Purple Haze Feedback a Jojo's Bizarre Adventure Novel by Kadano Kouhei

Total Page:16

File Type:pdf, Size:1020Kb

Purple Haze Feedback a Jojo's Bizarre Adventure Novel by Kadano Kouhei Purple Haze Feedback A Jojo's Bizarre Adventure novel by Kadano Kouhei Illustrated and based on the manga by Araki Hirohiko Purple Haze Feedback Lost in distant memories Days with companions long gone Drunk on the honor of friendship Certain it would never end Now vanished like a dream Faded, no warmth remaining Covered in a silent, deadly haze INDICE...................................................... I. vitti 'na crozza.......................................7 II. me voglio fa 'na casa..........................28 III. 'a vucchella.......................................49 IV. tu ca nun chiagne..............................71 V. mi votu e mi rivotu............................93 VI. fantasia siciliana.............................113 VII. luna nova.......................................141 VIII. 'o surdato 'nnammurato................158 An empty dream A selfish, horrific vision Passed on like the deadliest of viruses – Rage Against the Machine, Snakecharmer There were two figures in the Temple of Apollo. One male, one female. It was night; a new moon. The female lay on her side, barely visible in the faint light of the stars; the man stood looking down at her. She groaned, in pain. "Call him," the man said, his tone cold. She groaned again. "Call Fugo. Call him here. Scream, and beg him to come save you." The man's voice betrayed no hint of mercy. Only hostility and murder calcified into dark cruelty. The girl only groaned. She did not move. Her arms and legs were twisted in directions they were not meant to go. She could not escape on her own. "Don't try and fight me," the man said. It was not a threat, but a statement of fact. "Manic Depression can control you completely. You no longer have free will." His hand shot out, clutching her throat. His fingers slid beneath her skin, into her flesh. Her scream echoed through the darkness. * This is a story about people unable to take action. They have no plans for the future, no comfort in memories. The past and the future are not for them; they exist only in the present, struggling to no avail. Do they struggle to find purchase? To move forward? To retreat? Who knows. They could not tell you. The world that left them to this fate provides no answers. They know only one thing for sure – the ground under their feet is crumbling, and they can no longer remain still. They have no tomorrow, no home. How can they find hope? What can they lash out at, in their despair? Let us examine one boy, a boy in such a predicament. The boy's name is Pannacotta Fugo. There are those who call him a traitor, those who dismiss him as one without shame. His choices will decide what his fate will be. I. vitti 'na crozza ….....................................I Saw a Skull................................. Milano, Italy – the Stadio Guiseppe Meazza. One of the most famous soccer stadiums in the world. Something there was very wrong. There was no noise. There was always noise. Crowds of chanting fans, the shouts of vendors, of police struggling to maintain order. At this time of day, the Stadio was never quiet. Especially on game day – and the hometown favorites were supposed to be playing their arch-rivals to a sold-out crowd. Yet all 80,018 seats were empty. No one watching; no one playing. No one there at all. Only a terrifying stillness beneath the open sky. In that sky was a blimp – hovering overhead, as if filming the game that was not being played. On the side of the blimp, in small, unobtrusive lettering, was written: "Speedwagon." In the gondola, the blimp's staff looked down at the empty stadium nervously. They looked at each other, and nodded. One of them spoke into a transceiver. "The Stadio's deserted. You're clear to proceed." "Roger that." The man on other end of the line stepped forward into the empty seats, and waved at the blimp overhead. A light flashed; they'd seen him. "Keep a close watch. Like I said, anything happens to me, scram." "Understood. Be careful, Guido Mista." Switching off the receiver, the man – Mista – reached down and pulled a gun out of his boot. With practiced ease, he took aim at the tunnel the players entered from. "Okay. Come on out, Sheila E." His voice was low, but it carried, projected like a opera singer's. For ten full seconds, there was silence. Then two figures emerged from the shadows, their movements a far cry from the intensity the home team athletes typically displayed. One was a girl – Sheila E. Her features were young, suggested she had not yet fully matured, but her eyes were something else entirely. They were the eyes of a wild thing, prepared to lunge forward and sink her teeth into the throat of all she surveyed. Prepared to tear it asunder. There were a number of scars on her face; she showed no signs of self-consciousness about them. She was escorting a boy, who stepped gingerly onto the pitch, head down, his strawberry earrings aflutter. When the two of them had reached a point twenty meters in front of Mista, he yelled out. "Stop." They did. Sheila E stopped on a dime, like a soldier doing drills, but the boy flinched, and stood there twitching. Mista's gun was aimed at him. The barrel trained directly on his face, between his brow and his lips, towards the upper end of the bridge of his nose. It did not waver. "Hmph," Mista grunted. He looked the boy over, then stuck his lips out and said, "Long time no see." The boy's head jerked up, looking at him for the first time. Mista's eyes were cold, like ice. "Tell me, Fugo...what have you been up to?" The boy didn't answer. He seemed at a loss for words. "As far as we can tell, you spent the last six months playing piano in a bar. You play piano? I had no idea. All that time we knew each other..." "….............." "Guess rich kids get to learn all sorts of fancy tricks." Fugo muttered something under his breath. "Mm?" Mista said, not about to let that slide. "What did you say? You got something to say, spit it out." Fugo twisted his lips to one side. "It was nothing," he squeaked. It wasn't nothing; he'd rejected Mista's implication out of hand. Mista cocked an eyebrow, but let it drop. "Okay, then tell me...you got anything to say to me? Anything you want to know? I'll answer what I can." Fugo stood in silence for a long moment. Then he made up his mind. "Is he really...dead?" There was a raw grief in his eyes. When he saw that, Mista frowned, and glanced at Sheila E. "Sheila E, cover your ears." She nodded curtly, and jammed her fingers in her ears with such force it was a wonder they didn't bleed. Sealing off all outside sound. Her obedience was downright pathological. Mista did not seem concerned. He looked back at Fugo, and said, "You heard about Buccellati's death, then?" The color drained from Fugo's face. His whole body began to shake, and his teeth began to chatter. It was like he'd suddenly been flung out into a blizzard. "Narancia and Abbacchio died too. You remember what you said?" Fugo did not answer. "You aren't looking at reality. You can't survive on ideals alone. We can't live outside the mob." Fugo remembered those words. He would never forget them. Those words had led directly to him leaving the man he'd bet his life on. Had he made a mistake? Had he been the one ignorant of what was really going on? He'd wrestled with that question every day since. And now the answer – or part of it – stood before him. One of the five people he'd abandoned that day. "Mista...is it true?" His voice shook. His question was not particularly specific, but Mista smiled faintly. "You've heard rumors, then? What did you hear?" "That..." Fugo stopped, and looked a Sheila E. Mista had made her cover her ears so she wouldn't hear what they were about to say. It took a lot of nerve for him to speak further. "What I heard was that the boss had finally shown himself. And his name..." "His name?" "Was Giorno Giovanna. They said that Passione's boss was only sixteen – and his youth was the reason he'd kept his identity a secret. But traitors emerged, and tried to uncover his identity, which got an innocent girl mixed up in mob affairs, and nearly led to all out war...so he saw no further reason to hide, and revealed himself at last." "Yeah. You know that's a lie. You were with us right before it all went down." Mista's gun remained pointed right at Fugo's head. "You were with us before Diavolo – the real boss – killed Buccellati and the others." Fugo's throat felt dry, but he didn't dare swallow. "Giorno joined the gang specifically to defeat the boss and take over. Buccellati was helping him all along. Makes sense, doesn't it? You don't look surprised. The moment he joined our team, Giorno was no ordinary recruit. He never seemed like a rookie, and Buccellati always treated him like a trusted partner, not a subordinate. Giorno insists they were even partners, but truth is...Buccellati was working for Giorno. That's how it felt to me, anyway. He was ready to give his life for Giorno's dream – and he did.
Recommended publications
  • Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D
    Williams: Interview with Corey Washington, Independent Scholar on Jimi Hend Interview with Corey Washington, Independent Scholar on Jimi Hendrix Seretha D. Williams (3/6/2019) Most people in Augusta, GA, know Corey Washington. He is a popular history teacher, beloved by his students and their parents. He is a patron of music, attending local cultural events and supporting the burgeoning live music scene in the region. He is an independent author and expert on the life and music of Jimi Hendrix. Having seen him at the Augusta Literary Festival on multiple occasions and purchased one of his books on Hendrix for a friend, I decided to reach out to Mr. Washington for an interview on Hendrix, whom scholars describe as an icon of Afrofutur- ism. 1. How did you first become interested in Jimi Hendrix? I always have to mention the name of a disgraced individual Hulk Hogan, who was later exposed as a racist. But he was the one that hipped me to Hendrix because of his ring entrance music: “Voodoo Child.” The song opened with some weird scratching sounds, which I later learned was Jimi’s pre- cursor to a DJ scratching. He was manipulating the wah-wah pedal to get those sounds from his guitar. That drew me in, and I’ve been collecting his music and researching him ever since. That was in 1996. Follow ups: Washington grew up listening to Disco, House, and Hip-Hop. Born in 1976, Washington identifies a cultural “dead spot” for Hendrix between 1976 and 1990. I asked him why he thought that was.
    [Show full text]
  • Jimi Hendrix Maui Zowie Mp3, Flac, Wma
    Jimi Hendrix Maui Zowie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Maui Zowie Country: US Released: 2014 Style: Avantgarde MP3 version RAR size: 1286 mb FLAC version RAR size: 1620 mb WMA version RAR size: 1529 mb Rating: 4.9 Votes: 387 Other Formats: MPC AU AA MOD RA MP2 WAV Tracklist Jimi Hendrix Side A1 –Jimi Hendrix & Experience* Dolly Dagger A2 –Jimi Hendrix & Experience* Freedom A3 –Jimi Hendrix & Experience* Stone Free / Hey Joe A4 –Jimi Hendrix & Experience* Maui Sunset (Complete) Frank Zappa Side –Frank Zappa & The Mothers Of Warrensville Heights Jam (24+ Minute B1 Invention* Improvisational Jam) Notes Jimi Hendrix & Experience Recorded Live In Maui Hawai, June 30, 1970 Frank Zappa & The Mothers Of Invention - Musicarnival, Warrensville Heights, Ohio, August 10, 1969 Limited to 150 copies Different colors and covers exist. Comes with stamped innersleeve Barcode and Other Identifiers Matrix / Runout (Side A runout - etched): Q-9020-PRO-B Matrix / Runout (Side B runout - etched): WAR.6908.B Other versions Category Artist Title (Format) Label Category Country Year Jimi Hendrix, Frank Zappa - Jimi Hendrix, Mushroom none Maui Zowie (LP, Comp, Ltd, none US 2014 Frank Zappa Records Unofficial, Gra) Jimi Hendrix, Frank Zappa - Jimi Hendrix, Mushroom none Maui Zowie (LP, Comp, Ltd, none US 2014 Frank Zappa Records Unofficial, 50-) Jimi Hendrix, Frank Zappa - Jimi Hendrix, Mushroom none Maui Zowie (LP, Comp, Ltd, none US 2014 Frank Zappa Records Unofficial, Gra) Jimi Hendrix, Frank Zappa - Jimi Hendrix, Mushroom none Maui
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • Hendrix Hits London Educator Gallery Guide
    Table of Contents: Background Information Education Goals Exhibition Walkthrough Extension Resources Background Information Hear My Train a Comin’: Hendrix Hits London The purpose of this guide is to present questions and offer information that help lead students through the exhibition and instigate a conversation about the dynamic themes highlighted therein. Hear My Train a Comin’: Hendrix Hits London delves deep into one of the most important and formative time periods in Jimi Hendrix’s career. During a nine-month period beginning in September 1966, Hendrix released three hit singles, an iconic debut album, and transformed into one of the most popular performers in the British popular music scene. In June 1967 he returned to America a superstar. This new exhibition furthers EMP Museum’s ongoing efforts to explore, interpret, and illuminate the life, career, and legacy of Jimi Hendrix. Before its installation in Seattle, Hear My Train a Comin’: Hendrix Hits London debuted at the Hospital Club, a creative exhibition facility and private club located in the heart of London. The show was on view in the UK for two months before returning to the US. While the overall theme remains the same, EMP sought to convey the look and feel of swinging London with the addition of richly patterned wall fabrics evocative of the era, interactive elements, and a chronological large-scale concert map. Hendrix: Biographical Information Students may benefit from a discussion of Hendrix’s personal history prior to the period covered in the exhibition. Born
    [Show full text]
  • Rock 201 If You Know of a Bar Or Club That You
    Rock 201 Contact Steve (Vocals, Bass Guitar) for your next GREAT event! 413-320-8763 AC/DC Proud Mary Big Balls Susie Q Dirty Deeds Done Dirt Cheap Deep Purple Girls Got Rhythm Highway Star Highway to Hell Smoke on the Water If You Want Blood You Got It Dio Let There Be Rock Holy Diver Livewire Doors R-n-R Ain't Noise Pollution Break on Through Shot Down in Flames Hello, I Love You TNT Roadhouse Blues You Shook Me All Night Long Eagles Bryan Adams Life in the Fast Lane Summer of '69 Foghat Aerosmith Slow Ride Lord of the Thighs Free Mama Kin All Right Now Same Old Song and Dance J. Geils Seasons of Wither Musta Got Lost Walk This Way House Party Bad Company Golden Earring Ready for Love Radar Love Can't Get Enough Guns-n-Roses Rock Steady Welcome to the Jungle Beatles Jimi Hendrix A Hard Days Night Fire Blackfoot Hey Joe Train Train Little Wing Black Sabbath Purple Haze Children of the Sea Red House Paranoid The Wind Cries Mary Iron Man Billy Idol Sweet Leaf Rebel Yell N.I.B. Iron Maiden Fairies Wear Boots The Trooper War Pigs James Gang Blue Oyster Cult Funk 49 Godzilla Walk Away Candlebox Jethro Tull You Cross Eyed Mary John Cougar Locomotive Breath Hurt So Good Judas Priest Cream You Got Another Thing Coming Crossroads Breaking the Law Creedence Clearwater Revival Kiss Fortunate Son Cold Gin Have You Ever Seen the Rain Rock and Roll all Night If you know of a bar or club that you think Rock 201 should play in, e-mail us!! We are also available for your private party or other function you might have.
    [Show full text]
  • Jimi Hendrix
    Suhrkamp BasisBiographien 40 Jimi Hendrix Bearbeitet von Peter Kemper Originalausgabe 2009. Taschenbuch. 160 S. Paperback ISBN 978 3 518 18240 6 Format (B x L): 11,8 x 19 cm Gewicht: 190 g Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikwissenschaft Allgemein > Einzelne Komponisten und Musiker schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Suhrkamp Verlag Leseprobe Kemper, Peter Jimi Hendrix Mit zahlreichen Abbildungen © Suhrkamp Verlag Suhrkamp BasisBiographien 40 978-3-518-18240-6 Suhrkamp BasisBiographie 40 Jimi Hendrix Leben Werk Wirkung Werk Leben Peter Kemper, Dr. phil., geboren 1950, studierte Philo- sophie, Germanistik und Sozialwissenschaften in Mar- burg. Seit 1986 Leiter des »Abendstudios« im Hessischen Rundfunk, ab 2003 Leitung der täglichen hr2-Gesprächs- sendung »Doppel-Kopf«. Seit 1981 regelmäßige Mitarbeit im Feuilleton der Frankfurter Allgemeinen Zeitung als Mu- sikkritiker für Rock, Pop und Jazz. Zahlreiche Buchveröf- fentlichungen zu Themen der Alltags- und Jugendkultur. Herausgeber der dreibändigen Textsammlung Rock-Klassi- ker (Stuttgart 2003). Zuletzt erschienen: Der Aufstand des Ohrs – die neue Lust am Hören (Göttingen 2006) und die Suhrkamp
    [Show full text]
  • Jimi Hendrix Online Slot™
    JIMI HENDRIX ONLINE SLOT TOUCH™ Game Type: Touch Game (OpenBet) Return to Player: 96.91% NetEnt™ is proud to announce the 2nd instalment from the ground-breaking NetEnt™ Rocks series - the Jimi Hendrix Online Slot Touch™! The one and only guitar maestro Jimi Hendrix is brought to life on the reels in the latest offering from NetEnt™ This psychedelic slot game provides players with the full Jimi Hendrix experience taking them back in time to when Jimi changed the way guitar was played forever. Jimi Hendrix Online Slot Touch™ is a 5-reel, 3-row, 20- line (fixed) video slot with Re-spins, Wild substitutions, Wild transformation and a Pick and Click feature where Free Spins or coins can be won. In the Red Guitar Re-spin feature and the Purple Haze feature players have the chance for excitement on every spin in the main game. Additionally, a Pick and Click game gives players the chance of a coin win or 3 different types of Free Spins named after 3 iconic Hendrix Classics (Crosstown Traffic, Little Wing & Purple Haze) Game Sheet Version: 1.0 Date: 2016-03-03 ABOUT JIMI HENDRIX ONLINE SLOT Jimi Hendrix Online Slot Touch™ (OpenBet) Game Sheet Version 1.0, 2016-03-03 TOUCH™ GENERAL INFORMATION Game Type Touch Game Reel Type Spinning Reels Reels 5 reels, 3 rows, 20 bet lines (fixed) Default Bet Levels 1-10 Default Coin Values (€) 0.01, 0.02, 0.05, 0.10, 0.20, 0.50, 1 Default Min / Max Bet (€) 0.20 / 200 Minimum Free Round Values (Please check your current free Bet level 1, 20 bet lines, €0.01 coin value (cost €0.20) round values) GAME FEATURES Wild substitutions Scatter Symbols Red Guitar Re-spin Purple Haze Feature Pick and Click Feature Coin Win Crosstown Traffic Free Spins Purple Haze Free Spins Little Wing Free Spins PAYOUT Return to Player (%) 96.91 Default Maximum Win €4 000 / 4 000 coins – on a single bet line Hit Frequency (%) 30.1% RESPONSIBLE GAMING Player and casino operator can set the following play limits: Bet & loss per session, day, week or month.
    [Show full text]
  • Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
    Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.
    [Show full text]
  • Purple Haze (1967) the Jimi Hendrix Experience
    MUSC-21600: The Art of Rock Music Prof. Freeze Purple Haze (1967) The Jimi Hendrix Experience LISTEN FOR • Texture of distorted guitar sound and heavy bass • Centrality of guitar solos • Instrumental bridge that recalls introduction • Psychedelic lyrics CREATION Songwriters Jimi Hendrix Album Are You Experienced? Label Reprise 0597; Track 604001 (UK) Musicians Electric guitars, bass, drums, lead vocal, spoken voices Producer Chas Chandler Recording De Lane Lea, Olympic Studios (London); January–February 1967; stereo Charts Pop 65 (UK 3); Album 5 (UK 2) MUSIC Genre Psychedelic rock Form Simple verse, with contrasting instrumental bridge Key E minor Meter 4/4 MUSC-21600 Listening Guide Freeze “Purple Haze” (The Jimi Hendrix Experience, 1967) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (14) • Bars 1–2 introduce the famous dissonant (tritone-based), angular riff in the guitar and bass; march-like groove. • Bars 3–10 feature blues-based melodic phrases on guitar. • Distorted guitar and heavy bass that will become typical texture of heavy metal. • Bars 11–14 set up the chord progression that the verse will be based on. 0:32 Verse 1 (9) “Purple haze all in my brain” • Vocal enters. • Call and response between the vocal and lead guitar at the end of the verse. 0:52 Verse 2 (12) “Purple haze all around” • As before, until the final three bars, which lead into the guitar solo. 1:12 Instr. Bridge (8+8) • Guitar solo. While based on the blues, the solo also invokes sitar-like lines. • Speaking voices in the background. 1:35 • The introduction’s melody returns, relaunching the tune.
    [Show full text]
  • Backstage Auctions, Inc. Proudly Presents the 2004 Classic Rock Auction Featuring the Private Collection of Eddie Kramer End of Auction Summary
    Backstage Auctions, Inc. Proudly Presents The 2004 Classic Rock Auction Featuring the private collection of Eddie Kramer End of Auction Summary Lot # Realized Price Title 1 $462.00 JIMI HENDRIX 1970 "DOLLY DAGGER"/"NIGHT BIRD FLYING" ACETATE 2 $333.96 JIMI HENDRIX "DOLLY DAGGER" VERSION 1 ACETATE 3 $338.06 JIMI HENDRIX "DOLLY DAGGER" VERSION 2 ACETATE WITH FADE 4 $258.00 JIMI HENDRIX "DOLLY DAGGER" MONO DJ ACETATE 5 $366.02 JIMI HENDRIX "JOHNNY B. GOODE" MONO-STEREO ACETATE 6 $366.02 JIMI HENDRIX "LOVER MAN" STEREO ACETATE 7 $700.00 JIMI HENDRIX "LAUGHING SAM" ACETATE WITH B-SIDE 8 $400.01 JIMI HENDRIX "STAR SPANGLED BANNER" STUDIO VERSION ACETATE 9 $360.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" ALBUM ACETATE 10 $200.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" B-SIDE ACETATE 11 $300.00 JIMI HENDRIX 1971 "RAINBOW BRIDGE" ALBUM ACETATE 12 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 1 13 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 2 15 $275.00 JIMI HENDRIX 1996 "FIRST RAYS" ALBUM 'MASTER' PLATE 17 $100.00 JIMI HENDRIX 1997 "FIRST RAYS" SET OF 4 TEST PRESSING RECORDS 18 $401.72 JIMI HENDRIX 1997 "AXIS: BOLD AS LOVE" SET OF 8 TEST PRESSINGS 19 $250.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 12 TEST PRESSINGS 20 $152.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 4 TEST PRESSINGS 21 $175.00 JIMI HENDRIX 1997 "ARE YOU EXPERIENCED" SET OF 7 TEST PRESSINGS 22 $225.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 6 TEST PRESSINGS 23 $100.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 2 TEST PRESSINGS 25 $150.00 JIMI HENDRIX 1998 "BBC SESSIONS" SET OF 6 TEST PRESSING RECORDS 26 $200.00 JIMI HENDRIX 1998 "FILMORE EAST" SET OF 8 TEST PRESSINGS 27 $200.00 JIMI HENDRIX 2000 "JIMI HENDRIX EXPERIENCE" 8 TEST PRESSINGS 28 $50.00 JIMI HENDRIX 2002 "SMASH HITS" SET OF 2 TEST PRESSINGS 29 $150.00 JIMI HENDRIX 2002 "BLUE WILD ANGEL" SET OF 6 TEST PRESSINGS 32 $175.00 JIMI HENDRIX COLLECTORS DREAM: 11 SEALED LTD.
    [Show full text]
  • Review of Jimi Hendrix Slot
    Review of Jimi Hendrix Slot NetEnt offers a wide range of extremely popular online slot games, and their offerings just seem to be getting bigger, better, and bolder every time they come out with something new. They are the ones responsible for the Jimi Hendrix online slot which is famed for the number of free spins and high payouts it can give a player. And with an RTP of 97 percent, even if you’re not a fan of Jimi himself, you’ll soon be a fan of this slot based on his music. Jimi Hendrix is seen today as a rock legend. He died in 1970 at the tender age of 27 and was only actually active for four years before that, but his short life and short music career had a lot packed into it. He has been called the greatest instrumentalist in the history of rock music by the Rock and Roll Hall of Fame, and so is, therefore, perhaps, deserving of a slot machine dedicated to him. The Visuals The visuals of the Jimi Hendrix online slot game are fantastic, as would be expected with anything coming from NetEnt. It brings to mind the 1960s when Hendrix was at a high peak, and you might even feel you are visiting Woodstock, the iconic music festival of the time. This is helped by the audio for the game, which is made up of Crosstown Traffic, Little Wing, and Purple Haze, some of Hendrix’s most popular tunes. The Gameplay Jimi Hendrix has 20 pay lines across five reels which is not overly exciting – it actually offers fewer pay lines than many other traditional slot games.
    [Show full text]
  • America's News English
    10/10/13 Experience Hendrix at the Fabulous Fox America's News English Experience Hendrix at the Fabulous Fox Forsyth County News (Cumming, GA) - Sunday, March 21, 2010 Readability: >12 grade level (Lexile: 1310L) Author: Ira Miller; Columnist, [email protected] Jimi Hendrix died on Sept. 18, 1970. I remember the date because that was my first birthday. And even though I can't play a lick of guitar, I have inherited a love of music. If you love music, you will love being at the Fabulous Fox on Saturday night as "Experience Hendrix" heads to Atlanta. This is the fourth edition of the biennial concert tour paying homage to the music and legacy of Jimi Hendrix. Joe Satriani, Jonny Lang, Eric Johnson, Kenny Wayne Shepherd, Brad Whitford (of Aerosmith), Doyle Bramhall II, Ernie Isley, Living Colour, Susan Tedeschi, Double Trouble's Chris Layton, Robert Randolph, along with original Hendrix bassist Billy Cox will be performing music written and inspired by the legend. Cox, who first befriended Hendrix when the two were in the 101st Airborne division of the US Army, played in both the Jimi Hendrix Experience and Band of Gypsys. "It's a thrill for me to play Jimi's music for audiences now as it was in the 1960s. The Experience Hendrix tours have shown how timeless this music really is," Cox said. Featured in every show are signature songs including "Purple Haze," "Voodoo Child (Slight Return)," "The Wind Cries Mary," "Little Wing" and "Red House." Kenny Wayne Shepherd, a veteran of several Experience Hendrix tours remarked: "Jimi Hendrix's music has really inspired [me] to push the limits of my own music.
    [Show full text]