September 2016

Total Page:16

File Type:pdf, Size:1020Kb

September 2016 WALT DISNEY CONCERT HALL 2016/17 CHRONOLOGICAL LISTING OF EVENTS SEPTEMBER 2016 LOS ANGELES PHILHARMONIC Tuesday, September 27, 2016, at 7 PM -OPENING NIGHT CONCERT & GALA- OPENING NIGHT CONCERT & GALA Walt Disney Concert Hall (Non-subscription) GERSHWIN AND THE JAZZ AGE Gustavo Dudamel, conductor Megan Hilty and Brian Stokes Mitchell, singers George Li, piano GERSHWIN “I Got Rhythm” Variations ELLINGTON “Night Creatures: Stalking Monster” PORTER “Always True to You in My Fashion” from Kiss Me Kate ELLINGTON “I’m Beginning to See the Light” PORTER “So In Love” from Kiss Me Kate BERNSTEIN Prelude, Fugue and Riffs GERSHWIN Songs: “Someone to Watch Over Me” from Oh, Kay! “It Ain’t Necessarily So” from Porgy and Bess “Let’s Call The Whole Thing” Off from Shall We Dance GERSHWIN An American in Paris LOS ANGELES PHILHARMONIC Thursday, September 29, 2016, at 8 PM Walt Disney Concert Hall Friday, September 30, 2016, at 8 PM Sunday, October 2, 2016, at 2 PM Adams @70 Gustavo Dudamel, conductor Yefim Bronfman, piano St. Lawrence String Quartet BEETHOVEN Coriolan Overture John ADAMS Absolute Jest (L.A. premiere) BEETHOVEN Piano Concerto No. 4 OCTOBER 2016 GREEN UMBRELLA Saturday, October 1, 2016, at 8 PM Walt Disney Concert Hall Green Umbrella: Noon to Midnight Location: Walt Disney Concert Hall Lobby Escalators Time: Day-long Nimbus Performance Installation by The Industry Concept and Direction by Yuval Sharon Music and Sound Design by Rand Steiger Visual Realization by Patrick Shearn Production Design by Ed Carlson and Danielle Kaufman Recorded performances by LA Phil musicians — Martin Chalifour, violin Robert DeMaine, cello Marion Arthur Kuszyk, oboe Boris Allakhverdyan, clarinet Andrew Bain, horn Thomas Hooten, trumpet Kicking off a three-year LA Phil residency for director Yuval Sharon, Nimbus is an installation that transforms a transitional space into a performance site. The installation acts as a timepiece for Walt Disney Concert Hall as Rand Steiger’s commissioned music changes over the course of the day, alternating between computer generated musical atmospheres and compositions built from material recorded by soloists from the Los Angeles Philharmonic. These pieces, spatially distributed over 32 speakers, alternate with periods of silence interrupted by brief related sounds triggered by motion sensors. Location: BP Hall Time: Noon and 5:15pm LA Phil Bass Quintet Christopher Hanulik, Brian Johnson, Oscar Meza, David Allen Moore, Peter Rofé Veronika KRAUSAS Porcupine for tent, quintet, bows and elbows by Ana PRVACKI (world premiere, LA Phil commission) --- Location: BP Hall Time: 12:45pm Los Angeles Percussion Quartet Matt Cook, Justin DeHart, Nick Terry, Cory Hills Joseph PEREIRA Mallet Quartet --- Location: Walt Disney Concert Hall Time: 1:00pm wild UP Christopher Rountree, conductor Compositions by National Composer’s Intensive Participants The second National Composers Intensive (NCI) is an offshoot of the Barry and Nancy Sanders Composer Fellowship Program, and offers young composers aged 18-30 the opportunity to gather in Los Angeles for an immersive multi-day workshop and have their works performed by the modern music collective wild UP. The NCI concludes with performances of some of the young composers’ works as part of Noon to Midnight on the stage of Walt Disney Concert Hall. --- Location: Keck Time: 1:00pm Piano Spheres MESSIAEN Catalogue d’Oiseaux --- Location: BP Hall Time: 2:15pm gnarwhallaby Brian Walsh, clarinets and saxophones Richard Valitutto, piano and keyboards Derek Stein, cello Matt Barbier, trombones and euphonium Michelle LOU Heart/Lung (world premiere, LA Phil commission) Ramón LAZKANO hatsik-1 GORECKI Muzyczka IV (concert puzonowy), Op. 28 --- Location: Walt Disney Concert Hall Time: 2:30pm St. Lawrence String Quartet Geoff Nuttall, violin Owen Dalby, violin Lesley Robertson, viola Christopher Costanza, cello Samuel ADAMS String Quartet in Five Movements John ADAMS Selections from John’s Book of Alleged Dances - Toot Nipple - Pavane: She’s So Fine - Stubble Crotchet - Alligator Escalator --- Location: BP Hall Time: 3:30pm wasteLAnd Nicholas Deyoe, conductor Stephanie Aston, soprano Matt Barbier, trombone Élise Roy, flute Ashley Walters, cello Scott Worthington, double bass Liza LIM Invisibility Erik ULMAN Tout Orgeuil… Nicholas DEYOE Finally, the cylindrical voids tapping along (world premiere, LA Phil commission) [text by Allison Carter] --- Location: Walt Disney Concert Hall Time: 4:00pm USC Percussion Ensemble Joseph Pereira, conductor Vicki Ray, Joanne Pearce Martin, Richard Valitutto, Aron Kallay, pianists Rolf WALLIN Stonewave ANTHEIL Ballet Mechanique (performed with the Kiesler restoration of the Léger film) --- Location: Walt Disney Concert Hall Time: 5:30pm Jacaranda Donald Crockett, conductor Mark Alan Hilt, conductor Grant Anderson, boy soprano Jeffrey Parola, organ “Trance Room” David LANG sleeper’s prayer (world premiere, LA Phil and Jacaranda co-commission) Hans ABRAHMSEN Schnee Steve REICH Eight Lines --- Location: BP Hall Time: 6:30pm Los Angeles Percussion Quartet Matt Cook, Justin DeHart, Nick Terry, Cory Hills Jeffrey HOLMES Ur (world premiere, LA Phil and LAPQ co- commission) Ellen REID Fear | Release Daniel BJARNASON Qui Tollis --- Location: Garden Time: 5:15pm and 6:45pm USC Percussion Ensemble John Luther ADAMS Qilyan --- Location: Walt Disney Concert Hall Time: 8:00pm LA Phil New Music Group John Adams, conductor Timo Andres, piano Marley Erickson, violin Andrew Moses, clarinet Kate Soper, soprano Andrew MOSES at a gray sky floating between the dirt (world premiere, LA Phil commission) Oscar COLOMINA I BOSCH Shpigl (U.S. premiere) Kate SOPER The Ultimate Poem Is Abstract (world premiere, LA Phil commission) Mario DIAZ DE LEON Lightmass (world premiere, LA Phil commission) Ingram MARSHALL Flow (world premiere, LA Phil commission) --- Location: BP Hall Time: 9:00pm-11:00pm Chris Kallmyer untitled work (crickets, gently amplified in an interior space.) --- Location: Walt Disney Concert Hall Time: 10:00pm wild UP Christopher Rountree, conductor Jennifer Koh, violin Richard Valitutto, piano Christopher ROUNTREE Word Language Honey (world premiere, LA Phil and wild Up co-commission) Andrew MCINTOSH Yelling Into the Wind (west coast premiere) Clara IANNOTTA Troglodyte Angels Clank By (world premiere) John ADAMS Scratchband --- Location: Corner of 1st and Grand Time: Immediately following wild Up performance Lucky Dragons (a collaboration between Luke Fischbeck and Sarah Rara) LUCKY DRAGONS every noun until any now (world premiere, LA Phil commission) CHAMBER MUSIC Tuesday, October 4, 2016, at 8 PM Walt Disney Concert Hall Ingrid Chun, violin Nathan Cole, violin Robert deMaine, cello David Garrett, cello Johnny Lee, violin Leticia Oaks Strong, viola Ben Ullery, viola All-Beethoven BEETHOVEN String Trio No. 1 in E-flat major, Op.3 BEETHOVEN String Quartet No. 12 in E-flat major, Op. 127 WORLD MUSIC Wednesday, October 5, 2016, at 8 PM Walt Disney Concert Hall From the Buena Vista Social Club Omara Portuondo 85 Tour Special guests Roberto Fonseca, Anat Cohen & Regina Carter In her Walt Disney Concert Hall debut, great Cuban diva Omara Portuondo celebrates her 85 years in a musical grand fiesta. The audience will hear the warm, sultry voice that has regaled fans with passion for over half a century, from elegant cabaret to the days with Orquesta Buena Vista Social Club, right up to the present. LOS ANGELES PHILHARMONIC Friday, October 7, 2016, at 8 PM Walt Disney Concert Hall Saturday, October 8, 2016, at 2 PM Sunday, October 9, 2016 at 2 PM Pablo Heras-Casado, conductor Javier Perianes, piano RAVEL Alborada del gracioso (except Friday) RAVEL Concerto in G STRAVINSKY The Firebird LOS ANGELES PHILHARMONIC Thursday, October 13, 2016, at 8 PM Walt Disney Concert Hall Friday, October 14, 2016, at 11 AM Saturday, October 15, 2016, at 8 PM Sunday, October 16, 2016 at 2 PM Gustavo Dudamel, conductor Joshua Bell, violin Matthias PINTSCHER towards Osiris (West Coast premiere) BRAHMS Violin Concerto STRAUSS Don Juan STRAUSS Till Eulenspiegel’s Merry Pranks COLBURN CELEBRITY RECITAL Tuesday, October 18, 2016, at 8 PM Walt Disney Concert Hall Emerson String Quartet Renée Fleming, soprano BRAHMS String Quartet in A minor, Op. 51, No. 2 WELLESZ Five Sonnets for soprano and string quartet BERG Lyric Suite LOS ANGELES PHILHARMONIC Thursday, October 20, 2016, at 8 PM Walt Disney Concert Hall Friday, October 21, 2016, at 8 PM Saturday, October 22, 2016, at 8 PM Sunday, October 23, 2016, at 2 PM Gustavo Dudamel, conductor MAHLER Symphony No. 9 COLBURN CELEBRITY RECITAL Wednesday, October 26, 2016, at 8 PM Walt Disney Concert Hall Hilary Hahn, violin Robert Levin, piano BACH Sonata No. 6 in G Major for Violin and Piano, BWV. 1019 MOZART Violin Sonata in E-flat Major for Violin and Piano, K. 481 Antón García ABRIL Solo Partita No. 4 for Violin Hans Peter TÜRK Träume SCHUBERT Rondo in B Minor for Violin and Piano, D. 895 LOS ANGELES PHILHARMONIC Friday, October 28, 2016, at 8 PM Walt Disney Concert Hall Gustavo Dudamel, conductor Andrew NORMAN Play TCHAIKOVSKY Symphony No. 4 HALLOWEEN ORGAN CONCERT Saturday, October 31, 2016, at 8 PM Walt Disney Concert Hall (Special Non-subscription event) Horror in the Hall: Halloween Organ With Film The Cabinet of Dr. Caligari Clark Wilson, organ Print and license provided by Kino Lorber Restoration Friedrich Wilhelm Muranu-Stiftung LOS ANGELES PHILHARMONIC October 31 through November 4, 2016 -ON TOUR- Dudamel and the LA Phil bring two different programs to San Francisco, Davis and Seattle. NOVEMBER 2016 SONGBOOK Saturday, November 5, 2016, at 8 PM Walt Disney Concert Hall An Evening with Joan Baez LA Phil’s Songbook series offers an intimate evening with legendary folk singer Joan Baez. A musical force of nature of incalculable influence, Baez marched on the front line of the civil rights movement with Martin Luther King, Jr., inspired Václav Havel in his fight for a Czech Republic, then 40 years later saluted the Dixie Chicks for protesting the Iraq war. Her earliest recordings fed traditional ballads into the rock vernacular before she introduced Bob Dylan to the world in 1963.
Recommended publications
  • Efnisyfirlit
    Efnisyfirlit SKIPULAGSSKRÁ .............................................................................................................................................. 3 STJÓRN OG STARFSLIÐ .................................................................................................................................. 6 SKÓLANEFND ...................................................................................................................................................... 6 SKÓLASTJÓRI ...................................................................................................................................................... 6 YFIRKENNARI ..................................................................................................................................................... 6 ÁFANGASTJÓRI ................................................................................................................................................... 6 FJARNÁMSSTJÓRI ................................................................................................................................................ 6 VERKEFNASTJÓRAR ............................................................................................................................................ 6 DEILDARSTJÓRAR ............................................................................................................................................... 6 KENNARAR ........................................................................................................................................................
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Volcanic Action and the Geosocial in Sigur Rós's “Brennisteinn”
    Journal of Aesthetics & Culture ISSN: (Print) 2000-4214 (Online) Journal homepage: https://www.tandfonline.com/loi/zjac20 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold To cite this article: Tore Størvold (2020) Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”, Journal of Aesthetics & Culture, 12:1, 1761060, DOI: 10.1080/20004214.2020.1761060 To link to this article: https://doi.org/10.1080/20004214.2020.1761060 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 04 May 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=zjac20 JOURNAL OF AESTHETICS & CULTURE 2020, VOL. 12, 1761060 https://doi.org/10.1080/20004214.2020.1761060 Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn” Tore Størvold Department of Musicology, University of Oslo, Oslo, Norway ABSTRACT KEYWORDS This article presents a musicological and ecocritical close reading of the song “Brennisteinn” Sigur Rós; anthropocene; (“sulphur” or, literally, “burning rock”) by the acclaimed post-rock band Sigur Rós. The song— ecomusicology; ecocriticism; and its accompanying music video—features musical, lyrical, and audiovisual means of popular music; Iceland registering the turbulence of living in volcanic landscapes. My analysis of Sigur Rós’s music opens up a window into an Icelandic cultural history of inhabiting a risky Earth, a condition captured by anthropologist Gísli Pálsson’s concept of geosociality, which emerged from his ethnography in communities living with volcanoes.
    [Show full text]
  • Island Holiday Livestream Performance Sunday, December 20, 2020, 3Pm Island Holiday Sunday, December 20, 2020 | Youtube Live
    2020 VIRTUAL PERFORMANCE ISLAND HOLIDAY LIVESTREAM PERFORMANCE SUNDAY, DECEMBER 20, 2020, 3PM ISLAND HOLIDAY SUNDAY, DECEMBER 20, 2020 | YOUTUBE LIVE with Special Guests Kronos Quartet David Harrington, violin John Sherba, violin Hank Dutt, viola Sunny Yang, cello Kronos Quartet appears courtesy of Kronos Performing Arts Association Sean San José, stage director Joan Osato, video designer Florante Aguilar, ukulele and guitar Robert Huw Morgan, organ The Smithsonian National Museum of Natural History Sirkhane Social Circus School, Turkey 2 PROGRAM CHORUS SCHOOL LEVEL II Monica Covitt, director; Astghik Sakanyan, piano Addison Li, Madison Chow, Giovanna Barroso, soloists ¡Ay, Mi Palomita! (Oh! My Little Dove) Traditional Lullaby from the Dominican Republic and other Latin American Countries arr. Juan Tony Guzmán CHORUS SCHOOL LEVEL IV Anne Hege, director; Level IV Sectional Leaders, body percussion Son de Camaguey Cuban folk song, arr. with additional music by Stephen Hatfield CHORUS SCHOOL TRAINING CHORUS, in collaboration with BAYVIEW OPERA HOUSE Othello Jefferson, Christopher Street, directors Othello Jefferson, piano Bassez Down (Dance Low Down) West Indian Folk Song, arr. Othello Jefferson CHORUS SCHOOL PREP CHORUS, in collaboration with BAYVIEW OPERA HOUSE Christopher Street, director Three Little Birds Bob Marley, arr. Christopher Street PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Seven Principles Bernice Johnson Reagon 3 CHORUS SCHOOL LEVEL III Terry Alvord, director; Angela Rey, piano Selections from Cinq Chansons Folkloriques d’Haiti arr. Electo Silva Feill’ oh Dodo Titit PREMIER ENSEMBLE Valérie Sainte-Agathe, Artistic Director Chesley Mok, piano; Maggie Lu, flute Mi Zeh Hidlik Yiddish Traditional, arr. Elliot Z. Levine Deck the Hall Traditional Welsh Carol, arr.
    [Show full text]
  • Los Angeles Master Chorale Celebrates the 20Th Anniversary Of
    PRESS RELEASE Media Contact: Jennifer Scott [email protected] | 213-972-3142 LOS ANGELES MASTER CHORALE CELEBRATES 20TH ANNIVERSARY OF LUX AETERNA BY MORTEN LAURIDSEN & SHOWCASES LOS ANGELES COMPOSERS WITH CONCERTS & GALA JUNE 17-22 Clockwise, l-r: Composers Eric Whitacre, Morten Lauridsen, Shawn Kirchner, Moira Smiley, Billy Childs, & Esa-Pekka Salonen. Concerts include world premieres by Billy Childs and Moira Smiley, a West Coast premiere by Eric Whitacre, and works by Shawn Kirchner and Esa-Pekka Salonen 1 3 5 N O R T H G R A N D AV E N U E , LO S A N G E L E S , C A L I F O R N I A 9 0 0 1 2 - -- 3 0 1 3 2 1 3 - 9 7 2 - 3 1 2 2 | L A M A ST E R C H O R A L E . O R G LUX AETERNA 20TH ANNIVERSARY, PAGE 2 First performances of Lux Aeterna with full orchestra in Walt Disney Concert Hall, conducted by Grant Gershon Gala to honor Morten Lauridsen on Sunday, June 18 Saturday, June 17 – 2 PM Matinee Concert Sunday, June 18 – 6 PM Concert, Gala, & Lux Onstage Party Thursday, June 22 – 8 PM “Choir Night” Concert & Group Sing CONCERT TICKETS START AT $29 LAMASTERCHORALE.ORG | 213-972-7282 (Los Angeles, CA) May 31, 2017 – The Los Angeles Master Chorale brings works by six Los Angeles composers together on a concert program celebrating the 20th anniversary of Morten Lauridsen’s choral masterwork Lux Aeterna June 17-22 in Walt Disney Concert Hall.
    [Show full text]
  • Amiina Puzzle Mp3, Flac, Wma
    amiina Puzzle mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Puzzle Country: Iceland Released: 2010 Style: Post Rock, Experimental MP3 version RAR size: 1913 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 195 Other Formats: RA WAV DMF AU MP2 AHX APE Tracklist Hide Credits Ásinn 1 5:31 Bass – Kjartan Sveinsson 2 Over And Again 3:39 What Are We Waiting For? 3 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 5:26 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir 4 Púsl 6:13 In The Sun 5 4:16 Double Bass – Borgar Magnason 6 Mambó 4:56 Sicsak 7 Bass – Kjartan SveinssonCello – Kristín LárusdóttirDouble Bass – Borgar MagnasonViola – 6:51 Guðrún Hrund HarðardóttirViolin – Bjarni Frímann Bjarnason, Ingrid Karlsdóttir Thoka 8 Vocals [Additional] – Bryndís Nielsen, Inga Harðardóttir, Jóhann Ágúst Jóhannsson, Kjartan 3:55 Sveinsson, Sigtryggur Baldursson* Companies, etc. Recorded At – Sundlaugin Studio Recorded At – Grundarstíg Recorded At – Brekkustíg Recorded At – Granda Mixed At – Sundlaugin Studio Mastered At – Sterling Sound Credits Layout, Design – Sólrún Sumarliðadóttir Mastered By – Greg Calbi Mixed By – Birgir Jón Birgisson, amiina Music By, Performer – amiina Photography By [Photographs] – Lilja Birgisdóttir Notes Recorded in Sundlaugin, Grundarstíg, Brekkustíg, Granda and JL. Mixed in Sundlaugin Studio. Mastered at Sterling Sound, NYC. Digipak packaging The catalog# only appears on the CD matrix and sticker Track 4 was called "Þristurinn", track 7 "Tvisturinn" on their self-released record "Re Minore" Barcode and Other Identifiers Matrix / Runout: AMIINA5 *040415 Barcode (on sticker): 5 690351 110722 Other versions Category Artist Title (Format) Label Category Country Year Sound Of A shake 011, Puzzle (LP, shake 011, Amiina Handshake, Sound Of Germany 2011 SHAKE 011 Album) SHAKE 011 A Handshake Puzzle (CD, amiina5 amiina Amínamúsík Ehf.
    [Show full text]
  • Beethoven, Bagels & Banter
    Beethoven, Bagels & Banter SUN / OCT 21 / 11:00 AM Michele Zukovsky Robert deMaine CLARINET CELLO Robert Davidovici Kevin Fitz-Gerald VIOLIN PIANO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Ludwig van Beethoven (1770-1827) Trio in B-flat major, Op. 11 I. Allegro con brio II. Adagio III. Tema: Pria ch’io l’impegno. Allegretto Olivier Messiaen (1908-1992) Quartet for the End of Time (1941) I. Liturgie de cristal (“Crystal liturgy”) II. Vocalise, pour l'Ange qui annonce la fin du Temps (“Vocalise, for the Angel who announces the end of time”) III. Abîme des oiseau (“Abyss of birds”) IV. Intermède (“Interlude”) V. Louange à l'Éternité de Jésus (“Praise to the eternity of Jesus”) VI. Danse de la fureur, pour les sept trompettes (“Dance of fury, for the seven trumpets”) VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps (“Tangle of rainbows, for the Angel who announces the end of time) VIII. Louange à l'Immortalité de Jésus (“Praise to the immortality of Jesus”) This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 20 ABOUT THE ARTISTS MICHELE ZUKOVSKY, clarinet, is an also produced recordings of several the Australian National University. American clarinetist and longest live performances by Zukovsky, The Montréal La Presse said that, serving member of the Los Angeles including the aforementioned Williams “Robert Davidovici is a born violinist Philharmonic Orchestra, serving Clarinet Concerto. Alongside her in the most complete sense of from 1961 at the age of 18 until her busy performing schedule, Zukovsky the word.” In October 2013, he retirement on December 20, 2015.
    [Show full text]
  • EAS 23 July 2020 Program.Pdf
    Green Mountain Online Emerging Artists Series Thursday, July 23, 2020 7:30 pm EDT GMCMF Emerging Artists YouTube Channel Suite No. 5 in C minor, BWV 1011 Johann Sebastian Bach Prelude (1685-1750) Todd Humphrey, cello Suite No. 5 in C minor, BWV 1010 Johann Sebastian Bach Allemande Courante Matthew Wiest, cello Sonata No. 2 in A minor, BWV 1003 Johann Sebasitan Bach Grave Luciano Marsalli, violin Caprice in C minor, Op. 1, no. 4 Niccolò Paganini (1782-1840) Simon Ho Yin Cheng, violin Caprice in A minor, Op. 1, no. 5 Niccolò Paganini Abigail Yoon, violin Capricen B flat major, Op. 1, no. 13 Niccolò Paganini Jessie Zimmermann, violin Introduction and Allegro, Op. 44 Miklós Rózsa (1907-1995) Ashley Park, viola Suite No. 1 in G minor, Op. 131d Max Reger Molto sostenuto (1873-1916) Vivace Andante sostenuto Molto vivace Colin Henley, viola Sonata, Op. 27, No. 5 Eugène Ysaÿe L'Aurore (1858-1931) ​ Danse rustique Maitreyi Muralidharan, violin Piano Sonata No. 2 in D minor, Op. 14 Sergei Prokofiev Allegro, ma non troppo (1891-1953) Sofia Marina, piano Fantasiestücke, Op. 12 Robert Schumann In der Nacht (1810-1856) Fabel Traumes Wirren Ende vom Lied Ellie Taylor, piano Todd Humphrey, 22, is from Atlanta, Georgia. He completed his undergraduate degree at Florida State University ​ where he studied with Greg Sauer. At Florida State, Todd served as principal cellist of the University Philharmonia Orchestra and was cellist of the Lux String Quartet. This ensemble was known for its heartfelt and engaging performances along with its numerous community outreach events. Currently Todd is completing his masters at Miami University of Ohio where he studies with Sarah Kim.
    [Show full text]
  • The Sound of Ruins: Sigur Rós' Heima and the Post
    CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima.
    [Show full text]
  • The Following Great Artists Have Taught
    The following great artists have performed, taught, and/or studied at Hidden Valley Ansel Adams Rod Gilfry Pepe Romero Photographer Baritone Guitarist Sir Thomas Allen Philip Glass Jenny Penny Baritone Composer/Pianist Principal Dancer, The Royal Ballet Julius Baker Thomas Hampson Claudette Peterson Principal Flute, New York Philharmonic Baritone Soprano Samuel Barber Gary Hines Cindy Phelps Composer Conductor, Sounds of Blackness Principal Violist, New York Philharmonic Jeanne Baxtresser Sue Hinshaw Gregor Piatigorsky Principal Flute, New York Philharmonic Soprano Cellist Randall Behr Henry Holt Paul Polivnik Conductor/Pianist Conductor Conductor Martin Bernheimer Reg Huston Margarite Porter Music Critic Bass-Baritone Principal Dancer, The Royal Ballet Roger Cantrell Eugene Izotov Jean-Pierre Rampal Conductor Principal Oboist, San Francisco Symphony Flutist Colin Carr James Jarrett Stewart Robertson Celloist Author/Aesthetist Conductor Richard Cassilly Graham Johnson Joe Robinson Tenor Pianist Principal Oboe, New York Philharmonic David Conte Emil Khudyev Neil Rosenshein Composer Associate Principal Clarinet, Seattle Sym- Tenor Ronald Cunningham phony Ali Ryerson Choreographer, The Boston Ballet Farkhad Khudyev Jazz Flutist Robert Darling Conductor,/Violinist Charles Schleuter Designer/Director Mark Kosower Principal Trumpet, Boston Symphony Or- Leonard Davis Principal Cello, The Cleveland Orchestra chestra Principal Violist, New York Philharmonic Louis Lebherz Elisabeth Schwarzkopf Warren Deck Bass Soprano Principal Tuba, New York Philharmonic
    [Show full text]
  • Inbal Segev, Cynthia Koledo Dealmeida
    WWW.ALBANYRECORDS.COM TROY1583 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. Pictured from left to right: Inbal Segev, Cynthia Koledo BOX 137, KENDAL, CUMBRIA LA8 0XD DeAlmeida, Lucas Richman and Jeffrey Biegel. TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA Cover photo by Brian Hinrichs. WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Back cover photo by Michael Sahaida. IN TRUTH IN TROY1583 Pittsburgh Symphony Orchestra Lucas Richman, conductor LUCAS RICHMAN Recorded Live in Concert Concerto for Piano and Orchestra: In Truth 1. To One’s Self [9:07] 2. To One’s World [6:45] 3. To One’s Spirit [12:04] Jeffrey Biegel, piano 4. Concerto for Oboe and Orchestra: The Clearing [17:03] Cynthia Koledo DeAlmeida, oboe Three Pieces for Cello and Orchestra 5. Declaration [6:00] 6. Prayer [5:56] 7. Freylach [5:58] Inbal Segev, cello LUCAS RICHMAN Total Time: [61:73] WWW.ALBANYRECORDS.COM ALBANY RECORDS U.S. TROY1583 TROY1583 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 IN TRUTH IN © 2015 ALBANY RECORDS MADE IN THE USA WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. CELLO HORN Concerto for Piano and Orchestra: In Truth to Him in truth.” With introspection, the piano then Anne Martindale Williams William Caballero by Lucas Richman declaims the “truth” motif in a harmonization that lifts David Premo Robert Lauver gradually higher and higher, eventually coming back Mikhail Istomin Mark Houghton Lucas Richman’s Concerto for Piano and Orchestra: In full circle to a proper balance between the outer self Michael DeBruyn Joseph Rounds Truth reflects upon truths perceived, truths accepted and the inner spirit.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]