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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
741.5 Batman..The Joker
Darwyn Cooke Timm Paul Dini OF..THE FLASH..SUPERBOY Kaley BATMAN..THE JOKER 741.5 GREEN LANTERN..AND THE JUSTICE LEAGUE OF AMERICA! MARCH 2021 - NO. 52 PLUS...KITTENPLUS...DC TV VS. ON CONAN DVD Cuoco Bruce TImm MEANWHILE Marv Wolfman Steve Englehart Marv Wolfman Englehart Wolfman Marshall Rogers. Jim Aparo Dave Cockrum Matt Wagner The Comics & Graphic Novel Bulletin of In celebration of its eighty- queror to the Justice League plus year history, DC has of Detroit to the grim’n’gritty released a slew of compila- throwdowns of the last two tions covering their iconic decades, the Justice League characters in all their mani- has been through it. So has festations. 80 Years of the the Green Lantern, whether Fastest Man Alive focuses in the guise of Alan Scott, The company’s name was Na- on the career of that Flash Hal Jordan, Guy Gardner or the futuristic Legion of Super- tional Periodical Publications, whose 1958 debut began any of the thousands of other heroes and the contemporary but the readers knew it as DC. the Silver Age of Comics. members of the Green Lan- Teen Titans. There’s not one But it also includes stories tern Corps. Space opera, badly drawn story in this Cele- Named after its breakout title featuring his Golden Age streetwise relevance, emo- Detective Comics, DC created predecessor, whose appear- tional epics—all these and bration of 75 Years. Not many the American comics industry ance in “The Flash of Two more fill the pages of 80 villains become as iconic as when it introduced Superman Worlds” (right) initiated the Years of the Emerald Knight. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Cvr a Andrea Sorrentino (Mr) $5.99 Aug21 7002 Batman the Imposter #1 (Of 3) Cvr B Lee Bermejo Var (Mr) $5.99
DC ENTERTAINMENT AUG21 7001 BATMAN THE IMPOSTER #1 (OF 3) CVR A ANDREA SORRENTINO (MR) $5.99 AUG21 7002 BATMAN THE IMPOSTER #1 (OF 3) CVR B LEE BERMEJO VAR (MR) $5.99 AUG21 7004 BATMAN #114 CVR A JORGE JIMENEZ (FEAR STATE) $4.99 AUG21 7005 BATMAN #114 CVR B JORGE MOLINA CARD STORK VAR (FEAR STATE) $5.99 AUG21 7007 BATMAN #115 CVR A JORGE JIMENEZ (FEAR STATE) $4.99 AUG21 7008 BATMAN #115 CVR B JORGE MOLINA CARD STOCK VAR (FEAR STATE) $5.99 AUG21 7010 ARKHAM CITY THE ORDER OF THE WORLD #1 (OF 6) CVR A SAM WOLFE CONNELLY $3.99 AUG21 7011 ARKHAM CITY THE ORDER OF THE WORLD #1 (OF 6) CVR B FRANCESCO MATTINA CARD STOCK VAR $4.99 AUG21 7013 BATMAN SECRET FILES PEACEKEEPER-01 #1 (ONE SHOT) CVR A RAFAEL SARMENTO (FEAR STATE) $4.99 AUG21 7014 BATMAN SECRET FILES PEACEKEEPER-01 #1 (ONE SHOT) CVR B TYLER KIRKHAM CARD STOCK VAR (FEAR STATE) $5.99 AUG21 7016 CATWOMAN #36 CVR A YANICK PAQUETTE (FEAR STATE) $3.99 AUG21 7017 CATWOMAN #36 CVR B JENNY FRISON CARD STOCK VAR (FEAR STATE) $4.99 AUG21 7018 NIGHTWING #85 CVR A BRUNO REDONDO (FEAR STATE) $3.99 AUG21 7019 NIGHTWING #85 CVR B JAMAL CAMPBELL CARD STOCK VAR (FEAR STATE) $4.99 AUG21 7020 DETECTIVE COMICS #1044 CVR A DAN MORA (FEAR STATE) $4.99 AUG21 7021 DETECTIVE COMICS #1044 CVR B LEE BERMEJO CARD STOCK VAR (FEAR STATE) $5.99 AUG21 7022 I AM BATMAN #2 CVR A OLIVIER COIPEL (FEAR STATE) $3.99 AUG21 7023 I AM BATMAN #2 CVR B FRANCESCO MATTINA CARD STOCK VAR (FEAR STATE) $4.99 AUG21 7024 BATMAN URBAN LEGENDS #8 CVR A COLLEEN DORAN (FEAR STATE) $7.99 AUG21 7025 BATMAN URBAN LEGENDS #8 CVR B KHARY RANDOLPH -
VA Vol 23 No 6 June 1995
EDITORIAL STAFF Publisher Tom Poberezny Vice,President Marketing & Communications Dick Matt June 1995 Vol. 23, No.6 Editor-in-Chiet Jack Cox Editor Henry G. Frautschy Managing Editor CONTENTS Golda Cox Art Director 1 Straight & Level/ Mike Drucks Espie "Butch" Joyce Assistant Art Director Sara Hansen 2 AlC News/ Computer Graphic Specialists Compiled by H.G. Frautschy Olivia L. Phillip Jennifer Larsen Advertising Mary Janes 4 Mystery Airplane/ Associate Editor H.G. Frautschy & George Hardie Norm Petersen Feature Writers 5 Pass it to Buck! George Hardie, Jr. Dennis Parks E.E. "Buck" Hilbert Staff Photographers Jim Koepnick Mike Steineke Page 8 Carl Schuppel Donna Bushman 6 What Our Members are Restoring/ Editorial Assistant Norm Petersen Isabelle Wiske 8 Hail to the Chief EAA ANTIQUE/CLASSIC DIVISION, INC. A tribute to Steve Wittman/ OFFICERS Norm Petersen President Vice-President Espie 'Butch' Joyc e Arthur Morgan P.O. Box 1001 W211 Nll863 Hilltop Dr. 10 Sun 'n Fun '95/H.G. Frautschy Madison. NC 27025 Germantown. WI 53022 910/573-3843 414/628-2724 16 Frank Warren's Secretary Treasurer Steve Nesse E.E. 'Buck' Hilbert Thompson Trophy Paintings 2009 Highland Ave. P.O. Box 424 Page 10 Albert l ea, MN 56007 Union, Il 60 180 18 '94 Antique/Classic 507/373-1674 815/923-4591 Photo Contest Winners DIRECTORS John Berendt Robert C. ' Bob' Brauer 23 Sun 'n Fun On the Water/ 7645 Echo Point Rd. 9345 S. Hoyne Cannon Falls, MN 55009 Chica~o , Il60620 Norm Petersen -'.- --;- 507/263-2414 31 2/ 79-2105 ~,- Gene Chase John S, Copeland 25 AlC Annual Meeting 2159 Carlton Rd. -
Rocket Racers Free
FREE ROCKET RACERS PDF Steve Webb,Ben Mantle | 24 pages | 01 Oct 2014 | Random House Children's Publishers UK | 9780552566735 | English | London, United Kingdom Rocket Racer - Wikipedia The attraction was initially open from Christmas to the end of the park season, when it was closed due to issues with reliability and availability of spare parts. After years of sitting unused for anything but storage space, it was revived for the season, with updated software and hardware. It was eventually Rocket Racers again on October 9, this time permanently, for largely the same reasons. The attraction first led guests through a richly themed queue line, with most of the decoration based Rocket Racers the game's Space track. The queue line also featured portraits of Rocket Racers original game's bosses on the walls, and a lengthy video playing on TV screens, similar to the animated intros from other LEGO video games Rocket Racers the era. The video showed a race between Rocket Racers characters, commentated by Barry Baloney who would later re-appear in Soccer Mania. After proceeding through the queue line, guests were shown a video tutorial for building their drivers and cars, narrated again by Barry Baloney, with a minifigure named Larry going through the process as an example. Guests were then guided into a room with 8 touchscreens to do it themselves. There were six of each minifigure parts to choose from - heads, facial expressions, hats, bodies, and legs. Guests were then presented with a choice of 3 car chassis, each of which had 3 bodies to choose from. -
Wonder Woman, Feminism and the 1972 “Women's Lib”
Wonder Woman Wears Pants: Wonder Woman, Feminism and the 1972 “Women’s Lib” Issue Ann Matsuuchi Envisioning the comic book superhero Wonder Woman as a feminist activist defending a women’s clinic from pro-life villains at first seems to be the kind of story found only in fan art, not in the pages of the canonical series itself. Such a radical character reworking did not seem so outlandish in the American cultural landscape of the early 1970s. What the word “woman” meant in ordinary life was undergoing unprecedented change. It is no surprise that the iconic image of a female superhero, physically and intellectually superior to the men she rescues and punishes, would be claimed by real-life activists like Gloria Steinem. In the following essay I will discuss the historical development of the character and relate it to her presentation during this pivotal era in second wave feminism. A six issue story culminating in a reproductive rights battle waged by Wonder Woman- as-ordinary-woman-in-pants was unfortunately never realised and has remained largely forgotten due to conflicting accounts and the tangled politics of the publishing world. The following account of the only published issue of this story arc, the 1972 Women’s Lib issue of Wonder Woman, will demonstrate how looking at mainstream comic books directly has much to recommend it to readers interested in popular representations of gender and feminism. Wonder Woman is an iconic comic book superhero, first created not as a female counterpart to a male superhero, but as an independent, title- COLLOQUY text theory critique 24 (2012). -
Download Complete-Skywald-Checklist
MAY JUL SEP http://w w w .enjolrasw orld.com/Richard%20Arndt/The%20Complete%20Skyw ald%20Checklist.htmGo Close 44 captures 16 21 Jan 05 - 13 Feb 15 2010 Help2011 2012 Last updated 2 Dec. 2010. The latest version of this document can always be found at www.enjolrasworld.com. See last page for legal & © information. Additions? Corrections? Contact Richard J. Arndt: [email protected]. The Complete Skywald Checklist This index is as complete as possible given Skywald’s custom of often dropping credits off stories, hiding credits in the art of the story {mostly under Hewetson’s reign—in windowsills, gables, panel borders, as debris, etc.}, the heavy use of pseudomyns & single names and the miscrediting of stories to the wrong artist. Many of the mysteries regarding credits have been solved by access to Al Hewetson’s notes & checklists as well as the extensive aid of Christos N. Gage. Check out the end of the bibliography for interviews with Al Hewetson, Ed Fedory, Augustine Funnell & Maelo Cintron. You’ll be glad you did! Nightmare 1. cover: Brendan Lynch? (Dec. 1970) 1) The Pollution Monsters [Mike Friedrich/Don Heck & Mike Esposito] 10p 2) Master Of The Dead! [?/Martin Nodell &Vince Alascia] 6p [reprint from Eerie #14, Avon, 1954] 3) Dance Macabre [?/? & Bill Everett?] 6p [reprint from the 1950s] 4) Orgy Of Blood [Ross Andru & Mike Esposito/Ross Andru & Mike Esposito] 8p 5) A Nightmare Pin-Up [Bill Everett] 1p 6) The Skeletons Of Doom! [Art Stampler/Bill Everett] 3p [text story] 7) Help Us To Die! [?/?] 6p [reprint from the 1950s] 8) The Thing From The Sea! [?/Wally Wood & Mike Esposito?] 7p [reprint from Eerie #2, Avon, 1951] 9) The Creature Within! [?/?] 3p [reprint from the1950s] 10) The Deadly Mark Of The Beast! [Len Wein/Syd Shores & Tom Palmer] 8p open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com 11) Nightmares’s Nightmail [letters’ page] 1p Notes: Publisher: Sol Brodsky & Israel Waldman. -
2019 Maverick Graphic Novel Annotated Reading List
2019 Maverick Graphic Novel Annotated Reading List Grades 6-8 Breach, J., & Holgate, D. (2018). Clem Hetherington and the Ironwood race. New York: Graphix, an imprint of Scholastic. ISBN: 9780545814461 Publisher’s Summary: “A dangerous rally race... and archaeology?! Clementine Hetherington and her robot brother, Digory, have run away from the orphanage they've been living in since their parents died. Clem and Dig want to follow in their famous archaeologist mother's footsteps, but no one will take them seriously. Their chance arrives when a man from their past saves Digory's life, and to repay the debt they enter a multi-day rally race... to recover stolen artifacts! Clem and Dig hope to win so they can give them to a museum, but their opponents want to sell them on the black market. The Ironwood Race has no rules, and Clem and Dig might be in over their heads!” Great story about orphaned girl and her robot brother. The siblings must repay a debt by competing in a race for archeological artifacts.” Commentary: Clem Hetherington and the Ironwood race is a fun adventure that will appeal to both middle grade and high school students. 2018 Maverick Graphic Novel Annotated Reading List 1 Brosgol, V. B. (2018). Be Prepared. Place of publication not identified: First Second. ISBN: 9781626724457 Publisher’s Summary: "In Be Prepared, all Vera wants to do is fit in—but that’s not easy for a Russian girl in the suburbs. Her friends live in fancy houses and their parents can afford to send them to the best summer camps. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
“I Am the Villain of This Story!”: the Development of the Sympathetic Supervillain
“I Am The Villain of This Story!”: The Development of The Sympathetic Supervillain by Leah Rae Smith, B.A. A Thesis In English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Wyatt Phillips Chair of the Committee Dr. Fareed Ben-Youssef Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leah Rae Smith Texas Tech University, Leah Rae Smith, May 2021 ACKNOWLEDGMENTS I would like to share my gratitude to Dr. Wyatt Phillips and Dr. Fareed Ben- Youssef for their tutelage and insight on this project. Without their dedication and patience, this paper would not have come to fruition. ii Texas Tech University, Leah Rae Smith, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………….ii ABSTRACT………………………………………………………………………...iv I: INTRODUCTION……………………………………………………………….1 II. “IT’S PERSONAL” (THE GOLDEN AGE)………………………………….19 III. “FUELED BY HATE” (THE SILVER AGE)………………………………31 IV. "I KNOW WHAT'S BEST" (THE BRONZE AND DARK AGES) . 42 V. "FORGIVENESS IS DIVINE" (THE MODERN AGE) …………………………………………………………………………..62 CONCLUSION ……………………………………………………………………76 BIBLIOGRAPHY …………………………………………………………………82 iii Texas Tech University, Leah Rae Smith, May 2021 ABSTRACT The superhero genre of comics began in the late 1930s, with the superhero growing to become a pop cultural icon and a multibillion-dollar industry encompassing comics, films, television, and merchandise among other media formats. Superman, Spider-Man, Wonder Woman, and their colleagues have become household names with a fanbase spanning multiple generations. However, while the genre is called “superhero”, these are not the only costume clad characters from this genre that have become a phenomenon. -
Wonder Woman 77 Vol. 2 1St Edition Pdf Free Download
WONDER WOMAN 77 VOL. 2 1ST EDITION PDF, EPUB, EBOOK none | 9781401267889 | | | | | Wonder Woman 77 Vol. 2 1st edition PDF Book No Preference. Short Stories. She says, "A woman doesn't destroy life, she cherishes it! Wonder Woman '77 2. Mouse rated it liked it Jul 07, It's a nice collection, and seeing how the various artists handle Wonder Woman, who goes out of their way to make her look like Lynda Carter and who splits the difference between her TV and comic look. Wonder Woman 5th Series. In Wonder Woman , Hippolyta flashes back to the truth, a revised version of Wonder Woman's origin story: Hippolyta had formed two babies from clay, one dark and one light. Sam rated it really liked it Aug 28, However, in the midst of her grief, her Lasso of Truth stopped working! Star Wars: Shattered Empire. By Athena's instruction, Hippolyta forswears any thoughts of revenge and rededicates herself to the Goddesses, regaining the strength to break her chains. In Super Friends 25 October , Wonder Woman, who is temporarily under the control of the evil Overlord, is seen attempting to liberate the oppressed women of the African continent. An ancient force of dark magic is stirring and the… More. She carries an unspecified magic sword. This will likely increase the time it takes for your changes to go live. This version of Nubia later reappears as a member of her Earth's Justice League, with her Earth officially revealed as Earth in the new Multiverse. Also, the description of the contents of Vol.