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Sony Centre for the Performing Arts
SONY CENTRE FOR THE PERFORMING ARTS Executive Summary to Staff Reports Outlining Strategic Plan & Budget for 2014-15 BACKGROUND: At its meeting of September 26, 2011, City Council considered the Core Service Review completed by KPMG and authorized the City Manager to issue a Request for Expression of Interest (“REOI”) to determine the options for sale, lease, operation or other arrangement in respect of the three major civic theatres, including the Sony Centre. (http://app.toronto.ca/tmmis/viewAgendaItemHistory.do?item=2011.EX10.1.) The report can be found on pages 101-108: http://www.toronto.ca/legdocs/mmis/2011/ex/bgrd/backgroundfile-39626.pdf On September 29, 2011, the Mayor established a Task Force – Arts & Theatres. The Task Force examined the role that the civic theatres play in the city’s culture, economy and community. The Task Force recommended essential criteria for each of the three theatres for the REOI, along with other recommendations for consideration. An REOI was issued by the City in May 2012 to consider options for the future of the civic theatres, including the Sony Centre. The options were to include the sale, lease, operations or any other arrangements for any or all of the three theatres to meet the City’s cultural, social and economic goals. At its meeting held on November 27, 28 and 29, 2012 City Council adopted Item EX25.5 concerning the results of the REOI. At that time, City Council recognized the St. Lawrence Centre for the Arts and the Toronto Centre for the Arts as community cultural assets and directed the Boards of these two theatres, in consultation with the General Manager, Economic Development and Culture, to develop long term strategic and five- year business plans that ensure creative, cost effective and sustainable operations, minimize the City's tax funding, include performance measures for its service to the community, and provide for operating and capital reserves. -
PLAYBILL 2019 Media Kit
® PLAYBILL 2019 Media Kit ® rev.10.03.18 DECEMBER 2016 12.16 Cover.indd 1 11/10/16 3:19 PM 2019 Editorial Profile PLAYBILL Theatre As the exclusive and most-trusted magazine in the theatre community for over 130 years, PLAYBILL’s coverage and access to the most exciting events and personalities on the stage is unparalleled. Inside a PLAYBILL, theatregoers find a wealth of stories dedicated to productions around the world, as well as pieces advising theatregoers on travel, dining and drinks. Playbill magazine features these beloved staples: • ”PROGRAM” SECTION: An essential guide to the show you are about to see, including: Who’s Who bios of the actors, creative team, producers etc.; a list of the musical numbers or play scenes and acts; and other theatre particulars. • THEATRE QUIZ: A magazine staple for decades that is a conversation generator before curtain and during intermission. • ON THE TOWN: PLAYBILL’s invaluable tool to navigating the culinary and bar scenes in and around the theatre district and city at large. It includes “Celebrity Choice,” featuring stage stars’ picks for their favorite dining experiences. • HOW MANY HAVE YOU SEEN?: The go-to listing for current productions. • PLAYBILL INTERVIEWS with the industry’s most respected talents, stars in the making and people working behind the scenes. 212.557.5757 729 Seventh Avenue, 4th floor [email protected] New York, NY 10019 PLAYBILL is a registered trademark of PLAYBILL Incorporated, NYC 2019 Editorial Profile PLAYBILL Classic Arts PLAYBILL’s Classic Arts editions present editorial content that enhances and deepens a concertgoer’s appreciation of the classical arts - from the solo piano recital to the most lavish opera production to thrilling high-concept festivals. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
A Lively Theatre There's a Revolution Afoot in Theatre Design, Believes
A LIVELY THEatRE There’s a revolution afoot in theatre design, believes architectural consultant RICHARD PILBROW, that takes its cue from the three-dimensional spaces of centuries past The 20th century has not been a good time for theatre architecture. In the years from the 1920s to the 1970s, the world became littered with overlarge, often fan-shaped auditoriums that are barren in feeling and lacking in intimacy--places that are seldom conducive to that interplay between actor and audience that lies at the heart of the theatre experience. Why do theatres of the 19th century feel so much more “theatrical”? And why do so many actors and audiences prefer the old to the new? More generally, does theatre architecture really matter? There are some that believe that as soon as the house lights dim, the audience only needs to see and hear what happens on the stage. Perhaps audiences don’t hiss, boo and shout during a performance any more, but most actors and directors know that an audience’s reaction critically affects the performance. The nature of the theatre space, the configuration of the audience and the intimacy engendered by the form of the auditorium can powerfully assist in the formation of that reaction. A theatre auditorium may be a dead space or a lively one. Theatres designed like cinemas or lecture halls can lay a dead hand on the theatre experience. Happily, the past 20 years have seen a revolution in attitude to theatre design. No longer is a theatre only a place for listening or viewing. -
Northern Stage Staff Board of Directors
NORTHERN STAGE STAFF Carol Dunne Irene Green Producing Artistic Director Managing Director ADMINISTRATION Madelyn Odegaard PROPS Shannon Fox Sales & Marketing Assistant James Roeder Finance & Admin. Manager Dallyn Brunck Props Master Emily Cuerdon Box Office Assistant Ali Kress Company Manager Asst. Props Master Eric Bunge ARTISTIC ASSOCIATES Special Projects Manager Jess Chayes ELECTRICS & SOUND BOLD Assoc. Artistic Director Kevin Allinder DEVELOPMENT Virginia Ogden Master Electrician Margaret Hunton BOLD Artistic Fellow Ben Montmagny Director of Development Maggie Burrows Sound Engineer Sue Kessler BOLD Resident Director Clif Rogers Development Manager Asst. Master Electrician & Isaac Lorton PRODUCTION IT Associate Development Associate Jess Johnston Helen Rooker Production Manager Lighting & Sound Intern EDUCATION & ARTISTIC Matthew Mills OUTREACH Assoc. Production Manager COSTUMES Eric Love & Technical Director Denise Block Director of Education Costume Shop Manager Amanda Rafuse SCENIC Rachel Allison Hector Figueroa Wardrobe Supervisor Director of Artistic Outreach Assistant Technical Director Shelby Connolly Amber Harrison Education Assistant Audra Giuliano Cutter/Draper Carpentry Intern Marissa Mattogno Steven Barnes Boot Camp Apprentice John Kantack Costume Intern Facilities & Scenic Carpenter SALES & MARKETING STAGE MANAGEMENT Ruby Summers PAINTS Brian R. Sekinger Dir. of Sales & Marketing Melissa Robinson Resident Production Stage Scenic Charge & Dir. of TAP Manager Amanda Sheehan Marketing Manager Diane Zimmerman Ciara Heaps -
Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47Th Street
SQ 20TIMESSQ 701 Seventh Avenue at 47th Street Join NFL, Cirque du Soleil and Hershey in the Heart of Times Square Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47th Street THE NFL EXPERIENCE HERSHEY’S CHOCOLATE WORLD EDITION HOTEL Ground Floor and Floors 2 – 4 Ground Floor Ground Floor entrance to a 39-story hotel ■■ The NFL Experience brings together the NFL ■■ The new 20 Times Square store will be ■■ 39-story, 452-room, luxury lifestyle EDITION and Cirque du Soleil, two preeminent names three times larger than the current branded hotel conceived by Ian Schrager in sports and entertainment, to create a top Hershey’s Chocolate World with Marriott destination in the heart of Times Square ■■ 6,940 square feet of ground floor retail space ■■ Only five-star hotel in Times Square ■■ 40,000 square foot interactive experience ■■ Superstructure signage will showcase the ■■ 40,000 square-feet of food and beverage ■■ Spans 4 floors and includes a 350-seat state- brand and products including six bars, a cabaret/entertainment venue, of-the-art theater with show production by NFL and several restaurants with significant outdoor ■■ New products will be found here along with Films space traditional Hershey’s Chocolate World products. ■■ Rockwell Group and Thinkwell Group will work with Cirque to design the space and leading sports and entertainment presenter, AEG, is a partner in the project ■■ In addition to the multimedia show and interactive activities, there will be educational programming on the art of tackling and passing, on-site retail, stadium-style food and beverage offerings and special artifacts on display. -
Judith Evelyn Collection (1913-1967) Inventory
Judith Evelyn Collection (1913-1967) Inventory 3 boxes; 185 items; 1.3 linear metres Scrapbooks, photographs, scripts and programs pertaining to the career of Canadian actress Judith Evelyn, concentrating on her years on the Broadway stage. Material on her early years in student productions at University of Manitoba and at Hart House Theatre is included in the Nancy Pyper Collection. Box 1 Env. #1: Photographs – 27 items Portraits of Judith Evelyn, including studies by Ashley & Crippen, Talbot and Maurice Seymour. Env. #2: Photographs, Student Productions – 4 items Hounded by Hate, Hart House Theatre, 1935 Once in a Lifetime, Hart House Theatre, 1935 Apache, Hart House Theatre, 1936 Magnanimous Lover, Dominion Drama Festival, 1936 (signed by Karsh) Env. #3: Photographs, Angel Street (1942) – 5 items Env. #4: Photographs, The Overtons (1945) – 2 items Env. #5: Photographs, Craig’s Wife (1947) – 1 item Env. #6: Photographs, A Streetcar Named Desire (1949) – 1 item Env. #6a: Photographs, The Shrike (1952) – 1 item Env. #7: Photographs, Radio and Television shows – 5 items Mrs. Miniver Macbeth They Called Her Blessed Judith Evelyn Collection Inventory Page 2 of 8 Env. #8: Photographs, War work (including Bond Appeals, etc.) – 4 items Env. #9: Photographs, Miscellaneous – 3 items Friends, Judith Evelyn’s dog “Elva” Env. #10: Photographs, The Rich Full Life (1945) – 2 items Marquee, John Golden Theatre, N.Y. Env. #11: Photographs, Craig’s Wife (1947) – 10 items Marquee and lobby display, Playhouse Theatre, N.Y. Env. #12: Photographs, The Ivy Green (1949) – 4 items Marquee and lobby display, Lyceum Theatre, N.Y. Env. #13: Photographs, The Shrike (1952) – 2 items Marquee, Cort Theatre, N.Y. -
Christopher Annas-Lee
617.755.6652 Christopher Annas-Lee [email protected] Lighting Designer www.annaslee.com Awards Helen Hayes Award (DC) In The Heights (2017), Yerma (GALA, 2016) Broadway World Award (DC) FAME (2019), Tiempo De Las Mariposas (2018), In The Heights (GALA, 2017) Rising Star Award (NJ) Cinderella (UHS CPA, 2016) Fellowships & Training BFA in Lighting Design University of North Carolina School of the Arts, Class of 2014 Design Fellow J.F. Kennedy Center for the Performing Arts, Kenan Arts Fund, D.C., 2014-15 Lighting Design Fellow Princess Grace Fellowship, Fabergé Theater Award, 2017-18 Resident Lighting Designer GALA Hispanic Theatre (DC) Lighting: Tango *upcoming , Exquisita Agonia, FAME (BWW Award), In the Heights (HH & BWW Awards), Como 2014-Present Agua Para Chocolate (BWW Nom), ...Cockroach Killers, ...Las Mariposas (BWW Award), Flamenco Festival ’15, ’17, ‘18, & '19, Don Juan Tenorio (HH Nom), Cervantes (HH Nom), El Paso Blue, Don Quijote, Yerma (HH Award), Mariela En El Desierto, & Empeños... ; Scenery: Señorita y Madame; Lighting & PJ: La Foto. *upcoming Night Drive (NY) 2014-Present World Premiers: Alien Nation, ...History of the American Muskrat 2016, Providence RI, The Loneliest Mimi Garrard Dance (NY) World Premiers: Untranslatable, A Single Hound, A Little Madness, I Celebrate Myself, Travelling Man, 2015-Present Beyond Reach, Muse, Flux of Time, Dreaming of Broadway, Sam's Journey, Cosmic Man Circuit Theatre Company (MA) Lighting: Annotated History of the American Muskrat 2014, Welcome to Arroyo’s, Nicky Park, and Amish Co-Founder Project ; Lighting & Scenery: The Valentine Trilogy!, Passion Play (MA Tour), Ten Watt New Play Festival, Dead Man’s Cellphone, Arcadia, Enron, The Pillowman, Blithe Spirit, Talk Radio, and Lend Me A Tenor. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��������������������������, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ����������������������������ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance.