Charlotte Maier

Total Page:16

File Type:pdf, Size:1020Kb

Charlotte Maier Charlotte Maier AEA, SAG/AFTRA BROADWAY/NATIONAL TOUR THE CHILDREN Hazel, Rose - SB Samuel J. Friedman Theatre James McDonald THE CURIOUS INCIDENT OF THE DOG IN THE Mrs. Shears, Mrs. Gascoyne National Tour Marianne Elliott NIGHT-TIME OUR MOTHER'S BRIEF AFFAIR Anna - SB Samuel J. Friedman Theatre Lynne Meadow ACT ONE Phyllis, Aline MacMahon, May Lincoln Center Theater James Lapine THE COLUMNIST Susan Mary Alsop - SB Manhattan Theatre Club Daniel Sullivan MRS WARREN'S PROFESSION Mrs. Kitty Warren - SB Roundabout Theatre Doug Hughes GOD OF CARNAGE Veronica, Annette - SB Lincoln Center Theater Matthew Warchus INHERIT THE WIND Mrs. Krebs, Townsperson Lyceum Theatre Doug Hughes LOSING LOUIE Sheila Ellis, Elizabeth Ellis Manhattan Theatre Club Jerry Zaks A NAKED GIRL ON THE APPIAN WAY Bess Lapin, Elaine - SB Roundabout Theater Doug Hughes BROOKLYN BOY Nina Weiss, Melanie Fine Manhattan Theatre Club Daniel Sullivan LIFE X 3 Inez, Sonia - SB Circle in the Square Matthew Warchus DINNER AT EIGHT Hattie Loomis, L. Talbot Lincoln Center Theater Gerald Gutierrez A DELICATE BALANCE Julia - SB Lincoln Center Theater Gerald Gutierrez PICNIC Christine / Rosemary Roundabout Theatre Scott Ellis ABE LINCOLN IN ILLINOIS Aggie Gale, Mary Todd Lincoln Center Theater Gerald Gutierrez ARSENIC AND OLD LACE Elaine Harper Richard Rogers/National Brian Murray OFF-BROADWAY BY THE WATER Andrea Carter Manhattan Theatre Club Hal Brooks WITNESSED BY THE WORLD Joan Ross 59E59 Theatre Karen Carpenter THE MADRID Rose Manhattan Theatre Club Leigh Silverman YOU SHOULD BE SO LUCKY Lenore, Wanda Wang Westside Arts Kenneth Elliot THE LAST GIRL SINGER Performer Kampo Cultural Arts Charles Maryan THE LAST YANKEE Patient MTC/Spoleto John Tillinger BALM IN GILEAD Judy Circle Rep/Minetta Lane John Malkovich FILM THINGS HEARD AND SEEN Supporting Netflix Robert Pulcini, Shari S. Berman CUSTODY Supporting Independent Feature James Lapine MUSIC AND LYRICS BY… Supporting Castle Rock Marc Lawrence THE PINK PANTHER Supporting Metro Goldwyn Mayer Shawn Levy TWO WEEKS NOTICE Supporting Castle Rock Marc Lawrence TELEVISION THE GOOD FIGHT Guest Star CBS All Access Fred Toye ELEMENTARY Guest Star CBS Guy Ferland PERSON OF INTEREST Guest Star CBS Chris Fisher BOARDWALK EMPIRE Guest Star HBO Various LAW & ORDER: SPECIAL VICTIMS' UNIT Guest Star NBC Stephen Wertimer REGIONAL THEATRE NATIVE GARDENS Cleveland Playhouse Robert Barry Fleming QUEENS FOR A YEAR Hartford Stage Lucie Tiberghien OUT OF THE CITY Merrimack Rep Christian Parker SUDDENLY LAST SUMMER Westport Playhouse David Kennedy NIGHT OF THE IGUANA Berkshire Theatre Festival Anders Cato THE FATHER Berkshire Theatre Festival Anders Cato BOOK OF NIGHT Goodman Theater Robert Falls A CHRISTMAS CAROL McCarter Theater Scott Ellis MISS JULIE Portland Stage Co. Richard Hamburger BREAKING THE SILENCE Portland Stage Co. Richard Hamburger THE COCKTAIL HOUR Players Th. Of Columbus Rick Davis THE RAINMAKER American Stage Festival Chuck Morrey THE CHERRY ORCHARD Portland Stage Co. Barbara Rosoff Page 1 of 2 HOLIDAY Portland Stage Co. Barbara Rosoff TRUE WEST Steppenwolf Theater Gary Sinise SAVAGES Steppenwolf Theater John Malkovich JESSE AND THE BANDIT QUEEN South Jersey Regional Jennifer McCray YOU NEVER CAN TELL Court Theater Nicholas Rudall THE SEAGULL Court Theater Nicholas Rudall THE ENTERTAINER Court Theater Nicholas Rudall A MIDSUMMER NIGHT'S DREAM Court Theater Nicholas Rudall REAL LIFE STORY OF JOHNNY DEFACTO 11th St. Theater Kyle Donnelly WORKSHOPS AND READINGS ROBERTA IN ISRAEL 1949 Roberta Brynn Wasserman THE EXQUISITE CORPSE Solbi 4 Ken Prestininzi BREAKFAST AT TIFFANY'S Lead Sean Mathias Page 2 of 2 .
Recommended publications
  • Winter Edition VOLUME 6 ISSUE 3
    Mise en Scéne Winter Edition VOLUME 6 ISSUE 3 CSUEB Spellers take the stage in Inside this Issue "The 25th Annual Putnam County Spelling Bee" Director, Marc Jacobs, shares his thoughts on this musical comedy Upcoming Shows 2 My first encounter with "The 25th Annual Putnam County Spelling Bee" was with the Post Street Theatre in San Francisco, 10 years ago. This was the first Our Students 3 production after the original Broadway cast, and I had several friends in the show, which was cast locally. One of the cast members was James Monroe Checking In 4 Iglehart (CSUEB Graduate) who had been in previous musicals I had directed in San Jose. James has since gone on to win the Tony Award as the Genie in Disney’s Broadway production of "Aladdin." James was playing 'Comfort Guest Artists 5 Counselor' Mitch Mahoney in "Spelling Bee," and his performance was so perfect that the producers decided to model every subsequent 'Mitch' on James’ performance. Another friend in the show was Aaron Albano, who had Featured Faculty 7 started out as one of the teenagers in my production of The Music Man that I directed in San Jose, and has since gone on to appear on Broadway in The Wiz, Newsies, and currently in Allegiance. The San Francisco company of Information 9 "Spelling Bee" was so successful, that the producers ultimately used those actors to replace the Broadway company once the original actors were ready to leave the show. One of those original actors, Sarah Salzburg ‒ the original “Schwarzy” in ‘Spelling Bee - was the daughter of a good friend of mine.
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Samantha Saltzman Resume
    3569 Broadway, Apt 4E, New York, NY 10031 - (781) 354-0402 - [email protected] www.samanthasaltzman.com Broadway/Off-Broadway/Touring The King & I Directed by Shelley Butler 2nd National Tour Assistant Director Based on original direction by Bartlett Sher • Participated in character conversations with new principals and taught blocking in preparation for rehearsals with the director • Assisted in the recreation of original staging and dramaturgy from prompt book and documentation • Coached child actors on acting intention, review of blocking, and accent reinforcement • Trained understudies and stand-by principals and ran their rehearsals and put-ins • Sent out at regular intervals to check on and maintain the production and performances Lady in the Dark Directed by Ted Sperling New York City Center Associate Director • Oversaw and advised on Tech process and implementation, including scheduling and prioritizing creative needs in limited time frame • Responsible for taking and distributing notes to creative team and actors • Advised script adaptation and oversaw collation and implementation of changes Matilda the Musical Directed by Matthew Warchus 1st National Tour Resident Director • Traveled with the show for six months • Trained over 40 understudies and new cast members and ran rehearsals and put-ins for new cast • Regularly maintained child cast with notes and brush up rehearsals • Responsible for show coverage, including Matildas’ pre-show warm-ups and delivery of notes between shows and in rehearsals to full company Assistant
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • Jason Babinsky
    Jason Babinsky TELEVISION The Good Wife (recurring) CBS Various Unbreakable Kimmy Schmidt (2 episodes) Netflix Tristram Shapeero The Knick Cinemax Steven Soderbergh Blue Bloods CBS Alex Chapple House of Cards Netflix Carl Franklin Person of Interest CBS Stephen Surjik Unforgettable A&E Kate Woods American Odyssey NBC Jon Jones Forever ABC Brad Anderson Halal in the Family Webseries Miles Kahn The Daily Show Comedy Central Miles Kahn FILM A Cure For Wellness 20th Century Fox Gore Verbinski The Wizard of Lies HBO Films Barry Levinson Contagion Warner Bros. Pictures Steven Soderbergh You Don't Know Jack HBO Films Barry Levinson Law-Abiding Citizen Overture Films F. Gary Gary BROADWAY Ghost The Musical Lunt-Fontanne Theatre Matthew Warchus, Chor. Ashley Wallen Billy Elliot Imperial Theatre (Fight Captain) Stephen Daldry, Chor. Peter Darling THEATRE Five Mile Lake McCarter Theatre Emily Mann A Man's A Man Classic Stage Company Brian Kulick Caucasian Chalk Circle Classic Stage Company Brian Kulick North of the Boulevard Contemporary American Theatre Festival Ed Herendeen One Night Contemporary American Theatre Festival Ed Herendeen Stockholm - American premiere Stageworks Hudson Laura Margolis Billy Elliot - First National Tour Ford Center/Oriental Theatre, Chicago Stephen Daldry, Chor. Peter Darling BOMB-itty of Errors Rep. Theatre St. Louis / Adirondack Nick Corley Theatre Fest. Kevin Klein award for Outstanding Lead Actor in a Play BOMB-itty of Errors Syracuse Stage Andy Goldberg A Funny Thing Happened on the Way to the Forum Goodspeed Musicals Ted Pappas The Full Monty Paper Mill Playhouse Mark Hoebee, Denis Jones She Loves Me Williamstown Theatre Fest. / Huntington Nicholas Martin, Denis Jones Doctor Dolittle - First National Tour Pittsburgh CLO / Nederlander / Columbia Glenn Casale, Rob Ashford Artists Seven Brides for Seven Brothers - Co Production TUTS / Paper Mill / NSMT / TOTS Scott Schwartz, Chor.
    [Show full text]
  • CENTER REPERTORY COMPANY by Mark St. Germain
    OUR SPONSORS ABOUT CENTER REPERTORY COMPANY Chevron (Season Sponsor) has been the Center REP is the resident, professional JOIN CENTER REP IN leading corporate sponsor of Center REP theatre company of the Lesher Center for the CENTER REPERTORY COMPANY and the Lesher Center for the Arts for the Arts. Our season consists of six productions DECEMBER FOR Michael Butler, Artistic Director Scott Denison, Managing Director past twelve years. In fact, Chevron has been a year – a variety of musicals, dramas and a partner of the LCA since the beginning, comedies, both classic and contemporary, A CHRISTMAS CAROL providing funding for capital improvements, that continually strive to reach new levels of event sponsorships and more. Chevron artistic excellence and professional standards.. generously supports every Center REP show “THE Christmas Carol to see in the Bay Area.” throughout the season, and is the primary Our mission is to celebrate the power of the -Contra Costa Times sponsor for events including the Chevron human imagination by producing emotionally Family Theatre Festival in July. Chevron engaging, intellectually involving, and visually Dancing has proven itself not just as a generous astonishing live theatre, and through Outreach supporter, but also a valued friend of the arts. and Education programs, to enrich and advance the cultural life of the communities Diablo Regional Arts Association (DRAA) we serve. (Season Partner) is both the primary essons fundraising organization of the Lesher What does it mean to be a producing L Center for the Arts (LCA) and the City of theatre? We hire the finest professional Walnut Creek’s appointed curator for the directors, actors and designers to create our LCA’s audience outreach.
    [Show full text]
  • Annual Review 2011- 2012
    ANNUAL REVIEW2012 2012 was a phenomenal year for the Globe In an Olympic year packed with events throughout the capital, Globe to Globe, our contribution to the London 2012 Festival and the Cultural Olympiad, distinguished itself by its sheer scale, variety and creative ambition. It brought a huge new audience to the theatre and created a wonderfully festive multilingual showcase for Shakespeare, the Globe and London. The festival was recognised in January 2013 with a rare special award from the Critics’ Circle. Our main theatre season, which marked the triumphant return of Mark Rylance and of Original Practices to the Globe, garnered awards and achieved excellent attendance figures. But this was a big season for artistic activity beyond Bankside too, with two West End transfers, a much more extensive touring programme and international premieres of our productions on screen. All this earned us the ‘London Theatre of the Year’ award from The Stage. We are pleased to report that these achievements did nothing to compromise our educational and other activities. This was another ambitious year of teaching and public events and of developments in print and digital publishing. 2012 also brought enhancements to our exhibition and tour and saw the steady WELCOME! expansion of our retail, catering and hospitality operations. But perhaps most excitingly of all, following decades of planning and a period of intense fundraising, work began on the construction of our indoor theatre, now named the Sam Wanamaker Playhouse. All this was achieved without government funding and in a climate of financial austerity. ‘ The Globe to Globe season was a one-off, once-in-a- lifetime event that changed the cultural landscape of globe to globe London theatreland in every sense for six weeks last summer.
    [Show full text]
  • Before-The-Act-Programme.Pdf
    Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an­ contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make­ C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa­ cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu­ The money raised by Before The Act will go into ality by local authorities.
    [Show full text]
  • Ahmanson Theatre
    AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    AUGUST 2016 WELCOME Welcome to the funny, unexpected, and delightfully off-kilter world of Meteor Shower. With this world premiere production, we’re thrilled to continue our ongoing relationship with the brilliant artist Steve Martin. The Globe’s production of Bright Star, Steve and Edie Brickell’s new musical that premiered here in 2014, transferred to Broadway earlier this year, where it was nominated for an impressive five Tony Awards, including Best Musical. Next season, the Globe will mount a major revival of Steve’s 1993 play Picasso at the Lapin Agile. We’re glad Steve has found a new artistic home here in San Diego. The Globe is an especially fitting place to premiere Meteor Shower because it is a DOUGLAS GATES California story. Set in Ojai in the 1990s, Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. the play examines a specific moment in the life of our state. It’s a theatrical snapshot of the mores and (kooky) ways of society in Southern California, and though it’s set in the past, it’s eminently recognizable to Californians today. It’s also a pleasure to welcome yet another artistic director of a major regional theatre here at the Globe. Gordon Edelstein is the Artistic Director of Long Wharf Theatre in Connecticut, the great company we’re partnering with to co-produce this show, and the fifth artistic director to helm a show at the Globe this year. And because we know you’re wondering: no, Gordon and Barry are not related, except in their devotion to the wonders of theatre.
    [Show full text]