Licensing Sub-Committee Supplementary Agenda
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Parliamentary Debates (Hansard)
Monday Volume 585 8 September 2014 No. 34 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 8 September 2014 £5·00 © Parliamentary Copyright House of Commons 2014 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 633 8 SEPTEMBER 2014 634 The Parliamentary Under-Secretary of State for House of Commons Communities and Local Government (Penny Mordaunt): Since taking office I have had several meetings with the Monday 8 September 2014 Fire Brigades Union, the Retained Firefighters Union, the Fire Officers Association and the women’s committee of the FBU. Further meetings are in the diary. It is only The House met at half-past Two o’clock through such discussions that we will bring the dispute to an end. PRAYERS Jim Fitzpatrick: I welcome the Minister to her post, although I notice that she failed to answer the question— [MR SPEAKER in the Chair] that is a great start to her ministerial career. The Minister has made positive comments during her BUSINESS BEFORE QUESTIONS visits to fire stations throughout the country. The Government commissioned the Williams review on the DEATH OF A MEMBER impact of medical retirements for firefighters aged between 50 and 60, and especially the impact on women. Do the Mr Speaker: It is with great sadness that I have to Government accept the need for minimum fitness standards? announce the sudden death of our colleague Jim Dobbin, Member of Parliament for Heywood and Middleton, while on a Council of Europe trip to Poland. -
The Political Economy of Informal Events, 2030
The Political Economy Of Informal Events, The Political 2030 Economy of Informal Events, 2030 Written and edited by James Woudhuysen AAAW_03.19_001_Cover.indd All Pages 17/05/2019 11:29 The Political Economy Of Informal Events, 2030 AAAW_03.19_002-009_Chapter Zero.indd 2 17/05/2019 11:21 Written and edited by James Woudhuysen Visiting professor, forecasting & innovation, London South Bank University Foreword by Julian Agostini, Mash Media Alan Miller, Night Time Industries Association Nick Morgan, We Are The Fair Published by Access All Areas, in association with the Night Time Industries Association and We Are The Fair Access All Areas, 2nd Floor Applemarket House, 17 Union Street, Kingston-Upon-Thames KT1 1RR Advisory team Tom Hall and Paul Colston Graphic design Sean Wyatt-Livesley, Emma Hart, Oscar Spinks, Kateryna Smirnova ISBN 2019: 978-0-9576478-7-9 Please note: Except for the Foreword, and where individuals are quoted at length, the views in this paper – and the errors – are those of the author alone. He thanks everyone who is quoted; Andy Grimsey, solicitor with Poppleston Allen, for help with the legal intricacies of licensing, and Michael Kill, CEO of the NTIA, for work on how the music festival season and particular music festivals relate to UK recorded crime, both national and local. © Copyright Mash Media. All material in this publication is copyright and remains the property of the publishers. They neither necessarily agree with the views expressed by interviewees, nor accept any responsibility for any errors of interpretation in the subject matter of this publication. No part of this publication may be copied or reproduced, stored in a retrieval system, or be transmitted in any form by any means – electronic, mechanical, photocopying, recording or otherwise – without the prior permission of the publishers. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Dance to the Music.Docx
Dance To The Music: Fans and Socialites in the festival audience Dr Stephen Henderson Senior Lecturer UK Centre for Events Management Leeds Metropolitan University Telephone: 0113 812 5514 Email: [email protected] Autobiographical note Stephen Henderson is a Senior Lecturer in the UK Centre for Events Management at Leeds Metropolitan University where he teaches marketing and indulges his passion for music and sport events. Over the years, he has promoted gigs with Elvis Costello, The Clash, The Ramones, Tony Benn and Roy Bailey, Iggy Pop, Richard Thompson, Ian Dury and many more. Initially, he followed the gaining of BSc, MSc and PhD degrees from the University of Leeds with an MBA from the University of Warwick. Then, he spent over twenty years in industry before consulting to a wide range of international blue chip clients. During this period, he worked on the MBA courses at the Universities of Warwick, Durham, Surrey, Bradford and The Open University prior to taking up his current position. and Dr Emma Harriet Wood Reader Leeds Metropolitan University UK Centre for Events Management Telephone: 0113 812 3963 Email: [email protected] Autobiographical note Emma Wood is Reader in Festivals and Event Marketing. Originally from a marketing and market research background Emma’s current research interests are in the areas of event/experience marketing and evaluation of the impacts of community festivals. She has co-authored books on Innovative Marketing Communication published by Elsevier and a European Edition of Hoffman and Bateson’s Services Marketing text, published by Cengage in 2009. Emma is Research Awards Coordinator and joint editor of the Journal of Policy Research in Tourism, Leisure and Events. -
R on the Application of the Friends of Finsbury Park -V- Haringey London Borough Council and Others Summary
Press Summary R (Friends of Finsbury Park) v Haringey London Borough Council [2017] EWCA Civ 1831 (16 November 2017) (on appeal from the Order of Mr Justice Supperstone in the Planning Court [2016] EWHC 1454 (Admin)) Judges: Lord Justices Treacy, Hickinbottom and Singh Background This appeal concerns the powers of London boroughs to hire out public parks for music festivals. It does not concern Royal Parks. The Wireless Festival is an annual music festival held in Finsbury Park. The Friends of Finsbury Park sought to challenge the decision of Haringey London Borough Council (who are responsible for the Park) to hire part of the Park to Festival Republic, the company which organised the festival in 2016. This decision involved closing approximately a quarter of the park for just over two weeks. The Friends challenged the decision by way of judicial review, which was heard by Mr Justice Supperstone on 9 June 2016. He refused the substantive claim in a judgment on 22 June 2016, shortly before the relevant part of the Park was closed to prepare for Wireless Festival on 30 June 2016. The Festival went ahead; but the Friends were granted permission to appeal to resolve the issue for future festivals. The companies which run the Wireless Festival appeared as Interested Parties at the appeal, and the Open Spaces Society appeared as an Intervener. Arguments The Friends, with the support of the Open Spaces Society, submitted that the Council did not have the power to enclose such a large portion of the Park for such a long time and exclude members of the public who had not purchased tickets. -
Wireless Festival: Finsbury Park: July 2016 – Application No: ‘Hgy02419’
RESPONSE TO THE GENERAL CONSULTATION FOR APPLICATION - WIRELESS FESTIVAL: FINSBURY PARK: JULY 2016 – APPLICATION NO: ‘HGY02419’ The Friends of Finsbury Park is a charity that was formed in 1986 by people who care about Finsbury Park – its past, present and future. We support the use of Finsbury Park for the benefit of all local residents and park users, with events organised that are accessible to all who want to use the Park. We do not support the use of the Park for major events such as Wireless Festival which are simply too big, too noisy, unmanageable, unsafe and prevent local people and residents from enjoying the park. The Friends of Finsbury Park (FoFP) object to this application on the following grounds: Lack of Information: We believe that the information supplied on the event application is wholly inadequate and does not allow us to make an informed and meaningful response. Our request to see crucial information such as a Risk Assessment, Noise Management Plan, Green policy, Event Management Plan and a site map of the event has been refused, and detail about the vaunted community event is non-existent. We are not reassured by the promises given to improve control and management of the 2016 events. Such reassurances ring hollow as similar undertakings were given last year and then broken. Movement of heavy vehicles was neither effectively monitored or observed. Speeding heavy vehicles on the carriageway were regularly unaccompanied by buggies, particularly in the final days when Live Nation were ‘racing’ to leave site on time and avoid the incurrence of ‘overstaying’ charges. -
Demi-Goddess XCLUSIVE What Makes Demi an LGBTQA+ Icon?
guide ® whatson.guide Issue 351Pink Pink 2020 Skye Sweetnam Demi Lovato whatsOn Quiz Stonewall WIN Prizes + FREE Year Planner + LGBTQA+ Special Demi-Goddess XCLUSIVE What makes Demi an LGBTQA+ icon? 01 XCLUSIVEON 005 Agenda> NewsOn 007 Live> Nugen 009 FashOn> LGBTQA+ 011 Issue> 5 Ways 013 Interview> Skye Sweetnam 015 Report> Stonewall 017 Xclusive> Demi Lovato 02 WHATSON 019 Best Of> 2019 Reviews 023 Annual> Jan & Feb 025 Annual> March & April 027 Annual> May & June 029 Annual> July & Aug 031 Annual> Sept & Oct 033 Annual> Nov & Dec 03 GUIDEON 037 Best Picks> Briefing LIL NAS X Jobs Since coming out as gay 053 Classified> last year, 20-year-old 063 SceneOn> Reviews Montero Lamar Hill, known as Lil Nas X, has continued 065 Take10> LGBT Workplace to challenge perceptions of rap and hip hop stars. He’s 066 WinOn> PlayOn broken the record-books, scoring the longest-running number 1 in American chart history, and is up for 6 Grammys. Ads> T +44(0)121 655 1122 [email protected] Editorial> [email protected] About> WhatsOn: Progressive global local guide. Values> Diversity, Equality, Participation, Solidarity. Team WhatsOn> Managing Director Sam Alim Creative Director Setsu Adachi Assistant Editor Judith Hawkins Editorial Assistants Juthy Saha, Puza Snigdha, Dipto Paul Interns Shayan Shakir, George Biggs Books Editor Naomi Round Clubs Editor Nicole Lowe Film Editor Mark Goddard Music Editor Gary Trueman TV Mar Martínez Graphic Designer Promod Chakma, Rashed Hassan UX Designer Suvro Khan IT & Web Fazleh Rabbee, Laila Arzuman Communications -
The Festival Take-Over Tribes Live #22
#22 The festival take-over Tribes Live #22 Tribes Live is Channel 4's online research community, where around 350 16-24s from across the UK share their opinions and ideas to uncover what life is really like growing up in the UK today. Recruited through 4OD and free- find recruitment, our liberal but diverse community represents all 5 planning segments and 34 Tribes in the UK. Tribes Live: The festival take-over Tribes Live #22 “ Festivals are massive milestones in the year because they're kind of a mix of everything great. You went on holiday camping? You went to a concert? You went to a party? You hung out with friends? A music festival is like all of those things combined into one amazing weekend! Holly, 23, Sports Junkie, Mainstream” Page 3 of 14 Tribes Live #22 Escapism Tribes seek an escape from everyday responsibilities and stresses and how better to achieve this than by packing their bags and heading off to a festival? Festivals are more than just the event for Tribes. They’re accessible, exciting and for first time festivalgoers, , offer a real sense of independence but in a relatively safe and controlled environment. For the care-free and often more experienced Tribes on the festival circuit, spontaneity and the Festivals are the one chance for new and unknown experiences is always on offer. ” “ The music festival becomes everything and Festivals are THE big moment in the year for Tribes – for some it’s a rare time every moment in the day involves it. It’s an to gain independence, while others take the chance to explore new music on the live scene. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Detecting Disease Outbreaks in Mass Gatherings Using Internet Data
JOURNAL OF MEDICAL INTERNET RESEARCH Yom-Tov et al Original Paper Detecting Disease Outbreaks in Mass Gatherings Using Internet Data Elad Yom-Tov1, BSc, MA, PhD; Diana Borsa2, BSc, BMath, MSc (Hons); Ingemar J Cox3,4, BSc, DPhil; Rachel A McKendry5, BSc, PhD 1Microsoft Research Israel, Herzelia, Israel 2Centre of Computational Statistics and Machine Learning (CSML), Department of Computer Science, University College London, University of London, London, United Kingdom 3Copenhagen University, Department of Computer Science, Copenhagen, Denmark 4University College London, University of London, Department of Computer Science, London, United Kingdom 5University College London, University of London, London Centre for Nanotechnology and Division of Medicine, London, United Kingdom Corresponding Author: Diana Borsa, BSc, BMath, MSc (Hons) Centre of Computational Statistics and Machine Learning (CSML) Department of Computer Science University College London, University of London Malet Place Gower St London, WC1E 6BT United Kingdom Phone: 44 20 7679 Fax: 44 20 7387 1397 Email: [email protected] Abstract Background: Mass gatherings, such as music festivals and religious events, pose a health care challenge because of the risk of transmission of communicable diseases. This is exacerbated by the fact that participants disperse soon after the gathering, potentially spreading disease within their communities. The dispersion of participants also poses a challenge for traditional surveillance methods. The ubiquitous use of the Internet may enable the detection of disease outbreaks through analysis of data generated by users during events and shortly thereafter. Objective: The intent of the study was to develop algorithms that can alert to possible outbreaks of communicable diseases from Internet data, specifically Twitter and search engine queries. -
No Longer Just the Ticket No Longer Just the Ticket
16 | No longer just the ticket No longer just the ticket Charged wristbands are becoming more popular The days of box offices selling physical tickets to fans queuing around the block are all but forgotten. Almost all tickets are now sold online and today’s agents are multi-service operators able to garner unprecedented insight into a festival-goer’s behaviour and interests, reports Christopher Barrett he use of social media, mobile Owned by Live Nation Entertainment, is able to sell thousands of tickets a min- platforms and radio-frequency and a sister subsidiary to multi-event ute without any issues. identification (RFID) is not only promoter Festival Republic (FR), Ticket- The company operates a full ticket revolutionising the festival cus- master UK (TM) has worked with festi- management service for Cornbury tomerT experience, but helping organis- vals including FR’s Reading (90,000) and (15,000), including access control. The ers streamline their operations, develop Leeds (80,000), Creamfields (30,000) and vast majority of its festival tickets are highly targeted marketing strategies SW4 (20,000). sold online, with nine per cent through and generate improved revenues. TM offers white-label festival platform a call centre and 14 per cent through a Festivals have long been more than Front Gate Tickets, which includes quick physical box office. a multi-day, multi-artiste music show check-out options, VIP experience up- Its collectable, glossy, colour paper – they are multi-entertainment experi- sells, group bookings, data analytics and FanTicket format is also a popular ences, brands in their own right, capa- access control.