DOCSLIB.ORG

FOSIL News & Views 24Th June 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FOSIL News & Views 24th June 2021 St Ives Library and Information Centre is open for browsing, computer use, information, CAB and (some) activities 9:30am - 4:00pm Monday – Saturday St Ives Library & During the G7 week we were delighted to host Cornwall Council Community Link and Police Officers and be the centre point, providing information for all local and visitor enquires. The building was a hive of activity and over the Friday and Saturday we also welcomed in the brilliant Writers Block Cornwall and became a satellite Youth News Hub! Commissioned by Cornwall Council as part of their Y7 legacy project, The Writers’ Block created two Youth News Hubs for the duration of the G7 weekend. Based out of the Newsroom at Falmouth University and here in St Ives, the project worked with 15 young people from right across Cornwall to report on the G7 activities and to get local people’s thoughts and views on them. In St Ives, Ollie and Florence, both of whom live locally, worked with Artistic Director Annamaria Murphy, alongside emerging writer Jowan Jacobs and visual artist Lizzie Black. They interviewed a range of local people and created postcards as visual representations of the conversations. This included Ben, from St Ives company EBikes, who talked about the necessity of long term employment, affordable housing and how the pandemic has increased loneliness and isolation. Ollie was pleased to interview Councillor Kirsty Arthur, St Ives Town Mayor, and created a postcard inspired by their conversation. and also produced an arresting postcard image from a comment by an Extinction Rebellion protester ‘drowning in promises’ The Falmouth team, led by ex BBC South West head Leo Devine, and a team of writers and Falmouth Journalism students were also extremely busy. Amongst other engagements they reported on the XR protest and the SAS paddle Out at Gylly, had a tour around the International Media Centre in Falmouth, got top tips from journalists from LBC, Fox News and Al Jazeera. They were also able to follow their own stories including sustainable clothing and Cornwall Pride, plus write op ed pieces including Cornwall beyond ‘Poldark and pasties.’ Artistic Director Anna Maria Murphy ‘We were so lucky to be able to set up the St.Ives branch, right in the centre of the action in the library, where we were able to send bulletins and stories that our young reporters had collected from the streets and the series of interviews arranged for us straight to the newsroom in Falmouth, which where then shared with the G7 press desk. We hope this will be the first of many more collaborations with St.Ives - it has been one of my favourite projects’. The overall project has been a huge success, with young people, parents, funders and stakeholders praising the quality of the news output and the experience. We echo Anna, it was wonderful to have a vibrant, creative and thought provoking project take place again in the library, here’s to many more as we safely navigate our way through these extraordinary times. Emma Gibson, Cultural Services Manager Think you're being targeted by a scam? Take your time and get advice. Contact @CitizensAdvice for help with what to do next by calling 0808 223 1133, and report suspected scams to @ActionFraudUK. You can also visit their website bit.ly/3wdWYw8 Want to subscribe to Cornwall Council’s Scam Alert Text Service? Subscribe on line by following this link. https://www.cornwall.gov.uk/.../trading-standards-text.../ Citizens Advice appointments can be booked at St Ives library Missing Jo’s Craft Classes? Never fear – Jo is still running craft classes although sadly not in the library (yet) One off FREE workshops running throughout August as follows: • Crazy Patchwork Bookmark C3532536 4th August • Mini Fabric Collage • C353253711th August • Polymer Clay Beads C3532538 18th August • Ice Dyeing Fabric • C3532539 25th August Each workshop lasts 1.5 hours Further info: https://www.wea.org.uk/find- course We are looking for volunteers to help us run this year’s Summer Reading Challenge. If you are between 13-18 years old, we would love to hear from you. Volunteering at the library also counts towards the Duke of Edinburgh Award Interested? Pop into the library for more information Libraries Connected Awards 2021 Libraries Connected is an excellent website for anyone interested in all things library related. This year they are running an award. Libraries Connected Awards 2021 – information (in brief) is as follows: ‘We have launched the inaugural Libraries Connected Awards 2021 to celebrate the achievements of people working in libraries, acknowledging excellence and showcasing good practice. The awards are open to all except Heads of Service. Applications are welcomed from individuals, on their own behalf or for others, and from partners. The judging criteria and nomination form can be found here. The deadline for nominations is 6pm on Friday 30 July.’ Cyril Tawney (1930 - 2005) - founding father of the folk revival in the West Cyril Tawney was a pioneer of the English folk revival with a special interest in the Performing at the Folk Cottage, West Country and maritime songs. He not only researched traditional folk songs of Mitchell in 1965 the South West but also wrote songs that used local imagery and culture for many of his compositions. He was an early inspiration for many on the 1960’s folk scene and his songs are still sung to this day by contemporary artists. Cyril was born into a naval family in Gosport, Hampshire in 1930, entering the Navy at the age of 16 and serving as an electrician for some 13 years, with several of those being spent on submarines. While still in service he appeared on an Alan Lomax radio programme on Christmas Day 1957 singing a seasonal folk song and the following Easter sang on TV, which led to a weekly television spot. He decided to buy himself out of the Navy in 1959, to become a professional folk musician and broadcaster. He was proud to be able to say that he made a living this way for some 44 years. He had a weekly BBC radio show called “Folkspin” and established his first folk club in January 1962 in Plympton. The club struggled for a few months until a move into Plymouth with a new home at the West Hoe Hotel improved audience numbers. Known as the Plymouth Folk Song Club (PFSC), this venue was visited by John Sleep a budding young folk-singer who was to start his own Cornish club, the famous Folk Cottage at Mitchell, a couple of years later. The PFSC was an inspiration for many other clubs and had several homes in the area until Cyril opened the West of England Folk Centre in 1965. That same year saw John Sleep open the Folk Cottage and book Cyril to play. Cyril had already performed at the Count House during its first season of 1964 and certainly returned to play Brenda Wootton’s Pipers Folk Club in 1972 at the Western Hotel in Penzance. Cyril took the study of folk song very seriously and he decided to study English and History at Lancaster University in 1972 which he graduated from and went on to do a masters degree at Leeds Institute of Dialect and Folkloric Studies. He later published a book ‘Grey Funnel Lines: Traditional Song and Verse of the Royal Navy 1900 to 1970’, a classic work of naval social history and song. Cyril did not endlessly tour as he was so busy running the Folk Centre, researching, broadcasting and of course song-writing. Original songs had first to come to Cyril in the late 1950s while still in the navy and many remain classics of the genre today. Here are a few of his ‘greatest hits’: ‘Sally Free and Easy’ (recorded by Davey Graham, Pentangle, Bob Dylan and more), ‘Grey Funnel Line’ (name for the Royal Navy),‘Chicken on a Raft’ (naval slang for egg on toast/fried bread), ‘Five-Foot Flirt’ (great version by Adge Cutler) and the classic ‘The Oggie Man’ (on Brenda Wootton’s “Pasties and Cream” LP as ‘Oggy Man’). He produced quite a recorded legacy of songs, but interpretations by other artists often improve on his originals and better express their true meaning. First EP 1962 ‘The Oggie Man’ is one of Cyril’s finest compositions and he described its origins thus: An ‘oggie’ is slang for a Cornish pasty, the full term being ‘tiddy oggie’ with its native use being confined to Cornwall and SW Devon, especially around the naval port of Plymouth. In his navy days Cyril remembers many places in Plymouth where you could buy oggies but there was one particular man who sold them from a box near the Albert Gate of the Dockyard, frequented by sailors often after returning from a night out on the town. He had in fact heard the seller’s cry on the radio some years before when it was requested by an overseas Plymouth sailor on “Sounds from Home”. The subject matter had also been suggested to him by BBC producer and friend Brian Patten one night in a pub. All this seemed like a sign that the song had to be written, so he started on his walk home that very evening when it began to drizzle with rain, hence the opening line: “Well, the rain’s softly falling”. June Tabor is one of our greatest singers and she has recorded several of Cyril’s songs over the years. Listen to ‘Grey Funnel Line’: https://www.youtube.com/watch?v=61FI86oV3qA and a great rendition of ‘The Oggie Man’: https://www.youtube.com/watch?v=jgTmnGTGxeU 1970 LP includes songs collected by Ralph Dunstan in 1930s Camborne Phil Saward e.g.
Recommended publications
  • Chapter 10 Digi-Folk and the Cyber-Celts

    Chapter 10 Digi-Folk and the Cyber-Celts

    Link to thesis website Chapter 10: Digi-Folk and Cyber-Celts Chapter 10: Digi-Folk and Cyber-Celts: the demise of the folk process or a new location? In considering contemporary locations for oral folk tradition in Cornwall, the impact of new communication technologies and the development of the internet invite examination. Do the digital worlds of easy access to recording and recording technology, global communication and the advent of the “Network Society” represent a new location for the folk process or its demise? Commentators such as Jones1, Barney2 and Robins3 observe that although the internet and associated information technologies are hailed as the information revolution, the cultural and technological foundation for this are embedded in the past. This chapter takes the position that the internet, although characterised by a novel interactivity, is part of a process of developing communications, which can be traced back through analogue recording technologies, television, the radio to the invention of the printing press and ultimately the written text. For much of the twentieth century folk tradition was embraced by a counter cultural, counter technological discourse, it is argued here, however, that information technology was, and is, an essential ingredient that fuelled the actual process of oral folk tradition. The folk process is thus a social phenomenon that will be encouraged rather than made obsolescent by the multiplex and interactive communication opportunities offered by the internet. This chapter considers the impact of new information technologies on folk tradition. It looks at whether increased interconnectivity has changed communities and the way in which they engage with the process of folk tradition.
  • Summary of Sensory Team Manager Duties

    Summary of Sensory Team Manager Duties

    Link to thesis website Chapter 6 Competing speech communities Chapter 6 Competing speech communities The final chapter of this section focuses on the evolution of folk tradition, and the new spaces created for performance, within the Celto-Cornish movement through the latter half of the twentieth century to the current era of festival culture and Pan- Celticism. It makes the case that the Celto-Cornish movement and the folk revival that arrived in Cornwall in the sixties represent different speech communities, which competed for ownership of oral folk tradition and the authenticity it represented. It must be also be recognised that there is a third speech community with a stake in the celebration of tradition, the local community within which it takes place. One outcome of these competing speech communities is the way in which the same folk phenomena will be used to express quite different identities. The Padstow May Day festivities for example are a celebration that firstly represents a sense of the towns community1 and secondly a Celto-Cornish tradition2 but at the same time is used as an icon by the English Folk Dance And Song Society.3 Underlying this discussion, however, must be the recognition that identity is chaotically unique for each individual and each group of individuals, all of which are at the centre of a “complex web of being”.4 In order to pursue this argument it is first necessary to revisit and examine more closely what is meant by a speech community and how this might affect performance and meaning within oral folk tradition.
  • FOSIL News & Views VI 18Th June 2020

    FOSIL News & Views VI 18Th June 2020

    FOSIL News & Views VI th 18 June 2020 Dear All Our lovely library is set to open 6th July 2020 – but not as we know it. Precise details will be published shortly but be prepared to follow a form of ‘click and collect’ procedure with special arrangements for those who do not use the internet or do not have computer access. Meanwhile – do you want to return those books that have been hanging around the house for weeks now? Phone Jane on 01736 796297 to book a ‘drop off’ slot. Or email: [email protected] Janet Axten Val Clayson Jane Dews Tricia Friskney-Adams Gill Malcolm Anna Martin Margaret Notman Phil Saward Ann Wilcox [email protected] MARK FOREMAN ORIGINAL ARTWORK FOR A BOOKLET PROMOTING THE MOBILE LIBRARY IN CORNWALL Undated Watercolour, 35 x 26cms This area is always a bright, colourful and friendly space to be in. On one of the walls are two small watercolours. One was painted by artist and teacher Mark Foreman. Just before lock-down Janet Axten met with Mark in the Library to find out about this work and to learn something of his background. He said: “I went to the Royal College of Art and studied illustration under Quentin Blake. After graduating I was commissioned by various magazines and publishers as well as The Museum of London. I was also employed as a life drawing tutor at Camberwell School of Art, and as a general tutor by many other London art schools. “After my wife Caroline and I had our son Sam, I started to write and illustrate picture books for children.
  • Music and the Cornish Way of Life Barbara Gardner-Bray

    Music and the Cornish Way of Life Barbara Gardner-Bray

    Music and the Cornish way of life Barbara Gardner-Bray. November 2010 Simply put, Cornish music is folk music which uses simple instrumentation. It was and is a statement of the times, not unlike the Celtic music of Ireland, Scotland and Wales. Over the years, music has played an important part in most occasions in Cornwall, be they holidays such as Christmas, festivals and celebrations such as May Day, county fairs or everyday life occurrences, such as marriages, burials, harvest time and so on. HOLIDAYS Christmas In the 19th century, carol or “curl” singing formed a prominent part of the festive season. Choirs would memorize carols as they generally couldn’t read music. They would travel from village to village, singing carols such as the “Seven Joys of Mary”, the “Holy Well”, and the “Holly and the Ivy”. A typical Christmas song of the 19th century went like this: “Welcome Christmas which brings us all good cheer Pies and puddings, roast pork and strong beer” Then the chorus reads “Come let me taste your Christmas beer That is so very strong And I do wish that Christmas time With all its mirth and song Was twenty times so long” As with other Cornish music, carols were introduced wherever the Cornish lived in the new world and old. 1 Richard Jose One Cornish singer of note was Richard Jose. Richard was born on June 5, 1862 in Lanner, Cornwall. He always said that he was born in 1869 so he would appear to be younger. He sounded younger than his years as he was a counter tenor (between a tenor and a soprano) which was very rare.
  • 0X0a I Don't Know Gregor Weichbrodt FROHMANN

    0X0a I Don't Know Gregor Weichbrodt FROHMANN

    0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom.
  • Films by Number

    Films by Number

    Films by number ID Dig DVD Archive Subject Description 2 Art Michael Porter Title: Coast and Country Description: Micheal Porter discusses his work on coast and country Maker: Bob Scholes Video Productions Runtime: 21 mins Date: 2006 Points of Interest: Sandy Beach; Drift reservoir 3 Newlyn Fishing Title: Cornish Nets Description: Fishing off the cornish coast Maker: Lloyd and Mervyn Barnes Runtime: 6 mins Date: Unknown Points of Interest: Features Mousehole and Newlyn harbours; Laying nets out in Mousehole; Mousehole fishermen maintaining boats and nets; Clearing nets and landing Pilchard in Mousehole and Newlyn; Boats PZ56, PZ272, FY921, FY221, PZ198, PZ119, FY357, PZ39 USB: FAU1 4 Newlyn Fish market Title: PZ86 Landing catch Description: PZ86 Landing its catch in harbour opposite the fish market Maker: Filmed by Nicole Holmes Runtime: 39 secs Date: 07/11/2011 Points of Interest: PZ86 unloading; panoramic view of Newlyn harbour USB: FAU1 5 Art Forbes Title: A Breath of Fresh Air Description: A film depicting the life and works of Stanhope Forbes and the Newlyn School of Artists Maker: Television South West (TSW) Runtime: 37 mins Date: 2008 Points of Interest: Nannette Newman as Elizabeth Armstrong and Michael Culver as Stanhope Forbes, Narrated by Joe Melia and written by Michael Canney: Boat PZ566 in old harbour; St. Micheals Mount; Shots of Trewarveneth Street, Church Street and The Fradgan; Morrab gardens and the bandstand; Most of the major works from the Newlyn School Artists are shown USB: FAU1 6 Art Forbes Title: An Artist on Every Corner Description: A film about the Newlyn Artists, narrated by Frank Ruhrmund, includes interviews with Douglas Williams, Rene Nash and John Halkes Maker: BBC TV Runtime: 30 mins Date: 1985 Points of Interest: Boat PZ663; Newlyn harbour as it was in 1985, the old harbour is full (mainly smaller fishing boats) there are no pontoons (no yachts) and only the North and South piers; Sancreed church; Gotch's 'Women Peeling Potatoes' auctioned at Lanes, bought by David Messum USB: FAU1 7 Art St.
  • London Cornish Newsletter

    London Cornish Newsletter

    Cowethas Kernewek Loundres www.londoncornish.co.uk For the LCA, this summer has had several identify this game from this rather vague Dates for your highlights, beginning with the Countryside description? My keywords have drawn a Parade which took place in Cornwall as part blank on google! diary of the celebrations to mark the Duke of As already mentioned, the main reason for Cornwall’s 70th birthday. The Association Family History Day our visit to Cornwall was to attend the 13th October 2018 was represented by our Chairman, Carol Gorsedd Awards Ceremony. Nominations Goodwin and members ‘Cilla Oates and for two of the Awards – the Pewas Map 10am to 4pm Don and Catherine Foster. Following this, Trevethan (Paul Smales Award) and the Pre-Christmas Lunch there were two pub lunches, a visit to the London Cornish Association Shield - are Richmond Rowing Club to meet up with coordinated by a Committee which includes 8th December 2018 members of the London Cornish Pilot Gig the President and some Vice-Presidents of 12 noon Association and, for some, attendance at the LCA. The Committee make recommen- the Rosyer Lecture at City Lit. dations but the final decision on the awards New Year’s Lunch At the end of August, several of us attended is made by the Gorsedd. 12th January 2019 12 noon the Gorsedd Awards Ceremony in New- We are now calling for nominations (with quay where our Chairman and Treasurer supporting motivation) for the 2019 awards: both received Awards from the Grand Bard. Further details of This was a proud moment for both the The Pewas Map Trevethan Award is pre- these events can be awardees and their friends and family.
  • The Second English Folk Revival, C. 1945-1970 Julia Yvonne Mitchell

    The Second English Folk Revival, C. 1945-1970 Julia Yvonne Mitchell

    Subterranean Bourgeois Blues: The Second English Folk Revival, c. 1945-1970 Julia Yvonne Mitchell UCL This thesis is submitted for the degree of PhD. 2 I, Julia Yvonne Mitchell, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Abstract This thesis explores the folk revival phenomenon in England, through an original examination of its place in the social and political history of the country after the Second World War. Although its roots stretched back to the early twentieth century, the post- war English folk revival significantly occurred in the context of the nation’s de- industrialisation, and exposed tensions between, on the one hand, a nostalgic lament for a fast-disappearing working class life, and a ‘forward-looking’ socialist vision of working-class culture. The original contribution to knowledge of this project lies in its analytic approach to the English folk revival as an important part of the post-war political culture. It looks at the revival from the outside in, and contextualizes the movement in the social and political story of post-war England, while also placing it within a dynamic transnational framework, a complex cross-Atlantic cultural exchange with its more well-known American contemporary. In so doing, this thesis contributes to the existing historiographies of folk revivalism in England, as well as the social and political historiographical discourses of the postwar period: the continued salience of class in English society; the transformation of the nation’s economic infrastructures; the social and political influence of the Welfare State – the folk revival tapped into all of these overlapping strands, and helped to magnify them.
  • E] Book Contents

    E] Book Contents

    The Eskimo Republic For John Powles, former Project Manager of the Centre for Political Song at Glasgow Caledonian University, and for Thurso Berwick. Other books written or co-written by Ewan McVicar include One Singer One Song Cod Liver Oil & The Orange Juice [with Hamish Imlach] Streets Schemes & Stages [with Mary McCabe] Traditional Scottish Songs & Music [with Katherine Campbell] Doh Ray Me When Ah Wis Wee Lang Legged Beasties One Black Isle Night The Eskimo Republic Scots political folk song in action 1951 to 1999 Ewan McVicar Gallus Publishing Linlithgow All rights reserved. The moral right of the author has been asserted. First published in Great Britain in 2010 by Gallus Publishing 84 High Street Linlithgow EH49 7AQ 01506 847935 [email protected] No part of this book may be produced or transmitted in any form or by any other means without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages. This book was researched, created and published through a Writers Bursary grant in 2008 from the Scottish Arts Council, to whom full thanks are given. All interview texts are the copyright of those interviewed, who are thanked for their generous giving of time, knowledge and thoughts. Particular thanks are due to John Powles, Ian Davison, Stuart McHardy and Geordie McIntyre. Song texts are the copyright of the named creators or their heirs. Particular thanks to Marion Blythman, Kaetzel Henderson, Janette McGinn, Meic Stephens, the families of Norman MacCaig and John MacEvoy, Ian Davison and Seylan Baxter to quote from the relevant works.
  • The Egloshayle Ringers in January 19321

    The Egloshayle Ringers in January 19321

    The Ringers of Egloshayle As recorded by Arthur L. Mata from the singing of William Rickard, Captain of the Egloshayle Ringers in January 19321 Now Cradock was the Treble man and stepp’d ‘long with his toe; And casting of his eyes around, commanded them where to go. They pulled away with courage bold, which did their hearts revive; Sweet music then was swiftly heard [with] one two three four five. They went out to Lanlivery and brought away the prize. They went back to St Tudy, and did the same likewise; [There was] Lanlivery men, St Mabyn Men, St Tudy and St Kew, But those five lads of Egloshayle did all the rest out‐do. This little core they play so sure, no changes did they fear; No man did ever miss his turn, ’twas joy to see and hear. And people all for miles around did tell o’er hill and dale; The fame of those five ringers bold who lived in Egloshayle. Amongst the certificates and trophies adorning the wall of the bell tower of St Petroc’s Church at Egloshayle is a frame with typed lyrics and fading hand‐written music score entitled “The Ringers of Egloshayle”. It is attributed “anon circa 1812” and has a footnote: “the words and melody were taken down in 1925 by W.H. Bragg from Mr E.J. Rickard (1864 ‐1941), whose father knew the ringers Ellery and Goodfellow. Mr E.J. Rickard was a cousin on Mr W Rickard who rang on 65 Christmas mornings consecutively.” Come listen to my story, come listen to my tale; I’ll tell the of five ringers bold, who lived in Egloshayle.
  • Changes in the Teaching of Folk and Traditional Music: Folkworks and Predecessors

    Changes in the Teaching of Folk and Traditional Music: Folkworks and Predecessors

    Changes in the Teaching of Folk and Traditional Music: Folkworks and Predecessors Thesis M. Price Submitted in fulfilment of the degree of PhD Newcastle University November 2017 i Abstract Formalised folk music education in Britain has received little academic attention, despite having been an integral part of folk music practice since the early 1900s. This thesis explores the major turns, trends and ideological standpoints that have arisen over more than a century of institutionalised folk music pedagogy. Using historical sources, interviews and observation, the thesis examines the impact of the two main periods of folk revival in the UK, examining the underlying beliefs and ideological agendas of influential figures and organisations, and the legacies and challenges they left for later educators in the field. Beginning with the first revival of the early 1900s, the thesis examines how the initial collaboration and later conflict between music teacher and folk song collector Cecil Sharp, and social worker and missionary Mary Neal, laid down the foundations of folk music education that would stand for half a century. A discussion of the inter-war period follows, tracing the impact of wireless broadcasting technology and competitive music festivals, and the possibilities they presented for both music education and folk music practice. The second, post-war revival’s dominance by a radical leftwing political agenda led to profound changes in pedagogical stance; the rejections of prior practice models are examined with particular regard to new approaches to folk music in schools. Finally, the thesis assesses the ways in which Folkworks and their contemporaries in the late 1980s and onward were able to both adapt and improve upon previous approaches.
  • BARDIC NEWSLETTER Mis Du 2017 Bys Dhe Vis Genver 2018 / November 2017 to January 2018

    BARDIC NEWSLETTER Mis Du 2017 Bys Dhe Vis Genver 2018 / November 2017 to January 2018

    GORSEDH KERNOW - The Celtic Spirit of Cornwall LYTHER BARDHEK - BARDIC NEWSLETTER Mis Du 2017 bys dhe vis Genver 2018 / November 2017 to January 2018 Messach Bardh Meur / Grand Bard’s message A gesverdh ker/ Dear fellow bards This will be my last Christmas message to you all as Bardh Meur - how time flies! It seems just a short time ago that I was taking over the reins from Steren Mor and thinking about how I could build on the tremendous work that was already being done by Gorsedh Kernow. Since then I have witnessed the Phoenix like beginnings of Cornwall’s National Library and Archive Centre, marvelled at how wet the weather can really seem when one is dressed in bardic robes and cape and to cap it all, I have become a grandfather! Happy is my lot indeed and I hope that all my fellow bards find similar contentment over the festive season and into the New Year. Nadelik Lowen ha Bledhen Nowydh Da dhywgh hwi oll! Telynyor an Weryn, Bardh Meur Kernow. Profyansow berdh nowydh / Nominations for new bards With this newsletter you will find a copy of the revised guidelines and form to nominate prospective new bards. It’s vital that we invite people to join the College of Bards who have contributed to Cornwall’s unique culture and identity and who believe in a Cornwall that has a distinct national identity which places it alongside the other Celtic nations. Only ONE proposer is required for a citation which should be emailed by 31st December to the Admissions Secretary, Steren Mor [email protected] Etholans Konsel Gorsedh Kernow mis Meurth 2018 / Gorsedh Kernow Council elections March 2018 After three years in office the elected members of Gorsedh Kernow Council are required to stand down or stand again for re-election.