FOSIL News & Views VI 18Th June 2020
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Chapter 10 Digi-Folk and the Cyber-Celts
Link to thesis website Chapter 10: Digi-Folk and Cyber-Celts Chapter 10: Digi-Folk and Cyber-Celts: the demise of the folk process or a new location? In considering contemporary locations for oral folk tradition in Cornwall, the impact of new communication technologies and the development of the internet invite examination. Do the digital worlds of easy access to recording and recording technology, global communication and the advent of the “Network Society” represent a new location for the folk process or its demise? Commentators such as Jones1, Barney2 and Robins3 observe that although the internet and associated information technologies are hailed as the information revolution, the cultural and technological foundation for this are embedded in the past. This chapter takes the position that the internet, although characterised by a novel interactivity, is part of a process of developing communications, which can be traced back through analogue recording technologies, television, the radio to the invention of the printing press and ultimately the written text. For much of the twentieth century folk tradition was embraced by a counter cultural, counter technological discourse, it is argued here, however, that information technology was, and is, an essential ingredient that fuelled the actual process of oral folk tradition. The folk process is thus a social phenomenon that will be encouraged rather than made obsolescent by the multiplex and interactive communication opportunities offered by the internet. This chapter considers the impact of new information technologies on folk tradition. It looks at whether increased interconnectivity has changed communities and the way in which they engage with the process of folk tradition. -
Summary of Sensory Team Manager Duties
Link to thesis website Chapter 6 Competing speech communities Chapter 6 Competing speech communities The final chapter of this section focuses on the evolution of folk tradition, and the new spaces created for performance, within the Celto-Cornish movement through the latter half of the twentieth century to the current era of festival culture and Pan- Celticism. It makes the case that the Celto-Cornish movement and the folk revival that arrived in Cornwall in the sixties represent different speech communities, which competed for ownership of oral folk tradition and the authenticity it represented. It must be also be recognised that there is a third speech community with a stake in the celebration of tradition, the local community within which it takes place. One outcome of these competing speech communities is the way in which the same folk phenomena will be used to express quite different identities. The Padstow May Day festivities for example are a celebration that firstly represents a sense of the towns community1 and secondly a Celto-Cornish tradition2 but at the same time is used as an icon by the English Folk Dance And Song Society.3 Underlying this discussion, however, must be the recognition that identity is chaotically unique for each individual and each group of individuals, all of which are at the centre of a “complex web of being”.4 In order to pursue this argument it is first necessary to revisit and examine more closely what is meant by a speech community and how this might affect performance and meaning within oral folk tradition. -
Music and the Cornish Way of Life Barbara Gardner-Bray
Music and the Cornish way of life Barbara Gardner-Bray. November 2010 Simply put, Cornish music is folk music which uses simple instrumentation. It was and is a statement of the times, not unlike the Celtic music of Ireland, Scotland and Wales. Over the years, music has played an important part in most occasions in Cornwall, be they holidays such as Christmas, festivals and celebrations such as May Day, county fairs or everyday life occurrences, such as marriages, burials, harvest time and so on. HOLIDAYS Christmas In the 19th century, carol or “curl” singing formed a prominent part of the festive season. Choirs would memorize carols as they generally couldn’t read music. They would travel from village to village, singing carols such as the “Seven Joys of Mary”, the “Holy Well”, and the “Holly and the Ivy”. A typical Christmas song of the 19th century went like this: “Welcome Christmas which brings us all good cheer Pies and puddings, roast pork and strong beer” Then the chorus reads “Come let me taste your Christmas beer That is so very strong And I do wish that Christmas time With all its mirth and song Was twenty times so long” As with other Cornish music, carols were introduced wherever the Cornish lived in the new world and old. 1 Richard Jose One Cornish singer of note was Richard Jose. Richard was born on June 5, 1862 in Lanner, Cornwall. He always said that he was born in 1869 so he would appear to be younger. He sounded younger than his years as he was a counter tenor (between a tenor and a soprano) which was very rare. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Films by Number
Films by number ID Dig DVD Archive Subject Description 2 Art Michael Porter Title: Coast and Country Description: Micheal Porter discusses his work on coast and country Maker: Bob Scholes Video Productions Runtime: 21 mins Date: 2006 Points of Interest: Sandy Beach; Drift reservoir 3 Newlyn Fishing Title: Cornish Nets Description: Fishing off the cornish coast Maker: Lloyd and Mervyn Barnes Runtime: 6 mins Date: Unknown Points of Interest: Features Mousehole and Newlyn harbours; Laying nets out in Mousehole; Mousehole fishermen maintaining boats and nets; Clearing nets and landing Pilchard in Mousehole and Newlyn; Boats PZ56, PZ272, FY921, FY221, PZ198, PZ119, FY357, PZ39 USB: FAU1 4 Newlyn Fish market Title: PZ86 Landing catch Description: PZ86 Landing its catch in harbour opposite the fish market Maker: Filmed by Nicole Holmes Runtime: 39 secs Date: 07/11/2011 Points of Interest: PZ86 unloading; panoramic view of Newlyn harbour USB: FAU1 5 Art Forbes Title: A Breath of Fresh Air Description: A film depicting the life and works of Stanhope Forbes and the Newlyn School of Artists Maker: Television South West (TSW) Runtime: 37 mins Date: 2008 Points of Interest: Nannette Newman as Elizabeth Armstrong and Michael Culver as Stanhope Forbes, Narrated by Joe Melia and written by Michael Canney: Boat PZ566 in old harbour; St. Micheals Mount; Shots of Trewarveneth Street, Church Street and The Fradgan; Morrab gardens and the bandstand; Most of the major works from the Newlyn School Artists are shown USB: FAU1 6 Art Forbes Title: An Artist on Every Corner Description: A film about the Newlyn Artists, narrated by Frank Ruhrmund, includes interviews with Douglas Williams, Rene Nash and John Halkes Maker: BBC TV Runtime: 30 mins Date: 1985 Points of Interest: Boat PZ663; Newlyn harbour as it was in 1985, the old harbour is full (mainly smaller fishing boats) there are no pontoons (no yachts) and only the North and South piers; Sancreed church; Gotch's 'Women Peeling Potatoes' auctioned at Lanes, bought by David Messum USB: FAU1 7 Art St. -
London Cornish Newsletter
Cowethas Kernewek Loundres www.londoncornish.co.uk For the LCA, this summer has had several identify this game from this rather vague Dates for your highlights, beginning with the Countryside description? My keywords have drawn a Parade which took place in Cornwall as part blank on google! diary of the celebrations to mark the Duke of As already mentioned, the main reason for Cornwall’s 70th birthday. The Association Family History Day our visit to Cornwall was to attend the 13th October 2018 was represented by our Chairman, Carol Gorsedd Awards Ceremony. Nominations Goodwin and members ‘Cilla Oates and for two of the Awards – the Pewas Map 10am to 4pm Don and Catherine Foster. Following this, Trevethan (Paul Smales Award) and the Pre-Christmas Lunch there were two pub lunches, a visit to the London Cornish Association Shield - are Richmond Rowing Club to meet up with coordinated by a Committee which includes 8th December 2018 members of the London Cornish Pilot Gig the President and some Vice-Presidents of 12 noon Association and, for some, attendance at the LCA. The Committee make recommen- the Rosyer Lecture at City Lit. dations but the final decision on the awards New Year’s Lunch At the end of August, several of us attended is made by the Gorsedd. 12th January 2019 12 noon the Gorsedd Awards Ceremony in New- We are now calling for nominations (with quay where our Chairman and Treasurer supporting motivation) for the 2019 awards: both received Awards from the Grand Bard. Further details of This was a proud moment for both the The Pewas Map Trevethan Award is pre- these events can be awardees and their friends and family. -
A Brief History of the Cornish Language, Its Revival and Its Current Status Siarl Ferdinand University of Wales Trinity Saint David
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 2 Cultural Survival Article 6 12-2-2013 A Brief History of the Cornish Language, its Revival and its Current Status Siarl Ferdinand University of Wales Trinity Saint David Follow this and additional works at: https://dc.uwm.edu/ekeltoi Part of the Celtic Studies Commons, English Language and Literature Commons, Folklore Commons, History Commons, History of Art, Architecture, and Archaeology Commons, Linguistics Commons, and the Theatre History Commons Recommended Citation Ferdinand, Siarl (2013) "A Brief History of the Cornish Language, its Revival and its Current Status," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 2 , Article 6. Available at: https://dc.uwm.edu/ekeltoi/vol2/iss1/6 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. A Brief History of the Cornish Language, its Revival and its Current Status Siarl Ferdinand, University of Wales Trinity Saint David Abstract Despite being dormant during the nineteenth century, the Cornish language has been recently recognised by the British Government as a living regional language after a long period of revival. The first part of this paper discusses the history of traditional Cornish and the reasons for its decline and dismissal. The second part offers an overview of the revival movement since its beginnings in 1904 and analyses the current situation of the language in all possible domains. -
Cornish Language Group Beginners Program
Cornish Language Group Beginners Program Dyskans Onan (Lesson One): Introduction About this program This program is in the version of the Cornish language called ‘Kernewek Kemmyn’ or ‘Common Cornish’. This version of Cornish is based on the language used in the period centering around 1500 CE, the ‘golden period’ of Cornish literature. The modern spelling is phonemic, where the pronunciation of each word is accurately reproduced in the spelling. The argument goes that that once the system is grasped, reading Cornish is quite straightforward. Yer right! This program reflects the work of Wella Brown’s: ‘Skeul an Yeth: Steus dhien a'n yeth Kernewek’ (Lyver Onan) translated as: ‘Language Ladder: A complete course in the Cornish language’ (Book 1). It’s available as a free download at: http://www.kesva.org/sites/default/files/documents/Skeul%20an%20Yeth%201.pdfson 1 The Cornish Dictionary used is Ken George’s: ‘Gerlyver Kernewek Kemmyn – An Gerlyver Kres’ (1993) and the later version: ‘An Gerlyver Meur: Cornish-English, English-Cornish Dictionary’ (2009) Different versions of Cornish ‘Kernewek Kemmyn’ (Common Cornish or KK) is a variety of the revived Cornish language. It was developed, mainly by Ken George, from what was called ‘Unified Cornish’ in 1986. It takes its inspiration from medieval sources, particularly Cornish passion plays. It uses phonemic rules relating spelling to pronunciation. The ‘Standard Written Form’ (Furv Skrifys Savonek or FSS, but often referred to as SWF) was introduced in 2008. FSS is the standard spelling system for use in public life (such as welcome signs) and also in schools. However, there are currently more books and other written material available in KK, but these two versions are very similar anyway e.g. -
Orthographies and Ideologies in Revived Cornish
Orthographies and ideologies in revived Cornish Merryn Sophie Davies-Deacon MA by research University of York Language and Linguistic Science September 2016 Abstract While orthography development involves detailed linguistic work, it is particularly subject to non-linguistic influences, including beliefs relating to group identity, as well as political context and the level of available state support. This thesis investigates the development of orthographies for Cornish, a minority language spoken in the UK. Cornish is a revived language: while it is now used by several hundred people, it underwent language death in the early modern era, with the result that no one orthography ever came to take precedence naturally. During the revival, a number of orthographies have been created, following different principles. This thesis begins by giving an account of the development of these different orthographies, focusing on the context in which this took place and how contextual factors affected their implementation and reception. Following this, the situation of Cornish is compared to that of Breton, its closest linguistic neighbour and a minority language which has experienced revitalisation, and the creation of multiple orthographies, over the same period. Factors affecting both languages are identified, reinforcing the importance of certain contextual influences. After this, materials related to both languages, including language policy, examinations, and learning resources, are investigated in order to determine the extent to which they acknowledge the multiplicity of orthographies in Cornish and Breton. The results of this investigation indicate that while a certain orthography appears to have been established as a standard in the case of Breton, this cannot be said for Cornish, despite significant amounts of language planning work in this domain in recent years. -
The Egloshayle Ringers in January 19321
The Ringers of Egloshayle As recorded by Arthur L. Mata from the singing of William Rickard, Captain of the Egloshayle Ringers in January 19321 Now Cradock was the Treble man and stepp’d ‘long with his toe; And casting of his eyes around, commanded them where to go. They pulled away with courage bold, which did their hearts revive; Sweet music then was swiftly heard [with] one two three four five. They went out to Lanlivery and brought away the prize. They went back to St Tudy, and did the same likewise; [There was] Lanlivery men, St Mabyn Men, St Tudy and St Kew, But those five lads of Egloshayle did all the rest out‐do. This little core they play so sure, no changes did they fear; No man did ever miss his turn, ’twas joy to see and hear. And people all for miles around did tell o’er hill and dale; The fame of those five ringers bold who lived in Egloshayle. Amongst the certificates and trophies adorning the wall of the bell tower of St Petroc’s Church at Egloshayle is a frame with typed lyrics and fading hand‐written music score entitled “The Ringers of Egloshayle”. It is attributed “anon circa 1812” and has a footnote: “the words and melody were taken down in 1925 by W.H. Bragg from Mr E.J. Rickard (1864 ‐1941), whose father knew the ringers Ellery and Goodfellow. Mr E.J. Rickard was a cousin on Mr W Rickard who rang on 65 Christmas mornings consecutively.” Come listen to my story, come listen to my tale; I’ll tell the of five ringers bold, who lived in Egloshayle. -
Language Death and Revival in the British Isles: Two Case Studies
Language Death and Revival in the British Isles: Two Case Studies Tesis doctoral presentada por Christopher Langmuir Thomson en el Departamento de Lengua Inglesa de la Universidad de Sevilla 2015 1 Table of Contents 0.0 Introduction 5 0.1 Summary, objectives, methods 14 Chapter 1: Language Death 23 1. 0. Introduction 23 1. 1. Language death as a constant in history 23 1. 2. The world’s languages in jeopardy 27 1. 3. Typologies of language death 30 1. 4. Structural consequences of language death 33 1. 5. The Celtic languagesin jeopardy 37 1. 5. 1. Scottish Gaelic 38 Chapter 2: Language Revitalization 42 2. 1. Terminology 44 2 .2. Language vitality 45 2. 3. Domains of Use 51 2. 4. Two Celtic case studies 55 2. 4. 1. The Gaeltacht in The Republic of Ireland 55 2. 4. 2. Scottish Gaelic in a Lewis Community 62 Chapter 3: The Demise of The Cornish Language 68 3. 0. Introduction 68 3. 1. Early History 69 3. 2. The Expansion of Wessex 72 3. 3. Competing Chronologies of Retreat 76 3. 4. The Middle Cornish Period 78 3. 4. 1. Middle Cornish Literature 80 3. 5. The Tudor Period 83 3. 6. The seventeenth and eighteenth centuries 87 2 Chapter 4: The Revival of The Cornish Language 4. 0. Introduction 92 4. 1. Henry Jenner and the Cornish Revival 92 4. 2. Problems of language revival in Cornwall. 97 4. 2. 1. Old Cornwall Societies and Gorseth Kernow 98 4. 2. 2. Tyr ha Tavas 101 4. 2. 3. Morton Nance and Unified Cornish 102 4. -
BARDIC NEWSLETTER Mis Du 2017 Bys Dhe Vis Genver 2018 / November 2017 to January 2018
GORSEDH KERNOW - The Celtic Spirit of Cornwall LYTHER BARDHEK - BARDIC NEWSLETTER Mis Du 2017 bys dhe vis Genver 2018 / November 2017 to January 2018 Messach Bardh Meur / Grand Bard’s message A gesverdh ker/ Dear fellow bards This will be my last Christmas message to you all as Bardh Meur - how time flies! It seems just a short time ago that I was taking over the reins from Steren Mor and thinking about how I could build on the tremendous work that was already being done by Gorsedh Kernow. Since then I have witnessed the Phoenix like beginnings of Cornwall’s National Library and Archive Centre, marvelled at how wet the weather can really seem when one is dressed in bardic robes and cape and to cap it all, I have become a grandfather! Happy is my lot indeed and I hope that all my fellow bards find similar contentment over the festive season and into the New Year. Nadelik Lowen ha Bledhen Nowydh Da dhywgh hwi oll! Telynyor an Weryn, Bardh Meur Kernow. Profyansow berdh nowydh / Nominations for new bards With this newsletter you will find a copy of the revised guidelines and form to nominate prospective new bards. It’s vital that we invite people to join the College of Bards who have contributed to Cornwall’s unique culture and identity and who believe in a Cornwall that has a distinct national identity which places it alongside the other Celtic nations. Only ONE proposer is required for a citation which should be emailed by 31st December to the Admissions Secretary, Steren Mor [email protected] Etholans Konsel Gorsedh Kernow mis Meurth 2018 / Gorsedh Kernow Council elections March 2018 After three years in office the elected members of Gorsedh Kernow Council are required to stand down or stand again for re-election.