Chicago Symphony Orchestra Riccardo Muti Zell Music Director Y H P a R G O T O H P

Total Page:16

File Type:pdf, Size:1020Kb

Chicago Symphony Orchestra Riccardo Muti Zell Music Director Y H P a R G O T O H P ChiCago Symphony orCheStra riCCardo muti zell muSiC direCtor y h p a r g o t o h P g r e b n e s o R d d o T OCTOBER 13 @15, 2017 ZELLERBACH HALL, UC BERKELEY FALL 2017 ORCHESTRA RESIDENCY ABOUT THE ARTISTS Salzburg mozarteum and the golden Johann Strauss award by the Johann Strauss Society of Vienna. he is also an honorary member of Vienna’s gesellschaft der musikfreunde, the Vienna hofmusikkapelle, the Vienna philhar - monic, and the Vienna State opera. in addition to his distinguished appoint - ments as music director, muti has received innumerable international honors. he is a Cavaliere di gran Croce of the italian republic, officer of the French legion of honor, and a recipient of the german Verdienstkreuz. Queen elizabeth ii bestowed on him the title of hon - y h orary Knight Commander of the British em - p a r g pire, russian president Vladimir putin awarded o t o h P him the order of Friendship, and pope Bene - g r e dict XVi made him a Knight of the grand b n e s Cross First Class of the order of Saint gregory o R d d the great—the highest papal honor. muti also o T has received israel’s Wolf prize for the arts, Riccardo Muti Sweden’s prestigious Birgit nilsson prize, Spain’s Born in naples, italy, riccardo muti is one of prince of asturias award for the arts, Japan’s the preeminent conductors of our day. in 2010, order of the rising Sun gold and Silver when he became the 10th music director of the Star decoration, and the gold medal from italy’s Chicago Symphony orchestra (CSo), he had ministry of Foreign affairs as well as the more than 40 years of experience at the helm of prestigious “presidente della repubblica” award maggio musicale Fiorentino (1968–1980), the from the italian government. he has received philharmonia orchestra (1973–1982), the phil - more than 20 honorary degrees from universi - a delphia orchestra (1980–1992), and teatro ties around the world. alla Scala (1986–2005). passionate about teaching young musicians, muti studied piano under Vincenzo Vitale muti founded the luigi Cherubini youth orch - at the Conservatory of San pietro a majella in estra in 2004 and the riccardo muti italian naples and subsequently received a diploma opera academy in 2015 to pass on the italian in composition and conducting from the opera tradition to young conductors and répéti - giu seppe Verdi Conservatory in milan. his teurs. through le vie dell’amicizia, a project of principal teachers were Bruno Bettinelli and the ravenna Festival in italy, he has conducted antonino Votto, principal assistant to arturo in many of the world’s most troubled areas toscanini at la Scala. after he won the guido in order to bring attention to and advocate for Cantelli Conducting Competition in milan in civic and social issues. 1967, muti’s career developed quickly. riccardo muti’s vast catalog of recordings, herbert von Karajan invited him to conduct numbering in the hundreds, ranges from the at the Salzburg Festival in austria in 1971, and traditional symphonic and operatic repertoires muti has maintained a close relationship with to contemporary works. he also has written two the summer festival and with its great orchestra, books, Verdi, l’italiano and Riccardo Muti: An the Vienna philharmonic, for more than 45 Autobiography: First the Music, Then the Words , years. he has received the distinguished golden both of which have been published in several ring from the philharmonic and been recog - languages. nized with the otto nicolai gold medal. he also is a recipient of a silver medal from the www.riccardomutimusic.com 15b PLAYBILL ABOUT THE ARTISTS y h p a r g o t o h P g r e b n e s o R d d o T he Chicago Symphony Orchestra (CSo) ravinia Festival. the CSo also tours nationally is consistently hailed as one of the great - and internationally. Since its first tour to test orchestras in the world. its music Canada in 1892, the orchestra has performed director since 2010 is riccardo muti, one of in 29 countries on five continents during 60 the preeminent conductors of our day. Founded international tours. in 1891 by its first music director, theodore Since 1916, recording has been significant in thomas, the CSo’s other illustrious music di - establishing the orchestra’s international repu - rectors include Frederick Stock, désiré defauw, tation, with recordings by the CSo earning a artur rodzinski, rafael Kubelík, Fritz reiner, total of 62 grammy awards from the national Jean martinon, Sir georg Solti, and daniel academy of recording arts and Sciences. Barenboim. From 2006 to 2010, Bernard in 2007 the CSo launched an independent haitink served as principal conductor, the first label, CSo resound. the 2010 release of Verdi’s in CSo history. pierre Boulez was appointed Messa da Requiem was recognized with two principal guest conductor in 1995 and then grammy awards. listeners and fans around the named helen regenstein Conductor emeritus world can hear the CSo in weekly airings of in 2006, a position he held until his death in the CSo radio Broadcast Series, which is syn - January 2016. Celebrated cellist yo-yo ma was dicated on the WFmt radio network and on - appointed the CSo’s Judson and Joyce green line at CSo.org/radio. in addition, the CSo’s Creative Consultant in 2010. Samuel adams youtube video of Beethoven’s Symphony no. 9, and elizabeth ogonek were appointed the conducted by muti, has received over seven CSo’s mead Composers-in-residence in 2015. million views. the renowned musicians of the CSo com - annually, the CSo engages more than mand a vast repertoire that spans from Baroque 200,000 people of diverse ages, incomes, and to new music. they annually perform more backgrounds through the innovative programs than 150 concerts, most at Symphony Center in Chicago, and, since 1936, in the summer at the continued on page 27b 16 ORCHESTRA ROSTER CHICAGO VIOLAS PICCOLO TIMPANI Charles pikler § Jennifer gunn david herbert SYMPHONY Principal Principal ORCHESTRA The Paul Hindemith OBOES The Clinton Family Fund Principal Viola Chair, michael henoch Chair endowed by an Assistant Principal Vadim Karpinos RICCARDO MUTI anonymous donor The Gilchrist Assistant Principal ZELL MUSIC DIRECTOR li-Kuo Chang Foundation Chair Assistant Principal lora Schaefer PERCUSSION yo-yo ma The Louise H. Benton Scott hostetler Cynthia yeh Judson and Joyce Green Wagner Chair Principal Creative Consultant John Bartholomew CLARINETS patricia dash duain Wolfe Catherine Brubaker Stephen Williamson Vadim Karpinos Chorus Director youming Chen Principal James ross and Conductor Sunghee Choi John Bruce yeh Samuel adams, Wei-ting Kuo Assistant Principal LIBRARIANS elizabeth ogonek danny lai gregory Smith peter Conover Mead Composers- diane mues J. lawrie Bloom Principal in-Residence lawrence neuman Carole Keller max raimi E-FLAT CLARINET mark Swanson VIOLINS Weijing Wang John Bruce yeh robert Chen ORCHESTRA Concertmaster CELLOS BASS CLARINET PERSONNEL The Louis C. Sudler Chair, John Sharp J. lawrie Bloom John deverman endowed by an anonymous Principal Director benefactor The Eloise W. Martin Chair BASSOONS anne macQuarrie Stephanie Jeong Kenneth olsen Keith Buncke Manager, CSO Auditions Associate Concertmaster Assistant Principal Principal and Orchestra Personnel The Cathy and Bill Osborn The Adele Gidwitz Chair William Buchman Chair Karen Basrak Assistant Principal STAGE TECHNICIANS david taylor loren Brown dennis michel Kelly Kerins yuan-Qing yu richard hirschl miles maner Stage Manager Assistant Concertmasters* daniel Katz dave hartge So young Bae Katinka Kleijn CONTRABASSOON James hogan Cornelius Chiu Jonathan pegis § miles maner peter landry alison dalton david Sanders Christopher lewis gina diBello gary Stucka HORNS todd Snick Kozue Funakoshi Brant taylor daniel gingrich Joe tucker russell hershow Acting Principal Qing hou BASSES James Smelser EXTRA MUSICIANS Blair milton alexander hanna david griffin david inmon, trumpet paul phillips, Jr. Principal oto Carrillo Jonathan Cegys, bass Sando Shia The David and Susanna gaunt ying Chai, violin Susan Synnestvedt Mary Winton Green Kiju Joh, violin rong-yan tang § Principal Bass Chair TRUMPETS tamae Clara takarabe, violin daniel armstrong mark ridenour alex Vvedenskiy, oboe Baird dodge roger Cline † Assistant Principal Principal Joseph diBello John hagstrom * Assistant concertmasters Sylvia Kim Kilcullen § michael hovnanian tage larsen are listed by seniority. † On sabbatical Assistant Principal robert Kassinger § On leave lei hou mark Kraemer TROMBONES Stephen lester Jay Friedman ni mei The Nancy and Larry Fuller Oboe Fox Fehling Bradley opland Principal Chair and The Adolph Herseth hermine gagné The Lisa and Paul Wiggin Principal Trumpet Chair, endowed rachel goldstein HARPS Principal Trombone Chair by an anonymous benefactor, are mihaela ionescu Sarah Bullen michael mulcahy currently unoccupied. melanie Kupchynsky § Principal Charles Vernon lynne turner The Chicago Symphony Orchestra Wendy Koons meir string sections utilize revolving matous michal BASS TROMBONE seating. Players behind the first Simon michal FLUTES Charles Vernon desk (first two desks in the violins) aiko noda Stefán ragnar höskuldsson change seats systematically every two weeks and are listed Joyce noh Principal TUBA The Erika and gene pokorny alpha betically. Section percussionists nancy park † also are listed alphabetically. ronald Satkiewicz Dietrich M. Gross Principal Florence Schwartz Principal Flute Chair The Arnold Jacobs richard graef Principal Tuba Chair, Assistant Principal endowed by emma gerstein Christine Querfeld Jennifer gunn 16b PLAYBILL Friday, october 13, 2017, 8pm zellerbach hall Chicago Symphony Orchestra Riccardo Muti, conductor PROGRAM gioachino roSSini (1792 –1868) overture to William Tell elizabeth ogoneK ( b. 1989 ) All These Lighted Things (three little dances for orchestra) (West Coast premiere) exuberant, playful, bright gently drifting, hazy buoyant INTERMISSION anton BruCKner (1824 –1896) Symphony no. 4 in e-flat major (Romantic) moving, not too fast andante quasi allegretto Scherzo: moving Finale: moving, but not too fast Bank of America is the Global Sponsor of the Chicago Symphony Orchestra.
Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • CEDILLE RECORDS 5255 N. Lakewood Ave Chicago IL 60640
    CEDILLE RECORDS 5255 N. Lakewood Ave Chicago IL 60640 USA • 773.989.2515 • www.cedillerecords.org CLARINET CHAMBER MUSIC BY HINDEMITH Easley Blackwood, piano 1–4 Cedille Records is a trademark of The Chicago Classical Recording Foundation, John Bruce Yeh, clarinet Anthea Kreston, violin 5–bm a not-for-profit foundation devoted to promoting the Easley Blackwood, piano finest musicians and ensembles in the Chicago area. Amelia Piano Trio and friends Maureen Nelson, violin 5–9 The Chicago Classical Recording Foundation’s activities are supported in part by contributions and grants from individuals, foundations, corporations, and Baird Dodge, viola 5–9, bm government agencies including the Alphawood Paul Hindemith (1895–1963) Foundation, the Chicago Department of Cultural Jason Duckles, cello 5–9, bm Affairs (CityArts III Grant), and the Illinois Arts Council, a state agency. Sonata for Clarinet and Piano (1939) (16:23) bn bp 1 I. Mässig bewegt (4:32) Amelia Piano Trio – Producer Judith Sherman 2 II. Lebhaft (2:49) Anthea Kreston, violin 3 III. Sehr langsam (6:15) Jason Duckles, cello Engineer Bill Maylone 4 IV. Kleines Rondo, gemächlich (2:36) Jonathan Yates, piano Design Melanie Germond Quintet for Clarinet and String Quartet Op. 30 (1923) (20:02) Cover: Paul Klee Alter Klang / Ancient Sound, 1925, 236 (X6) 5 I. Sehr lebhaft (2:10) 38.1 x 37.8 cm; Oeffentliche Kunstsammlung, Basel 6 II. Ruhig (7:11) © 2003 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn 7 III. Schneller Ländler (5:21) 8 IV. Arioso (3:05) Recorded 9 November 16, 2001 & March 3–5, 2002 V.
    [Show full text]
  • 24 August 2021
    24 August 2021 12:01 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 12:11 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C major K.545 Young-Lan Han (piano) KRKBS 12:21 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Giovanni Battista Viotti (1755-1824) Serenade for 2 violins in A major, Op 23 no 1 Angel Stankov (violin), Yossif Radionov (violin) BGBNR 12:41 AM Joseph Haydn (1732-1809),Ignace Joseph Pleyel (1757-1831), Harold Perry (arranger) Divertimento 'Feldpartita' in B flat major, Hob.2.46 Academic Wind Quintet BGBNR 12:50 AM Joaquin Nin (1879-1949) Seguida Espanola Henry-David Varema (cello), Heiki Matlik (guitar) EEER 12:59 AM Toivo Kuula (1883-1918) 3 Satukuvaa (Fairy-tale pictures) for piano (Op.19) Juhani Lagerspetz (piano) FIYLE 01:15 AM Edmund Rubbra (1901-1986) Trio in one movement, Op 68 Hertz Trio CACBC 01:35 AM Edvard Grieg (1843-1907) Peer Gynt - Suite No 1 Op 46 Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) NONRK 02:01 AM Richard Strauss (1864-1949) Metamorphosen Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:28 AM Max Bruch (1838-1920) Violin Concerto No. 1 in G minor, op. 26 James Ehnes (violin), Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:52 AM Eugene Ysaye (1858-1931) Sonata for Solo Violin in D minor, op. 27/3 James Ehnes (violin) NZRNZ 02:59 AM Robert Schumann (1810-1856) Symphony No.
    [Show full text]
  • Sir John Eliot Gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:Q L’Istesso Tempo— Con Moto Elgar in the South (Alassio), Op
    Program OnE HundrEd TwEnTIETH SEASOn Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 20, 2011, at 8:00 Saturday, January 22, 2011, at 8:00 Sir John Eliot gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:q L’istesso tempo— Con moto Elgar In the South (Alassio), Op. 50 IntErmISSIon Bartók Concerto for Orchestra Introduzione: Andante non troppo—Allegro vivace Giuoco delle coppie: Allegro scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Presto Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PHILLIP HuSCHEr Igor Stravinsky Born June 18, 1882, Oranienbaum, Russia. Died April 6, 1971, New York City. Symphony in three movements o composer has given us more Stravinsky is again playing word Nperspectives on a “symphony” games. (And, perhaps, as has than Stravinsky. He wrote a sym- been suggested, he used the term phony at the very beginning of his partly to placate his publisher, who career (it’s his op. 1), but Stravinsky reminded him, after the score was quickly became famous as the finished, that he had been com- composer of three ballet scores missioned to write a symphony.) (Petrushka, The Firebird, and The Rite Then, at last, a true symphony: in of Spring), and he spent the next few 1938, Mrs. Robert Woods Bliss, years composing for the theater and together with Mrs.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • MUSICWEB INTERNATIONAL Recordings of the Year 2018 This
    MUSICWEB INTERNATIONAL Recordings Of The Year 2018 This is the fifteenth year that MusicWeb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2017-November 2018). The 130 selections have come from 25 members of the team and 70 different labels, the choices reflecting as usual, the great diversity of music and sources - I say that every year, but still the spread of choices surprises and pleases me. Of the selections, 8 have received two nominations: Mahler and Strauss with Sergiu Celibidache on the Munich Phil choral music by Pavel Chesnokov on Reference Recordings Shostakovich symphonies with Andris Nelsons on DG The Gluepot Connection from the Londinium Choir on Somm The John Adams Edition on the Berlin Phil’s own label Historic recordings of Carlo Zecchi on APR Pärt symphonies on ECM works for two pianos by Stravinsky on Hyperion Chandos was this year’s leading label with 11 nominations, significantly more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2400 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year, but this year the choice was a little easier than usual. Pavel CHESNOKOV Teach Me Thy Statutes - PaTRAM Institute Male Choir/Vladimir Gorbik rec. 2016 REFERENCE RECORDINGS FR-727 SACD The most significant anniversary of 2018 was that of the centenary of the death of Claude Debussy, and while there were fine recordings of his music, none stood as deserving of this accolade as much as the choral works of Pavel Chesnokov.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • German Arias Concert Program
    Graduate Vocal Arts Program Bard College Conservatory of Music OPERA WORKSHOP Stephanie Blythe and Howard Watkins, instructors “Thank you, do you have anything in German?” Friday, March 5 at 8pm Wo bin ich? Engelbert Humperdinck (1854 - 1921) from Hänsel und Gretel Diana Schwam, soprano Ryan McCullough, piano Nimmermehr wird mein Herze sich grämen Friedrich von Flotow (1812 - 1883) from Martha Joanne Evans, mezzo-soprano Elias Dagher, piano Glück, das mir verblieb Erich Wolfgang Korngold (1897 - 1957) from Die tote Stadt Jardena Gertler-Jaffe, soprano Diana Borshcheva, piano Einst träumte meiner sel’gen Base Carl Maria von Weber (1786 - 1826) from Der Freischütz Kirby Burgess, soprano Gwyyon Sin, piano Witch’s Aria Humperdinck from Hänsel und Gretel Maximillian Jansen, tenor Diana Borshcheva, piano Da Anagilda sich geehret… Ich bete sie an Reinhard Kaiser (1674 - 1739) from Die Macht der Tugend Chuanyuan Liu, countertenor Ryan McCullough, piano Arabien, mein Heimatland Weber from Oberon Micah Gleason, mezzo-soprano Gwyyon Sin, piano Da schlägt die Abschiedsstunde Wolfgang Amadeus Mozart (1756 - 1791) from Der Schauspieldirektor Meg Jones, soprano Sung-Soo Cho, piano Mein Sehnen, mein Wähnen Korngold from Die tote Stadt Louis Tiemann, baritone Diana Borshcheva, piano Wie du warst Richard Strauss (1864 - 1949) from Der Rosenkavalier Melanie Dubil, mezzo-soprano Elias Dagher, piano Presentation of the Rose Strauss from Der Rosenkavalier Samantha Martin, soprano Elias Dagher, piano Arie des Trommlers Viktor Ullman (1898 - 1944) from Der Kaiser von Atlantis Sarah Rauch, mezzo-soprano Gwyyon Sin, piano Weiche, Wotan, weiche! Richard Wagner (1813 - 1883) from Das Rheingold Pauline Tan, mezzo-soprano Sung-Soo Cho, piano Nun eilt herbei! Otto Nicolai (1810 - 1849) from Die lustigen Weiber von Windsor Alexis Seminario, soprano Elias Dagher, piano SYNOPSES: Wo bin ich? Hänsel und Gretel Engelbert Humperdinck, Adelheid Wette, 1893 Gretel has just awakened from a deep sleep in the forest.
    [Show full text]
  • Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant
    PROGRAM ONE HUNDRED TWENTY-SIXTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Yo-Yo Ma Judson and Joyce Green Creative Consultant Friday, October 14, 2016, at 8:00 Tuesday, October 18, 2016, at 7:30 Riccardo Muti Conductor John Sharp Cello Dvořák Husitská Overture, Op. 67 Schumann Cello Concerto in A Minor, Op. 129 Not too fast— Slow— Very lively JOHN SHARP INTERMISSION Hindemith Concert Music for String Orchestra and Brass, Op. 50 Part 1: Moderately fast and with power—Very broad, but always flowing Part 2: Lively—Slow—Lively Mussorgsky, orch. Ravel Pictures from an Exhibition Promenade 1. Gnomus Promenade— 2. The Old Castle Promenade— 3. Tuileries 4. Bydlo Promenade— 5. Ballet of the Chicks in their Shells 6. Samuel Goldenberg and Schmuyle 7. The Market Place at Limoges 8. Catacombs: Sepulcrum romanum— Promenade: Con mortuis in lingua mortua 9. The Hut on Hen’s Legs (Baba-Yaga)— 10. The Great Gate of Kiev This evening’s performance is generously sponsored by Margot and Josef Lakonishok. CSO Tuesday series concerts are sponsored by United Airlines. The Chicago Symphony Orchestra is grateful to WBBM Newsradio 780 and 105.9 FM for their generous support as media sponsors of the Tuesday series. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Antonín Dvořák Born September 8, 1841; Mühlhausen, Bohemia (now Nelahozeves, Czech Republic) Died May 1, 1904; Prague, Bohemia Husitská Overture, Op. 67 This triumphant music located in the heart of what is today Pilsen, was closed the first concert later established in honor of his visit.) During ever given by the Chicago the exposition, Thomas arranged to send a string Orchestra, on October 16, quartet to the composer’s hotel to read through a 1891.
    [Show full text]
  • MUSIC DIRECTORS Fritz Reiner
    MUSIC DIRECTORS Fritz Reiner Born December 19, 1888, Budapest, Hungary. Died November 15, 1963, New York City. MUSIC DIRECTOR (1953-1962) MUSICAL ADVISOR (1962-1963) Fritz Reiner studied at the music academy in Budapest. His conducting debut was sudden-when the staff conductor at the Budapest Opera was taken ill, Reiner (then its young rehearsal coach) was thrust onto podium to direct that evening’s performance of Bizet’s Carmen. His full command of the situation subsequently led to his appointment as first conductor at the Laibach (now Ljubljana) National Opera. From 1911 to 1914, Reiner was conductor of the People’s Opera in Budapest and went on to head the renowned Dresden Opera. He achieved great success conducting the music of Richard Strauss and premiered many of the composer’s works at Dresden. Reiner came to the United States in 1922 and became conductor of the Cincinnati Symphony, where he remained until 1931; during this time he also was a frequent guest orchestral and operatic conductor in San Francisco, Philadelphia, and Chicago. In the 1934-35 season, Reiner organized the Philadelphia Opera Association and became its chief conductor. In 1938 he accepted the post of music director of the Pittsburgh Symphony, where he would remain for ten seasons until becoming principal conductor of the Metropolitan Opera. Having previously guest conducted at both Orchestra Hall and the Ravinia Festival, Fritz Reiner was no stranger to the Chicago Symphony Orchestra when he became its music director in 1953. Under his leadership, the Orchestra made several landmark recordings for RCA Records including Bartók’s Concerto for Orchestra, Strauss’s Ein Heldenleben, and Prokofiev’s Alexander Nevsky.
    [Show full text]
  • Verdi Otello
    VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers;
    [Show full text]