Commissioning Brief, Spring 2018: Proposals for Specific Ideas

Total Page:16

File Type:pdf, Size:1020Kb

Commissioning Brief, Spring 2018: Proposals for Specific Ideas RADIO COMMISSIONING FRAMEWORK Commissioning Brief, Spring 2018: Proposals for Specific Ideas Production of factual, arts, comedy and drama programmes. Commissions are mainly for broadcast from April 2019 to March 2020 but some may be bought ahead for later years. Factual and Arts: Proteus 2019-2020 Round 1 Comedy and Drama:Version 2Proteus 08.02.2018 2019 LL -2020 Round 5 1 of 89 CONTENTS ............................................................................................................................................... 1 SECTION A: TIMETABLE ................................................................................................... 3 SECTION B: THE COMMISSIONING PROCESS ................................................... 4 THE THREE STAGES ................................................................................................................ 5 STAGE 1: SHORT PROPOSAL .................................................................................................. 5 STAGE 2: FULL PROPOSAL ..................................................................................................... 6 STAGE 3: CONDITIONAL COMMISSION ................................................................................ 8 SECTION C: ABOUT RADIO 4 ...................................................................................... 10 SECTION D: EDITORIAL OPPORTUNITIES ............................................................. 11 FACTUAL .............................................................................................................................. 11 ARTS ..................................................................................................................................... 36 COMEDY .............................................................................................................................. 42 DRAMA ................................................................................................................................ 55 SECTION E: COMMISSION AWARD ......................................................................... 84 SECTION F: KEY CONTRACT TERMS .................................................................... 87 SECTION G: ABOUT BBC COMMISSIONING .......................................................... 89 Version 2 08.02.2018 LL 2 of 89 SECTION A: TIMETABLE The commissioning process consists of three stages, as set out in the timetable below. Stage Dates Activities Commissioning 5th February Publish commissioning brief documentation and briefs published open round in Proteus. Launch briefings 6th February – The Commissioning team brief programme Salford makers 8th February - London DRAMA & COMEDY 1. Short Proposal 12:00 Deadline for Short Proposals submitted in and shortlisting Proteus 7th March W/c 26th Commissioners shortlist proposals and notify March producers of outcomes. Full Proposals requested from those proceeding to next stage. 2. Full Proposal 4th-25th April Opportunity to discuss re-requested short proposals prior to submitting Full Proposals. 12:00 Deadline for Full Proposals submitted in Proteus. 26th April FACTUAL & ARTS 1. Short Proposal 12:00 Deadline for Short Proposals submitted in and shortlisting Proteus 13th March nd W/c 2 April Commissioners shortlist proposals and notify producers of outcomes. Full Proposals requested from those proceeding to next stage. th 2. Full Proposal 10th April-25 Opportunity to discuss re-requested short May proposals prior to submitting Full Proposals. 12:00 Deadline for Full Proposals submitted in Proteus. 29th May DRAMA, COMEDY, FACTUAL & ARTS 3. Commission Mid August Commissioning decision made, subject to awarded contract. Editorial specifications and price agreed. We will assess your proposal(s) according to this timetable. Late submissions cannot be accepted. If you have any questions about this commissioning brief that you need answering before you submit your short proposals, please ensure you send them to the relevant commissioning co-ordinator well before the deadline. Version 2 08.02.2018 LL 3 of 89 SECTION B: THE COMMISSIONING PROCESS Everything in this commissioning round is open to competition. Any department or company with demonstrable suitable expertise may submit ideas for any brief. For this specific ideas process, there is no formal eligibility questionnaire. If you are registered on the BBC supplier database it is assumed that you satisfy the basic eligibility requirements. We are taking two distinct approaches to commissioning in this round. Specific ideas All briefs listed in this document are being commissioned in the traditional Radio 4 manner, in which we invite you to submit proposals for specific ideas. In Stage 1 you submit brief Short Proposals; we may then invite you to discuss some of those ideas. In Stage 2 you submit Full Proposals. Batch tenders In Factual documentaries and in Arts Features much of the programming is being commissioned on the basis of a batch. This is where we contract successful applicants to deliver a set number of programmes per year. Some of these specific programmes are commissioned at the outset; the rest are left unspecified for rolling commissioning through the year. Each batch proposal will be supported by a number of proposals for specific ideas, which should follow the process set out in this document. For details of how to apply for a batch commission, read the document entitled Commissioning briefs, Spring 2018: proposals for batches. Version 2 08.02.2018 LL 4 of 89 THE THREE STAGES STAGE 1: SHORT PROPOSAL Step 1 Complete your Short Proposal – maximum 250 words - in Proteus. Please do not offer proposals unless you can demonstrate relevant expertise. Observe the cap on numbers where this has been applied. If the cap says a maximum 10 proposals per supplier, we will only read your first 10. Fewer, stronger ideas are much more likely to get through. In slots where each commission is for multiple episodes, the number of commissions will be far fewer than the number of individual programmes available. We welcome proposals from suppliers who wish to group together in some form of partnership, as long as this is made clear in the proposal. Where there is a cap on proposals, the suppliers joining together may combine their cap allowance (e.g. if the cap is 5 and two companies offer in partnership, they may submit 10). Each joint proposal should be entered only once. All Short Proposals must be entered through Proteus by the stage 1 deadline. PROPOSALS FOR FACTUAL AND ARTS SHOULD BE SUBMITTED IN PROTEUS: 2019-2020 ROUND 1 PROPOSALS FOR COMEDY AND DRAMA SHOULD BE SUBMITTED IN PROTEUS: 2019-2020 ROUND 5 The following must be entered for each Short Proposal: Title (of your proposal, not the slot) Commissioning Brief number: This number is at the top of each commissioning brief. Enter each proposal in one schedule slot only. If we consider it suitable for another slot, we will transfer it. Delivery date: Enter an estimated delivery date e.g. 01/06/2019. Price per episode: This will default to the bottom of the guide price range. Radio 4 will not expect to pay above guide price range. If, at this stage you think the price will be outside the range, you can enter this in the ‘Price Per Episode £’ field. Number of episodes Duration: The total allotted airtime per episode, including continuity Version 2 08.02.2018 LL 5 of 89 announcements, for example 14’ or 28’ (not 15’ or 30’). Short synopsis: This is where you sell your idea in Stage 1. Max 250 words. Long synopsis: Do not enter anything in this field at this stage. Step 2 Short Proposals will be evaluated by the commissioning team who will shortlist those which they wish to see as Full Proposals. Step 3 We will release the results in Proteus, with proposals showing as either ‘rejected’ or ‘re-requested’. Re-requested means the idea has been short- listed to go to the next stage. We regret that we are unable to provide feedback on unsuccessful Short Proposals, due to pressure on our time. STAGE 2: FULL PROPOSAL Step 1 If you reach the next stage, you will be invited to discuss your short-listed ideas with the commissioning editor. This may by phone rather than face to face. We will not discuss ideas that have not been submitted as Short Proposals. Step 2 When a proposal is re-requested in Proteus, do not re-create it from scratch; just edit it to reflect the requirements for the Full Proposal. While it is possible to submit fresh offers which have not been discussed, experience shows that very few ideas that have not been offered as Short Proposals get commissioned. All Full Proposals must be delivered in Proteus by the Stage 2 deadline. PROPOSALS FOR FACTUAL AND ARTS SHOULD BE SUBMITTED IN PROTEUS: 2019-2020 ROUND 1 PROPOSALS FOR COMEDY AND DRAMA SHOULD BE SUBMITTED IN PROTEUS: 2019-2020 ROUND 5 The following must be entered for each Full Proposal: Title: If your idea is commissioned you must not change this title without the written agreement of the commissioning editor. Commissioning Brief number: Submit each proposal in one slot only. If we think it suitable for another slot, we will transfer it. Delivery Date: (linked to anniversary / event dates where relevant). This information is important and will be used when scheduling a commissioned programme. Version 2 08.02.2018 LL 6 of 89 Price per episode: For this commissioning round we have decided to issue a guide price range rather than a single guide price. We hope that by doing so we will encourage suppliers to consider the optimum balance
Recommended publications
  • April, May & June 2016 Monthly Performance Pack
    Monthly Performance Pack April, May & June 2016 Mimmi Andersson, BBC iPlayer BBC Communications 07725641207 | [email protected] Monthly summary – June 2016 • Major events in the sporting calendar began in June, including Wimbledon and the UEFA Euro 2016 football tournament. BBC iPlayer saw an excellent start to the ‘Summer of Sport’ season, with 290 million requests across TV and radio. This was an increase of +6% on May, and higher than June 2015 by +39m requests. TV requests increased +9% month-on-month to 229 million, BBC iPlayer’s highest-ever performance for the month of June. • Live viewing grew to 11% of all TV requests, the highest level since mid-2014. And BBC iPlayer (TV and BBC iPlayer Radio) saw the highest ‘unique browser’ reach on record, with an average of 19.9 million unique browsers weekly across June. • The appeal of a ‘Home Nations’ football match, played during office hours. proved a winning combination for BBC iPlayer, with the England v Wales match for UEFA Euro 2016 being, by far, the most requested programme in June, delivering 2.8 million requests. Top Gear continued to be popular as usual, and new dramas Versailles and New Blood rounded out the top 5 most-requested programmes (along with EastEnders), all delivering well over 1m requests. • In a similar story for radio in June, the England v Wales match in UEFA Euro 2016 was also the most popular programme (coverage from BBC Radio 5 live Sport, which delivered 263k requests for BBC iPlayer Radio). • Note: we have included the top 20 episode tables for April and May in this report as well as June’s.
    [Show full text]
  • Adventures in Animation Go Behind the Scenes of Your Favorite Pixar Films in This Interactive Exhibition!
    JUNE – JULY 2015 Sparks!A Newsletter for Members and Friends of the Museum of Science Adventures in Animation Go behind the scenes of your favorite Pixar films in this interactive exhibition! ovie theater audiences became witnesses to a filmmaking revolution Min late 1995 when Pixar Animation Studios released Toy Story. The movie was the first of its kind—a feature-length computer-animated production, and critics as well as the general public were enthralled to see something so fresh and groundbreaking on the big screen. Nearly 20 years and 14 highly successful films later, Pixar continues to impress and delight. While people throughout the world enjoy these films, the science and technology behind them remains a mystery for many. This will change in late June when the Museum hosts the world premiere of The Science Behind Pixar, our newest temporary exhibition. “The interactive exhibition gives people the opportunity to learn about the jobs our filmmakers do every day and tackle similar problems,” says Ed Catmull, president of Pixar and Disney Animation Studios. “It’s a great demonstration of how much creativity and imagination is involved in the science, technology, engineering, art, and math thinking essential to our filmmaking process.” Inside This Issue What It Takes to be a 3-D Animator! • Making Movie Magic The Science Behind Pixar takes you through the production pipeline as you see how your favorite characters like Buzz • Let’s Celebrate July 4th! Lightyear and WALL•E as well as the worlds they live in are • Big Fun on the Big Screen Continued on next page Continued from cover created.
    [Show full text]
  • Canadian Mine Accused of Causing Skin Infections
    Fuente: http://news.bbc.co.uk/2/hi/americas/7934513.stm Por el link: http://www.business-humanrights.org Canadian mine accused of causing skin infections By Bill Law Reporter, Radio 4 Crossing Continents The photographs are disturbing, Mayans young and old covered in blisters and welts. Anti-mining activists say the rashes result from water polluted by a giant open-pit gold mine located in the Western Highlands of Guatemala. Marlin Mine is owned and operated by a large Canadian corporation called Goldcorp. The company strongly denies any link between their operation - which in a hot gold market is running 24 hours a day, seven days a week - and the ill health of the Mayans. Responding to the charge, the company said in a statement: "Comprehensive sampling conducted by the technical staff of the Public Ministry in Guatemala as well as by the Marlin environmental department has confirmed that river water quality is not adversely impacted by mine operations." RADIO 4: CROSSING CONTINENTS Bill Brassington heads a Canadian union pension fund that invests in Goldcorp and has seen the pictures taken by a North American non- governmental organisation called Rights Action. He points out that Rights Action has no medical evidence to support its claims. Still, as an ethical investor he is worried. Assessing Impact Besides the rashes, Goldcorp has been accused by some Guatemalan campaign groups and NGOs of unfair land purchase practices, human rights Unease over Guatemalan gold rush violations and environmental damage to the area surrounding the mine. Critics also say the company is taking huge amounts of profit out of impoverished indigenous communities and putting very little back in.
    [Show full text]
  • Format Guide
    FORMAT GUIDE OVERVIEW 139 GENERAL GUIDELINES 134 ELECTRONIC RÉSUMÉ GUIDELINES 140 STANDARDS OF MAILABILITY 140 FAIR USE GUIDELINES FOR EDUCATIONAL USE 141 AGENDA 142 ITINERARY 143 LABEL/ENVELOPE 144 BUSINESS LETTER 144 PERSONAL LETTER 145 LETTER WITH ADVANCED FEATURES 146 LETTER & MEMO SECOND PAGE 146 EMAIL 147 MEMORANDUM 148 NEWS RELEASE 149 MINUTES 150 OUTLINE 151 REPORT 152 REPORT CONTINUED 153 ENDNOTE PAGE 153 CITATIONS 154 REFERENCE PAGE 155 TABLES 156 ELECTRONIC RÉSUMÉ 157 TABLE OF CONTENTS 158 Revised 2014 Copyright FBLA-PBL 2014. All Rights Reserved. Designed by: FBLA-PBL, Inc CHAPTER MANAGEMENT HANDBOOK | 137 138 | FBLA-PBL.ORG OVERVIEW In today’s business world, communication is consistently expressed through writing. Successful businesses require a consistent message throughout the organization. A foundation of this strategy is the use of a format guide, which enables a corporation to maintain a uniform image through all its communications. Use this guide to prepare for Computer Applications and Word Processing skill events. GENERAL GUIDELINES Font Size: 11 or 12 Font Style: Times New Roman, Arial, Calibri, or Cambria Spacing: 1 space after punctuation ending a sentence (stay consistent within the document) 1 space after a semicolon 1 space after a comma 1 space after a colon (stay consistent within the document) 1 space between state abbreviation and zip code Letters: Block Style with Open Punctuation Top Margin: 2 inches Side and Bottom Margins: 1 inch Bulleted Lists: Single space individual items; double space between items
    [Show full text]
  • Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
    Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape.
    [Show full text]
  • Rutgers, the State University of New Jersey New
    RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY NEW BRUNSWICK AN INTERVIEW WITH JEROME D. GOLDFISCHER FOR THE RUTGERS ORAL HISTORY ARCHIVES INTERVIEW CONDUCTED BY G. KURT PIEHLER and SCOTT CERESNAK and JASON GOLDFISCHER FORT LEE, NEW JERSEY MARCH 29, 1998 TRANSCRIPT BY SCOTT CERESNAK and SEAN D. HARVEY Kurt Piehler: This begins an interview with Dr. Jerome D. Goldfischer on March 29, 1998, in Fort Lee, New Jersey, with Kurt Piehler and … Jason Goldfischer: … Jason Goldfischer … Scott Ceresnak: … and Scott Ceresnak. KP: I would like to begin by asking you a little bit about your parents. Your father and mother both emigrated from Eastern Europe. JDG: That's correct. KP: From Russia. Could you tell me a little bit about why they came? JDG: My mother, at the age of fourteen, ran away from Russia because of the pogroms [anti- Semitic riots]. She was the tenth of ten children. Her oldest brother and her fifth sister were both in this country and she felt that she had to get away. There were too many people being killed. So, at the age of fourteen, she ran away from Chernobyl and walked across Russia to Austria, and then, somehow, got on a boat to this country, alone. When they were about to dock at Ellis Island, she found out that if you didn't have parents, they would send you back. They didn't want a youngster by themselves. So, there was a mother and father with another young lady about her age. She asked if they would accept her as their daughter when they got off the boat and they said, "Of course." So, she went through Ellis Island with them, and then, she went with her [family].
    [Show full text]
  • Transcript for Professor Gernsbacher's Lecture Video: “Why Do We Binge-Watch?”
    Transcript for Professor Gernsbacher’s Lecture Video: “Why Do We Binge-Watch?” Ever had that experience of binge-watching a TV series, and you become so absorbed that you forget to eat lunch or you miss your subway stop? Or you keep clicking for the next episode and when you look up, the house has gotten dark around you, and you realize you’ve been watching for hours? Oh, wait just a minute. I read that wrong. Here’s the correct quote: CLICK - Ever had that experience READING A NOVEL when you become so absorbed that you forget to eat lunch or you miss your subway stop? CLICK - Or you’re TURNING THE PAGES so fast, when you look up, the house has gotten dark around you, and you realize you’ve been squinting to see the words. CLICK - We call this “getting lost in a book,” and we could all name a novel that has caused us to CLICK - Get lost in a book. In a Two Thousand and Fourteen article on the website, Thought Catalog, Francesca Saunders urges us to QUOTE “Curl up in your bed, on the floor, the backseat of a car, the plastic bench of a train. Open up a book and … Fall so deeply into this imagined world, [that you] forget where you are. You stop hearing anything that isn’t on the page in front of you.” UNQUOTE CLICK - What does getting lost in a book feel like? Saunders relates that QUOTE Getting lost in a book is like getting hit by a truck, like waking up at 10 pm from a nap.
    [Show full text]
  • 2015 Christmas Concert Artist Announcement-Edited
    For Immediate Release Broadway Star Laura Osnes and Beloved British Actor Martin Jarvis Join Mormon Tabernacle Choir for Annual Christmas Concert Back by popular demand after charming audiences at this summer’s Pioneer Day concert, Broadway star Laura Osnes will join the Mormon Tabernacle Choir and Orchestra at Temple Square for their annual Christmas concerts on December 17, 18 and 19 in the Conference Center in Salt Lake City. Taking the stage with Osnes will be acclaimed British screen and voice actor Martin Jarvis. Under the direction of Mack Wilberg, music director of the Choir, and Ryan Murphy, associate music director, these powerhouse talents will ring in the holiday spirit for audiences young and old. But that’s not all. Osnes and Jarvis will be joined by four Metropolitan Opera soloists — Erin Morley, soprano; Tamara Mumford, mezzo-soprano; Ben Bliss, tenor; and Tyler Simpson, bass — adding a classical dimension to the musical repertoire. This is going to be an unforgettable concert,” said Ron Jarrett, president of the Mormon Tabernacle Choir. “Where else can you find such a depth of talent in all performing disciplines all on one stage? We are truly blessed to have this fabulous ensemble of artists spend Christmas with us.” Today’s carefully guarded announcement was eagerly anticipated by thousands in the community who have attended the Christmas concerts for over a decade. The free performances are arguably the hottest tickets in town during the Christmas season, and this year will be no exception. “We are overwhelmed and humbled by the response of our audiences each year,” said music director Mack Wilberg.
    [Show full text]
  • March 2016 Conversation
    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster.
    [Show full text]
  • Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17
    Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17 SATURDAY 10 APRIL 2021 A Made in Manchester production for BBC Radio 4 his adored older brother Stephen was killed in a racially motivated attack. Determined to have an positive impact on SAT 00:00 Midnight News (m000twvj) young people, he became a teacher, and is now a motivational The latest news and weather forecast from BBC Radio 4. SAT 06:00 News and Papers (m000v236) speaker. The latest news headlines. Including the weather and a look at Tiggi Trethowan is a listener who contacted us with her story of the papers. losing her sight. SAT 00:32 Meditation (m000vjcv) Ade Adepitan is a paralympian and TV presenter whose latest A meditation following the death of His Royal Highness Prince series meets the people whose lives have already been affected Philip, Duke of Edinburgh, led by the Rev Dr Sam Wells, Vicar SAT 06:07 Open Country (m000twh9) by climate change. of St Martin-in-the-Fields, in London. Canna Alice Cooper chooses his Inheritance Tracks: Train Kept a Rollin’ by The Yardbirds and Thunderclap Newman, Something Canna is four miles long and one mile wide. It has no doctor in the air SAT 00:48 Shipping Forecast (m000twvl) and the primary school closed a few years ago. The islanders and your Thank you. The latest weather reports and forecasts for UK shipping. depend on a weekly ferry service for post, food and medical Producer: Corinna Jones supplies. Fiona Mackenzie and her husband, Donald, have lived on the island for six years.
    [Show full text]
  • Don't Talk About Khalistan but Let It Brew Quietly. Police Say Places Where Religious
    22 MARCH 2021 / `50 www.openthemagazine.com CONTENTS 22 MARCH 2021 5 6 12 14 16 18 LOCOMOTIF bengAL DIARY INDIAN ACCENTS TOUCHSTONE WHISPERER OPEN ESSAY The new theology By Swapan Dasgupta The first translator The Eco chamber By Jayanta Ghosal Imperfect pitch of victimhood By Bibek Debroy By Keerthik Sasidharan By James Astill By S Prasannarajan 24 24 AN EAST BENGAL IN WEST BENGAL The 2021 struggle for power is shaped by history, geography, demography—and a miracle by the Mahatma By MJ Akbar 34 THE INDISCREET CHARM OF ABBAS SIDDIQUI Can the sinking Left expect a rainmaker in the brash cleric, its new ally? By Ullekh NP 38 A HERO’S WELCOME 40 46 Former Naxalite, king of B-grade films and hotel magnate Mithun Chakraborty has traversed the political spectrum to finally land a breakout role By Kaveree Bamzai 40 HARVESTING A PROTEST If there is trouble from a resurgent Khalistani politics in Punjab, it is unlikely to follow the 50 54 roadmap of the 1980s By Siddharth Singh 46 TURNING OVER A NEW LEAF The opportunities and pains of India’s tiny seaweed market By Lhendup G Bhutia 62 50 54 60 62 65 66 OWNING HER AGE THE VIOLENT INDIAN PAGE TURNER BRIDE, GROOM, ACTION HOLLYWOOD REPORTER STARGAZER Pooja Bhatt, feisty teen Thomas Blom Hansen The eternity of return The social realism of Viola Davis By Kaveree Bamzai idol and magazine cover on his new book By Mini Kapoor Indian wedding shows on her latest film magnet of the 1990s, is back The Law of Force: The Violent By Aditya Mani Jha Ma Rainey’s Black Bottom By Kaveree Bamzai Heart of Indian Politics
    [Show full text]
  • 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
    Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003.
    [Show full text]