Jon Morrell - Set & Costume Designer
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Festtage 2019 Vorschau Winter/ Frühling 2020
Opern Konzerte Kultur Festtage 2019 Vorschau Winter/ Frühling 2020 1 VENEDIG - ADVENT 05. – 08. DEZEMBER 2019 ___________________________________________________________________________________________________________________________________ REISEPROGRAMM DONNERSTAG, 5. DEZEMBER: ANREISE ZÜRICH - VENEDIG 09.10 Abfahrt ab Zürich-Hauptbahnhof mit direktem EC-Zug via Arth-Goldau – Lugano - Chiasso nach Venedig. Speisewagen und Minibar im Zug. 15.40 Ankunft in Venedig. Transfer mit Taxiboot direkt zum erstklassigen STARHOTEL SPLENDID und Zimmerbezug. Der restliche Nachmittag steht Ihnen zur freien Verfügung. 19.30 Willkommens-Abendessen im Hotel-Restaurant und Übernachtung im STARHOTEL SPLENDID in Venedig. FREITAG, 06. DEZEMBER: VENEDIG / STADTRUNDGANG / KONZERT Frühstücksbuffet im Hotel-Restaurant. 10.00 Heute steht der erste Teil des Stadtrundganges auf dem Programm. Venedig, die mystische Stadt auf Pfählen übertrifft sich mit Sehens- würdigkeiten, verträumten Höfen, engen Gassen, grossen und kleinen Kanälen und viel Geschichte. Während unseres Spaziergangs unter kundiger Führung sehen Sie unter anderem die Piazza San Marco, die zu Recht als einer der schönsten Plätze der Welt gilt. Wir besuchen den Dogenpalast sowie die Markuskirche. Zwischendurch haben Sie Zeit für eine individuelle Kaffeepause. 13.00 Ende der Stadtführung und gemeinsames Mittagessen. Nachmittag zur freien Verfügung. 19.45 Spaziergang vom Hotel zur Oper: 20.30 Im Teatro La Fenice: ORCHESTERKONZERT Ausführende: Chor und Orchester des Gran Teatro La Fenice Programm: Gustav Mahler Symphonie Nr. 9 D-Dur Dirigent: Myung-Whun Chung Nach dem Konzert Rückkehr zum Hotel und Übernachtung im STARHOTEL SPLENDID in Venedig. SAMSTAG, 07. DEZEMBER: VENEDIG / STADTRUNDGANG / OPER Frühstücksbuffet im Hotel-Restaurant. 09.30 Während des zweiten Teils unseres Stadtrundganges bieten wir Ihnen Einblick in das weniger bekannte Venedig. Unser Weg führt über die Rialto-Brücke zur Chiesa Santa Maria Gloriosa di Frari (Besuch vorgesehen, sofern möglich). -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
How English National Opera Is Helping People with Long Covid to Manage Their Breathing
News Reviews More Jobs Suppliers Castings Training Awards Events SUBSCRIBE Topics WEST END MUSICAL THEATRE BACKSTAGE & TECHNICAL OBITUARIES & ARCHIVE OPERA DANCE AWARDS JOBS & AUDITIONS TRAINING & DRAMA SCHOOLS ! Features LATEST MOST READ How English National Opera is helping people with long Covid to manage their breathing Ipswich’s New Wolsey in lockdown: ‘We needed to keep working. It was our way of staying sane’ Katherine Parkinson’s culture picks in lockdown: ‘Normal People resonated with me, but I’ve never had that kind of sex’ Shooting stars: How the National Theatre’s Romeo and Juliet soared from stage to screen Cultura clash: The Brazilian festival collaborating with UK artists Alexandra Oomens in one of the films that is part of the ENO Breathe programme. Photo: Karla Gowlett Royal Opera’s Oliver Mears: ‘We are still adapting to the times, but our ambition is just as strong’ How English National Opera is helping people with long Covid to manage their breathing FEATURES MAR 29, 2021 BY ROSEMARY WAUGH Singers know more about breathing than most. So last year, English National Opera contacted the NHS with its idea for supporting people with long Covid suffering from breathlessness and associated anxiety. Singers, doctors and participants tell Rosemary Waugh how ENO Breathe has given patients a new appreciation for music Most Commented Last summer, about three months after the first national lockdown was imposed, a new facet to the coronavirus pandemic emerged: long Covid. Characterised by breathlessness, fatigue, chest pains and interrelated symptoms of anxiety, it emerged that the condition could affect patients for weeks or months after their initial diagnosis and after the point when they require care from a GP or hospital. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Press Information Eno 2013/14 Season
PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Haas Haas Die heilige Elisabeth - 1 München Maria Venuti - Wolf Bruno Weil Ch-O - BR 4 Euba - - - - - - - Elmar Schloter, Joseph Haas (1879 - - Orgel - 1960) - Münchener 21.03.2004 - Rundfunkorchester op. 84 - cda403 T- VHS-Audi CD o Haas Die heilige Elisabeth - 1990 München Maria Venuti - Wolf Bruno Weil Ch - 26.11.1990 BR 4 Euba - - - - - - - - 1659,01 Joseph Haas (1879 - - 1960) - Münchner 31.03.2010 - Rundfunkorchester op. 84 - cda1003 T- Dok 409 2 CD 2 Haas Scharlatan - 1997 Prag Vladimir Chmelo - Anda-Louise Israel Yinon O - BR 4 Bogza - Miroslav Svejda - Leo 529,01 Pavel Haas (1899 - - MarianVodicka - Ladislav Mlejnek - 1944) - Orchester der Prager 22.06.1999 - Jan Jezek - - - - Staatsoper Oper 1 - T- VHS-Audio Haas Scharlatan - 2009 Gera Andreas Scheibner - Franziska Rauch - Jens Troester O - 06.03.2009 MDR Figaro Peter-Paul Haller - Konrad 1355,01 Pavel Haas (1899 - - Zorn - - - - - Kay Kuntze - Duncan 1944) - Sarlatán Opernchor und 07.03.2009 - Hayler Philharmonisches Oper 1 - cda1601 T- Dok 124 CD 6 Haas Bluthaus - 2011 Schwetzingen Sarah Wegener - Ruth Hartmann -
A Midsummer Night's Dream
Thursday 26 November, 7.30pm Friday 27 November, 2pm & 7.30pm Saturday 28 November, 7.30pm A Midsummer Night’s Dream By William Shakespeare Suba Das director Guildhall School of Music & Drama Milton Court Founded in 1880 by the Situated across the road from Guildhall City of London Corporation School’s Silk Street building, Milton Court offers the School state-of-the-art Chairman of the Board of Governors performance and teaching spaces. Milton Vivienne Littlechild Court houses a 608-seat Concert Hall, a 223-seat theatre, a Studio theatre, three Principal major rehearsal rooms and a TV studio suite. Lynne Williams Students, staff and visitors to the School experience outstanding training spaces as Vice-Principal & Director of Drama well as world-class performance venues. Orla O’Loughlin Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: David Buttle (Charlie Beck, Lily Hardy, Hope Kenna, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Guildhall School is part of Culture Mile: Okunola, Sonny Pilgrem, Alyth Ross), Samuel Black (Dan culturemile.london Wolff), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Kitty Hawthorne, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Sheyi Cole, Aoife Gaston, Guildhall School is provided by the City of London Brandon Grace, Conor McLeod, Hassan Najib, Millie Smith, Corporation as part of its Tara Tijani, Dolly LeVack), David Stone (Justice Ritchie), contribution to the cultural life Faye Thomas (Caitlin Ffion Griffiths, Genevieve Lewis) of London and the nation A Midsummer Night’s Dream by William Shakespeare Suba Das director Grace Smart designer Ed Lewis composer Lucy Cullingford movement director Jack Stevens lighting designer Thomas Dixon sound designer Thursday 26, Friday 27, Saturday 28 November 2020 Live performances broadcast from Milton Court Theatre Recording of this performance by any means whatsoever is strictly prohibited. -
40. Internationale Händel-Festspiele
16.2. – 2.3. 2018 Neuinszenierung ALCINA Oper in drei Akten von Georg Friedrich Händel Andreas Spering Dirigent Mit Layla Claire, David Hansen, Claudia Boyle, Benedetta Mazzucato, Alexey Neklyudov u. a. Premiere 16.2.18 GROSSES HAUS Weitere Vorstellungen 18., 21., 24. & 27.2.18 Wiederaufnahme SEMELE Musikdrama in drei Akten von Georg Friedrich Händel Floris Visser Regie Gideon Davey Ausstattung Christopher Moulds Dirigent Mit Anna Devin, Ed Lyon, Terry Wey, Katharine Tier u. a. WA-Premiere 23.2.18 GROSSES HAUS 2017 HÄNDEL-FESTSPIELE INTERNATIONALE 40. Weitere Vorstellungen 25. & 28.2.18 Konzerte mit Valer Sabadus, Franco Fagioli, Rebecca Bottone, Andreas Wolf, Rinaldo Alessandrini & vieles mehr! Der Vorverkauf läuft ab dem 7.2.17 für ABONNENTEN, Mitglieder der HÄNDEL- GESELLSCHAFT KARLSRUHE und Mitglieder der GESELLSCHAFT DER FREUNDE DES BADISCHEN STAATSTHEATERS. Am 17.2.17 startet der Vorverkauf für alle Besucher. WWW.STAATSTHEATER.KARLSRUHE.DE FESTSPIELKALENDER FR 17.2. ERÖFFNUNG DER 40. INTERNATIONALEN HÄNDEL-FESTSPIELE 2017 18.00 MITTLERES FOYER Zeitlose MEISTERWERKE. Freytag media.net GmbH SEMELE Klang und Design Karlstraße 32 Musikalisches Drama in drei Akten von Georg Friedrich Händel 76133 Karlsruhe 19.00 GROSSES HAUS PREMIERE S. 22 perfekt GEHÄNDELT. www.freytag.de SA 18.2. HÄNDEL MIT DONNA LEON Erleben Sie eine breite Auswahl an hochwertigen TV- und HiFi- 16.00 KLEINES HAUS S. 50 Lösungen. Hervorragende Technik, modernes Design, aber vor allem ein ausgezeichnetes Klangbild – bei uns finden Sie alles für Mo-Fr: 10:00 – 19:00 Uhr THEODORA Ihre Bild- und Sound-Sensationen in den eigenen vier Wänden. Sa: 10:00 – 16:00 Uhr Oratorium von Georg Friedrich Händel 19.30 GROSSES HAUS S. -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Daniel Evans
www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard -
Of Operatic Love Courtesan
E. Giuseppe Verdi (1813–1901) Finally to the first act of La traviata (1854), a highly unusual work in Verdi’s output in that it treats a contemporary subject taken from a play currently playing on French stages. Violetta Valéry is a Paris Vagaries of Operatic Love courtesan. Knowing that she is dying of tuberculosis, she is set on going out in a froth of champagne. But then she meets an admirer, Alfredo Germont, who tries to persuade her to give up this life and move with him to the peace of the country. As we discover in Act Two, she will do so, but not without ending Act One in an aria that is the most remarkable internal examination of the feelings of a woman 11 in love yet seen on the opera stage. The innovative production by Willy Decker was first seen in Salzburg 12 in 2005 and later brought to the Met. Alas, it was replaced by a much less inventive one last season. — La traviata, Act I, second half 18 Anna Netrebko, Rolando Villazón. Salzburg, 2005 All materials for the class, including PowerPoint images and video links to these or similar performances, will be posted on the instructor’s website shortly after the end of each class: http://www.brunyate.com/vagariesColumbia/ Click on the image for that particular class to access them. Roger Brunyate may be contacted at [email protected] 1. A Brief History of Love, Monteverdi to Verdi Class One: A Brief History of Love Though there is a scene in which Cleopatra makes Julius Caesar fall in love with her through performing for him in a masque; it begins in enchantment, but the characters end genuinely in love.