Richard Brooks
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1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Richard Brooks: El Professional
Richard Brooks: el professional Deadline-Usa Deadline-Usa 1952 nari col·lectiu va desaparèixer, en quina escletxa Battle circus Battle circula 1953 del mapa?, ¿qué ha significat realment el projecte Take the high ground! Take the high ground! 1953 d'aquest cineasta honest i discret? Potser unes no Elsa González Zorn Flame and the flesh Fame and the flesh 1954 tes sobre la seva persona i el seu temps donin una La última vez que vi París The last time I saw Paris 1954 altra llum sobre els films que recordam de Richard Semilla de maldad Blackboard jungle 1955 Brooks. The last hunt The last hunt 1956 The catered affair The catered affair 1956 Breu biografia Something of value Something of value 1957 Los hermanos Karamazov The brothers Karamazov] 958 Richard Brooks (Ruben Sax) va néixer a Filadèlfia La gata sobre el tejado de zinc Cat on a hot tin roof 1958 el 1912 de pares immigrants de Rússia. Eren jueus, El fuego y la palabra Elmer Gantry 1960 però no particularment religiosos, i tenien una for Dulce pájaro de juventud Sweet bird of youth 1962 mació intel·lectual que va impregnar l'educació del Lord Jim Lord Jim 1965 fill; varen aprendre anglès amb rapidesa, escolta Los profesionales The professionals 1966 ven la ràdio i visitaven exposicions. Es varen adap A sangre fría In cold blood 1967 tar a la societat americana sense massa nostàlgia, i Con los ojos cerrados The happy ending 1969 varen viure en barris amb altres immigrants d'Irlan Dólares Dolars 1971 da, Grècia i Alemanya, evitant aïllar-se en cercles Muerde la bala Bite the bullet 1975 religiosos. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Richard Brooks the PROFESSIONALS 1966, (119 Min.)
September 30, 2008 (XVII:6) Richard Brooks THE PROFESSIONALS 1966, (119 min.) Produced, written and directed by Richard Brooks Original Music by Maurice Jarre Cinematography by Conrad L. Hall Film Editing by Peter Zinner Burt Lancaster... Bill Dolworth Lee Marvin... Henry 'Rico' Fardan Robert Ryan... Hans Ehrengard Woody Strode... Jake Sharp Jack Palance... Jesus Raza Claudia Cardinale... Mrs. Maria Grant Ralph Bellamy... Joe Grant Joe De Santis... Ortega Nominated for Best Cinematography, color, Best Director and Best writing, screenplay based on material from another medium Oscars RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— Oscars (Atlantic City, 1980, Birdman of Alcatraz 1962, From 11 March 1992, Beverly Hills, California, congestive heart Here to Eternity 1953) and won one (Elmer Gantry 1960). Some failure) wrote 36 screenplays and directed 24 films. Some of the of his other 86 films were Field of Dreams (1989), Zulu Dawn films he wrote and directed were Looking for Mr. Goodbar (1979), Go Tell the Spartans (1978), The Island of Dr. Moreau (1977), In Cold Blood (1967), The Professionals (1966), Lord Jim (1977), Twilight's Last Gleaming (1977), The Cassandra Crossing (1965), Sweet Bird of Youth (1962), Elmer Gantry (1960), Cat on (1976), Victory at Entebbe (1976—as Shimon Peres), Buffalo Bill a Hot Tin Roof (1958), The Brothers Karamazov (1958), and the Indians, or Sitting Bull's History Lesson (1976), Ulzana's Something of Value (1957), and Blackboard Jungle (1955). He Raid (1972), Valdez Is Coming (1971), Airport (1970), The Gypsy was nominated for 5 Best Screenplay and 3 Best Director Oscars Moths (1969), Castle Keep (1969), The Swimmer (1968), The (In Cold Blood, The Professionals and Cat on a Hot Tin Roof). -
Richard Brooks Maurice Elia
Document generated on 09/27/2021 2:16 p.m. Séquences La revue de cinéma Richard Brooks Maurice Elia Number 159-160, September 1992 URI: https://id.erudit.org/iderudit/50164ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Elia, M. (1992). Richard Brooks. Séquences, (159-160), 40–41. Tous droits réservés © La revue Séquences Inc., 1992 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ HOMMAGE RICHARD BROOKS (1912-1992) Il fut pour un temps une des valeurs sûres du cinéma Cat on a Hot Tin Roof, tout reposait sur ses extraordinaires américain, particulièrement à l'époque de Blackboard Jungle. comédiens. Burl Ives en tête. et Lord Jim, d'Elmer Gantry et de Sweet Bird of Youth. Il était inspiré, généreux, intelligent, soucieux d'une forme à Cependant, dans des films comme The Professionals ou laquelle les autres cinéastes de sa génération n'accordaient pas même The Last Hunt, il y a des moments où l'on se demande si une grande importance. Ensuite, la constante recherche d'une Brooks n'a pas été le précurseur d'une vision pessimiste vis-à-vis forme particulière, les inventions, les trouvailles qu'il plaçait du libéralisme et de l'individualisme américains. -
October 6, 2009 (XIX:6) Richard Brooks ELMER GANTRY (1960, 146 Min)
October 6, 2009 (XIX:6) Richard Brooks ELMER GANTRY (1960, 146 min) Directed by Richard Brooks Written by Richard Brooks Based on the novel by Sinclair Lewis Produced by Bernard Smith Original Music by André Previn Cinematography by John Alton Burt Lancaster... Elmer Gantry Jean Simmons... Sister Sharon Falconer, née Katie Jones Arthur Kennedy... Jim Lefferts Dean Jagger... William L. Morgan Shirley Jones... Lulu Bains Patti Page... Sister Rachel Edward Andrews... George F. Babbitt John McIntire... Rev. John Pengilly Hugh Marlowe... Rev. Philip Garrison Joe Maross... Pete Philip Ober... Rev. Planck Barry Kelley... Police Capt. Holt Wendell Holmes... Rev. Ulrich Dayton Lummis... Mr. Eddington, newspaper publisher Saw Paris (1954), Battle Circus (1953), Deadline - U.S.A. (1952), Rex Ingram... Preacher of black congregation Crisis (1950). Won Oscar: Best Writing, Screenplay Based on Material from Another Medium- Elmer Gantry (1961); Nominated Academy Awards for: Burt Lancaster, Best Actor in a Leading Oscar: Best Writing, Screenplay- Blackboard Jungle (1956); Role; Shirley Jones, Best Actress in a Supporting Role; Richard Nominated Oscar: Best Writing, Screenplay Based on Material Brooks, Best Writing, Screenplay Based on Material from Another from Another Medium- Cat on a Hot Tin Roof (1959); Nominated Medium. Nominated for Best Music, Best Picture. Oscar: Best Director- Cat on a Hot Tin Roof (1959); Nominated Oscar: Best Writing, Screenplay Based on Material from Another RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania, Medium- The Professionals (1967); Nominated Oscar: Best USA—11 March 1992, Beverly Hills, California, USA, congestive Director- The Professionals (1967); Nominated Oscar: Best heart failure) Looking for Mr. Goodbar (1977), Bite the Bullet Writing, Screenplay Based on Material from Another Medium- In (1975), $/The Heist (1971), In Cold Blood (1967), The Cold Blood (1968); Nominated Oscar: Best Director- In Cold Professionals (1966), Lord Jim (1965), Sweet Bird of Youth Blood (1968). -
Richard Brooks Maurice Elia
Document généré le 29 sept. 2021 06:02 Séquences La revue de cinéma Richard Brooks Maurice Elia Numéro 159-160, septembre 1992 URI : https://id.erudit.org/iderudit/50164ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Elia, M. (1992). Richard Brooks. Séquences, (159-160), 40–41. Tous droits réservés © La revue Séquences Inc., 1992 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ HOMMAGE RICHARD BROOKS (1912-1992) Il fut pour un temps une des valeurs sûres du cinéma Cat on a Hot Tin Roof, tout reposait sur ses extraordinaires américain, particulièrement à l'époque de Blackboard Jungle. comédiens. Burl Ives en tête. et Lord Jim, d'Elmer Gantry et de Sweet Bird of Youth. Il était inspiré, généreux, intelligent, soucieux d'une forme à Cependant, dans des films comme The Professionals ou laquelle les autres cinéastes de sa génération n'accordaient pas même The Last Hunt, il y a des moments où l'on se demande si une grande importance. -
Individualized Reading: a Course of Study for a One Semester Elective Course at Cedar Palls Senior High, Cedar Falls, Iowa
DOCUMENT RESUME ED 088 029 CS 000 954 AUTHOR Blow, Barbara Luscomb TITLE Individualized Reading: A Course of Study for a One Semester Elective Course at Cedar Palls Senior High, Cedar Falls, Iowa. PUB DATE 74 NOTE 88p. AVAILABLE FROM Barbara Blow, 1701 Waterloo Road, Cedar Falls, Iowa 50613 ($5.00) EDRS PRICE MF-$(...75 HC-$4.20 DESCRIPTORS Adolescent Literature; Books; *Course Descriptions; Course Objectives; *Curriculum Guides; *Elective Subjects; *English Instruction; *Individualized Reading; Reading Materials; Remedial Reading; Secondary Education; *Teaching Techniques IDENTIFIERS Self Selection (Reading) ABSTRACT This document describes an elective course in individualized reading for secondary students experiencing reading difficulty, and it presents course objectives and reading materials. The contents are divided into four sections: "The Course" presents a brief history of the individualized reading program, examines the role of the librarian in such a program, and discusses the teacher's role and procedures in the implementation of such a program; "Student Materials" includes a course description and objectives, general information, a discussion of the grading policy, suggestions for teacher-student conferences, and a list of discussion topics fcr the conferences; ',Forms', contains book and reading records as well as daily records of student activities and a conference evaluation form for the teacher; and "Book Lists" cites books read by ten or more students between 1968 and 1974, the most popular books from the fall semester -
Convenient PDF Form
FSM Box 04 The Miklos´ Rozsa´ Treasury Supplemental Liner Notes Contents Mikl´osR´ozsaat M-G-M: A Chronology 1 Madame Bovary 6 The Red Danube 16 The Miniver Story 18 The Asphalt Jungle 20 East Side, West Side 21 The Light Touch 22 Quo Vadis (music & effects) 25 Quo Vadis (archival music) 33 The Story of Three Loves 40 Young Bess 45 All the Brothers Were Valiant 51 Knights of the Round Table 56 Crest of the Wave 57 Beau Brummell 60 Something of Value 63 Crisis 66 Tip on a Dead Jockey 68 Library Re-recordings 71 King of Kings 72 El Cid 77 Ivanhoe 82 Lust for Life 83 The V.I.P.s 84 Great Movie Themes Composed by Mikl´osR´ozsa 89 The Power 91 Liner notes ©2009 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Madame Bovary, The Red Danube, East Side, West Side ©1949 Turner Entertainment Co., A Warner Bros. Entertain- ment Company. All rights reserved. The Miniver Story, The Asphalt Jungle, Crisis ©1950 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. Quo Vadis ©1951 Turner Entertainment Co., A Warner Bros. Entertainment Company. All rights reserved. The Light Touch, Desperate Search, Ivanhoe ©1952 Turner Enter- tainment Co., A Warner Bros. Entertainment Company. All rights reserved. The Story of Three Loves, Young Bess, All the Brothers Were Valiant, Knights of the Round Table, Rogue’s March, Code Two ©1953 Turner Entertainment Co., A Warner Bros. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Richard Brooks
RICHARD BROOKS COBRA WOMAN ( USA, 1944 ) BRUTE FORCE ( USA, 1947 ) CROSSFIRE ( USA, 1947 ) TO THE VICTOR ( USA, 1948 ) KEY LARGO ( USA, 1948 ) CRISIS ( USA, 1950 ) THE LIGHT TOUCH ( USA, 1951 ) DEADLINE-U.S.A. ( USA, 1952 ) BATTLE CIRCUS ( USA, 1953 ) TAKE THE HIGH GROUND! ( USA, 1953 ) FLAME AND THE FLESH ( USA, 1954 ) THE LAST TIME I SAW PARIS ( USA, 1954 ) BLACKBOARD JUNGLE ( USA, 1955 ) THE LAST HUNT ( USA, 1956 ) THE CATERED AFFAIR ( USA, 1956 ) SOMETHING OF VALUE ( USA, 1957 ) THE BROTHERS KARAMAZOV ( USA, 1958 ) CAT ON A HOT TIN ROOF ( USA, 1958 ) ELMER GANTRY ( USA, 1960 ) SWEET BIRD OF YOUTH ( USA, 1962 ) LORD JIM ( USA, 1965 ) THE PROFESSIONALS ( USA, 1966 ) IN COLD BLOOD ( USA, 1967 ) THE HAPPY ENDING ( USA, 1969 ) $ (DOLLARS) ( USA, 1971 ) BITE THE BULLET ( USA, 1975 ) LOOKING FOR MR. GOODBAR ( USA, 1977 ) WRONG IS RIGHT ( USA, 1982 ) FEVER PITCH ( USA, 1985 ) Sponsors: RICHARD BROOKS COBRA WOMAN Director: Robert Siodmak · Screenplay: Gene Lewis, Richard Brooks · Photography: George Robinson, W. Howard Greene · Cast: Maria Montez, Jon Hall, Sabu, Edgar Barrier, Mary Nash Running time: 70 m. · USA · 1944 An exotic adventure in a very common style in the 1940s, with some of the key actors in the genre, such as Sabu and María Montez: it tells the story of Ramu's attempt to save his sweetheart, who has been abducted. To do this he goes with his friend Kado to a Pacific island where all outsiders are sacrificed. Brooks co-wrote the script directed by Siodmak, who was about to become one of the great figures of film noir. BRUTE FORCE Director: Jules Dassin · Screenplay: Richard Brooks · Photography: William Daniels · Cast: Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo, Ann Blyth Running time: 96 m. -
Richard Brooks
RICHARD BROOKS COBRA WOMAN (La Reina Cobra) ( EEUU, 1944 ) BRUTE FORCE ( EEUU, 1947 ) CROSSFIRE (Encrucijada de odios) ( EEUU, 1947 ) TO THE VICTOR ( EEUU, 1948 ) KEY LARGO (Cayo Largo) ( EEUU, 1948 ) CRISIS ( EEUU, 1950 ) THE LIGHT TOUCH (El milagro del cuadro) ( EEUU, 1951 ) DEADLINE-U.S.A. ( EEUU, 1952 ) BATTLE CIRCUS ( EEUU, 1953 ) TAKE THE HIGH GROUND! ( EEUU, 1953 ) FLAME AND THE FLESH ( EEUU, 1954 ) THE LAST TIME I SAW PARIS (La última vez que vi París) ( EEUU, 1954 ) BLACKBOARD JUNGLE (Semilla de maldad) ( EEUU, 1955 ) THE LAST HUNT ( EEUU, 1956 ) THE CATERED AFFAIR ( EEUU, 1956 ) SOMETHING OF VALUE (Sangre sobre la tierra) ( EEUU, 1957 ) THE BROTHERS KARAMAZOV (Los hermanos Karamazov) ( EEUU, 1958 ) CAT ON A HOT TIN ROOF (La gata sobre el tejado de zinc) ( EEUU, 1958 ) ELMER GANTRY (El fuego y la palabra) ( EEUU, 1960 ) SWEET BIRD OF YOUTH (Dulce pájaro de juventud) ( EEUU, 1962 ) LORD JIM ( EEUU, 1965 ) THE PROFESSIONALS (Los profesionales) ( EEUU, 1966 ) IN COLD BLOOD (A sangre fría) ( EEUU, 1967 ) THE HAPPY ENDING (Con los ojos cerrados) ( EEUU, 1969 ) $ (DOLLARS) (Dólares) ( EEUU, 1971 ) BITE THE BULLET (Muerde la bala) ( EEUU, 1975 ) LOOKING FOR MR. GOODBAR (Buscando al señor Goodbar) ( EEUU, 1977 ) WRONG IS RIGHT (Objetivo mortal) ( EEUU, 1982 ) FEVER PITCH ( EEUU, 1985 ) Patrocinadores: RICHARD BROOKS COBRA WOMAN (La Reina Cobra) Director: Robert Siodmak · Guión: Gene Lewis, Richard Brooks · Fotografía: George Robinson, W. Howard Greene · Intérpretes: Maria Montez, Jon Hall, Sabu, Edgar Barrier, Mary Nash Duración: 70 m. · EEUU · 1944 Aventura exótica en un estilo muy habitual en los años 40, y con algunos de los actores básicos en el género, como Sabu y María Montez.