Spring Awakening
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
Broadway Balances America
FOR IMMEDIATE RELEASE JANUARY 15, 2016 “BROADWAY BALANCES AMERICA” SERIES GIVES YOU A BEHIND-THE-SCENES LOOK AT WHAT IT TAKES TO BE A QUADRUPLE THREAT WITH THE CAST OF ROUNDABOUT THEATRE COMPANY’S TONY AWARD®-WINNING CABARET AIRING EXCLUSIVELY ON “THE BALANCING ACT®” ON LIFETIME® TELEVISION TUESDAY, JANUARY 26nd AT 7:30AM (ET/PT) CABARET concludes Season Two of six-part “Broadway Balances America” Series New York, NY - Broadway Across America’s collaboration with the award-winning morning show “The Balancing Act®” on the Lifetime® Channel continues with the last Season Two installment of the six-part series “Broadway Balances America” featuring Roundabout Theatre Company’s 50th anniversary production of Tony Award®-winning CABARET. This new episode debuts on Tuesday, January 26 at 7:30AM (ET/PT) and will re-air on Tuesday, February 2 at 7:30AM (ET/PT). Roundabout Theatre Company’s CABARET, comes to Milwaukee as part of the 2015/2106 Associated Bank Broadway at the Marcus Center Series. Performances at the Marcus Center run February 23-28. Tickets are on sale now at the Marcus Center Box Office, 929 North Water Street, by phone at 414-273-7206 or online at Ticketmaster.com or MarcusCenter.org. Groups 10 or more should call Group Sales at 414-273- 7121 x210. “The Balancing Act®” correspondent Amber Milt asks you to leave your troubles outside and take a peek behind the curtain into the world of Roundabout Theatre Company’s CABARET. In this segment, you get a glimpse of a day in the life of a few cast members that make up the Kit Kat Girls of CABARET. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
Trojan Trumpet February 2015 Volume LXXXIX Issue 5 Troy High School Troy, KS 66087
Trojan Trumpet February 2015 Volume LXXXIX Issue 5 Troy High School Troy, KS 66087 Sophomore Brody Winder goes up for a lay-up when the Trojans played Frankfurt in the TVL Tournament. They went on to win the game 75-43. This win propelled them into the fifth-place game, which they won. Photo by Trae Shelton. 1 News Trojan Trumpet February 2015 FBLA members compete at District II Conference by Jennifer Keller Megan Schmille got going to state March of the days this week. “FBLA is a great way The Troy High & 6th in Accounting 1 24th-25th. Lauren Wig- The FBLA also will be to get involved, and it Middle School FBLA and 9th in Mrs. FBLA. ger is running for Dis- going to Worlds of Fun challenges you to be a recently competed in the Cheyenne Wig- trict II Vice President. sometime in the spring. leader and shoot for the District 2 Conference at ger got 9th for Pub- FBLA week is this Currently, they are stars,” said Gronniger. Jefferson County North lic Speaking 1. week. The FBLA mem- selling Earth Candles. High School. Several Sierra Christopher got bers will be handing little They will be selling students won awards. 1st in Keyboarding and things out during some them until March 10. Trae Shelton got 4th in Business math. 7th in Business Cal- Owen Root got 1st in culations, 10th in Ac- Computer Slide Show counting 2, 10th in and 1st in Intro to Busi- Business Law, 3rd in ness Communications. Cyber Security, 10th Alanda Jamvold got for Personal Finance, 2nd in Computer slide and 3rd in Mr. -
Monty Python's SPAMALOT
Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.