Thewishlist Dream Gear to Beg, Borrow and Steal For

Total Page:16

File Type:pdf, Size:1020Kb

Thewishlist Dream Gear to Beg, Borrow and Steal For wishlist Roger Mayer Purple Haze Octavia VIDEO DEMO http://bit.ly/guitaristextra theWishlist Dream gear to beg, borrow and steal for... Roger Mayer Purple Haze Octavia £1,440 CONTACT Guitar Village PHONE 01252 726821 WEB www.guitarvillage.co.uk Words Rod Brakes Photography Olly Curtis s Jimi Hendrix’s right-hand man in the studio “It’s also the fi rst time since then that I’ve made an 1. Roger designed and during the recording of 1967’s Axis: Bold As Octavia in a wedge-shaped enclosure,” points out Roger. custom-winds these ferrite transformers Love, Roger Mayer knows what it means to “But this one doesn’t just use a battery; it also takes A (bottom left) as per the be at the cutting edge of studio effects. Shortly after nine to 24 volts DC. The higher the voltage, the greater earliest examples used Roger’s 21st birthday, the pair hit it off while discussing the headroom or output capacity – before the signal by Jimi Hendrix. They guitar pedals. “I introduced the Octavia to Jimi back in distorts. So you can get the perfect Octavia sound and are more hum-resistant and offer a superior early 1967,” recalls Roger. “We were both into new and boost it with a higher output, which makes it much high-frequency detailed innovative sounds and I mentioned I’d helped out Jeff more usable in the studio. When I was in the studio with response than standard Beck and Jimmy Page with some of my stuff for their Jimi, we had access to a variable power supply, so we audio transformers hit records. Jimi asked me if I had anything new and could fi ne-tune the sound of the Octavia.” 2. While the Octave knob I told him about this new pedal – the Octavia. Although the Octavia is often lumped into the (right) controls the “He asked me to bring it along to a gig he was category of fuzz pedals, Roger considers this too wave-shaping properties playing at Chislehurst Caves [in Kent] and he tried generic a label. “It’s more about wave shaping,” he of the harmonics, the it out through a practice amp in the dressing room. explains. “The sound of an Octavia is about mirror volume knob amplifi es the selected sound (and turns He said, ‘I know what I can use this for. Come down imaging; you’ve got twice as many [wave] peaks as the power on and off). to the Ricky Tick Club gig next week; we’re going to you would normally have, and that’s what gives the Maximum output level Olympic Studios after the show to record the overdubs frequency doubling effect. It sounds alien, but it also is obtained when using for Purple Haze and Fire.’ Jimi ended up using a sounds human. It was made for making hit records and a 24-volt power supply rail Telecaster to record those solos with, and that’s how it debuted on arguably Jimi Hendrix’s most famous 3. According to Roger, the he discovered the Octavia.” record – Purple Haze. It’s got an impeccable heritage. Purple Haze Octavia is The pedal that Jimi used to record Purple Haze with If you want a genuine Octavia tone, you need to buy not only identical to Jimi’s uniquely featured a hand-wound ferrite transformer, a genuine pedal. Some of my early pedals go for a lot original pedal in terms of sound but it also comes and for the fi rst time this all-important component more money; the original Band Of Gypsys Octavia with a recording studio- has been incorporated into an offi cial Octavia design. just went for $70,400!” quality output stage 1 2 3 28 GUITARIST JUNE 2021 GIT472.wishlist_haze.indd 28 12/04/2021 15:19 Roger Mayer Purple Haze Octavia wishlist 4. With collectors hot on the trail, a mere 100 of these Roger Mayer-signed Purple Haze Octavias have been made available to musicians, engineers and producers worldwide. “They also make a nice gift and they’re a good investment, too,” says Roger 5. “The original Octavia brand is mine,” underscores Roger. “Years ago, Tycobrahe just copied an Octavia I had made for [The Yardbirds’] Keith Relf. However, that pedal wasn’t the same version that was used by Jimi Hendrix to record Purple Haze with” 6. The Roger Mayer Purple Haze Octavia is hand-built in the UK using UK-supplied parts, including gold-plated Cliff jack plug connectors and conductive plastic low-noise potentiometers. Ultimate low-noise performance is obtained by advanced electronics design techniques, 5 including a six-layer printed circuit card 6 4 GIT472.wishlist_haze.indd 29 12/04/2021 15:19.
Recommended publications
  • Ten Top Stories That Disparately Impacted African-Americans in 2011
    University of South Florida Scholar Commons Newspaper collection The Weekly Challenger 2012-01-05 The Weekly Challenger : 2012 : 01 : 05 The Weekly Challenger, et al Follow this and additional works at: https://scholarcommons.usf.edu/challenger Recommended Citation The Weekly Challenger, et al, "The Weekly Challenger : 2012 : 01 : 05" (2012). Newspaper collection. 106. https://scholarcommons.usf.edu/challenger/106 This is brought to you for free and open access by the The Weekly Challenger at Scholar Commons. It has been accepted for inclusion in Newspaper collection by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Presort Std U.S. Postage PAID Permit #2271 St. Petersburg, FL OPINION COMMUNITY COMMUNITY SPORTS Dr. E. Faye William on Imagine A Year Like This! 2 The Spotlight is on Kiko, Tim And The Crew 3 Local Author Fair 4 Buccaneers Fire Morris, Rest Of Coaching Staff 8 50¢ We Value Diversity. We Value Education. We Value History. St. Petersburg • Clearwater • Largo • Tarpon Springs • Dunedin • Safety Harbor VOLUME 44 NUMBER 19 JANUARY 5 - JANUARY 11, 2012 ST. PETERSBURG, FLORIDA Father George Clements Keynotes Ten Top Stories That Dr. MLK Breakfast Disparately Impacted African-Americans In 2011 BY HAZEL TRICE EDNEY TRICEEDNEY WIRE.COM WASHINGTON, D.C. – At least 10 top stories that disparately impacted African-Americans in 2011 are carrying over into the New Year, forecasting continued struggles, but also new hope for 2012. Among the top stories Father George Clements Troy Davis headlined by the Black Press in BY ANGELA ROUSON only a few hundred black 2011 are the consistently high SPECIAL TO THE Catholic priests in the United unemployment rate; President CHALLENGER States.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D
    Williams: Interview with Corey Washington, Independent Scholar on Jimi Hend Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D. Williams (3/6/2019) Most people in Augusta, GA, know Corey Washington. He is a popular history teacher, beloved by his students and their parents. He is a patron of music, attending local cultural events and supporting the burgeoning live music scene in the region. He is an independent author and expert on the life and music of Jimi Hendrix. Having seen him at the Augusta Literary Festival on multiple occasions and purchased one of his books on Hendrix for a friend, I decided to reach out to Mr. Washington for an interview on Hendrix, whom scholars describe as an icon of Afrofutur- ism. 1. How did you first become interested in Jimi Hendrix? I always have to mention the name of a disgraced individual Hulk Hogan, who was later exposed as a racist. But he was the one that hipped me to Hendrix because of his ring entrance music: “Voodoo Child.” The song opened with some weird scratching sounds, which I later learned was Jimi’s pre- cursor to a DJ scratching. He was manipulating the wah-wah pedal to get those sounds from his guitar. That drew me in, and I’ve been collecting his music and researching him ever since. That was in 1996. Follow ups: Washington grew up listening to Disco, House, and Hip-Hop. Born in 1976, Washington identifies a cultural “dead spot” for Hendrix between 1976 and 1990. I asked him why he thought that was.
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • Hendrix Hits London Educator Gallery Guide
    Table of Contents: Background Information Education Goals Exhibition Walkthrough Extension Resources Background Information Hear My Train a Comin’: Hendrix Hits London The purpose of this guide is to present questions and offer information that help lead students through the exhibition and instigate a conversation about the dynamic themes highlighted therein. Hear My Train a Comin’: Hendrix Hits London delves deep into one of the most important and formative time periods in Jimi Hendrix’s career. During a nine-month period beginning in September 1966, Hendrix released three hit singles, an iconic debut album, and transformed into one of the most popular performers in the British popular music scene. In June 1967 he returned to America a superstar. This new exhibition furthers EMP Museum’s ongoing efforts to explore, interpret, and illuminate the life, career, and legacy of Jimi Hendrix. Before its installation in Seattle, Hear My Train a Comin’: Hendrix Hits London debuted at the Hospital Club, a creative exhibition facility and private club located in the heart of London. The show was on view in the UK for two months before returning to the US. While the overall theme remains the same, EMP sought to convey the look and feel of swinging London with the addition of richly patterned wall fabrics evocative of the era, interactive elements, and a chronological large-scale concert map. Hendrix: Biographical Information Students may benefit from a discussion of Hendrix’s personal history prior to the period covered in the exhibition. Born
    [Show full text]
  • Rock 201 If You Know of a Bar Or Club That You
    Rock 201 Contact Steve (Vocals, Bass Guitar) for your next GREAT event! 413-320-8763 AC/DC Proud Mary Big Balls Susie Q Dirty Deeds Done Dirt Cheap Deep Purple Girls Got Rhythm Highway Star Highway to Hell Smoke on the Water If You Want Blood You Got It Dio Let There Be Rock Holy Diver Livewire Doors R-n-R Ain't Noise Pollution Break on Through Shot Down in Flames Hello, I Love You TNT Roadhouse Blues You Shook Me All Night Long Eagles Bryan Adams Life in the Fast Lane Summer of '69 Foghat Aerosmith Slow Ride Lord of the Thighs Free Mama Kin All Right Now Same Old Song and Dance J. Geils Seasons of Wither Musta Got Lost Walk This Way House Party Bad Company Golden Earring Ready for Love Radar Love Can't Get Enough Guns-n-Roses Rock Steady Welcome to the Jungle Beatles Jimi Hendrix A Hard Days Night Fire Blackfoot Hey Joe Train Train Little Wing Black Sabbath Purple Haze Children of the Sea Red House Paranoid The Wind Cries Mary Iron Man Billy Idol Sweet Leaf Rebel Yell N.I.B. Iron Maiden Fairies Wear Boots The Trooper War Pigs James Gang Blue Oyster Cult Funk 49 Godzilla Walk Away Candlebox Jethro Tull You Cross Eyed Mary John Cougar Locomotive Breath Hurt So Good Judas Priest Cream You Got Another Thing Coming Crossroads Breaking the Law Creedence Clearwater Revival Kiss Fortunate Son Cold Gin Have You Ever Seen the Rain Rock and Roll all Night If you know of a bar or club that you think Rock 201 should play in, e-mail us!! We are also available for your private party or other function you might have.
    [Show full text]
  • Roger Mayer RM456 Well with the Unit and It Sounded Good with a Variety of Source Material
    / Review nice and linear as one would expect and the unit provides a good front end for recording. Dynamic, condenser and ribbon mics behaved Roger Mayer RM456 well with the unit and it sounded good with a variety of source material. As we push up into RUSSELL COTTIER tries some 456HD Analogue Tape the distortion area of the pre-amplifier, the higher frequency harmonics start to creep in as Simulation from this 4-channel mic pre one would expect, and it is possible to create some controlled transients in the tracking oger Mayer was there at the bleeding allow accurate recall, and the knobs feel good process without any audible artefacts, on edge in the dawn of rock music. In to use. There are buttons for Phase, Line input sources such as snare drums and acoustic guitar. 1964 he started building effect pedals and engaging the 456 circuitry, with an LED Moving on to the 456HD processing, it’s Rfor Jimmy Page. Mayer also designed indicator adjacent to the switch.The ferrite noticeable this mode added some noise floor and built pedals used by Jimi Hendrix, Jeff transformers in this unit are all hand would in increase to the output, up to 3dB. However this Beck and session guitar legend Big Jim the UK and each channel has a separate Mic, was not too noticeable in use, and certainly Sullivan. After a year working for Olympic in Line and Output transformer all with linear added a little tape vibe. The aim of the 1968 Roger Mayer moved to the US and phase, and frequency response up to 80kHz processing is to create the colouration of started his own company building limiters, EQs apparently.
    [Show full text]
  • UCLA LAW MAGAZINE PRESORTED UCLA School of Law, Office of the Dean FIRST CLASS MAIL Box 951476, Los Angeles, CA 90095-1476 U.S
    Final Cover 3/26/01 10:13 AM Page 1 UCLA LAW MAGAZINE PRESORTED UCLA School of Law, Office of the Dean FIRST CLASS MAIL Box 951476, Los Angeles, CA 90095-1476 U.S. POSTAGE PAID www.law.ucla.edu UCLA [email protected] APRIL 2001 Return Service Requested Friday, April 20, 1 P.M. “The Changing Face of Practice: Perspectives from the Profession and the Law School” A Symposium to mark the 30th Anniversary of the UCLA School of Law Clinical Program with a dinner and tribute to Professor David Binder UCLA LAW MAGAZINE UC L A featuring Shirley M. Hufstedler LAW MAGAZINE The Magazine of the UCLA School of Law MCLE credit approved for 2.5 hours general credit and 1.75 ethics credit Vol. 24 L No. 1 L Fall.Winter.2000.2001 Please call (310) 825-7376 or e-mail [email protected] • Saturday, April 21, 9 A.M.- 6 P.M. AALS Colloquium: Equal Access to Justice Please call (310) 206-9155 or e-mail [email protected] 3030 YearsYears ofof Clinical Clinical LegalLegal EducationEducation • Tuesday, April 24, NOON UCLA Law Alumni of the Year Awards A Salute to The Honorable Elwood Lui [Ret.] ’69 Public/Community Service and N Skip Brittenham ’70 FALL.WINTER.2000–2001 Professional Achievement Century Plaza Hotel Please call (310) 206-1121 or e-mail [email protected] • Tuesday, April 24, 4:30 P.M. The Twelfth Annual Public Interest Awards UCLA School of Law, Room 1430 Please call (310) 206-9155 or e-mail [email protected] MAY 2001 Sunday, May 20, 2 P.M.
    [Show full text]
  • Dunlop }Imillendrix Tuzz J
    TEST effekter ~ Dunlop }imillendrix tuzz J;ace JII-);1 · Odavio JII-0(1 · Signalure WahJII-1R • • Av David Morin ••••••••••••••••••••••••••••••••••••• Urfaderns pedalpark Cslight return) id NAMM-mässan 2007 berättade Duntop att man i samarbete med kade mängder av störningar och brus vid höga fuzznivåer. Något som clerra exemplar är helt ~ pedalgurun]eorge Tripps var i stånd att lansera en rad pedaler med tung befriar från. Bravo. Der svårtyglade oscillerande Hendrix anknytning. Tripps var tidigare mest känd som mannen bakom missljud som hörs så fort du försöker använda V en wah-wah med vinrage krets före en kisel­ de kultfiirklarade pedalerna från Way Huge och Line 6 framgångsrika Stompbox rransisrorurrusrad Fuzz Face i signalkedjan finns Modeler serie. Produktionsproblem hos Duntop gjorde dock att detta projekt försenades däremot kvar. Precis som på originalen. Auren­ och inte fö'rrå'n mot slutet av förra året fanns pedalerna ute i handeln. Tre pedaler, riskr var ordec. alla "playable collectables" enligt fabrikanten, ingår i Dunlops Jimi Hendrix SLUTOMDÖME Authentic Analog Series - Fuzz Face, Octavio och Wah- Wah. I bruksanvisningen påstås der, förmodligen helt felakrigr, arr kretsen med BC108 kiselt­ im i Hendrix namn säljer än idag och man en fröjd arr vila ögonen på. Der enda som egenc- ransistorer användes av Hendrix på inspel­ kan hitta hans namn på all r ifrån golfbol- !igen s rör en enrusiasr som jag är Dunlops val ningen av der legendariska livealbumet Band !ar till damväskor. Sedan 80-raler har Dun- av färg . Den fejkade ruekosa hammarlacken har ofGypsys från 1970. Något som också förne­ 1lop val r arr associera honom rill en mängd aldrig använts i pedalens hisroria och jag rycker kas av en viss Roger Mayer.
    [Show full text]
  • Jimi Hendrix Online Slot™
    JIMI HENDRIX ONLINE SLOT TOUCH™ Game Type: Touch Game (OpenBet) Return to Player: 96.91% NetEnt™ is proud to announce the 2nd instalment from the ground-breaking NetEnt™ Rocks series - the Jimi Hendrix Online Slot Touch™! The one and only guitar maestro Jimi Hendrix is brought to life on the reels in the latest offering from NetEnt™ This psychedelic slot game provides players with the full Jimi Hendrix experience taking them back in time to when Jimi changed the way guitar was played forever. Jimi Hendrix Online Slot Touch™ is a 5-reel, 3-row, 20- line (fixed) video slot with Re-spins, Wild substitutions, Wild transformation and a Pick and Click feature where Free Spins or coins can be won. In the Red Guitar Re-spin feature and the Purple Haze feature players have the chance for excitement on every spin in the main game. Additionally, a Pick and Click game gives players the chance of a coin win or 3 different types of Free Spins named after 3 iconic Hendrix Classics (Crosstown Traffic, Little Wing & Purple Haze) Game Sheet Version: 1.0 Date: 2016-03-03 ABOUT JIMI HENDRIX ONLINE SLOT Jimi Hendrix Online Slot Touch™ (OpenBet) Game Sheet Version 1.0, 2016-03-03 TOUCH™ GENERAL INFORMATION Game Type Touch Game Reel Type Spinning Reels Reels 5 reels, 3 rows, 20 bet lines (fixed) Default Bet Levels 1-10 Default Coin Values (€) 0.01, 0.02, 0.05, 0.10, 0.20, 0.50, 1 Default Min / Max Bet (€) 0.20 / 200 Minimum Free Round Values (Please check your current free Bet level 1, 20 bet lines, €0.01 coin value (cost €0.20) round values) GAME FEATURES Wild substitutions Scatter Symbols Red Guitar Re-spin Purple Haze Feature Pick and Click Feature Coin Win Crosstown Traffic Free Spins Purple Haze Free Spins Little Wing Free Spins PAYOUT Return to Player (%) 96.91 Default Maximum Win €4 000 / 4 000 coins – on a single bet line Hit Frequency (%) 30.1% RESPONSIBLE GAMING Player and casino operator can set the following play limits: Bet & loss per session, day, week or month.
    [Show full text]
  • Are We Still Rolling?
    Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.
    [Show full text]
  • Purple Haze (1967) the Jimi Hendrix Experience
    MUSC-21600: The Art of Rock Music Prof. Freeze Purple Haze (1967) The Jimi Hendrix Experience LISTEN FOR • Texture of distorted guitar sound and heavy bass • Centrality of guitar solos • Instrumental bridge that recalls introduction • Psychedelic lyrics CREATION Songwriters Jimi Hendrix Album Are You Experienced? Label Reprise 0597; Track 604001 (UK) Musicians Electric guitars, bass, drums, lead vocal, spoken voices Producer Chas Chandler Recording De Lane Lea, Olympic Studios (London); January–February 1967; stereo Charts Pop 65 (UK 3); Album 5 (UK 2) MUSIC Genre Psychedelic rock Form Simple verse, with contrasting instrumental bridge Key E minor Meter 4/4 MUSC-21600 Listening Guide Freeze “Purple Haze” (The Jimi Hendrix Experience, 1967) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (14) • Bars 1–2 introduce the famous dissonant (tritone-based), angular riff in the guitar and bass; march-like groove. • Bars 3–10 feature blues-based melodic phrases on guitar. • Distorted guitar and heavy bass that will become typical texture of heavy metal. • Bars 11–14 set up the chord progression that the verse will be based on. 0:32 Verse 1 (9) “Purple haze all in my brain” • Vocal enters. • Call and response between the vocal and lead guitar at the end of the verse. 0:52 Verse 2 (12) “Purple haze all around” • As before, until the final three bars, which lead into the guitar solo. 1:12 Instr. Bridge (8+8) • Guitar solo. While based on the blues, the solo also invokes sitar-like lines. • Speaking voices in the background. 1:35 • The introduction’s melody returns, relaunching the tune.
    [Show full text]