Gain the Upper Hand with Good Typography

Total Page:16

File Type:pdf, Size:1020Kb

Gain the Upper Hand with Good Typography Marquette University Law School Marquette Law Scholarly Commons Faculty Publications Faculty Scholarship 2020 Gain the Upper Hand with Good Typography Melissa Love Koenig Joseph S. Diedrich Follow this and additional works at: https://scholarship.law.marquette.edu/facpub Part of the Law Commons Publication Information Joseph S. Diedrich & Melissa Love Koenig, Gain the Upper Hand with Good Typography, Oct. 2020, at 26. Reprinted with permission of the October 2020 Wisconsin Lawyer, the official publication of the State Bar of Wisconsin, and the author. You can improve your Gain the Upper chances of persuasion by making your briefs typographically superior. It Hand with Good won't make your arguments better, but it will ensure that judges grasp and retain your points with less struggle. Typography That's a valuable advantage. BY JOSEPHS. DIEDRICH & MELISSA E. LOVE KOENIG SUMMARY Briefs are the legal profession's nov- et's say you go to the bookstore to as possible. Those who do will gain an upper els - and judges are buy your next book club selection. hand over their opponent. The Seventh Circuit its bibliophiles. Lay L You find a hardbound edition of the agrees: "You can improve your chances by readers, lawyers, and novel and thumb through it. As you making your briefs typographically superior. judges all notice when walk to the checkout, you spy a paperback in It won't make your arguments better, but it something is difficult the discount bin. You have to squint to read will ensure that judges grasp and retain your to read, and all get the small font, and the words seem to bleed points with less struggle. That's a valuable ad­ distracted from the together. So you drop it back in the bin, opting vantage, which you should seize." 2 If two briefs text by poor visual to spend the extra money on the hardbound contain the same content but one is easier to presentation . But all also are pleasantly copy. The font is easier to read and the visual read, that one will be more persuasive. drawn into text that design draws you in. You read the first chapter To design a visually superior brief, you must uses good typography, in the checkout line. comply with court rules and orders about for­ which aids reader Despite the identical content of the two matting and typography. You might also have comprehension . editions, you picked one over the other because to follow conventions set by your employer. But What makes a brief it was easier to read. After comparing the edi­ these rules and conventions merely establish a both visually pleas­ tions, you noticed how the hardbound edition's floor: you should go beyond compliance. In this ing and intellectua lly typography - the visual presentation of the article, we share best practices and recommen­ persuasive? Here are words on the page - was easier to comprehend. dations for doing so. some practical tips. And comprehension is something you value . The authors organ ize After all, you want to sound smart leading the Rules of Appellate Procedure their discussion of book club discussion. We organize our discussion of best practices best practices around Briefs are the legal profession's novels - and around Wis. Stat. section 8O9.19(8)(b), part of Wisconsin Rule of judges are its bibliophiles. Lay readers, lawyers, the Wisconsin Rules of Appellate Procedure, Appellate Procedure and judges all notice when something is difficult which sets forth basic typography standards section 809.19[8)(bl, to read, and all get distracted from the text by for briefs filed in the Wisconsin Supreme Court which sets forth basic poor visual presentation. But all also are pleas­ and Wisconsin Court of Appeals. typography standards antly drawn into text that uses good typogra­ At the same time, the rule grants brief writ­ for briefs filed in the phy, which aids reader comprehension. "[A]n ers substantial discretion to make typography Wisconsin Supreme effectively designed document," says law pro­ choices. We explain what each rule requires Court and Wisconsin fessor James Dimitri, "make [s] the arguments in and then offer additional recommendations for Court of Appeals. the document more memorable to the reader" crafting a visually superior brief. and "make [s] a strong statement to the reader Later, we·explain how our recommendations about the authoring attorney's credibility."1 translate to filings in Wisconsin circuit courts To that end, brief writers should aim to and other tribunals. While our recommenda­ make their visual presentation as pleasing tions apply to brief writing genera lly, particular OCTOBER 2020 27 GOOD TYPOGRAPHY for example, uses Century to publish its Paper Versus Screen slip opinions. Book fonts tend to take up more space on the page than Times New Roman The Rules of Appellate Procedure were written w ith paper in mind. Although many judges still read briefs on paper, more and more are reading briefs electron­ does. The rule enforces a word count, ically. Should you design your brief differently if it will be read electronically? however, not a page count. At least in Wisconsin appellate courts, you can't To be sure, paper and electronic screens lend themselves to different typographi­ gain an advantage by using a font that ca l best practices. With older technology, these differences were quite pro­ fits more words onto a page. nounced. For example, it is accepted wisdom that seri f fonts look better on paper, but sa ns serif fonts look better on a sc reen. 30 Spacing Choices As screen technology continues to improve, however, many differences between The space you leave on the page cre­ paper and screens have evaporated. "[W]ith screens becoming more paper-like than ates a sense of breathing room; a ever, there's decreasing need to make special accommodations for screen reading." 31 What's more, judges who read on a screen typically view briefs in paginated PDF reader should not feel overwhelmed form, meaning what they see on a monitor, laptop, or tablet resembles paper. in approaching the print on the page. Creating the right spacing is a matter A ll this means that you needn't fret over the difference between paper and of both mathematics and art. The rule screens. That said, we have tailored our recommendations to work well both on specifies that if you use a proportional paper and electronica ll y. WL serif font (see above), you must also use a "leading of minimum 2 points."9 Leading (pronounced with a soft "e" jurisdictions, courts, and judges may discretion when choosing which propor­ like the metal "lead") refers to "the verti­ have their own preferences. The U.S. tional serif font to use. Yet the inertia cal space from the same point on one line Court of Appeals for the Seventh Circuit, of blind tradition has made Times New to the same point on the next, within the for example, maintains detailed typogra­ Roman the default and has led "[m]any same paragraph."10 The term originated phy standards. 3 lawyers [to] erroneously assume that with the small lead pieces used in hand courts demand" it. 5 typesetting to space vertical line s.11 Font Choice Times New Roman was invented in Leading and "line spacing" are A visually appealing brief starts with the early 20th century for the Times sometimes used interchangeably, but a visually appealing font. In Wisconsin of London and quickly gained traction they are slightly different concepts.12 appellate courts, "[b]riefs shall be among newspaper publishers. The Times Line spacing is the "vertical distance produced by using either a monos paced commissioned it as an intentionally between lines of text." 13 font or a proportional serif font" in size narrow font to fit more text per line and Single spacing is generally too 13 for body text and size 11 for footnotes to enable quick reading. 6 Even from the cramped for the eye. Double spacing, and block quotes.4 beginning, it was criticized as unappeal­ historically used in term papers to A monospaced font's characters all ing to the eye. occupy the same width on the page; For all its ubiquity in self-published a proportional font's characters vary documents, when was the last time you in width. Monospaced fonts, such as saw Times New Roman in a book? Maybe Courier, are a vestige of early typewrit­ never. Fonts used in professionally pub­ ers and are rarely used today. When lished books are comparably easier to writing a brief, you should always use a read. This visual appeal, in turn, fosters proportional font. comprehension and retention.7 Under the rule, a proportional font Because "[b]riefs are like books rather Joseph S. Diedrich, U.W. 2017 summa cum laude, Order of the Coif, is an appellate must also include serifs. A "serif" is than newspapers," we (along with litigator at Husch Bl ackwell LLP in Madison. the small curl-like feature added to courts and typographers) recommend He also serves on the State Bar of Wisconsin's Appellate Practice Section board. the ends of characters in certain fonts. using a book font to write briefs. Among [email protected] For instance, Times New Roman and the best proportional serif fonts are Melissa E. Love Koenig, Marquette 1999 cum the font used in the Wisconsin Lawyer Century, Century Schoolbook, and Book laude, is an associate professor of legal writing printed articles are serif fonts. Arial and Antiqua.8 These fonts are used by pro­ at Marquette Law School. She is a past chair of the State Bar of Wisconsin's Appellate Practice Verd an a are sans-serif fonts.
Recommended publications
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • 15 the Effect of Font Type on Screen Readability by People with Dyslexia
    The Effect of Font Type on Screen Readability by People with Dyslexia LUZ RELLO and RICARDO BAEZA-YATES, Web Research Group, DTIC, Universitat Pompeu Fabra, Barcelona, Spain Around 10% of the people have dyslexia, a neurological disability that impairs a person’s ability to read and write. There is evidence that the presentation of the text has a significant effect on a text’s accessibility for people with dyslexia. However, to the best of our knowledge, there are no experiments that objectively 15 measure the impact of the typeface (font) on screen reading performance. In this article, we present the first experiment that uses eye-tracking to measure the effect of typeface on reading speed. Using a mixed between-within subject design, 97 subjects (48 with dyslexia) read 12 texts with 12 different fonts. Font types have an impact on readability for people with and without dyslexia. For the tested fonts, sans serif , monospaced, and roman font styles significantly improved the reading performance over serif , proportional, and italic fonts. On the basis of our results, we recommend a set of more accessible fonts for people with and without dyslexia. Categories and Subject Descriptors: H.5.2 [Information Interfaces and Presentation]: User Interfaces— Screen design, style guides; K.4.2 [Computers and Society]: Social Issues—Assistive technologies for per- sons with disabilities General Terms: Design, Experimentation, Human Factors Additional Key Words and Phrases: Dyslexia, learning disability, best practices, web accessibility, typeface, font, readability, legibility, eye-tracking ACM Reference Format: Luz Rello and Ricardo Baeza-Yates. 2016. The effect of font type on screen readability by people with Dyslexia.
    [Show full text]
  • Vol. 123 Style Sheet
    THE YALE LAW JOURNAL VOLUME 123 STYLE SHEET The Yale Law Journal follows The Bluebook: A Uniform System of Citation (19th ed. 2010) for citation form and the Chicago Manual of Style (16th ed. 2010) for stylistic matters not addressed by The Bluebook. For the rare situations in which neither of these works covers a particular stylistic matter, we refer to the Government Printing Office (GPO) Style Manual (30th ed. 2008). The Journal’s official reference dictionary is Merriam-Webster’s Collegiate Dictionary, Eleventh Edition. The text of the dictionary is available at www.m-w.com. This Style Sheet codifies Journal-specific guidelines that take precedence over these sources. Rules 1-21 clarify and supplement the citation rules set out in The Bluebook. Rule 22 focuses on recurring matters of style. Rule 1 SR 1.1 String Citations in Textual Sentences 1.1.1 (a)—When parts of a string citation are grammatically integrated into a textual sentence in a footnote (as opposed to being citation clauses or citation sentences grammatically separate from the textual sentence): ● Use semicolons to separate the citations from one another; ● Use an “and” to separate the penultimate and last citations, even where there are only two citations; ● Use textual explanations instead of parenthetical explanations; and ● Do not italicize the signals or the “and.” For example: For further discussion of this issue, see, for example, State v. Gounagias, 153 P. 9, 15 (Wash. 1915), which describes provocation; State v. Stonehouse, 555 P. 772, 779 (Wash. 1907), which lists excuses; and WENDY BROWN & JOHN BLACK, STATES OF INJURY: POWER AND FREEDOM 34 (1995), which examines harm.
    [Show full text]
  • Background a Short Introduction to Font Characteristics
    fonts: background A short introduction to font characteristics Maarten Gelderman Hardly anyone will dispute the statement that proporion- ally spaced fonts are more beautiful and legible than mono- abstract spaced designs. In a monospaced design the letter i takes as Almost anyone who develops an interest in fonts is bound to much space as a letter m or W. Consequently, some char- be overwelmed by the bewildering variety of letterforms acters look simply too compressed, whereas around oth- available. The number of fonts available from commercial ers too much white space is found. Monospaced fonts are suppliers like Adobe, URW, LinoType and others runs into the simply not suited for body text. Only in situations where it thousands. A recent catalog issued by FontShop [Truong et al., is important that all characters are of equal width, e.g., in 1998] alone lists over 25.000 different varieties.1 And listings of computer programs, where it may be important somehow, although the differences of the individual letters are that each individual character can be discerned and where hardly noticable, each font has its own character, its own the layout of the program may depend on using mono- personality. Even the atmosphere elucided by a text set from spaced fonts, can the usage of a monospaced font be de- Adobe Garamond is noticably different from the atmosphere of the same text set from Stempel Garamond. Although fended. In most other situations, they should simply be decisions about the usage of fonts, will always remain in the avoided. realm of esthetics, some knowledge about font characteristics may nevertheless help to create some order and to find out Romans, italics and slant A second typeface character- why certain design decisions just do not work.
    [Show full text]
  • Basic Facts About Trademarks United States Patent and Trademark O Ce
    Protecting Your Trademark ENHANCING YOUR RIGHTS THROUGH FEDERAL REGISTRATION Basic Facts About Trademarks United States Patent and Trademark O ce Published on February 2020 Our website resources For general information and links to Frequently trademark Asked Questions, processing timelines, the Trademark NEW [2] basics Manual of Examining Procedure (TMEP) , and FILERS the Acceptable Identification of Goods and Services Manual (ID Manual)[3]. Protecting Your Trademark Trademark Information Network (TMIN) Videos[4] Enhancing Your Rights Through Federal Registration Tools TESS Search pending and registered marks using the Trademark Electronic Search System (TESS)[5]. File applications and other documents online using the TEAS Trademark Electronic Application System (TEAS)[6]. Check the status of an application and view and TSDR download application and registration records using Trademark Status and Document Retrieval (TSDR)[7]. Transfer (assign) ownership of a mark to another ASSIGNMENTS entity or change the owner name and search the Assignments database[8]. Visit the Trademark Trial and Appeal Board (TTAB)[9] TTAB online. United States Patent and Trademark Office An Agency of the United States Department of Commerce UNITED STATES PATENT AND TRADEMARK OFFICE BASIC FACTS ABOUT TRADEMARKS CONTENTS MEET THE USPTO ������������������������������������������������������������������������������������������������������������������������������������������������������������������ 1 TRADEMARK, COPYRIGHT, OR PATENT ��������������������������������������������������������������������������������������������������������������������������
    [Show full text]
  • Using Fonts Installed in Local Texlive - Tex - Latex Stack Exchange
    27-04-2015 Using fonts installed in local texlive - TeX - LaTeX Stack Exchange sign up log in tour help TeX ­ LaTeX Stack Exchange is a question and answer site for users of TeX, LaTeX, ConTeXt, and related Take the 2­minute tour × typesetting systems. It's 100% free, no registration required. Using fonts installed in local texlive I have installed texlive at ~/texlive . I have installed collection­fontsrecommended using tlmgr . Now, ~/texlive/2014/texmf­dist/fonts/ has several folders: afm , cmap , enc , ... , vf . Here is the output of tlmgr info helvetic package: helvetic category: Package shortdesc: URW "Base 35" font pack for LaTeX. longdesc: A set of fonts for use as "drop­in" replacements for Adobe's basic set, comprising: ­ Century Schoolbook (substituting for Adobe's New Century Schoolbook); ­ Dingbats (substituting for Adobe's Zapf Dingbats); ­ Nimbus Mono L (substituting for Abobe's Courier); ­ Nimbus Roman No9 L (substituting for Adobe's Times); ­ Nimbus Sans L (substituting for Adobe's Helvetica); ­ Standard Symbols L (substituting for Adobe's Symbol); ­ URW Bookman; ­ URW Chancery L Medium Italic (substituting for Adobe's Zapf Chancery); ­ URW Gothic L Book (substituting for Adobe's Avant Garde); and ­ URW Palladio L (substituting for Adobe's Palatino). installed: Yes revision: 31835 sizes: run: 2377k relocatable: No cat­date: 2012­06­06 22:57:48 +0200 cat­license: gpl collection: collection­fontsrecommended But when I try to compile: \documentclass{article} \usepackage{helvetic} \begin{document} Hello World! \end{document} It gives an error: ! LaTeX Error: File `helvetic.sty' not found. Type X to quit or <RETURN> to proceed, or enter new name.
    [Show full text]
  • ANSI® Programmer's Reference Manual Line Matrix Series Printers
    ANSI® Programmer’s Reference Manual Line Matrix Series Printers Printronix, LLC makes no representations or warranties of any kind regarding this material, including, but not limited to, implied warranties of merchantability and fitness for a particular purpose. Printronix, LLC shall not be held responsible for errors contained herein or any omissions from this material or for any damages, whether direct, indirect, incidental or consequential, in connection with the furnishing, distribution, performance or use of this material. The information in this manual is subject to change without notice. This document contains proprietary information protected by copyright. No part of this document may be reproduced, copied, translated or incorporated in any other material in any form or by any means, whether manual, graphic, electronic, mechanical or otherwise, without the prior written consent of Printronix, LLC Copyright © 1998, 2012 Printronix, LLC All rights reserved. Trademark Acknowledgements ANSI is a registered trademark of American National Standards Institute, Inc. Centronics is a registered trademark of Genicom Corporation. Dataproducts is a registered trademark of Dataproducts Corporation. Epson is a registered trademark of Seiko Epson Corporation. IBM and Proprinter are registered trademarks and PC-DOS is a trademark of International Business Machines Corporation. MS-DOS is a registered trademark of Microsoft Corporation. Printronix, IGP, PGL, LinePrinter Plus, and PSA are registered trademarks of Printronix, LLC. QMS is a registered
    [Show full text]
  • List of Approved Special Characters
    List of Approved Special Characters The following list represents the Graduate Division's approved character list for display of dissertation titles in the Hooding Booklet. Please note these characters will not display when your dissertation is published on ProQuest's site. To insert a special character, simply hold the ALT key on your keyboard and enter in the corresponding code. This is only for entering in a special character for your title or your name. The abstract section has different requirements. See abstract for more details. Special Character Alt+ Description 0032 Space ! 0033 Exclamation mark '" 0034 Double quotes (or speech marks) # 0035 Number $ 0036 Dollar % 0037 Procenttecken & 0038 Ampersand '' 0039 Single quote ( 0040 Open parenthesis (or open bracket) ) 0041 Close parenthesis (or close bracket) * 0042 Asterisk + 0043 Plus , 0044 Comma ‐ 0045 Hyphen . 0046 Period, dot or full stop / 0047 Slash or divide 0 0048 Zero 1 0049 One 2 0050 Two 3 0051 Three 4 0052 Four 5 0053 Five 6 0054 Six 7 0055 Seven 8 0056 Eight 9 0057 Nine : 0058 Colon ; 0059 Semicolon < 0060 Less than (or open angled bracket) = 0061 Equals > 0062 Greater than (or close angled bracket) ? 0063 Question mark @ 0064 At symbol A 0065 Uppercase A B 0066 Uppercase B C 0067 Uppercase C D 0068 Uppercase D E 0069 Uppercase E List of Approved Special Characters F 0070 Uppercase F G 0071 Uppercase G H 0072 Uppercase H I 0073 Uppercase I J 0074 Uppercase J K 0075 Uppercase K L 0076 Uppercase L M 0077 Uppercase M N 0078 Uppercase N O 0079 Uppercase O P 0080 Uppercase
    [Show full text]
  • Quotation Marks Are Used to Enclose and Set Off Text That Is Directly Quoted, Titles, Technical Terms, and Words Or Phrases That Carry a Subtext
    PUNCTUATION QUOTATION MARKS ( “…” or ‘…’ ) Quotation marks are used to enclose and set off text that is directly quoted, titles, technical terms, and words or phrases that carry a subtext. USES Use quotation marks to enclose a short direct quote (a quote of no more than 40 words). a title of short works, such as titles of articles, essays, book chapters, songs, films, and poems. a word or short phrase that is meant to express irony or sarcasm. slang that is out of character with the rest of the writing or to enclose a deliberate misspelling. Do not use quotation marks to enclose a colloquial expression. a long direct quote (a quote more than 40 words). o Set apart a long quote by indenting five spaces from both margins and introducing the quote with a colon. an indirect quotation, which is usually introduced by that. e.g., The meteorologist said that it will rain tomorrow. < Correct (indirect quote) The meteorologist said that, “it will rain tomorrow.” < Incorrect (indirect quote) The meteorologist said, “It will rain tomorrow.” < Correct (direct quote) PLACEMENT OF PUNCTUATION WHEN USING QUOTATION MARKS Punctuation placed inside quotation marks Periods, commas, question marks, and exclamation marks are enclosed within quotation marks. o Exception: If the question or exclamation mark punctuates the sentence as a whole, the question mark or exclamation mark falls outside the quotation marks. e.g., Have you heard the proverb, “Do not count your chickens until they hatch”? Punctuation placed outside quotation marks Colons and semi-colons appear outside quotation marks. Parentheses with in-text citation fall outside quotation marks.
    [Show full text]
  • Top Ten Tips for Effective Punctuation in Legal Writing
    TIPS FOR EFFECTIVE PUNCTUATION IN LEGAL WRITING* © 2005 The Writing Center at GULC. All Rights Reserved. Punctuation can be either your friend or your enemy. A typical reader will seldom notice good punctuation (though some readers do appreciate truly excellent punctuation). However, problematic punctuation will stand out to your reader and ultimately damage your credibility as a writer. The tips below are intended to help you reap the benefits of sophisticated punctuation while avoiding common pitfalls. But remember, if a sentence presents a particularly thorny punctuation problem, you may want to consider rephrasing for greater clarity. This handout addresses the following topics: THE COMMA (,)........................................................................................................................... 2 PUNCTUATING QUOTATIONS ................................................................................................. 4 THE ELLIPSIS (. .) ..................................................................................................................... 4 THE APOSTROPHE (’) ................................................................................................................ 7 THE HYPHEN (-).......................................................................................................................... 8 THE DASH (—) .......................................................................................................................... 10 THE SEMICOLON (;) ................................................................................................................
    [Show full text]
  • Typography for Scientific and Business Documents
    Version 1.8 Typography for Scientific and Business Documents George Yefchak Agilent Laboratories What’s the Big Deal? This paper is about typography. But first, I digress… inch marks, so you’ll probably get to enter those manually anyway.† Nothing is perfect…) Most of us agree that the use of correct grammar — or at In American English, punctuation marks are usually placed least something approaching it — is important in our printed before closing quotes rather than after them (e.g. She said documents. Of course “printed documents” refers not just to “No!”). But don’t do this if it would confuse the message words printed on paper these days, but also to things distrib- (e.g. Did she say “no!”?). Careful placement of periods and uted by slide and overhead projection, electronic broadcast- commas is particularly important when user input to ing, the web, etc. When we write something down, we computers is described: usually make our words conform to accepted rules of For username, type “john.” Wrong grammar for a selfish reason: we want the reader to think we For username, type “john”. ok know what we’re doing! But grammar has a more fundamen- tal purpose. By following the accepted rules, we help assure For username, type john . Even better, if font usage that the reader understands our message. is explained If you don’t get into the spirit of things, you might look at Dashes typography as just another set of rules to follow. But good The three characters commonly referred to as “dashes” are: typography is important, because it serves the same two purposes as good grammar.
    [Show full text]
  • Examples of Sentences Using Quotation Marks
    Examples Of Sentences Using Quotation Marks Biogenous Parrnell misquotes presumingly while Sloane always overprizes his Goidelic interlaid semplice, he unhumanizes so insanely. Brilliant-cut Goose sometimes disafforest his maximum eastward and buss so strategically! Coronary Moises canvasses epigrammatically. This section for direct speech is to forget the quote remain in the proposition that the street in using quotation of examples sentences Either way, they are a very important type of punctuation! Everything else is secondary. Glad the post was helpful. This is a string in Markdown. Maybe a pirate ship. Put question marks and exclamation marks inside the quotation marks if the marks relate directly and only to the text within quotation marks. Jill told her mother. Come get a treat! Inside the US, inside the quotation marks. However, the closing quotation mark is only applied to the paragraph that contains the end of the quote. Why is it such a big deal? On the mysteries of combining quotation marks with other punctuation marks. Quotation marks used around words to give special effect or to indicate irony are usually unnecessary. DOL grammar, spelling and vocabulary lists, and assorted worksheets. The alien spaceship appeared right before my own two eyes. What time is the meeting? Perhaps the price was too high or you decided to go with another company. Nikki: The comma is perfect where it is. Punctuation marks are tools that have set functions. For those of you familiar with British English conventions, this is a change in style. Note first that what is enclosed in quotes must be the exact words of the person being quoted.
    [Show full text]