MANISH MALHOTRA- “India's Most Celebrated Designer.”
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Maharaja Chhatrasal Convention Centre‟ Has Recently Been Inaugurated in Which of These UNESCO World Heritage Locati
Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com Quiz Date: 01st April 2021 Q1. The „Maharaja Chhatrasal Convention Centre‟ has recently been inaugurated in which of these UNESCO World Heritage locations? (a) Sanchi (b) Khajuraho (c) Konark (d) Hampi (e) Pattadakal Q2. Which team has won the maximum medals top finish at top place in medal table in the 2021 ISSF World Cup New Delhi? (a) China (b) USA (c) India (d) South Korea (e) Italy Q3. The first-ever Indo-Korean Friendship Park has been inaugurated at which place in India? (a) Rashtrapati Bhavan (b) Red Fort (c) Connaught Place (d) Delhi Cantonment (e) India Gate Q4. How many MoUs have been signed between India and Bangladesh recently during the visit of PM Modi? (a) 3 (b) 5 (c) 7 (d) 9 (e) 12 Q5. Which of the following bank has launched “UNI – CARBON CARD” with HPCL? (a) Union Bank of India (b) United Bank of India (c) UCO Bank (d) Indian Bank (e) City Union Bank Q6. Which of the following film has won the "Best Film" award at 66th Filmfare awards? (a) Chhappak (b) Angrezi Medium For any Banking/Insurance exam Assistance, Give a Missed call @ 01141183264 Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com (c) Tanhaji: The Unsung Warrior (d) Thappad (e) Malang Q7. A book titled "Names of the Women" authored by __________. (a) Ruskin Bond (b) Salman Rushdie (c) Vikram Seth (d) Shashi Tharoor (e) Jeet Thayil Q8. Noted Marathi writer _____________ will receive Saraswati Samman, 2020 for his book Sanatan. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Cinema Superstars from Across the Country Join Hands to Support the 18Th Jio MAMI Mumbai Film Festival with Star
Cinema superstars from across the country join hands to support the 18th Jio MAMI Mumbai Film Festival With Star Superstars Pawan Kalyan,Prithviraj Sukumaran & Suriya along with Riteish Deshmukh, National Award winning filmmaker Paresh Mokashi join Ranveer Singh and Anushka Sharma in pledging their support for the festival. Mumbai July 8, 2016: In its second phase of the Call for Entries, The Jio MAMI Mumbai Film Festival with Star has seen a surge of support from prominent film personalities across India. These Call for Entries encourage films from all across India to participate in the Mumbai based festival. Leading stars from the South such as Pawan Kalyan, Prithviraj Sukumaran and Suriya along with Bollywood stars Riteish Deshmukh, John Abraham and National Award winning filmmaker Paresh Mokashi can be seen in the Call for Entries series of films. Anupama Chopra, Festival Director, MAMI said, “The Call for Entries films feature diverse talents from across India and illustrates that cinema is truly an art form that unites. I am extremely grateful to them all for participating in this initiative and encouraging filmmakers across India to send us their films.” Last year saw the likes of Alia Bhatt, Ranbir Kapoor, Karan Johar, Vidhu Vinod Chopra and Raju Hirani with Festival Director - Anupama Chopra and Chaitanya Tamhane, Winner of Best Film in the International Competition, MAMI 2014 participate in the Call for Entries films. Last month Anushka Sharma, Ranveer Singh and Suriya all avid supporters of MAMI announced the Call for Entries for this year’s edition of the festival. The final submission deadline for the festival ends on August 10, 2016. -
Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
Saif Ali Khan Property Worth
Saif Ali Khan Property Worth Snafu and epistolic Wye never downs his oasts! Swallow-tailed and fibrillar Voltaire chirre maritally and plots his peptizing heinously and phraseologically. Interior and supernumerary Kit never rig his Oldenburg! Three times like extravagant structure named as per reports and actress is an actress ruchika pandey, property worth of the Today I immediately talk of an. Sara Ali Khan Net Worth 2021 Income Cars brands & Luxury. The properties in main aim of india and writer in the notorious barbarian and her wealth? Saba ali khan age Kingsville Community Centre. As a result, it propelled her to higher heights. And as the saying goes, many great things start from modest beginnings. That has always stayed in my mind. Please his multiple awards, mumbai police arrested her money, saif says that has been submitted successfully. Parse the OS into an object. Who being the richest woman in Bollywood? Saif Ali Khan Net Worth biography quotes wiki assets cars. Nandini Sen and Gautam Berry are the parents of actress Tara Alisha Berry. We stream in challenging the status quo and issue a life bigger than there own. Who is unknown as the skills and enjoy the company, lifestyle of news to do you are set out! 'Royal Couple' Kareena Kapoor Khan And Saif Ali Khan's Combined Net there Will. He just one of property worth and assets and saif ali khan property worth so is a room which the. Is the years she is salman khan struggled a career in indian actor in ahmedabad, respectful and whose last samurai, my grandparents and. -
Embracing the Change: a Concise Report on India's Most Valuable Celebrity Brands 2016.Pdf
EMBRACING THE CHANGE A Concise Report on India’s most valuable celebrity brands October 2016 Table of Contents A Concise Report Contents Page No. on India’s most valuable celebrity Preface: Embracing the Change 3 brands Summary: Celebrity Brand Values 4 Introduction: Celebrity Brand 5 Endorsements in India Understanding Endorsements: Overview of 7 Celebrity Brand Endorsements Understanding Endorsements: Current 9 Celebrity Brand Endorsements Recent Trends: Celebrity Endorsements in 11 Ecommerce Recent Trends: Co-Ownership Model of 12 Endorsement Recent Trends: Celebrity Brand Extensions 13 Methodology: Our Approach and 14 Methodology Conclusion 17 Duff & Phelps 2 PREFACE Embracing the Change Dear Readers, It gives me great pleasure to present the second edition of our concise report on India’s most valuable celebrity brands. The theme of this year’s report, “Embracing the Change”, recognizes the rise of women celebrity endorsers to the top of the brand value rankings. This is something that we predicted in our 2014 celebrity brand report. It has been an exciting year for Duff & Phelps in India. This report follows the release earlier this year of the third edition of our report on Brand Values in the Indian Premier League ("Playing with a Straight Bat"). The report was very well received by our Varun Gupta readers and the media. The Board of Control for Cricket in India (BCCI) even Managing Director acknowledged our valuation analysis in its Annual Report for the year 2015-16. Duff & Phelps India Following up on our last report on celebrity values, we now focus on some of the recent evolving trends in the celebrity endorsement space. -
Girl Rising Impact Highlights
GIRL RISING IMPACT HIGHLIGHTS Powered by stories of determination and a growing network of strategic partners and community-based activists, Girl Rising is turning ideas into impact. To date, we have reached millions of people: raising awareness through mass media campaigns, shifting attitudes by mobilizing influencers and local advocates, and inspiring actions that encourage behavior change and equal investment in girls and boys. Mass Media • 5 Billion+ global media impressions. • An original radio magazine produced in 1,600+ Articles published about Girl five local languages aired on community Rising, 2.3 M+ Youtube channel views. radio stations throughout DRC, reaching an estimated 4 million households • The Hindi version of Girl Rising aired on in communities where electricity and India’s No. 1 entertainment channel, televisions are rare luxuries. Star Television; leveraging the star power of Bollywood’s mega stars • India’s Ministry of Women and Child Priyanka Chopra, Parineeti Chopra, Development invested funding Kareena Kapoor Khan, and Alia Bhatt to broadcast GR Public Service among others. Announcements (PSAs) across television networks and over 3000 cinema halls • Girl Rising content has been translated across the country. into 30 languages and dubbed in Hindi, Hausa, Lingala, Swahili, Tshiluba and • We Will Rise: Michelle Obama’s Mission Congolese French. to Educate Girls Around the World, a film produced by Girl Rising, broadcast • 96/100 TPI (Top media-impact score) on television as the highest rated CNN awarded to Girl Rising by Participant film of all time. The film premiered at Media, reported high levels of emotional the White House for International Day of engagement, social impact and a desire the Girl 2016. -
Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504
Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504, Blue Diamond, Ranade Road, Dahisar (West), Mumbai – 400068 Cell – 9892575311/9967168996 Mail : [email protected] Born in 1944, joined eminent film editor Mr T.Krishna , who used to be the editor of legendary South Indian movie director Mr A. Subbarao in 1971. Have the distinct expertise in all formats of film editing ie moviola, stenback (Linear film format) as well as Avid, FCP (Non-linear Digital Editing) Had the blessed opportunity to work as editor for legendary film directors of India. Worked as Independent editor for classic movies of Padmashri Mr Govind Nihalani (Aakrosh,Vijeta) ,Mr Chetan Anand (Kudrat) ,Mr Mukul S. Anand (Aitbar-1985)and commercial superhit movies of Padma Bhushan Mr Yash Chopra(Silsila,Mashal,Fasle,Vijay,Lamhe,Chandni and Darr), Mr Sunny Deol (Dillagi), Mr Guddu Dhanoa (Shaheed), Mr Deepak Sareen (Jab Pyar Kisise Hota Hai, Albela, Aaina), Mr Atul Agnihotri (Dil ne Jise Pyar Kaha),Mr Tinu Verma (Baaz), Mr Manmohan Singh (Jee Aiya Noo, Yaraan Naal Baharan, Assanu Mann Watanda and Mr Anil Sharma (Gadar). Debut Film as Independent Editor, Aakrosh bagged National Award for Best Feature Film in Hindi (1980), Filmfare Best Director Award (1981) and the Golden Peacock for Best film at the International Film Festival of India,New Delhi in 1981.It was also debut film of Govind Nihalani as director. KUDRAT was a box office hit .Rajesh Khanna received the 1982 All India Critics Association Best Actor Award . It also won the Filmfare Award for Best Story for Chetan Anand Best Female Playback Award--Parveen Sultana and Best Cinematographer Award for Jal Mistry Received prestigious Filmfare Awards as Best Editor for Vijeta (1982).Vijeta also received Filmfare Best Cinematographer Award for Govind Nihalani and Filmfare Best Sound Award for Hitendra Ghosh Lamhe is regarded as a modern Masterpiece .