The Re-Enchantment of the West
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The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
Worksheet- the Boat That Rocked (Film Trailer) Watch the Video 3 Times
Worksheet- The Boat that Rocked (film trailer) Watch the video 3 times VIEWING 1: Write down all the words you understand : VIEWING 2: Fill in the blanks Richard Curtis, creator of Notting Hill, Four Weddings and a Funeral and Love Actually was __________ by the true story of how the _________ _____________ tried to _____ rock ‘n’ roll music from the _________ to bring us his latest comedy : __________ ________ In 1964, all anybody could ______ on _______ radio of ____ music was about _____ hours a week and this was the ________ time for British pop music. That’s the whole point of being the government, if you don’t like something, you simply make it ________ until one __________ DJ and a band of __________ took to the sea to begin __________ _______-_______ hours a day. You had the right to _______ to this music _________ you wanted… They became known as _________, loved by _________ and despised by the ____________. 22 million _____ used to ____ in every day, and then of course they got ________ status, which was even ________ VIEWING 3: Interview Richard Curtis ! What type of film is it according to Richard Curtis ? A comedy A romance A romantic comedy What’s the serious message out of this film ? ………………………………………………………………………. EE : Would you like to watch this film ? Why ? (30 words) …………………………………………..…………………………………………………..…………………………………… ….…………………………………………..…………………………………………………..………………………………… ……. Toolbox : exciting/ hilarious/ based on true events… Activity 3 : Let’s recap ! Using the trailer and your asnwers, write the synopsis (=plot) of the film The Boat that Rocked is a film by………………………………………………………………………………………. -
Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
Gonzo 367-8 Cnd.Pub
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ Gonzo Daily Blog https://gonzo-multimedia.blogspot.com/ LEST WE FORGET John Brodie Good Dave McMann Mick Farren 3 issue, I want to talk about two completely disparate subjects, the only thing they have in common being that they are both things that couldn’t really have happened anywhere in the space-time continuum, except in 21st century Britain. About three months ago, you will remember I wrote about how I had been summoned by ATOS, a private company from France who have been deputised to do the British government’s dirty work for them (to go and prove that my infirmities are to such a degree that I am unable to fit in with the conventional workforce. I think that anybody who has ever met me will realise that this is what our transatlantic chums call a ‘no- Dear friends, brainer’, but – still – I had to go and humiliate myself in front of chillingly polite young Welcome to another issue of this always doctor (or at least, I think he was a doctor) for peculiar, and sometimes quite radical, several hours in one of the ante rooms of magazine. Barnstaple Library. I came out feeling absolutely wretched and convinced that I I have always reiterated how one of the most hadn’t got a hope in hell of passing this very important jobs of this magazine is to provide stringent assessment, and that I was likely to a mirror to the increasingly peculiar and become completely destitute as a result of it. -
41 Kult NT.Qxp
DAGSAVISEN NYE TAKTERKULTUR TIRSDAG 18. OKTOBER 2005 41 Sylvians fire årtier 70-TALLET Danner bandet Japan i 1974 sammen med broren Steve og skifter navn fra Norge David Batt til David Sylvian. Blir oppdaget av den senere så beryktede manageren Simon Napier-Bell (Wham m.m.). Gir ut to lite vellykkede glam-rock-pregede album, men tittelkuttet på tredjeplata «Quiet Life» (1979) peker mot noe mer sofistikert og særpreget. 80-TALLET Med platene «Gentlemen Take Polaroids» (1980) og «Tin Drum» (1981) utvikler Japan en egenartet asia- tiskinspirert sound, og får en hit med den minimalis- tiske balladen «Ghosts». Oppløses i 1982 etter mye intern krangel. Sylvian begynner å samarbeide med eksperimentelle musikere som Riuichi Sakamoto, Robert Fripp (King Crimson) og Holger Czukay (Can). Gir ut sitt første soloalbum «Brilliant Trees» (1984), følger opp med doble «Gone To Earth» (1986) og «Secrets Of The Beehive» (1987), som alle har status som kultklassikere. Jobber også innen teater, foto- kunst og dans. 90-TALLET Japan gjenforenes under navnet Rain Tree Crow, lager et halvbra album og oppløses igjen. Sylvian flytter til USA og gifter seg med Prince-protesje- en Ingrid Chavez. Lager en del instrumental ambient- musikk, gjenopptar sam- arbeidet med Robert Fripp på duoalbumene «The First Day» (1993) og FOTO: KEVIN WESTERBERG/DOT «Redemption» (1994), som ikke hører til hans sterkeste. Gir ut sitt første viteten. Jeg følte at jeg var i ferd med å bli kvalt av tenkt å gå tilbake til å lage tradisjonelle låter igjen. soloalbum siden 1987, min egen historie. Det var svært frigjørende å bli fer- Nine Horses-plata er ikke nødvendigvis en indika- «Dead Bees On A Cake» dig med kontrakten og bygge mitt eget studio. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix
Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix START TRACK TITLE ARTIST ALBUM/E.P. (click to buy the release online) (m/s) 00’00 Expansion Ascendant Ætheral Code (Synphaera Records) 07’52 Terra Firma Pan Electric & Ishq Elemental Journey (Pink Lizard Music) 13’53 Nature Boy Another Fine Day A Good Place to Be (Interchill Records) 18’36 Luftrum 8 Motionfield Luftrum (Carpe Sonum Records) 25’37 Are We Learning Yet? Shakta (Seb Taylor) Collected Downtempo vol. 2 (Tribal Shift Records) 29’30 Are You Connectome? The Dread Plastination of Otis T Fernbank (thedreadband.com) 34’19 Messianic Hibernation (Seb Taylor) Collected Downtempo vol. 3 (Tribal Shift Records) 38’53 You Are The Stars Kick Bong A Waking Dream (Cosmicleaf) 43’33 Point Of View Kurt Stenzel Jodorowsky's Dune soundtrack (Cinewax) 45’55 World 1 Si Matthews Tales of Ten Worlds (Carpe Sonum) 54’46 Sea Surfaces Martin Nonstatic Granite (Ultimae Records) 60’42 Unfamiliar Shadows Twilight Archive Mood Chain (Electrophonogram) 65’39 Nespole Floating Points Elaenia (Luaka Bop) 70’14 Strands Ascendant Various - Ambient Online vol. 4 (Ambientonline.org) 77’40 Gonglaing Ebauche Adrift (Invisible Agent Records) 85’32 Voila St Germain St Germain (Nonesuch/Parlophone) 91’31 The Beginning + Viola Abakus + St Germain The Beginning/Dreamer e.p. (Modus Recordings) 97’28 Last Train To Lhasa (ambient Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco mix) Gecko) 101’52 Last Train To Lhasa Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco (Astropilot remix) Gecko) 107’14 Dreamer Abakus The Beginning/Dreamer e.p. -
Record Store Day 2018 - 21.04.2018
RECORD STORE DAY 2018 - 21.04.2018 Interpret Titel Format Inhalt Label Aaliyah Back & Forth 12" 1 Legacy Abba Summer Night City 7" 1 Universal Abruptum Evil Genius (Ltd. Marble Silver-Black LP / RSD) LP 1 SOUND POLLUTION / BLACK LODGE RECORDS AC / DC Back In Black MC 1 Epic Adam Sandler They’re All Gonna Laugh At You! LP VINYL 2 Warner Bros. Label Air Sexy Boy SINGLE VINYL 1 PLG France Allman Brothers Band, The Live At The Atlanta Pop Festival July 3 & 5, 1970 LP Set 4 Epic ALTERNATIVE TV DARK PLACES 12" 1 FOURTH DIMENSION Amorphous Androgynous The Isness (The Abbey Road Version) (RSD LP 1 JUMPIN & PUMPIN Angelika Express Best of and Rarities (Limited 10") Vinyl 10" 1 Unter Schafen Records Antonio Sanches Buli povo! (RSD) LP 1 ANALOG AFRICA Antony Gormley Sounds Of The Studio 1 LP 1 Gearbox Records Anywhere Anywhere II (RSD 2018 Exclusive) LP 1 ORG Music ARABROT SINNERMAN LP 1 PELAGIC Arcade Fire Arcade Fire EP 12" 1 Columbia ARMSTRONG,TIM A Poet's Life - RSD Edition LP 1 Epitaph AT THE GATES GARDENS OF GRIEF EP 1 BACK ON BLACK RECORD STORE DAY 2018 - 21.04.2018 Interpret Titel Format Inhalt Label Awolnation Live in Vienna 7" 1 Red Bull BALDRY, LONG JOHN & HOOCHIE COOCHIE MEN FILTHY MCNASTY EP 7" 1 1960'S RECORDS BALMORHEA TILLERY / CHIME 7" 1 WESTERN VINYL Base, Rob & DJ EZ Rock It Takes Two LP 1 Legacy BASS COMMUNION (STEVEN WILSON) BASS COMMUNION LP 2 HIDDEN ART BATMOBILE TEENAGE LOBOTOMY 7" 1 Music On Vinyl Baxter Dury Miami (Ltd. -
We Are Saying Is... Give Peace a Chance…
SUPPORTING GREENPEACE EAVIS DAUGHTER WATERAID NOT FOR SHALE OXFAM STOP PRESS Twin Atlantic replace Chromeo for John Peel set, Sat 9.15pm Thursday, 26 June, 2014 Proudly printed in the Theatre and Circus Fields of Glastonbury Festival FREE ALL WE ARE SAYING IS... GIVE PEACE A CHANCE… Yoko Ono wait until 2015 I didn’t want to wait featuring members of the amazing The wishes will then all be collect- collective desire for peace in the and also to think of a day when we that long! Why not now?! So I was Yo La Tengo, I will also be installing ed, sent to me and then will be kept world. will have world peace. Together we really thrilled when the Festival I have never been to Glastonbury, arlier this year I played two wish trees at the Green Kids Field. I underneath Imagine Peace Tower in can make it! organisers said that they not only and I can’t wait! Who knows what Esmall shows in Dalston in And I came to tell you what fun wanted me this year but that they I will see! The line-up is amazing it is to work for world peace. It’s London and another musician who wanted to give me a really good slot and, for me, coming from the avant came said to me that he would love on Sunday night on the Park stage. I “I came to tell you what fun it grade world, it’s so great to see so the most fun work there is now in to see me do a similar type of show, was a happy girl! much diversity and experimenta- our planet. -
Almost Joined-Up Words from Our Old Gonzo Author Friend, Alan Dearling
Hawkeaster: You wished you were there! Almost joined-up words from our old Gonzo author friend, Alan Dearling ‘So, who are Hawk-friends?’ someone asked during one of the two Q&A sessions with members of Hawkwind during the two day Hawkfest. ‘It’s you – all of you,’ was the loud and clear answer from Dave Brock and his merry band of musical mates. And the whole weekend was akin to a private party, held this year in the somewhat unlikely venue of Seaton in Devon’s old town hall, now run as the Gateway by a bunch of local worthies under the guise of Seaton’s Voice. Throughout the weekend Dave wandered around affably beaming at all his acolytes who had made their myriad ways from as far afield as Australia to join the party. But then there was a logic in this location - Seaton is the town closest to the farm where Dave lives. I set up my little tent at the Manor Farm camp site up on the hillside overlooking Seaton and Lyme Bay. Magnificent views. A bit of a clamber back after a long day of sonic space rock, but a friendly site and for those who could afford it, there was accommodation in Eve’s tipis, shipped over specially from the Isle of Wight. Hawkfests are eagerly looked forward to by the loyal fans, many of whom are now well into being bus pass delinquents. But there were some younger space cadets along for the cosmic adventures too. And lots of friendly local volunteers like my mate Phil, who mostly ‘stewarded’ the stage-right exit door against any would-be, axe or sword wielding warriors on the edge of time who wanted to escape! I think many of the volunteers were both bemused and a little surprised at the ‘niceness’ of the weird hippy invasion that had flooded into their usually rather staid little town. -
In Kepler's Gardens
A global journey mapping the ‘new’ world In Kepler’s Gardens AUTONOMY Helsinki Jerusalem Cairo Bangkok Esch Tallinn Nicosia Grenoble Melbourne Linz UNCERTAINTY Paris London ECOLOGY Oslo Moscow Auckland Vilnius Amsterdam Tokyo Johannesburg Munich Bucharest Belgrade San Sebastian Riga DEMOCRACY Dublin Daejeon Utrecht Vienna Los Angeles Ljubljana Buenos Aires Barcelona Montréal Chicago TECHNOLOGY Seoul Prague Hong Kong Athens Bergen Berlin Leiden Milan New York Brussels HUMANITY Taipei Jakarta ARS ELECTRONICA 2020 Festival for Art, Technology & Society In Kepler’s Gardens A global journey mapping the ‘new’ world Edited by Gerfried Stocker / Christine Schöpf / Hannes Leopoldseder Ars Electronica 2020 Festival for Art, Technology, and Society September 9 — 13, 2020 Ars Electronica, Linz Editors: Hannes Leopoldseder, Christine Schöpf, Gerfried Stocker Editing: Veronika Liebl, Anna Grubauer, Maria Koller, Alexander Wöran Translations: German — English: Douglas Deitemyer, Daniel Benedek Copyediting: Laura Freeburn, Mónica Belevan Graphic design and production: Main layout: Cornelia Prokop, Lunart Werbeagentur Cover: Gerhard Kirchschläger Minion Typeface: IBM Plex Sans PEFC Certified This product is from Printed by: Gutenberg-Werbering Gesellschaft m.b.H., Linz sustainably managed forests and controlled sources Paper: MagnoEN Bulk 1,1 Vol., 115 g/m², 300 g/m² www.pefc.org PEFC Certified © 2020 Ars Electronica PEFC Certified PEFC Certified This product is This product is This product is PEFC Certified © 2020 for the reproduced works by the artists,