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"Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz
Whatever Happened to "Red Emma"? Emma Goldman, from Alien Rebel to American Icon Oz Frankel The Journal of American History, Vol. 83, No. 3. (Dec., 1996), pp. 903-942. Stable URL: http://links.jstor.org/sici?sici=0021-8723%28199612%2983%3A3%3C903%3AWHT%22EE%3E2.0.CO%3B2-B The Journal of American History is currently published by Organization of American Historians. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/oah.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. -
Sasha and Emma the ANARCHIST ODYSSEY OF
Sasha and Emma THE ANARCHIST ODYSSEY OF ALEXANDER BERKMAN AND EMMA GOLDMAN PAUL AVRICH KAREN AVRICH SASHA AND EMMA SASHA and EMMA The Anarchist Odyssey of Alexander Berkman and Emma Goldman Paul Avrich and Karen Avrich Th e Belknap Press of Harvard University Press Cambridge, Massachusetts • London, En gland 2012 Copyright © 2012 by Karen Avrich. All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Avrich, Paul. Sasha and Emma : the anarchist odyssey of Alexander Berkman and Emma Goldman / Paul Avrich and Karen Avrich. p . c m . Includes bibliographical references and index. ISBN 978- 0- 674- 06598- 7 (hbk. : alk. paper) 1. Berkman, Alexander, 1870– 1936. 2. Goldman, Emma, 1869– 1940. 3. Anarchists— United States— Biography. 4 . A n a r c h i s m — U n i t e d S t a t e s — H i s t o r y . I . A v r i c h , K a r e n . II. Title. HX843.5.A97 2012 335'.83092273—dc23 [B] 2012008659 For those who told their stories to my father For Mark Halperin, who listened to mine Contents preface ix Prologue 1 i impelling forces 1 Mother Rus sia 7 2 Pioneers of Liberty 20 3 Th e Trio 30 4 Autonomists 43 5 Homestead 51 6 Attentat 61 7 Judgment 80 8 Buried Alive 98 9 Blackwell’s and Brady 111 10 Th e Tunnel 124 11 Red Emma 135 12 Th e Assassination of McKinley 152 13 E. G. Smith 167 ii palaces of the rich 14 Resurrection 181 15 Th e Wine of Sunshine and Liberty 195 16 Th e Inside Story of Some Explosions 214 17 Trouble in Paradise 237 18 Th e Blast 252 19 Th e Great War 267 20 Big Fish 275 iii -
Anarcha-Feminism
Anarcha-Feminism Ruby Flick For too long anarchist feminists have been labeled as the ladies auxiliary of male bomb throw- ers. The misconception and manipulation of both feminists and anarchist principles and practice have resulted in the use of sensationalist and ridiculing tactics by the state and its spokespeople. This has not only polarized the general populace from potentially liberation concepts buthasalso polarized anarchist from feminists. In the past and more so recently there has been a uniting of these beliefs and Peggy Korneggers article; ‘Anarchism; the Feminist Connection’ goes so far as to say that the two genres of thought are inextricable tied although the connection has not been consciously articulated by feminists very often. Kornegger argues that feminism “emphasis on the small group as a basic organizational unit, on the personal and political, on anti- authori- tarianism and on spontaneous direct action was essentially anarchism. I believe that this puts women in a unique position of being the bearers of a subsurface anarchist consciousness which if articulated and concretized can take us further than any previous group toward the achievement of total revolution. While anarchism has provided a framework for the transformation required, for far too long even this revolutionary ideology has been largely male identified; male articulated, male targeted and male exclusive in both its language and participation. It has therefore been unfortunately lacking in vital analysis especially with regard to the psychological and physical realities of op- pression experienced by the majority of the human population: women. As Emma Goldman said of the Spanish Revolution of 1936 “Despite the impressive rhetoric, most frequently male anar- chists retreated to cultural orthodoxy in the personal relationships with women …The vast major- ity of Spanish comrades continued to expect their own “companions” to provide the emotionally supportive and submissive relationships “necessary” for the activism of the males”. -
Good Night and Good-Bye: Temporal and Spatial Rhythms in Piecing Together Emma Goldman’S Auto/Biographical Fragments
Good night and good-bye: temporal and spatial rhythms in piecing together Emma Goldman’s auto/biographical fragments Maria Tamboukou, Centre for Narrative Research, University of East London, UK Abstract: Fragments of autobiography are everywhere, particularly when you work in archives with letters, diaries and journals. There is always something missing, either because not everything found a place in an archive, because of serendipity, because of intentional selections and deselections as well as because of specific rules of taxonomy and classification that allow certain documents of life to be preserved and others to become obscure and marginalized. Discontinuous and interrupted as they are, auto/biographical fragments create their own rhythms of archival existence and it is on specific spatial and temporal rhythms that this paper focuses, particularly looking into actual and virtual space/time blocks within which auto/biographical fragments emerge and unfold, thus offering analytical trails for the researcher to follow. In doing this I will draw on archival resaerch with Emma Goldman’s papers at the University of California Berkeley. Key words: archives, fragments, Goldman, letters, space/time rhythms In her recent book on The Fantasy of Feminist History, Joan Scott has configured two fantasy figures in the making of the history of feminism: ‘the female orator and the feminist maternal’ (Scott, 2012: 54). The revolutionary woman, ‘standing at the podium, giving a speech’, while later mounting on the scaffold or being deported from her country has set in motion processes of phantasmatic identifications, operating ‘as a fantasy echo, replaying in time and over generations the process that forms individuals as social and political actors’ Scott, has suggested. -
Who Was Emma Goldman and Why Is She Important?
Comments: This paper provides an overview of Emma Goldman’s definitions of anarchy, along with an explanation of her dedication to campaigns for women’s rights and birth control. The choice of primary sources is strong. The use of specific quotations from the primary sources is done well. The overall structure of the paper lacks an argument that this then supported. The paper is also missing a conclusion. The paper also needs more historical context so that the reader can understand which periods are represented by Goldman’s life and work. Placing the primary sources into a larger historical context would also help the reader understand whether Goldman’s ideas were representative of her peer group or exceptional. More analysis of the primary sources through the Primary Source Worksheet might have helped with this end. Who was Emma Goldman and why is she important? Emma Goldman is important Comment [1]: Thesis is highlighted as required by the assignment, but the thesis does not pose a strong argument that the paper will support. because she was a forward thinker who lectured and pushed for changes in our society. She The thesis suggests a general admiration for Goldman, but does not reflect a particular pushed for changes for the minorities and women of our society. position that the primary sources would represent. Emma Goldman, a self-proclaimed anarchist, believed that anarchism was actually a good thing, not a hurtful and violent path. She argues that women emancipation, while started to Comment [2]: Phrasing? promote and free women, has in fact isolated women.1 She believed that women trafficking, or 2 prostitution, was a product of social conditions. -
“For a World Without Oppressors:” U.S. Anarchism from the Palmer
“For a World Without Oppressors:” U.S. Anarchism from the Palmer Raids to the Sixties by Andrew Cornell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Social and Cultural Analysis Program in American Studies New York University January, 2011 _______________________ Andrew Ross © Andrew Cornell All Rights Reserved, 2011 “I am undertaking something which may turn out to be a resume of the English speaking anarchist movement in America and I am appalled at the little I know about it after my twenty years of association with anarchists both here and abroad.” -W.S. Van Valkenburgh, Letter to Agnes Inglis, 1932 “The difficulty in finding perspective is related to the general American lack of a historical consciousness…Many young white activists still act as though they have nothing to learn from their sisters and brothers who struggled before them.” -George Lakey, Strategy for a Living Revolution, 1971 “From the start, anarchism was an open political philosophy, always transforming itself in theory and practice…Yet when people are introduced to anarchism today, that openness, combined with a cultural propensity to forget the past, can make it seem a recent invention—without an elastic tradition, filled with debates, lessons, and experiments to build on.” -Cindy Milstein, Anarchism and Its Aspirations, 2010 “Librarians have an ‘academic’ sense, and can’t bare to throw anything away! Even things they don’t approve of. They acquire a historic sense. At the time a hand-bill may be very ‘bad’! But the following day it becomes ‘historic.’” -Agnes Inglis, Letter to Highlander Folk School, 1944 “To keep on repeating the same attempts without an intelligent appraisal of all the numerous failures in the past is not to uphold the right to experiment, but to insist upon one’s right to escape the hard facts of social struggle into the world of wishful belief. -
Government Documents Index by Title
EMMA GOLDMAN: A GUIDE TO HER LIFE AND DOCUMENTARY SOURCES Candace Falk, Editor and Director Stephen Cole, Associate Editor Sally Thomas, Assistant Editor GOVERNMENT DOCUMENTS INDEX BY TITLE TITLE REEL 249 Reds Sail, Exiled to Soviet Russia. In [New York Herald (Dec. 22, 1919)] Reel 64 [Address Card, 1917 July? for Mother Earth Publishing Association] Reel 57 [Affidavit] 1908 May 18 [in re: Jacob Kersner] Reel 56 [Affidavit] 1908 May 20 [in re: Jacob Kersner] Reel 56 [Affidavit] 1908 May 21 [in re: Jacob Kersner] Reel 56 [Affidavit] 1917 June 1[0? authenticating document] Reel 57 [Affidavit] 1919 Oct. 1 [describing transcript of speech at Harlem River Casino, May 18, 1917] Reel 63 [Affidavit] 1919 Oct. 18 [in re: New Haven Palladium article] Reel 63 [Affidavit] 1919 Oct. 20 [authenticating transcript of Goldman speech] Reel 63 [Affidavit] 1919 Dec. 2 [in re: Jacob Kersner] Reel 64 1 [Affidavit] 1920 Feb. 5 [in re: Abraham Schneider] Reel 65 [Affidavit] 1923 March 23 [giving Emma Goldman's birth date] Reel 65 [Affidavit] 1933 Dec. 26 [in support of motion for readmission to United States] Reel 66 [Affidavit? 1917? July? regarding California indictment of Alexander Berkman (excerpt?)] Reel 57 Affirms Sentence on Emma Goldman. In [New York Times (Jan. 15, 1918)] Reel 60 Against Draft Obstructors. In [Baltimore Sun (Jan. 15, 1918)] Reel 60 [Agent Report] In re: A.P. Olson (or Olsson)-- Anarchist and Radical, New York, 1918 Aug. 30 Reel 61 [Agent Report] In re: Abraham Schneider--I.W.W., St. Louis, Mo. [19]19 Oct. 14 Reel 63 [Agent Report In re:] Abraham Schneider, St. -
Anarchist Women and the “Sex Question”
1 Anarchist Women and the “Sex Question” The question of souls is old—we demand our bodies, now. We are tired of promises, God is deaf, and his church is our worst enemy. —Voltairine de Cleyre, “Sex Slavery,” 1890 I demand the independence of woman; her right to support herself; to live for herself; to love whomever she pleases, or as many as she pleases. I demand freedom for both sexes, freedom of action, freedom in love and freedom in motherhood. —Emma Goldman, “Marriage,” 1897 he Sex Question,” also known as “The Woman Question,” “Timplies a sense of epistemic uncertainty about the nature of womanhood, or the “proper” place of women in society. Introduced in Europe and debated throughout late nineteenth- and early twentieth- century America, the question was part of an international dialogue in response to the social unrest that was evident among a growing num- ber of women who began to challenge the notion that their sphere of influence was “naturally” limited to the roles of sweetheart, wife, and mother. Far from being singular in focus, the sex question pointed to an array of questions about whether (or to what extent) the bodies women occupy should delineate their rights and participation in public life, including questions about voting rights, access to higher education and professional employment, and the freedom to make choices about interpersonal relationships, marriage, and childbirth independently of the influence of men. Embedded within a dialectical discourse of 1 © 2016 State University of New York Press, Albany 2 TONGUE OF FIRE femininity and masculinity, these debates, in turn, reinforced the nature of manhood and masculine roles. -
The Voltairine De Cleyre Reader
The Voltairine de Cleyre Reader Born into poverty and plagued by it her entire life, educated by nuns in a convent school, chronically ill, T h the survivor of a nearly successful assassination e V attempt, and dead at a tragically early age, Voltairine o l t de Cleyre doesn't seem a likely candidate to become a i r what Paul Avrich called "a greater literary talent than i n any other American anarchist." e d e C But de Cleyre was undeniably one of the most l e y important anarchist thinkers in the US or any other r e country. Greatly admired by her contemporaries for R e her brilliant writing and tireless schedule of public a d speaking, her ability to approach the most complex e r issues with a mixture of common sense, passion, and clarity makes her works as relevant today as they were a century ago. 2004 AK Press anticopyright ISBN: 9781902593876 Palczewski, Catherine Helen (1995) Voltairine de Cleyre: Sexual Slavery and Sexual Pleasure in the Nineteenth Century. NWSA vol.7, Fall 95. Parker, S.E. Voltairine de Cleyre: Priestess of Pity and Vengeance, Freedom (London), April 29, 1950. Perlin, Terry M. Anarchism and Idealism: Voltairine de Cleyre, LaborHistory, xiv (Fall 1973), 506-20. Rexroth, Kenneth. Again at Waldheim (poem), Retort (Bearsville, NY), Winter 1942. Starrett, Walter [W.S. Van Valkenburgh]. Untitled manuscript on Voltairine de Cleyre, TABLE OF CONTENTS Ishill Collection, Harvard. Biographies Stein, Gordon (1995) Voltairine De Cleyre: The American Rationalist Volume 39, by Sharon Presley 1 Number 6. by Sara Baase 6 Voltairine de Cleyre, Freedom (London), August 1912. -
•'I Must First Take Stock of My Own Self:" the Individual & the Not-Mass in Emma Goldman's Anarchism
•'I MUST FIRST TAKE STOCK OF MY OWN SELF:" THE INDIVIDUAL & THE NOT-MASS IN EMMA GOLDMAN'S ANARCHISM A Thesis Submitted to the Committee on Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Science TRENT UNIVERSITY Peterborough, Ontario, Canada (c) Copyright by Laura Greenwood 2011 Theory, Culture and Politics M.A. Graduate Program October 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your Tile Votre reference ISBN: 978-0-494-81100-9 Our file Notre r6f6rence ISBN: 978-0-494-81100-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre im primes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
The Essays of Voltairine De Cleyre— Feminist, Anarchist, Genius
Exquisite Rebel: The Essays of Voltairine de Cleyre— Feminist, Anarchist, Genius Sharon Presley Crispin Sartwell Editors State University of New York Press Exquisite Rebel Voltairine de Cleyre, Philadelphia, 1901. Exquisite Rebel The Essays of Voltairine de Cleyre— Feminist, Anarchist, Genius Voltairine de Cleyre Sharon Presley and Crispin Sartwell, editors State University of New York Press Published by State University of New York Press, Albany © 2005 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Michael Haggett Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data De Cleyre, Voltairine, 1866–1912. Exquisite rebel : essays of Voltairine de Cleyre : American feminist, anarchist, genius / Voltairine de Cleyre ; Sharon Presley and Crispin Sartwell, editors. p. cm. Includes bibliographical references and index. ISBN 0-7914-6093-2 (alk. paper) — ISBN 0-7914-6094-0 (pbk. : alk. paper) 1. Anarchism—United States. 2. Feminism—United States. 3. De Cleyre, Voltairine, 1866–1912—Criticism and interpretation. I. Presley, Sharon. II. Sartwell, Crispin, 1958– III. Title. HX843.D43 2005 335Ј.83Ј092—dc22 2004059138 10 9 8 7 6 5 4 3 2 1 Crispin Sartwell dedicates his work on this volume to his daughters Emma and Jane. -
The Voltairine De Cleyre Reader ISBN 1-902593-87- 1
The Voltairine de aeyre Reader Edited by A. J. Brigati The Voltairine de Cleyre Reader ISBN 1-902593-87- 1 © 2004, A.J. Brigati All rights reserved. No part of this book may be reproduced commercially by offset lithographic or equivalent copying devices without the permission of the author or publisher. AK Press 674A 23'd St, Oakland, California 94612-1163 www.akpress.org PO Box 12766, Edinburgh, Scotland EH89YE www.akuk.com Library of Congress Cataloguing in-Publication data A catalog record fo r this book is available from the Library of Congress Library of Congress Control Number: 2003097106 Editorial Assistants: Ben Prickett Patrick R. Sessions Research Assistants: Joy Dement Kelley McKee Special Thanks to Barry Pateman Book Design: Fourteen Little Men, Inc. / www.fourteenlittlemen.com Cover art: Night by Virginia Allison printed from the original charcoal on canvas Printed in Canada About the Editor A.J. Brigati professes Eighteenth and Nineteenth Century British Literature, Marxist and Anarchist Theory and Sports Literature at the University of Montevallo, Montevallo, Alabama. Contents Preface by BarryPateman ....................... ........................i ShortChronology of Significant Dates ......................................iv Introduction .......................................................vii A Note on the Texts .............................. .....................xi Collected Prose In Defense of Emma Goldman and the Right of Expropriation .................... 1 They Who MarryDo III ...•.........................................