.ORG

Movie Museum SEPTEMBER 2018 COMING ATTRACTIONS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Movie Museum SEPTEMBER 2018 COMING ATTRACTIONS Movie Museum SEPTEMBER 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! 3 Hawaii Premieres! KISSES WARRING CLANS I WISH WON'T YOU BE MY THE LAND OF aka Kiseki NEIGHBOR? aka Kuchizuke aka Sengoku yarô (2011-Japan) (2018-US) in widescreen HAPPINESS (1957-Japan) (1963-Japan) (1993-Finland) Finnish w/sub Japanese with English A touching documentary on PLUS Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws subtitles & in widescreen the life of Fred Rogers, aka Director: Yasuzô Masumura Director: Kihachi Okamoto Mr. Rogers PICTURES OF THE OLD 11:00am, 2:45 & 8:45pm 11:00am, 2:30 & 6:00pm with Koki and Ohshirô 12:00, 3:30, 5:15 & 8:45pm WORLD (1972-Czechoslovakia) ---------------------------------- ---------------------------------- Maeda, Kirin Kiki, ---------------------------------- I WISH EVERY STEWARDESS Joe Odagiri DOG NAIL CLIPPER 11am, 3 & 7pm aka Kiseki GOES TO HEAVEN Koirankynnen leikkaaja ---------------------------------- (2011-Japan) (2002-Spain/Argentina) Written and Directed by (2004-Finland) HANNA'S JOURNEY Japanese w/Eng subtitles ws Spanish with Eng subtitles ws Hirokazu Koreeda Finnish w/Eng subtitles ws (2013-Germany/Israel) Director: Hirokazu Koreeda Directed by Daniel Burman 11:45am, 2:00, 4:15, 6:30 with Peter Franzén German/Hebrew subtitled ws 12:30, 4:15 & 6:30pm 6 12:45, 4:15 & 7:45pm 7 & 8:45pm 8 1:45 & 7:00pm 9 1:15, 5:15 & 9:15pm 10 WON'T YOU BE MY Hawaii Premiere! QUILL: THE LIFE OF 2 Hawaii Premieres! 2 Hawaii Premieres! GRAN CASINO NEIGHBOR? TAIKOKI A GUIDE DOG TAIKOKI (1987-Japan) (1987-Japan) (1947-Mexico) (2018-US) in widescreen (2004-Japan) Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws Spanish w/Eng subtitles A touching doc on the life of Japanese w/Eng subtitles ws Part 1: 11:00am only Part 1: 12:00 & 8:30pm with Libertad Lamarque Fred Rogers, aka Mr. Rogers 11:30am, 3:15, 5:00pm Directed by Luis Buñuel 12:00, 3:30 & 7:00pm Part 2: 1:15pm only Part 2: 2:15pm & 10:30pm ---------------------------------- ---------------------------------- 11:00am, 2:30 & 6:00pm ---------------------------------- ---------------------------------- THE DEATH OF ---------------------------------- Hawaii Premiere! QUILL: THE LIFE OF STALIN KISSES EVERY STEWARDESS WARRING CLANS A GUIDE DOG (2017-France/UK/Belg/Can) aka Kuchizuke GOES TO HEAVEN (1963-Japan) (2004-Japan) in English & in widescreen (1957-Japan) (2002-Spain/Argentina) Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws with Steve Buscemi Japanese w/Eng subtitles ws Spanish with Eng subtitles ws with Yûzô Kayama Directed by Yôichi Sai Director: Armando Iannucci Director: Yasuzô Masumura Directed by Daniel Burman 1:45, 5:15 & 8:45pm 3:00, 4:45, 6:30, 8:15pm 1:15, 6:45 & 8:45pm 4:00, 5:30 & 7:00pm 12:45, 4:15 & 7:45pm 13 14 15 16 17 MIXED DOUBLES THE DEATH OF OCEAN'S EIGHT Hawaii Premiere! KAMIKAZE GIRLS (2017-Japan) STALIN (2018-US) WOMAN WALKS (2004-Japan) Japanese w/Eng subtitles ws (2017-France/UK/Belg/Can) in widescreen AHEAD Japanese w/Eng subtitles ws with Yui Aragaki, Eita, in English & in widescreen (2017-US) with Kyoko Fukada, Anna Ryôko Hirosue Director: Armando Iannucci with Sandra Bullock, Cate in widescreen Tsuchiya, Sadao Abe 11am, 4:45 & 7:00pm 11am, 3 & 7pm Blanchett, Anne Hathaway, Director: Tetsuya Nakashima --------------------------------- --------------------------------- Mindy Kaling, Awkwafina, with Jessica Chastain, 11am, 3 & 7pm SWING GIRLS Hawaii Premiere! Helena Bonham Carter, Michael Greyeyes, Sam ---------------------------------- (2005-Japan) THE DISTINGUISHED Rihanna, Sarah Paulson Rockwell, Ciarán Hinds MIXED DOUBLES Japanese w/Eng subtitles ws CITIZEN (2017-Japan) with Juri Ueno, Yûta Hiraoka, (2016-Argentina/Spain) Directed and Co-written by Directed by Japanese w/Eng subtitles ws Naoto Takenaka Spanish w/Eng subtitles ws Gary Ross Susanna White with Yui Aragaki, Eita, Directed by Shinobu Yaguchi with Oscar Martínez 11:00am, 1:00, 3:00, 5:00, 12:00, 1:45, 3:30, 5:15 Ryôko Hirosue 1:15, 3:00 & 9:15pm 1, 5 & 9pm 7:00 & 9:00pm 7:00 & 8:45pm 12:45, 4:45 & 8:45pm 20 21 22 23 24 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! STEALING AMERICAN ANIMALS Hawaii Premiere! SWEET VIRGINIA TRUMAN (2018-UK/US) in widescreen (2015-Spain/Argentina) REMBRANDT TRUMAN (2017-Canada/US) with Barry Keoghan, Evan (2015-Spain/Argentina) Spanish w/Eng subtitles ws (2003-Denmark/UK) in widescreen Peters, Jared Abrahamson Spanish w/Eng subtitles ws with Ricardo Darín, Danish w/Eng subtitles ws Jon Bernthal, Christopher Directed by Bart Layton Abbott, Imogen Poots, Javier Cámara with Lars Brygmann, Jakob Cedergren, Nicolas Bro, 11am, 2:45, 4:45, 6:45 with Ricardo Darín, Javier Rosemarie DeWitt 11am, 3 & 7pm Nikolaj Coster-Waldau & 8:45pm Cámara, Dolores Fonzi, 11:30am, 3, 4:45 & 8:15pm ---------------------------------- 11:00am, 3:00 & 9:15pm ---------------------------------- Eduard Fernández, Troilo ---------------------------------- THE DISTINGUISHED --------------------------------- Hawaii Premiere! STEALING CITIZEN MIXED DOUBLES HANNA'S JOURNEY Directed and Co-written by REMBRANDT (2016-Argentina/Spain) (2017-Japan) (2013-Germany/Israel) Cesc Gay (1959-France/Italy) Spanish w/Eng subtitles ws Japanese w/Eng subtitles ws German/Hebrew subtitled ws French w/Eng subtitles ws with Oscar Martínez with Yui Aragaki, Eita with Karoline Schuch 12:30, 2:30, 4:30, 6:30 Directed by Jannik Johansen 12:45, 4:45 & 7:00pm 1:00pm only & 8:30pm 1:15 & 6:30pm 1, 5 & 9pm 27 28 29 30 Oct 1 $5 General Admission / $4 Members All films will be presented Reservations Recommended. Call 735-8771. with digital sound. MOVIE MUSEUM September 2018 $5 General Admission / $4 Members COMING ATTRACTIONS Reservations Recommended. Call 735-8771. KISSES aka Kuchizuke (1957-Japan) 74m *** ½ D: Yasuzô HANNA’S JOURNEY aka Hannas Reise (2013-Germany/Israel) OCEAN’S EIGHT (2018-US) 110m *** D: Gary Ross Masumura (GIANTS AND TOYS). Hiroshi Kawaguchi, Hi- 96m *** D: Julia von Heinz. Karoline Schuch, Doron Amit, Leah (SEABISCUIT). Sandra Bullock, Cate Blanchett, tomi Nozoe, Eitarô Ozawa, Saiko Mima. Twenty-somethings Koenig, Max Mauff, Trystan Pütter. Fresh out of college, fiercely Anne Hathaway, Awkwafina, Mindy Kaling, Rihanna, Kin’ichi (Kawaguchi) and Akiko (Nozoe) meet while visiting ambitious Hanna (Schuch) travels from Germany to Israel to help Sarah Paulson, Elliott Gould, Richard Armitage. It their respective fathers in jail. Kin’ichi’s dad is serving a the mentally disabled, purely to improve her chances of landing a turns out Danny Ocean’s not the only criminal genius sentence for electoral fraud while Akiko’s father, a govern- prestigious management job. Her cynicism begins to slowly erode in the family. Danny’s sister Debbie (Bullock), fresh ment official, has embezzled a large sum of money to pay once there, when, among other things, she meets social worker Itay out of prison, has a big heist in mind: a $150 million for his wife’s medical bills. The two decide to throw off their (Amit), who sets about knocking her off her high horse. Character- Cartier necklace, at the glittering Met Gala, from cares for a dizzying afternoon of fun in director Masumura’s building revelations emerge in this award-winning, attractively the neck of the Gala’s host, actress Daphne Kluger highly regarded debut feature. For ages 15 and older. lensed tale. For ages 12 and older. (Hathaway). Of course, Debbie has to recruit a team, and she finds the sharpest gals for the job. A terrific I WISH aka Kiseki (2011-Japan) 128m **** D: Hirokazu TAIKOKI (1987-Japan) Part I: 120m, Part II: 100m *** D: Kihachi good time AND first-rate fashion parade. Winner of Koreeda (AFTER LIFE). Koki Maeda, Ohshirô Maeda, Okamoto (WARRING CLANS). Kyohei Shibata, Hiroki Matsukata, 2 awards. Rated PG-13. Ryôga Hayashi. Twelve-year-old Koichi (Koki Maeda) is Shin’ichi ‘Sonny’ Chiba, Keiko Matsuzaka. True rags-to-riches separated from his brother (and dear friend) Ryunosuke story of a peasant nicknamed Saru (Shibata) who rises to rule Japan WOMAN WALKS AHEAD (2017-US) 101m *** D: (Ohshirô Maeda) because of his parents’ divorce. Koichi as Toyotomi Hideyoshi (3/17/1537 – 9/18/1598). ‘Saru’ means mon- Susanna White (Bleak House). Jessica Chastain, Mi- believes that at the instant when the bullet trains that con- key—he’s so named because he is funny-looking and mischievous. chael Greyeyes, Sam Rockwell, Ciarán Hinds. In this nect his mother and father’s cities pass each other, enough But he’s also quick-thinking and verbally agile, making himself adaptation of Eileen Pollack’s book, artist Catherine force will be generated for a miracle to occur and wishes indispensable to warlord Oda Nobunaga (Matsuzaka). This fun Weldon (Chastain) travels in 1889 from Brooklyn to will come true. Koichi and his friends plan a wish-making and fascinating chronicle is a must-see for Japanese history fans. Dakota Territory to paint Sitting Bull (Greyeyes). trip. This endearing family drama won 3 awards. Rated PG. For ages 10 and older. While there she becomes embroiled in the Lakota peoples’ struggle against the US government and its WARRING CLANS aka Sengoku yarô (1963-Japan) 98m QUILL: THE LIFE OF A GUIDE DOG (2004-Japan) 100m *** attempt to expropriate their land through the Dawes *** ½ D: Kihachi Okamoto (KILL!). Yûzô Kayama, Yuriko D: Yôichi Sai. Kaoru Kobayashi, Kippei Shiina, Teruyuki Kagawa, Act. This visually striking drama employs soaring Hoshi, Makoto Satô. Disgusted by the cruelty of warlord Keiko Toda. Based on a true story, QUILL plays like a dog’s bi- landscapes and dramatic skies (New Mexico stands in Takeda Shingen, principled young deserter Kittan (Kayama) ography. Quill is chosen from a litter of 5 Labrador puppies for for the Dakotas) to depict the riches at stake. Rated R. is on the run in this action adventure set in Japan’s Sengoku training as a guide dog and named for the quill-like black mark on period.
Load more

Recommended publications
  • Damsel Dark Money the Darkest Minds the Dawn
    DAMSEL Actors: Robert Pattinson. Robert Forster. Actresses: Mia Wasikowska. DARK MONEY THE DARKEST MINDS Actors: Bradley Whitford. Harris Dickinson. Patrick Gibson. Skylan Brooks. Wade Williams. Mark O'Brien. Wallace Langham. Sammi Rotibi. McCarrie McCausland. Logan Siu. Actresses: Amandla Stenberg. Mandy Moore. Miya Cech. Gwendoline Christie. Golden Brooks. Lidya Jewett. Faye Foley. Deja Dee. Cynne Simpson. Tara Jones. THE DAWN WALL DEADPOOL 2 Actors: Ryan Reynolds. Josh Brolin. Julian Dennison. T. J. Miller. Karan Soni. Jack Kesy. Eddie Marsan. Stefan Kapicic. Randal Reeder. Nikolai Witschl. Actresses: Morena Baccarin. Zazie Beetz. Leslie Uggams. Brianna Hildebrand. Shioli Kutsuna. Hayley Sales. Islie Hirvonen. Tanis Dolman. Eleanor Walker. Sonia Sunger. DEAR MOLLY Actors: Alok Rajwade. Björn Johansson. Jaswinder Singh. Tomas Johansson. Vilas Mane. Jan- Erik Tholin. Actresses: Chitrika Jadhav. Gurbani Gill. Ashwini Giri. Sanjita Shroff. Mrinmayee Godbole. Urvi Yadav. Alicia Borggren. Lia Boysen. THE DEATH OF STALIN Actors: Steve Buscemi. Michael Palin. Jeffrey Tambor. Simon Russell Beale. Rupert Friend. Jason Isaacs. Actresses: Andrea Riseborough. Olga Kurylenko. DEATH WISH Actors: Bruce Willis. Vincent D'Onofrio. Dean Norris. Actresses: Camila Morrone. Elisabeth Shue. Kimberly Elise. DELAWARE SHORE Actors: James Robinson, Jr.. Jason R. Maga. Kevin Austra. Ed Aristone. Kevin Francis. Kevin D. Benton. Charles "Linwood" Jackson. Actresses: Gail Wagner. Emily McKinley Hill. Kirsten Valania. Sharyn Pak Withers. Brittany Anne Williamson. Bella Dontine. Jessica Classen. DEN OF THIEVES Actors: Gerard Butler. Pablo Schreiber. O'Shea Jackson, Jr.. Curtis "50 Cent" Jackson. Maurice Compte. Brian Van Holt. Evan Jones. Mo McRae. Kaiwi Lyman. Eric Braeden. Actresses: Meadow Williams. Dawn Olivieri. Charline St. Charles. Tracey Bonner. Alexus Lapri Geier. Sonya Chung.
    [Show full text]
  • Notes for Chapter Re-Drafts
    Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010.
    [Show full text]
  • Abitur-Beilage 2014 1
    BERLIN, SONNTAG, 6. JULI 2014ABITUR 201470. JAHRGANG / NR. 22095 BERLINER ABITURIENTEN AUF EINEN BLICK Bestanden Wie Berliner Schüler ihren Abschluss feierten – und ihre Pläne für die Zeit danach WÖCHENTLICHE INFO- VERANSTALTUNGEN! B2 DER TAGESSPIEGEL ABITUR 2014 NR. 22 095 / SONNTAG, 6. JULI 2014 EDITORIAL Herzlichen Glückwunsch! Ohne Hartnäckigkeit geht es nicht! Das gilt für die Abiturprü- fungen, aber auch für diese Bei- lage, denn es war mal wieder nicht leicht, an die Namen der glückli- chen Absolventen heranzukom- men. Jedes Jahr gibt es Lücken, und auch 2014 haben sich leider nicht alle Schulen gemeldet. Ein- mal haben wir uns selbst auf den Weg gemacht, um den Abiturien- ten eine Enttäuschung beim Auf- schlagen der Beilage zu ersparen. Wenn dennoch Namen fehlen, sei als kleiner Trost darauf hingewie- sen, dass die fehlenden Schüler on- line unter www.tagesspiegel.de/ schule nachgetragen werden, so- bald sie uns vorliegen. Nun aber die Hauptsache: Eine herzliche Gratulation allen Absol- venten und die besten Wünsche „Schlauer Bursche“. Der 19-jährige Schirin ist einer der ersten Abiturienten der Gemeinschaftsschule auf dem Campus Rütli – angefangen für die kommenden aufregenden hatte er als Hauptschüler. „Doch es gab Lehrer, die an mich geglaubt haben.“ Sein Studienwunsch: Maschinenbau. Foto: Kitty Kleist-Heinrich Jahre zwischen Ausbildung, Stu- dium und hoffentlich vielen Rei- sen. Susanne Vieth-Entus An 178 Berliner Schulen wurde 2014 das Abitur abgelegt. Erstmals dabei: die Rütli-Schule. 12000 Abiturienten könnten tolle Geschichten erzählen. Wir fangen schon mal an CNACHRICHT D Neues Stipendium für Abiturienten auf Sinnsuche Voll im Leben Nach dem Abi keine Lust, gleich mit Ausbildung oder Studium zu starten? In diesem Fall kann das neue Pfad.finder-Stipendium der Von Susanne Vieth-Entus privaten Universität Witten-Her- decke helfen.
    [Show full text]
  • 2012 Sundance Film Festival Announces Awards
    FOR IMMEDIATE RELEASE Media Contacts: January 28, 2012 Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes Audience Favorites Include The Invisible War, The Surrogate, SEARCHING FOR SUGAR MAN and Valley of Saints Sleepwalk With Me Receives Best of NEXT <=> Audience Award Park City, UT — Sundance Institute this evening announced the Jury, Audience, NEXT <=> and other special awards of the 2012 Sundance Film Festival at the Festival‘s Awards Ceremony, hosted by Parker Posey in Park City, Utah. An archived video of the ceremony in its entirety is available at www.sundance.org/live. ―Every year the Sundance Film Festival brings to light exciting new directions and fresh voices in independent film, and this year is no different,‖ said John Cooper, Director of the Sundance Film Festival. ―While these awards further distinguish those that have had the most impact on audiences and our jury, the level of talent showcased across the board at the Festival was really impressive, and all are to be congratulated and thanked for sharing their work with us.‖ Keri Putnam, Executive Director of Sundance Institute, said, ―As we close what was a remarkable 10 days of the 2012 Sundance Film Festival, we look to the year ahead with incredible optimism for the independent film community. As filmmakers continue to push each other to achieve new heights in storytelling we are excited to see what‘s next.‖ The 2012 Sundance Film Festival Awards presented this evening were: The Grand Jury Prize: Documentary was presented by Charles Ferguson to: The House I Live In / U.S.A.
    [Show full text]
  • Célia Maki Tomimatsu.Pdf
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PROGRAMA DE ESTUDOS PÓS-GRADUADOS EM COMUNICAÇÃO E SEMIÓTICA O cinema que convoca os sentidos da vida Uma análise do conceito de Ikigai (razão de viver) na filmografia de Hirokazu Koreeda Tese de Doutorado apresentada à Banca Examinadora da PUC de São Paulo como parte da exigência para a obtenção do título de Doutora em Comunicação e Semiótica. Orientadora: Profa. Dra. Christine Greiner CÉLIA MAKI TOMIMATSU São Paulo 2017 2 Banca Examinadora _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ São Paulo, ______ de _____________________ de 2017. 3 RESUMO O objetivo desta pesquisa é analisar como o cineasta japonês Hirokazu Koreeda transforma o conceito de ikigai （生きがい） em um recurso comunicacional que afeta o público japonês e as plateias internacionais, na medida em que convoca a vida na sua singularidade cotidiana e não necessariamente a partir de grandes acontecimentos. Embora ikigai seja um termo de difícil tradução, tem sido considerado por pesquisadores de áreas diversas como razão de viver. O corpus principal da tese é composto por quatro filmes: A luz da ilusão (1995), Depois da vida (1999), Tão distante (2001) e Seguindo em frente (2008). Em todos eles, há um destaque para os questionamentos sobre a vida, a morte e, sobretudo, a memória como interação humana entre dos personagens. Isso porque, além dos diálogos, o silêncio e as imagens das lembranças expressam a razão de viver de cada um deles. No que se refere ao quadro teórico, relacionamos bibliografias sobre ikigai de Mieko Kamiya (2004a, 2004b) com os escritos do próprio Hirokazu Koreeda (2001, 2004, 2008, 2016a, 2016d), bem como suas entrevistas, nas quais o autor interpreta ikigai de um modo complexo e elucida a sua inserção no cinema japonês contemporâneo.
    [Show full text]
  • Evolution and Ambition in the Career of Jan Lievens (1607-1674)
    ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality.
    [Show full text]
  • The World to Come
    THE WORLD TO COME Directed by Mona Fastvold *World Premiere - 2020 Venice International Film Festival - Competition* PRESS CONTACTS US Press: Emilie Spiegel, [email protected] Intl Press: Claudia Tomassini, [email protected] SYNOPSIS In this frontier romance framed by the four seasons and set against the backdrop of rugged terrain, Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby) find themselves powerfully, irrevocably drawn to each other. As grieving Abigail tends to the needs of her taciturn husband Dyer (Casey Affleck) and Tallie bristles at the jealous control of her husband Finney (Christopher Abbot), both women are illuminated and liberated by their intense bond, filling a void in their lives they never knew existed. Director Mona Fastvold (The Sleepwalker, co-writer of CHILDHOOD OF A LEADER and VOX LUX) examines the interior lives of two women resisting constraints, giving voice to their experiences. Scripted by Jim Shepard and Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford), THE WORLD TO COME explores how isolation is overcome by the power of imagination and human connection. Q&A with Director Mona Fastvold First of all, tell me how the material came your way. It’s an interesting pairing of a novelist adapting a short story — was this a script that came to you fully formed? The script came to me from one of our producers, Whitaker Lader, who had seen my previous film. She and Casey had been developing the script with the screenwriters, Ron Hansen and Jim Shepard, for some time. I was immediately struck by it.
    [Show full text]
  • 100 Ans De Cinéma Japonais Cinéma Ans De 100 Programmation
    100 ANS DE CINÉMA JAPONAIS CINÉMA ANS DE 100 PROGRAMMATION 100 ANS DE CINÉMA JAPONAIS (2E PARTIE) UNE HISTOIRE INSOLITE DU CINÉMA JAPONAIS RÉTROSPECTIVE 23 JANVIER – 17 FÉVRIER Dans le cadre de Japonismes 2018 Avec le soutien de l’Alliance Renault-Nissan-Mitsubishi Pistol Opera 79 Matango PERLES RARES DU JAPON Une histoire insolite du cinéma japonais, suite… Plus d’une trentaine de titres rares de l’immense production nippone (du cinéma de studio aux productions indépendantes), de la fin des années 1940 jusqu’aux années 2000. L’évènement « Japonismes 2018 », non content de marquer d’une pierre blanche plus de 100 ans de cinéma japonais, à sa manière mettra aussi à l’honneur un siècle de cinéphilie française ; depuis les années 1910, quand Louis Delluc ne cachait pas son émotion devant la modernité du jeu de Sessue Hayakawa dans le Forfaiture de Cecil B. DeMille, la production du Soleil levant est devenue le fantasme inta- rissable d’un certain public qui, déjà au XIXe siècle, s’extasiait devant le nouveau vocabulaire plastique que proposaient les estampes orientales. PETITE HISTOIRE D’UNE PERCEPTION FRANÇAISE Il a fallu attendre les années 1920 pour que cette production commence à s’expor- ter épisodiquement. Si l’on excepte quelques pantomimes filmées anonymement, c’est pour la première fois en mars 1926 qu’est présenté au public un film japo- nais dans le mythique Studio des Ursulines, vieux théâtre de quartier reconverti depuis peu en salle d’art et d’essai. Musume (Ai no Himitsu) de Frank Tokunaga fut donc projeté entre un court métrage de René Clair et un autre de Louis Feuillade lors d’une de ces matinées réservées aux membres.
    [Show full text]
  • Nuevo Cine Argentino De Rapado a Historias Extraordinarias Veinticinco Años, Veinticinco Libros
    Nuevo Cine Argentino De Rapado a Historias extraordinarias Veinticinco años, veinticinco libros El ciclo político inaugurado en Argentina a fines de 1983 se abrió bajo el auspicio de generosas promesas de justicia, renovación de la vida pública y ampliación de la ciudadanía, y conoció logros y retrocesos, fortalezas y desmayos, sobresaltos, obstáculos y reveses, en los más diversos planos, a lo largo de todos estos años. Que fue- ron años de fuertes transformaciones de los esquemas productivos y de la estructura social, de importantes cambios en la vida pública y privada, de desarrollo de nuevas formas de la vida colectiva, de actividad cultural y de consumo y también de expansión, hasta ni- veles nunca antes conocidos en nuestra historia, de la pobreza y la miseria. Hoy, veinticinco años después, nos ha parecido interesante el ejercicio de tratar de revisar estos resultados a través de la publica- ción de esta colección de veinticinco libros, escritos por académicos dedicados al estudio de diversos planos de la vida social argentina para un público amplio y no necesariamente experto. La misma tiene la pretensión de contribuir al conocimiento general de estos procesos y a la necesaria discusión colectiva sobre estos problemas. De este modo, dos instituciones públicas argentinas, la Biblioteca Nacional y la Universidad Nacional de General Sarmiento, a través de su Instituto del Desarrollo Humano, cumplen, nos parece, con su deber de contribuir con el fortalecimiento de los resortes cognos- citivos y conceptuales, argumentativos y polémicos, de la democra- cia conquistada hace un cuarto de siglo, y de la que los infortunios y los problemas de cada día nos revelan los déficits y los desafíos.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Certain Women
    CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.
    [Show full text]
  • Producciones Audiovisuales Colaborativas En Torno a La Campaña Nacional Por El Derecho Al Aborto Legal, Seguro Y Gratuito
    “Que sea ley”. Producciones audiovisuales colaborativas en torno a la Campaña Nacional por el Derecho al Aborto Legal, Seguro y Gratuito Claudia Laudano ⃰ Julia Kratje ** Alejandra Aracri *** Yamila Balbuena **** Resumen El objetivo de este artículo es analizar producciones audiovisuales en torno a los debates parlamentarios de 2018 sobre el Proyecto de Ley de Interrupción ⃰⃰ Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP - CONICET). Facultad de Humanidades y Ciencias de la Educación. Universidad Nacional de La Plata – Argentina. Contacto: [email protected] ** Instituto interdisciplinario de Estudios de Género (UBA – CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas. Facultad de Filosofía y Letras Universidad de Buenos Aires. Contacto: [email protected] *** Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP - CONICET). Facultad de Humanidades y Ciencias de la Educación. Universidad Nacional de La Plata – Argentina. Contacto: [email protected] **** Instituto de Investigaciones en Humanidades y Ciencias Sociales (UNLP - CONICET). Facultad de Humanidades y Ciencias de la Educación. Universidad Nacional de La Plata – Argentina. Contacto: [email protected] Laudano, Claudia; Kratje Julia; Aracri, Alejandra; Balbuena, Yamila. “Que sea ley´. Producciones audiovisuales colaborativas en torno a la Campaña Nacional por el Derecho al Aborto Legal, Seguro y Gratuito” en Zona Franca. Revista del Centro de estudios Interdisciplinario sobre las Mujeres, y de la Maestría poder y sociedad desde la problemática de Género, N°28, 2020 pp. 22- 49. ISSN, 2545-6504 Recibido: 1 de agosto 2020; Aceptado: 24 de noviembre 2020 Revista Zona Franca- Centro de estudios interdisciplinario sobre las mujeres (CEIM)- Maestría poder y sociedad desde la problemática de género (MG), Rosario, Argentina.
    [Show full text]