Disability in Dangerous Times 1. Prologue
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Someone Cared
SOMEONE CARED Prose and Prayers Inspired by the Poetry of John Gowans by Rob Birks SOMEONE CARED Rob Birks 2014 Frontier Press All rights reserved. Except for fair dealing permitted under the Copyright Act, no part of this book may be reproduced by any means without written permission from the publisher. Birks, Rob SOMEONE CARED December 2014 Scripture references used in this text are from The Holy Bible, New Inter- national Version, New Living Translation, New American Standard, Ampli- fied Bible, The Living Bible. THE HOLY BIBLE, NEW INTERNATIONAL VERSION®, NIV® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.™ Used by permission. All rights reserved worldwide. The King James Version is public domain in the United States. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Copyright © The Salvation Army USA Western Territory ISBN 978-0-9908776-1-5 Printed in the United States For Stacy Sharing poetry introduced our hearts to each other. I couldn’t be more grateful. I love you more than dreams and poetry. More than laughter, more than tears, more than mystery. I love you more than rhythm, more than song I love you more with every breath I draw. —T Bone Burnett iii There is nothing quite like walking through an art gallery with a docent, or the curator himself. This is the feeling I get as I read Ma- jor Robert Birks’ beautiful unveiling of the poetry of John Gowans. He is an informed, inspired guide whose joy regarding the poet’s work is contagious. -
Rita Nakashima Brock and Elizabeth A
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2009 Discerning Redeeming Communities: Rita Nakashima Brock and Elizabeth A. Johnson in Dialogue Alison Downie Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Downie, A. (2009). Discerning Redeeming Communities: Rita Nakashima Brock and Elizabeth A. Johnson in Dialogue (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/501 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. DISCERNING REDEEMING COMMUNITIES: RITA NAKASHIMA BROCK AND ELIZABETH A. JOHNSON IN DIALOGUE A Dissertation Submitted to the Faculty of Theology McAnulty Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Systematic Theology By Alison Downie May 2009 Copyright by Alison Downie 2009 DISCERNING REDEEMING COMMUNITIES: RITA NAKASHIMA BROCK AND ELIZABETH A. JOHNSON IN DIALOGUE By Alison Downie Approved December 9, 2008 ______________________________________ Dr. Anne M. Clifford, CSJ Dissertation Director _______________________________________ Dr. Jean Donovan First Reader _______________________________________ Dr. Maureen O’Brien Second Reader _______________________________________ Dr. George Worgul Chair, Department of Theology _______________________________________ Dr. Albert Labriola, Acting Dean McAnulty College of Liberal Arts iii ABSTRACT DISCERNING REDEEMING COMMUNITIES: RITA NAKASHIMA BROCK AND ELIZABETH A. JOHNSON IN DIALOGUE By Alison Downie May 2009 Dissertation Supervised by Dr. Anne M. Clifford, CSJ Rita Nakashima Brock’s Journeys by Heart: A Christology of Erotic Power and Elizabeth A. -
Martin Tielli Interview Part 1 of 4
The Martin Tielli Interview 23Aug2013 Part 1 of 4 By Darrin Cappe Martin Tielli used to work as a Scientific Illustrator at The Royal Ontario Museum. Then he joined a band called Rheostatics with Dave Bidini, Tim Vesely and Dave Clark (later replaced by Don Kerr and then Michael Wojewoda). He painted and sang and played guitar and wrote songs for 20 years. They became popular, not so much in a mainstream way, though they had one hit with Claire in 1994. They were giants to those who really got what they were about. Some consider them the best band ever to come out of Canada. Between Movie Soundtracks, Children’s albums, Music about Painters, Prog/Pop/Punk albums, dope fiends, shaved heads, variety stores, arms sticking out of the snow, dogs and observatories sharing names, fish, boats, water, monkeybirds, Saskatchewan, cannibalism, WKRP based invasions from space, Barenaked Ladies, Bourbons, 3 drummers, fake opening bands, guest musician nights, fights, boozehounds, jokes, laryngitis, more fish, cats called happiness, girls singing songs in Portuguese holding stuffed chickens, they were certainly one of a kind, the likes of which will probably never be seen again. They broke up in 2007 after 10 studio albums, one movie soundtrack and one of the best Live albums ever released. They tried for a 4 show reunion in December 2012 but it fell apart just prior, pissing off some and disappointing others amidst claims of demons and stage fright. Martin’s other band is Nick Buzz who released their first album Circo in 1995. Their second, Berlin Cabarets was released in 2010 as part of Martin’s 2003 Subscription Series of 4 albums. -
Dialogue V51N04.Pdf
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE 51.4 winter 2018 51.4 DIALOGUE a journal of mormon thought EDITORS EDITOR Boyd Jay Petersen, Provo, UT DIALOGUE ASSOCIATE EDITOR David W. Scott, Lehi, UT a journal of mormon thought WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Julie Nichols, Orem, UT POETRY Darlene Young, South Jordan, UT REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS IN THE NEXT ISSUE HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT FILM & THEATRE Eric Samuelson, Provo, UT Women and the Temple: Contemporary Voices PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT ART Andi Pitcher Davis, Orem, UT Brad Kramer, Provo, UT BUSINESS & PRODUCTION STAFF BUSINESS MANAGER Emily W. Jensen, Farmington, UT Join our DIALOGUE! PRODUCTION MANAGER Jenny Webb, Woodinville, WA COPY EDITOR Richelle Wilson, Madison, WI Find us on Facebook at Dialogue: A Journal of Mormon Thought Follow us on Twitter @DialogueJournal INTERNS Nathan Tucker, Orem, UT PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. Oman, Williamsburg, VA $10/month Subscriber: Receive four print issues annually and our Daniel Dwyer, Albany, NY Taylor Petrey, Kalamazoo, MI Subscriber-only digital newsletter Ignacio M. -
Real Rock: Authenticity and Popular Music in Canada, 1984-1994
REAL ROCK: AUTHENTICITY AND POPULAR MUSIC IN CANADA, 1984-1994 PAUL DAVID AIKENHEAD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2018 © PAUL DAVID AIKENHEAD, 2018 Abstract This dissertation investigates the production and reception of English-Canadian rock music sound recordings, from 1984 to 1994, in relation to mutually constitutive understandings of race, ability, gender, sexuality, class, age, and place. It examines how different forms of domestic Anglo rock served to reinforce or subvert the dominant ideologies undergirding the social order in Canada during the late twentieth century. This study analyzes a multifaceted discourse about authenticity that illustrates the ways in which a host of people – including musicians, music journalists, record label representatives and other professionals from across the music industries, government administrators, and consumers – categorized recorded sound, defined bodily norms, negotiated commerce and technology, and evaluated collective communication in Canada. This study finds that the principle of originality fundamentally structured the categorization of sound recordings in Canada. Originality, according to rock culture, encompassed the balancing of traditionalism with innovation. This dissertation determines that Whiteness organized English-Canadian rock culture in terms of its corporeal standards. White bodies functioned as the norm against which racialized Others were compared and measured. This study also shows how the concept of autonomy encouraged the proper negotiation of commerce and technology in an increasingly neoliberal political and economic condition. Independence of will fostered acceptable behaviour. Finally, this dissertation reveals that the rock status of a given concert rested upon the actions of the performers as well as the composition and reactions of ticket holders in the audience. -
Barenaked Lunch
Barenaked Lunch 1990 (Winter) Jim and Andy Creeggan join Barenaked Ladies . (February to March) Barenaked Ladies tour Canada with Corky And The Juice Pigs. (February 8) Barenaked Ladies perform in Calgary, Alberta, Canada. (March 13) Barenaked Ladies perform in London, Ontario, Canada. (Date Unknown) Look People records its second album Small Fish, Big Pond , venue unknown. (Early 1990) Barenaked Ladies record and issue their second indie release Barenaked Lunch . This is the first band recording to feature the Creeggans . The approximately 2,000 copies produced are mastered at the wrong speed and running a bit too fast. Barenaked Lunch “Night Photographs” “Trouble With Tracy” “Blame It On Me” “Be My Yoko Ono” “If I Had $1000000” “Night Photographs (Barenaked Lunch Version)” 2:11 Written by Steven Page & Ed Robertson Appears on: Barenaked Lunch It can’t be stressed enough just how much the addition of the Creeggan brothers really helped the Ladies fill out their overall sound. The rhythm section ups the energy level of the songs and brings the group much closer now to their familiar sound as heard by the time they recorded the Gordon album. The speed here, as with the entire cassette, is mastered too fast, but honestly, it’s not that bad and I’m not sure too many casual listeners at the time would notice. This recording, with the speed corrected, would later appear on The Ladies Room - Vol. 1 Fan Club CD in 1997. “Trouble With Tracy (Barenaked Lunch Version)” 2:39 Written by Steven Page & Ed Robertson Appears on: Barenaked Lunch Still a regular song in the group’s repertoire (and a really good one, at that), this version is the closest the band got to releasing a proper studio recording. -
The Bruce Cockburn Newsletter Edited by Daniel Keebler
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 43 February 2001 Bruce Cockburn will be inducted into the Canadian Music Hall of Fame at the 30th Anniversary Juno Awards in Hamilton, Ontario. The show will air on CBC Television on March 4, 2001. Regarding the event, Bernie Finkelstein told me, “It’s a great honor for Bruce. It’s one that he deserves. I think the timing is good. There are some people that have said to me, ‘Why did it take him so long to win?’ We don’t really see it that way. We think of Bruce as being quite young still, and so active. We’re looking forward to it and I think it’s going to be an interesting evening. Bruce hasn’t been to the Juno’s for twenty years. Last time he went was 1981, but he will go to receive this [laughter].” For all the reasons Bruce is being honored, these are the best… -DK Going To The Country, Thoughts On A Rainy Afternoon, Together Alone, The Bicycle Trip, The Thirteenth Mountain, Musical Friends, Change Your Mind, Man Of A Thousand Faces, Spring Song, Keep It Open, Happy Good Morning Blues, Let Us Go Laughing, Love Song, One Day I Walk, Golden Serpent Blues, High Winds White Sky, You Point To The Sky, Life’s Mistress, Ting The Cauldron, Shining Mountain, My Lady And My Lord, Feet Fall On The Road, Fall, Sunwheel Dance, Up On The Hillside, Life Will Open, It’s Going Down Slow, When The Sun Falls, He Came From The Mountain, Dialogue With The Devil (or “Why Don’t We Celebrate?”), For The Birds, Foxglove, You Don’t Have To Play The Horses, The Blues Got The -
A Meditation on the Life of Apa Matthew the Poor
KICKING AT THE DARKNESS: A MEDITATION ON THE LIFE OF APA MATTHEW THE POOR Tim Vivian But nothing worth having comes without some kind of fight— Got to kick at the darkness ‘til it bleeds daylight —Bruce Cockburn, “Lovers in a Dangerous Time Very little is known historically about Apa Matthew the Poor,2 an early eighth-century holy person, and his Life has not been translated into English.3 Various sources place Apa Matthew in Asfun, Aswan, or “Bishnay, a small village in the nome of Qus, now vanished.”4 He apparently founded a monastery named after Saint Pachomius, probably the present-day monastery of Dayr al-Fakhuri, the “Monastery of the Potter,” also known as “Matthew the Poor,” “situated on the edge of the desert, about 6 miles (9 km) north of Isna in Upper Egypt, near the ancient Asphynis (present-day Asfun al-Mata‘nah).”5 His Life, Tim Vivian is an Episcopal priest who teaches at the University of California, Bakersfield. He is an expert on Coptic monasticism and has published widely on that subject in this and other journals. He presented an earlier version of this essay at the 15,h annual St. Shenouda Conference of Coptic Studies, July 19, 2013. He wishes to thank Hany Takla, President of the Society, for his invitation to present. 1 Bruce Cockburn, “Lovers in a Dangerous Time” (1983), from the album Stealing Fire (1984). Text: http://cockburnproject.net/songs&music/liadt.html; video: http://www.youtube. com/watch?v=7IX4gWkFqvU; http://www.youtube.com/watch?v=NKjgJ3oLJqE. 2 “Apa” is a later spelling of “Abba,” “Father”; “abouna” in modem Egyptian Arabic.