Remembrance Sunday 2009
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House of Lords Chamber Event 2013
The Great War: Listening to the Past; Talking to the Future One hundred years after World War One, what is its legacy for the UK and how does it shape the nation today? Chamber Event 2013 29 November 2013 Debate transcript Contents Introduction 1 Opening speeches 4 Floor speeches 9 Closing speeches 18 Votes 20 Conclusion 23 Note on participants 24 House of Lords | 1 Introduction The Lord Speaker (Baroness D’Souza): Good afternoon, and a warm welcome to you all. It is wonderful to see you here in a very crowded Chamber. I am Baroness D’Souza, the Lord Speaker, and I am presiding over the debate, as I do normally when we hold debates in this House. The discussions we are going to have today are extremely important, as I am sure all of you realise, in that we will be talking about defence, remembrance and, of course, the legacy of the Great War and other conflicts. This is the seventh debate to be held in the Chamber with guests who are not Members of this House. For hundreds of years, no one was allowed to sit in this House unless they were Peers. Most of you are not Peers, so we are very delighted to see you here today. I am doubly pleased that we have a mix of young cadets and venerable veterans with us today. This is only the second time that we have held an intergenerational debate, so again we are making history. I hope you agree that it is both valuable and wonderful to hear views from across the age range. -
Channel Islands Great War Study Group
CHANNEL ISLANDS GREAT WAR STUDY GROUP Le Défilé de la Victoire – 14 Juillet 1919 JOURNAL 27 AUGUST 2009 Please note that Copyright for any articles contained in this Journal rests with the Authors as shown. Please contact them directly if you wish to use their material. 1 Hello All It will not have escaped the notice of many of us that the month of July, 2009, with the deaths of three old gentlemen, saw human bonds being broken with the Great War. This is not a place for obituaries, collectively the UK’s national press has done that task more adequately (and internationally, I suspect likewise for New Zealand, the USA and the other protagonists of that War), but it is in a way sad that they have died. Harry Patch and Henry Allingham could recount events from the battles at Jutland and Passchendaele, and their recollections have, in recent years, served to educate youngsters about the horrors of war, and yet? With age, memory can play tricks, and the facts of the past can be modified to suit the beliefs of the present. For example, Harry Patch is noted as having become a pacifist, and to exemplify that, he stated that he had wounded, rather than killed, a German who was charging Harry’s machine gun crew with rifle and bayonet, by Harry firing his Colt revolver. I wonder? My personal experience in the latter years of my military career, having a Browning pistol as my issued weapon, was that the only way I could have accurately hit a barn door was by throwing the pistol at it! Given the mud and the filth, the clamour and the noise, the fear, a well aimed shot designed solely to ‘wing’ an enemy does seem remarkable. -
The Oxford Democrat
The Oxford Democrat. NUMBER 24 VOLUME 80. SOUTH PARIS, MAINE, TUESDAY, JUNE 17, 1913. where hit the oat "Hear Hear The drearily. "That's you look out for that end of the business. to an extent. low Voted Out the Saloons called ye! ye! poll· D. *ΆΚΚ. increase the aupply quite They he said. on | are now closed." Everyone drew a aigb nail on the head," "Mouey. ▲11 I want you to do 1b to pass this AMONG THE FARMERS. Some Kansas experiment· show an in- The following extract from λ lettei Auctioneer, DON'T HURRY OR WORRY of and went borne to aopper, ex- the mean and dirty thing that can here note." Lictjnsed crease after a crop of clover was turned 'rom Mrs. Benj. H. Fiab of Santa Bar relief, — who ate theirs world—that's «"»«· At Meals Follows. TH* cept tbe election board, the best man In the "Colonel Tod hunter," replied tlie »IU>. Dyspepsia "SPKED PLOW." under. The yield of corn was Increased >ara, Calif., may be of interest bott whip âû0TH and oat of pail· and boxes, and afterwards Thurs." "the Indorsement and the col- Moderate- 20 bushel· an acre, oats 10 bushels, rom the temperance and tbe suffrage Colonel the trouble. banker, Tera» I went to A serene mental condition and time began counting votes. aleep other man's mon- a Correspondence on practical agricultural topics potatoes 30 bushel*. itand point. "Ifs generally the lateral make this note good, and it's to chow your food is more la bearing them count. thoroughly aollcHed. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
'Art of a Second Order': the First World War from the British Home Front Perspective
‘ART OF A SECOND ORDER’ The First World War From The British Home Front Perspective by RICHENDA M. ROBERTS A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham September 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts of sexual difference functioned to promote masculine authority. Nevertheless in Britain during wartime enlarged female employment alongside the presence of injured servicemen suggested feminine authority and masculine weakness, thereby temporarily destabilizing pre-war values. Adopting a socio-historical perspective, this thesis argues that artworks engaging with the home front have been largely excluded from art history because of partiality shown towards masculine authority within the matrices of British society. Furthermore, this situation has been supported by the writing of art history, which has, arguably, followed similar premise. -
MOD Art Collection Artwork
MOD Art Collection Artwork Title Primary Maker Name Media Materials Description Type HRH The Duke of Cambridge Unknown Artist Oil on canvas Painting Dawn, Action Stations, Malta Rowland Langmaid Oil on canvas Painting Calabria Coast: Dawn, 3rd September 1943 Rowland Langmaid Oil on canvas Painting View of Sir Edward Pellew's Group, Gulf of Carpentaria, December 1802 William Westall Oil on canvas. Unglazed Painting Charles Phillip Yorke (1764-1834), First Lord of the Admiralty Unknown Artist Oil on canvas Painting British Fleet, Led by Admiral Sir John Fisher in HMS "Renown" entering Grand Harbour, Malta 1901 Luigi Galea Oil on card. Painting Landscape with Travellers Unknown Artist Oil on panel. Painting Emsworth Harbour from the Mole Bobbie Pinson Acrylic on canvas. Painting Arial (Preparatory Sketch) Louise Cattrell Oil on card. Painting Keep (Preparatory Sketch) Louise Cattrell Oil on card Painting Sir Thomas Hardy Lemuel Francis Abbott Oil on canvas Painting Sir Charles Morice Pole Bart GCB MP (1757-1830) John MacArthur Oil on canvas. Painting William Corbett, Cashier of the Navy Thomas Hudson Oil on canvas Painting View of Versailles and Clagni Rigaud Painting The Last Voyage of HMS Vanguard, Portsmouth, 4th August 1960 Richard Eurich Oil on canvas Painting Landscape with River and Figures Unknown Artist Oil on panel Painting Winter Landscape with Skaters Unknown Artist Oil on panel Painting Street Scene, Vilnius, Lithuania, 1994 Unknown Artist Tempera Painting Landscape with Lake and Houses, Macedonia,1994 Lila Kotus Oil on canvas. Painting Criccieth Castle Unknown Artist Oil on board. Painting An Attack on Admiral Rawling`s Force, 28 May 1941 Rowland Langmaid Oil on canvas. -
Mud Blood and Futility RUAE
PASSAGE 1 The passage is taken from the introduction to Peter Parker’s book “The Last Veteran”, published in 2009. The book tells the life story of Harry Patch, who fought in the First World War, and eventually became the last surviving soldier to have fought in the trenches. He died in 2009, aged 111. Mud, Blood and Futility At 11 a.m. on Monday 11 November 1918, after four and quarter years in which howitzers boomed, shells screamed, machine guns rattled, rifles cracked, and the cries of the wounded and dying echoed across the battlefields of France and Belgium, everything suddenly fell quiet. A thick fog had descended that 5 morning and in the muffled landscape the stillness seemed almost palpable. For those left alive at the Front – a desolate landscape in which once bustling towns and villages had been reduced to piles of smoking rubble, and acre upon acre of woodland reduced to splintered and blackened stumps – there was little cause for rejoicing. The longed-for day had finally arrived but most 10 combatants were too enervated to enjoy it. In the great silence, some men were able to remember and reflect on what they had been through. Others simply felt lost. The war had swallowed them up: it occupied their every waking moment, just as it was to haunt their dreams in the future. There have been other wars since 1918 and in all of them combatants have 15 had to endure privation, discomfort, misery, the loss of comrades and appalling injuries. Even so, the First World War continues to exert a powerful grip upon our collective imagination. -
World War I Photography As Historical Record Kimberly Holifield University of Southern Mississippi
SLIS Connecting Volume 7 Article 9 Issue 1 SLIS Connecting Special Issue: British Studies 2018 Through the Lens: World War I Photography as Historical Record Kimberly Holifield University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/slisconnecting Part of the Archival Science Commons, Collection Development and Management Commons, Information Literacy Commons, Scholarly Communication Commons, and the Scholarly Publishing Commons Recommended Citation Holifield, Kimberly (2018) "Through the Lens: World War I Photography as Historical Record," SLIS Connecting: Vol. 7 : Iss. 1 , Article 9. DOI: 10.18785/slis.0701.09 Available at: https://aquila.usm.edu/slisconnecting/vol7/iss1/9 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in SLIS Connecting by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Through the Lens: World War I Photography as Historical Record By Kimberly Holifield British Studies Research Paper July 2016 Readers: Dr. Matthew Griffis Dr. Teresa Welsh Figure 1. Unidentified German Official Photographer in a Shallow Trench, June 1917 (Imperial War Museum Collection, www.iwm.org.uk) Figure 2. First World War Exhibit, Imperial War Museum (Holifield, 2016) “Photography takes an instant out of time, altering life by holding it still.”—Dorothea Lange Introduction However, a shift toward photography as historical Quotations fill vacant spaces along the walls of the record has slowly begun to make its way through the First World War exhibit at the Imperial War Museum world of scholarship. In their 2009 article, Tucker and of London. -
A Christmas Truce-Themed Assembly 53
TEACHING THE 1914 CHRISTMAS TRUCES Lesson, assembly and carol service plans to help RESOURCE PACK teachers commemorate the 1914 Christmas Truces for the centenary of World War 1 TABLE OF CONTENTS Activity Plans Key Stage 3/4 31 How to use these resources 4 Creating Truce Images to the track of ‘Silent Night’ 32 Art / Music Introduction: A hopeful bit of history 6 Interrupting the War 34 The Martin Luther King Peace Committee 8 English / Creative Writing Christmas Truces Powerpoint: Information for Teachers 11 Christmas Truce Street Graffiti 37 Section 1: The War 12 Art Section 2: Opposing the War 13 Section 3: Combat and Trench Warfare 13 Research Local Participants via Letters to Newspapers 38 Section 4: The December 1914 Christmas Truces 14 History Activity Plans Key Stage 2/3 17 What’s the Point of Christmas Today? 40 Introduction to the Christmas Truces 18 RE / Ethics / PSE History / Moral Reflection Court Martial 41 Writing a Letter Home 20 History / Ethics / PSE English / History Overcoming Barbed Wire 44 Christmas Truces Game 22 Art P. E. Perceptions and Images of the Enemy 45 The Handshake 23 Art / PSE / History Art / Literacy Truce Words: Dominic McGill 46 Multi-session: Christmas Truce Re-enactment 24 Art History / P. E. / Ethics / Music / Languages / Drama Shared Elements of the Truces 47 Christmas Cakes for the Truces 26 Modern Languages Cookery Christianity and World War 1 48 Learning about Countries in 1914 28 RE / History / Ethics Geography The Christmas Gift 30 Fighting or Football 51 Art / Literacy History 2 A Christmas Truce-Themed Assembly 53 A School Carol Service 55 Appendices 60 Appendix 1: Images 60 Appendix 2: Eyewitness Testimonies 62 Appendix 3: Further Resources for Teachers 64 Appendix 4: Multi - Lingual Resources 65 3 HOW TO USE THESE RESOURCES The purpose of this pack is to provide teachers with concrete lesson plans as well as pointers and ideas for developing their own ways of bringing elements of the 1914 Christmas Truces to their schools’ programme between 2014 and 2018. -
Oh What a Lovely War Program
OH WHAT A LOVELY WAR by Theatre Workshop, Charles Chilton and the members of the original cast Oh What a Lovely War was first performed at the Theatre Royal, Stratford East, London on 19 March 1963. The idea for a chronicle of the First World War, told through the songs and documents of the time, was given flesh and blood in Joan Littlewood’s Theatre Workshop, where every produc- tion was the fruit of close co-operation between writer, actor and director. The whole team participated in detailed research into the period and in the creative task of bringing their material to life in theatrical terms. There is one intermission of 15 minutes THE ‘SHARPSTERS’ COMPANY Kevin Bartz Anthony Vessels Bryan “Boots” Connolly Sean M. Cummings Willa Bograd Jeff Garland Sophia M. Guerrero-Murphy Dustin Harvey Kaitlyn Jaffke Will Lehnertz Holly Marks Roger Miller Kelly Oury Bryan C. Nydegger Leihoku Pedersen Jeff Schreiner Phoebe Piper Scott Sharp Meredith Salimbeni SONGS - ACT I Row, Row, Row – Company We Don’t Want To Lose You – Women Belgium Put the Kibosh on the Kaiser – Willa Bograd (& Kevin Bartz, Jeff Garland, Roger Miller) Are We Downhearted? – Kevin Bartz, Bryan “Boots” Connolly, Jeff Schreiner, Tony Vessels Hold Your Hand Out, Naughty Boy – Women I’ll Make A Man Of You – Leihoku Pedersen & Women We’re ‘ere Because We’re ‘ere – Kevin Bartz, Bryan “Boots” Connolly, Holly Marks, Roger Miller, Will Lehnertz, Jeff Schreiner, Anthony Vessels Pack Up Your Troubles – Kevin Bartz, Bryan “Boots” Connolly, Roger Miller, Will Lehnertz, Jeff Schreiner, Anthony Vessels Hitchy Koo – Kelly Oury & Jeff Schreiner (Dancer) Heilige Nacht – Kevin Bartz, Sean M. -
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Issue 48 • Autumn 2009 MallornThe Journal of the Tolkien Society Varda Becky Hitchin Mallorn The Journal of the Tolkien Society Issue 48 • Autumn 2009 Editor: Henry Gee editorial Production & 4 John Garth reveals the importance of names design: Colin Sullivan letters Cover art: Gates of Moria by 8 Murray Smith remembers the last veterans of the First World War Jef Murray Inside pages: Becky Hitchin reviews (pp. 2, 27, 35, 38), Jef Murray 9 Henry Gee on Tolkien Studies Volume 6 (pp. 8, 18, 22, 31), Phyllis 10 John Garth on Black and White Ogre Country: The Lost Tales of Hilary Tolkien Berka (p. 11), John Gilbey 12 Joel Franz on The Legend of Sigurd and Gudrún by J. R. R. Tolkien (pp. 42, 51, 52), Glendon 13 David Doughan on Paths of Exile by Carla Nayland Mellow (p. 46) 14 Chad Chisholm on The Hunt for Gollum 16 Pat Reynolds on The Tolkien Name in History Mallorn © The Tolkien commentary Society. Printed and 19 Maggie Burns The desire of a tale-teller distributed by The Printed 25 Lynn Whitaker Frodo as the scapegoat child of Middle-earth Word, 7–9 Newhouse 29 Kristine Larsen The Stone of Erech and the Black Stone of the Ka’aba: Business Centre, Old meteorite or ‘meteor-wrong’? Crawley Road, Horsham 33 Paul H. Vigor Questing for ‘Tygers’: a historical archaeological landscape RH12 4RU, UK. investigation of J. R. R. Tolkien’s real Middle-earth poetry 38 Carol Brownlow Dawn Over the Wolds of Rohan and Cuivienen 38 Jodi Storer Sarehole Dreams (Tom Bombadil Alive and Well) obituary 39 Becky Hitchin celebrates the life and work of David Eddings fiction 41 Shelly Li Royal blood 47 Ben Gribbin Wisdom well, I’m back 50 John Gilbey goes in search of Rivendell Mallorn is the Journal of the Tolkien Society, and appears twice a year, in the Spring (copy deadline 25 December) and Autumn (21 June). -
Saturday 28 March 2009
Contents House of Commons • Noticeboard ..........................................................................................................1 • The Week Ahead..................................................................................................2 • Order of Oral Questions .......................................................................................3 Weekly Business Information • Business of the House of Commons 20 – 27 March 2009....................................6 Bulletin • Written Ministerial Statements.............................................................................9 • Forthcoming Business of the House of Commons 30 March – 24 April 2009...10 • Forthcoming Business of the House of Lords 30 March – 24 April 2009..........14 Editor: Karen Kidby Legislation House of Commons Public Legislation Information Office • Public Bills before Parliament 2008/09..............................................................16 London • Bills – Presentation, Publication and Royal Assent............................................23 SW1A 2TT • Public and General Acts 2008/09 .......................................................................24 www.parliament.uk • Draft Bills under consideration or published during 2008/09 Session ...............25 Tel : 020 7219 4272 Private Legislation Fax : 020 7219 5839 • Private Bills before Parliament 2008/09.............................................................26 [email protected] Delegated Legislation • Statutory Instruments .........................................................................................29