Building His Own Legend: Billy the Kid and the Media
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Billy the Kid: More Than a Legend
National Park Service White Sands U.S. Department of the Interior White Sands National Monument Billy the Kid: More than a Legend he history of the American Southwest is chock full of legends and stories that truly live up to the epithet of the TWild West. The embellishment of these stories has allowed for the development of numerous movies and books but the true facts of these accounts are more interesting than any tall tale. Yes, the West really was wild! after Tunstall. According to most doubt he and other renowned William Henry McCarthy, accounts, he was shot unarmed characters of the time came across otherwise known as Billy the which was against “the code of the largerst gypsum dunefield in Kid, is a perfect example of how the West.” After Tunstall’s murder, the world as they traveled. Who untamed the now tranquil towns Billy and the Regulators swore knows what evidence of their of New Mexico used to be. It vengeance on Jesse Evans and his passage these ever-shifting dunes was no secret that Billy had a crew. might be hiding. rough past. His mother died of tuberculosis while he was just a As a result of one of the many —Sandra Flickinger, Student-Intern young boy and he had a history of skirmishes, Sheriff William Brady working odd jobs in combination was killed, putting Billy in the hot with a few illegal activities. seat as a murderer and sending him on the run. After many daring The real beginning of Billy’s career escapes, the new sheriff, Pat as an infamous gunman, however, Garrett, was finally successful in began in 1878 after he met a young arresting Billy. -
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself. -
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. -
Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 by Stephen Tatum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Summer 1984 Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum Kent L. Steckmesser California State University-Los Angeles Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Steckmesser, Kent L., "Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum" (1984). Great Plains Quarterly. 1798. https://digitalcommons.unl.edu/greatplainsquarterly/1798 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 182 GREAT PLAINS QUARTERLY, SUMMER 1984 biography was formulated as a "romance." As a "bad" badman, a threat to the moral order, the Kid had to die so that civilization-repre sented by Sheriff Pat Garrett-could advance. This formula of conflict and resolution by death can be detected in dime novels and early magazine accounts, which dwell on the Kid's unheroic appearance and bloodthirsty char acter. After a period of meager interest, by the mid-1920s a quite different figure was being molded by biographers and film makers. This was the prototypical "good" badman, one who personifies a kind of idealism. In Walter Noble Burns's key biography in 1926 and in a 1930 film, the Kid becomes a redeemer who helps small farmers. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Overview Contents
rules 6/18/02 9:43 AM Page 1 2) draw one card (without a shot): 2) draw one card R ICHARD B ORG / MIKE F ITZGERALD The player takes the entire discard stack, searches (without a shot): through the cards, and takes one card, which he adds take one card from to his hand.10 He may not, however, take a Wyatt the discard stack Earp card! He may play the card he takes on this 10 A THRILLING GAME OF turn, following the normal rules. If he chooses a The player may not search the discard stack OUTLAWS, THIEVES, AND FAST GUNS Sheriff card, he may play it immediately (this is the prior to playing the card! only exception that allows a player to play two THE WILD WEST! TOUGH TIMES AND TOUGH CHARACTERS! Sheriff cards in a turn). If he does not choose to BANDITS, DESPERADOS, RUSTLERS AND THIEVES ARE EVERYWHERE... immediately play the card, he adds it to his hand, TAKE THE ROLLS OF THE BRAVE SHERIFFS RIDING ON THE HEELS OF THESE without showing the other players, but may not play LEGENDARY OUTLAWS. CAPTURE JESSE JAMES! HUNT BUTCH CASSIDY AND THE a second Sheriff card this turn. SUNDANCE KID! RICH REWARDS AWAIT THOSE BRAVE AND DARING ENOUGH. 3) remove Hideout (with successful shot): 3) remove Hideout JUST BE CAREFUL NOT TO LET THEM SLIP AWAY... After a successful shot, the player may remove one (with successful Hideout card from one of his Outlaws and place it shot): OVERVIEW on the discard stack. Now, all the CP for that Outlaw remove Hideout The game is played over several hands. -
Doc Holliday by Robert Hilliard
Doc Holliday By Robert Hilliard Be honest with yourself. When you think about the outlaws and gunfighters of the old west, which one comes to mind first? Well, for me, it has always been Doc Holliday. Here is a man that came into this world with the best intentions, but ended up contracting a disease that not only hit him early in his life, but shaped the type of person he would be until his dying day. John Henry “Doc” Holliday was born on August 14, 1851 in Griffin, Georgia, to Henry Burroughs Holliday and Alice Jane Holliday. He grew up a Southern gentleman and at the age of 21 obtained his Dental degree and moved to St. Louis, Missouri to work with a classmate and setup his practice. Shortly after, Doc was diagnosed with tuberculosis and carried the disease throughout the remainder of his life. Holliday moved around frequently setting up practices in Atlanta, Dallas and points in between. Everywhere he went, his disease would eventually end his practice. Finally, while trying to practice as a dentist in Dallas, Texas, Doc found he had another skill that would aid him in making a living. He became skilled as a gambler. Over the years, Doc found himself engaged in fights and gunfights that would land him in jail for a short period of time. However, Doc managed to gain a reputation, not only as a skilled gambler and gunfighter, but as a person who lived as if today where his last day on earth. Knowing that tuberculosis would eventually do him in, Doc Holliday lived the rest of his days as if he had no fear. -
Basque Country Discovery and Connection
Contents Diaspora Series 2 Far Western Basque Country, Asun Garikano A Man Called Aita, Joan Errea Basques in Cuba, William Douglass, ed. Basque Classics Series 5 Downhill and Rock & Core, Gabriel Arresti Basque Legends, Wentworth Webster Basque Literature Series 6 This Strange and Powerful Language, Iban Zaldua Basque Originals Series 7 Journeys, Fruits, Neighbors, Maite González Esnal Basque Country Discovery and Connection: Sights and Sounds of the Basque Country, Vicky Ayala Richardson The Sheep Walker’s Daughter, Sydney Avey Arrien Foundation Series 9 The Mill House Speaks, Denise Orpustan-Love Basque Politics Series 10 Bitter Justice: The Penitentiary of El Puerto de Santa María and Its Basque Dimension, 1936-1949, David Lyon Occasional Papers Series 11 Basque Explorers in the Pacific Ocean, William A. Douglass Building the Basque City: The Political Economy of Nation-Building, Nagore Calvo Mendizabal Contemporary Basque Literature, Jon Kortazar, ed. Writing Words: The Unique Case of the Standardization of Basque, Pello Salaburu The Basque Moment: Egalitarianism and Traditional Basque Society, Xabier Arregi Gordoa and Andreas Hess, eds. Conference Papers Series 16 The Basque Fiscal System Contrasted to Nevada and Catalonia: In the Tzime of Major Crises, Joseba Agirreazkuenaga and Xabier Irujo, eds. The International Legacy of Lehendakari Jose A. Agirre’s Government, Xabier Irujo and Mari Jose Olaziregi, eds. Other Books Mentioned, with page number My Mama Marie, 3 • Basques in the United States (2 volumes), 4 • Amatxi, Amona, Amuma, -
The Music Center's Study Guide to the Performing Arts
DANCE TRADITIONAL ARTISTIC PERCEPTION (AP) ® CLASSICAL CREATIVE EXPRESSION (CE) Artsource CONTEMPORARY HISTORICAL & CULTURAL CONTEXT (H/C) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL AESTHETIC VALUING (AV) MULTI-MEDIA CONNECT, RELATE & APPLY (CRA) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: Oakland Ballet Company, safeguards the integrity of his Billy The Kid life’s work and reconstructs and teaches the ballets. Reconstruction and performance: The Joffrey Ballet About the Artwork: Creators: Eugene Loring, at age 27, began the process of Choreographer: Eugene Loring 1911 - 1982 Composer: Aaron Copland 1900 - 1990 choreographing Billy The Kid by creating a storyboard Vision and libretto: Lincoln Kirstein 1907 - 1996 of the legend. He organized the events of Billy’s life Costumes and scenery: Jared French sequentially into scenes, determining their dramatic Background Information: impact and length. He sent these plans to composer Born in Milwaukee, Wisconsin, as LeRoy Kerpestein, Aaron Copland in Paris who used them to create his Eugene Loring was part of a large family, but was raised musical score, based on themes from cowboy songs. primarily by his grandmother. As a teenager he became The work was premiered by a small group who danced interested in the theatre and began his career in all the parts, changing both their costumes and the vaudeville. He trained as an actor, studying dance to lights each time they exited. The score was played on gain more skills and to supplement his income. He two pianos. However, the ballet met with tremendous enrolled at the School of American Ballet where he success and Mr. -
{PDF} the Collected Works of Billy the Kid Ebook Free Download
THE COLLECTED WORKS OF BILLY THE KID PDF, EPUB, EBOOK Michael Ondaatje | 105 pages | 19 Mar 1996 | Random House USA Inc | 9780679767862 | English | New York, United States The Collected Works of Billy the Kid (Vintage International) | Remember the first time you heard: Billy, you're so far away from home. Never kicked it. Then he started to write -- he had to write. He wrote a collage: of poems and poem fragments, prose, documentary testimonies. It's uneven, a broken western sky. But we're at the point where only impressionists can write Billy, who here says, Blood a necklace on me all my life. This is a book where a dying man's last words are, indelibly, get away from me yer stupid chicken. They went to kill it, to put it out of its misery; but it jumped and fled. Ran under the house. Couldn't get it out, but imagined the pain. Billy said he'd kill him. You should read this to find out how. If you want to know. And yet, Even though dead they buried him in leg irons. It's easy to be misunderstood. View all 8 comments. Aug 01, Khashayar Mohammadi rated it really liked it Shelves: poetry , idiosyncratic , canadian. One of the most original books of Poetry I have ever read. Ingenious, Bold and Lachrymose. May 19, April Kennedy rated it really liked it. I read this book years ago, and it is definitely one I won't forget. I love the legend of Billy the Kid, so to see it told through prose and candor and photographs was really interesting. -
CRIMINAL JUSTICE in AMERICA FIFTH EDITION Cja Unit1a:Layout 1 7/10/2012 2:10 PM Page 1
CRIMINAL JUSTICE IN AMERICA FIFTH EDITION cja_unit1a:Layout 1 7/10/2012 2:10 PM Page 1 CRIMINAL JUSTICE IN AMERICA FIFTH EDITION Developed by Marshall Croddy Bill Hayes cja_unit1a:Layout 1 7/10/2012 2:10 PM Page 2 601 South Kingsley Drive T. Warren Jackson, Chair Los Angeles, California 90005 Marshall P. Horowitz, Chair, (213) 487- 5590 Publications Committee www.crf-usa.org Jonathan Estrin, President Marshall Croddy, Vice President Developed by Subject Matter Consultants Marshall Croddy and Bill Hayes (Various Editions) Richard Chrystie, Deputy District Attorney, Board Reviewers Los Angeles County Marshall P. Horowitz, Lisa Rockwell, Val Cole, Deputy District Attorney, Patrick Rogan, K. Eugene Shutler, Los Angeles County Douglas Thompson, Lois Thompson Star French, Deputy Probation Officer, Editor Los Angeles County Bill Hayes John Hud, Criminal Defense Attorney, Bozeman, Montana Contributing Writers (Various Editions) Daniel E. Lewis, Attorney, Los Angeles Bill Hayes, Marshall Croddy, Todd Clark, Julia Rider, Luce, Forward, Hill, Jeffer & Teri Engler, Lucy Eisenberg, Damon Huss, Mangels Sandy Kanengiser, Carlton Martz, Betsy Devallis Rutledge, Special Counsel to the Salzman, Eden Kusmiersky, Coral Suter, District Attorney, Los Angeles County Charles Tremper, Michelle Ng, Roy Kim, Richard Simonian, Superintendent, C.K. Shruti Modi, Anjelica Sarmiento, Sophia Khan, Wakefield School, Fresno County Probation Marianna Muratova Department Researchers Captain Robert Taylor, Commanding Officer, (Various Editions) Juvenile Division, Los Angeles Police Rick Bhasin, Luke Delgado, and Michael Sokolson Department Kerry White, Head Deputy District Attorney, Production Juvenile Division, Los Angeles County Andrew Costly, Designer Library of Congress Cataloging-in-Publication Data Criminal justice in America / developed by Marshall Croddy and Bill Hayes ; edited by Bill Hayes ; written by Bill Hayes .. -
Tombstone: Bawdy and Rowdy, Tender and Tough
PART I Tombstone: Bawdy and Rowdy, Tender and Tough tat1e01.indd 45 1/2/2015 3:26:07 PM tat1e01.indd 46 1/2/2015 3:26:07 PM Principal Tombstone Characters The Miners Charles DeBrille Poston Edward “Ed” Schieffelen The Cattleman Henry C. Hooker The Cowboys (Rustlers) William “Billy the Kid” Claiborne Newman H. “Old Man” Clanton Phineas “Phin” Clanton Joseph Isaac “Ike” Clanton William “Billy” Clanton “Old Man” Hughes Jim Hughes Robert Findley “Frank” McLaury Thomas Clark “Tom” McLaury William R. “Will” McLaury John Ringo Curly Bill Brocius The Earp “Gang” Wyatt Earp Virgil Earp Morgan Earp John Henry “Doc” Holliday 47 tat1e01.indd 47 1/2/2015 3:26:07 PM 48 ARIZONA GUNFIGHTERS The Earp Partisans John Clum, mayor, editor, Tombstone Epitaph Fred Dodge, Wells Fargo undercover agent Marshall Williams, Wells Fargo resident agent George Parsons, gentleman miner The Gamblers James, Virgil, Warren, Wyatt, and Morgan Earp Doc Holliday Bat Masterson Luke Short Charlie Storms Buckskin Frank Leslie The Earp Wives and Courtesans Alvira Packingham Sullivan “Allie” Earp, wife of Virgil Earp Nellie Bartlett Ketcham “Bessie” Earp, wife of James Earp Celia Ann Blaylock “Mattie” Earp, wife of Wyatt Earp Josephine Sarah Marcus “Josie” (“Sadie”) Behan Earp, paramour of John Behan and Wyatt Earp Louisa Houston Earp, wife of Morgan Earp Mary Katherine Harony “Big-Nosed Kate Elder,” paramour of Doc Holliday The Suspected Stage Robbers Frank Stilwell Jim Crane Billy Grounds Curly Bill Brocius Doc Holliday Zwing Hunt The “County Ring” John Behan, sheriff of Cochise County John Dunbar, stable keeper tat1e01.indd 48 1/2/2015 3:26:07 PM Principal Tombstone Characters 49 Milton Joyce, saloon keeper Harry Woods, publisher, Tombstone Nugget The Townsmen George Goodfellow, surgeon Milton Joyce, saloon keeper William M.