The Outlook for Home Entertainment Helen Davis Jayalath, Head of Video

Total Page:16

File Type:pdf, Size:1020Kb

The Outlook for Home Entertainment Helen Davis Jayalath, Head of Video The Outlook for Home Entertainment Helen Davis Jayalath, Head of Video Media-Tech Asia Macau, 15 March 2011 IHS Screen Diges t: w ho are we ? • Largest media-focused research firm in the world with ~50 analysts covering over 65 global territories • 40 years of experience tracking and forecasting media markets worldwide • Continuous online Intelligence research services • Constantly updated and comprehensive market data and ftforecasts • Flow of analytical reports • Strategic consultancy • Recently merged with iSuppli – and both companies acquired by IHS ($1bn leader in “critical information & insight”) Copyright © 2011 IHS Inc. All Rights Reserved. Combined 170 analysts: 1 + 1 = complete TMT coverage TECHNOLOGY MEDIA TELECOMMUNICATIONS . Raw materials . Operators . Broadband Media . Semiconductors . Wireless . Mobile Media . Photovoltaics . Wired . Gaming . Memory . Broadband . Video . Displays . Infrastructure . Cinema . Manufacturing . Computing . TV . Channels . Telematics . Advertising . Applications . Consumer Copyright © 2011 IHS Inc. All Rights Reserved. Agenda • Global entertainment spending • Trends in physical media • Focus on movies • The impact of Blu-ray Disc • Trends in diggyital delivery • The changing digital landscape • Focus on movies • Outlook to 2014 Copyright © 2011 IHS Inc. All Rights Reserved. Global entertainment spending is still rising despite a tough economic climate • Consumers spent $80bn on physical media in 2010 ($104bn in 2001) • But p hysi cal’ s sh are of spendi ng has fa llen from 50% to 24% in 10 years Global consumer spending on entertainment 2001-2010 350 300 250 Non- 200 physical nn media 150 $b 100 50 Physical media 0 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 Physical rental VHS retail VCD retail DVD retail Blu-ray Disc retail Games Physical music Cinema Cable and Sat. Subs PPV and VoD Mobile games Mobile music Mobile video Online music Online video Online games Notes: Global = sum of all 37 territories covered by Screen Digest Video Intelligence where data is available. Online games data available for USA and Europe only. Copyright © 2011 IHS Inc. All Rights Reserved. TV subs generated most of the recent growth • Without them, physical still accounts for around half of entertainment spending • With mus ic accoun ting for the bigges t dec line Global consumer spending on entertainment 2001-2010 160 140 120 Non physical 100 media nn 80 $b 60 40 Physical media 20 0 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 Physical rental VHS retail VCD retail DVD retail Blu-ray Disc retail Games Physical music Cinema PPV and VoD Mobile games Mobile music Mobile video Online music Online video Online games Notes: Global = sum of all 37 territories covered by Screen Digest Video Intelligence where data is available. Online games data available for USA and Europe only. Copyright © 2011 IHS Inc. All Rights Reserved. The video business is still dominated by physical media Home ent: $78.2bn • Worldwide, home entertainment was worth $80bn in 2010 • Two-thirds of this were generated by movies 52% • 90% of movie spending was generated by DVD and Blu-ray 4% • None of the non-physical forms of delivery had a significant impppgact on spending trends 85% Cumulative growth in global consumer Mov ies: $55. 5bn Physical video spending on home entertainment 2010 Pay TV VOD 0% Online video -13.1% -5.5% -4.6% -2% -4.7% -4.2% -3.2% 51% -5.8% -4% 2% -6% -8% -10% -12% -14% 90% DVD re ta il +BD+ BD re ta il +VCD+ VCD re ta il Notes: + online retail + physical rental + online rental Global = sum of all 37 territories covered by + TV VOD Screen Digest Video Intelligence Local currencies converted at fixed 2010 exchange rates Copyright © 2011 IHS Inc. All Rights Reserved. Even when theatrical is included, physical generated almost half of all movie spending • The prevalence of the retail business model means packaged media’s share of volume is even greater - 60% Global movie spending by platform Global movie transactions by 2005-2010 platform 2005-2010 60 10 50 8 40 6 30 ($bn) 4 20 (billions) 2 10 0 0 2005 2006 2007 2008 2009 2010 2005 2006 2007 2008 2009 2010 Physical Video Theatrical Pay TV VoD Online video Copyright © 2011 IHS Inc. All Rights Reserved. What’s happening to physical product in Asia? • Japan’s relatively strong video market means physical accounted for 76% of spending • Down from > 90% in 2008 • While the low prices prevalent in some markets means its share of volume was just 70% Asian movie spending by platform Asian movie transactions by 2005-2010 platform 2005-2010 12 2.5 10 202.0 8 1.5 6 (bn) ($bn) 101.0 4 0.5 2 0 0.0 2005 2006 2007 2008 2009 2010 2005 2006 2007 2008 2009 2010 Physical Video Theatrical Pay TV VoD Online video Copyright © 2011 IHS Inc. All Rights Reserved. BD’s premium price helps packaged media to ppgunch above its weight Global units sold (m) • Hardware take-up has been slower than initially expected but 147 it i s now i ncreasi ng • BD’s share of retail sales rose from 4% in 2009 to almost 8% 81 • BD premium over DVD averages 100% globally 2009 • In less developed markets it can cost 5x to 10x as much • BD generated 14% of global retail video spending last year 1,972 2010 1,821 Average consumer price of DVD and BD in 2010 Global retail sppgending (()$bn) ($) 80 DVD 3.9 BD 60 2.3 40 2009 20 26.8 2010 0 23.8 Notes: International = sum of all 34 territories outside North America DVD BD covered by Screen Digest Video Intelligence Local currencies converted at fixed 2009 exchange rates Copyright © 2011 IHS Inc. All Rights Reserved. But the industry must not get complacent – BD hom es will contin ue t o buy DVDs Europe: Hardware penetration (%) Asia: Hardware penetration (%) 100 25 80 20 DVD 15 60 VCD 40 BD 10 DVD 20 (inc PS3) 5 0 0 2006 2008 2010 2012 2014 1996 1998 2000 2002 2004 2006 2008 2010 Europe: Volume sales to consumers by format Asia: Volume sales to consumers by format 100% 100% 80% 80% 60% 60% DVD VCD 40% 40% BD DVD 20% 20% 0% 0% 2006 2008 2010 2012 2014 1996 1998 2000 2002 2004 2006 2008 2010 Europe: Average consumer price ($) Asia: Average consumer price ($) 50 30 40 25 20 30 DVD 15 VCD 20 BD 10 DVD 10 5 0 0 2006 2007 2008 2009 2010 2011 2012 2013 2014 1996 1998 2000 2002 2004 2006 2008 2010 Copyright © 2011 IHS Inc. All Rights Reserved. What’s the bottom line for physical media? • BD will continue to coexist with ‘good enough’ DVD, including in BD HHs • Recession may have slowed BD hardware adoption but it has not stalled it • BD will account for one third of global consumer spending on physical video by 2014 Global home entertainment spending 2010-2014 50 45 40 35 30 25 ($bn) 20 15 10 5 0 2010 2011 2012 2013 2014 Rental VCD purchase DVD purchase BD purchase Notes: Local currencies converted at fixed 2010 exchange rates Physical data covers all mainstream genres; Digital includes content delivered over the open internet: retail (movies, TV & sport), rental (movies & TV) and subscription (movies & TV); TV VoD/nVoD covers TV content and movies delivered through walled garden systems Copyright © 2011 IHS Inc. All Rights Reserved. But surely the whole world’s going digital? • Broadband is becoming ubiquitous: 680m connections globally by 2014 • Penetration rivals DVD take-uppg in some regions and is ahead of Pay TV VOD availabilit y Worldwide broadband connections (m) 800 600 400 200 0 2004 2006 2008 2010 2012 2014 W. Europe C. & E. Europe North America Asia Pacific Latin America Copyright © 2011 IHS Inc. All Rights Reserved. The landscape of connected devices is changgging fast: will be very different by 2014 • Broadband coupled with connected devices is causing a seismic shift in how consumers use content, and what they expect from entertainment suppliers US & Western Europe: Addressable US and Western Europe annual connectdliited living room (m ) tablet sa les (m ) 300 60 250 50 200 40 150 30 100 20 50 10 0 2010 2014 2010 2014 2010 2014 2010 2014 2010 2014 0 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 TVs Consoles Blu-ray Pay TV Standalone STBs STB other tablet iPad Connectable Connected Copyright © 2011 IHS Inc. All Rights Reserved. Multiple devices can lead to fragmented consumer experience… …What the consumer wants is anytime, anywhere, Copyright © 2011 IHS Inc. All Rights Reserved. any device (and they have many devices) New release movies and TV series are now available illeggyally more than ever before • Perfect movie rips usually appear several weeks ahead of physical disc street date • As of mid-2010, there were 400+ US TV series freely available online illegally • Often available within one hour of premiere broadcast • Most audiences understand the internet as 'free' and need a compelling reason to spend, because they can already get the same content free from the pirates Illegal online availability of sample movies US Theatrical Date of Cam/TeleSync US Home video Date of DVD/BD-rip Title of Film Release Date upload Release Date upload The Wolfman February 12 February 16 (Cam) June 1 May 21 (BD Rip) Shutter Island February 19 February 21 (Cam) June 8 May 19 (BD Rip) Alice in Wonderland April 5 April 5 (Cam) June 1 May 13 (DVD Rip) Date Night April 9 April 17 (Telesync) August 10 June 5 (DVD Rip) Kick Ass April 16 April 17 (Cam) August 3 June 5 (DVD Rip) Prince of Persia May 28 May 29 (Telesync) September 14 August 15 (DVD Rip) The Twilight Saga: Eclipse July 2 July 02 (Cam) December 4 August 18 (DVD Rip) The Expendables Aug 13 Aug 16 (Cam) December Aug 29 (DVD Rip) Copyright © 2011 IHS Inc.
Recommended publications
  • United States Court of Appeals for the Ninth Circuit
    Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 1 of 114 Docket No. 10-55946 In the United States Court of Appeals for the Ninth Circuit COLUMBIA PICTURES INDUSTRIES, INC., DISNEY ENTERPRISES, INC., PARAMOUNT PICTURES CORPORATION, TRISTAR PICTURES, INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, UNIVERSAL CITY STUDIOS PRODUCTIONS, LLLP and WARNER BROS. ENTERTAINMENT, INC., Plaintiffs-Appellees, v. GARY FUNG and ISOHUNT WEB TECHNOLOGIES, INC., Defendants-Appellants. _______________________________________ Appeal from a Decision of the United States District Court for the Central District of California, No. 06-CV-05578 · Honorable Stephen V. Wilson PETITION FOR PANEL REHEARING AND REHEARING EN BANC BY APPELLANTS GARY FUNG AND ISOHUNT WEB TECHNOLOGIES, INC. IRA P. ROTHKEN, ESQ. ROBERT L. KOVSKY, ESQ. JARED R. SMITH, ESQ. ROTHKEN LAW FIRM 3 Hamilton Landing, Suite 280 Novato, California 94949 (415) 924-4250 Telephone (415) 924-2905 Facsimile Attorneys for Appellants, Gary Fung and isoHunt Web Technologies, Inc. COUNSEL PRESS · (800) 3-APPEAL PRINTED ON RECYCLED PAPER Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 2 of 114 TABLE OF CONTENTS page Index of Authorities ..….....….....….....….....….....….....….....….....…....…... ii I. The Panel Decision Applies Erroneous Legal Standards to Find ..…... 1 Fung Liable on Disputed Facts and to Deny Him a Trial by Jury II. The Panel Decision and the District Court Opinion Combine to ……... 5 Punish Speech that Should Be Protected by the First Amendment III. The Panel Decision Expands the Grokster Rule in Multiple Ways ….. 7 that Threaten the Future of Technological Innovation A. The “Technological Background” set forth in the Panel ……….
    [Show full text]
  • A Dissertation Submitted to the Faculty of The
    A Framework for Application Specific Knowledge Engines Item Type text; Electronic Dissertation Authors Lai, Guanpi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 03:58:57 Link to Item http://hdl.handle.net/10150/204290 A FRAMEWORK FOR APPLICATION SPECIFIC KNOWLEDGE ENGINES by Guanpi Lai _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF SYSTEMS AND INDUSTRIAL ENGINEERING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Guanpi Lai entitled A Framework for Application Specific Knowledge Engines and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: 4/28/2010 Fei-Yue Wang _______________________________________________________________________ Date: 4/28/2010 Ferenc Szidarovszky _______________________________________________________________________ Date: 4/28/2010 Jian Liu Final approval and acceptance of this dissertation is contingent
    [Show full text]
  • Download Vaulin KAT Complaint & Affidavit
    AO 91 (Rev. 11/11) Criminal Complaint AlJSAs William E. Ridgway and Devlin K Su Senior Coun 1 R an K. Dicke (CCIPS) UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ILLINOIS FILED EASTERN DIVISION JUL - 8 2016 UNITED STATES OF AMERICA THOMAS G. BRUTON CASE NUMBER: CLERK, U.S. DISTRICT COURT V. UNDER SEAL ARTEM VAULIN, 16CR 43,8 also known as "tirm" MAGISTRATE JUDGE GILBER1 CRIMINAL COMPLAINT I, the complainant in this case, state that the following is true to the best of my knowledge and belief. Count One From at least as early as in or about November 2008, to on or about July 8, 2016, in the Northern District of Illinois, Eastern Division, and elsewhere, Artem Vaulin, also known as "tirm," defendant herein, conspired with others to: (1) willfully infringe, for purposes of commercial advantage and private financial gain, at least ten copies and phonorecords of one or more copyrighted works with a total retail value of more than $2,500 during a 180-day period, in violation of Title 17, United States Code, Section 506(a)(l)(A) and Title 18, United States Code, Section 2319(b)(l); and (2) willfully infringe, for purposes of commercial advantage and private financial gain, a copyright by distribution of a work being prepared for commercial distribution, by making it available on a computer network accessible to members of the public, when defendant knew and should have known that that work was intended for commercial distribution, in violation of Title 17, United States Code, Section 506(a)(l)(C) and Title 18, United States Code, Section 2319(d)(2), all in violation of Title 18, United States Code, Section 371.
    [Show full text]
  • The Copyright Crusade
    The Copyright Crusade Abstract During the winter and spring of 2001, the author, chief technology officer in Viant's media and entertainment practice, led an extensive inqUiry to assess the potential impact of extant Internet file-sharing capabilities on the business models of copyright owners and holders. During the course of this project he and his associates explored the tensions that exist or may soon exist among peer-to-peer start-ups, "pirates" and "hackers," intellectual property companies, established media channels, and unwitting consumers caught in the middle. This research report gives the context for the battleground that has emerged, and calls upon the players to consider new, productive solutions and business models that support profitable, legal access to intellectual property via digital media. by Andrew C Frank. eTO [email protected] Viant Media and Entertainment Reinhold Bel/tIer [email protected] Aaron Markham [email protected] assisted by Bmre Forest ~ VI ANT 1 Call to Arms Well before the Internet. it was known that PCs connected to two-way public networks posed a problem for copyright holders. The problem first came to light when the Software Publishers Association (now the Software & Information Industry Association), with the backing of Microsoft and others, took on computer Bulletin Board System (BBS) operators in the late 1980s for facilitating trade in copyrighted computer software, making examples of "sysops" (as system operators were then known) by assisting the FBI in orchestrat­ ing raids on their homes. and taking similar legal action against institutional piracy in high profile U.S. businesses and universities.' At the same time.
    [Show full text]
  • Movie Tags & Meaning of It
    Movie Tags & meaning of it Original Sources CAM - A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard. TELESYNC (TS) - A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled. TELECINE (TC) - A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon.
    [Show full text]
  • Scene Releases | for Your Daily Scene and P2P Releases Page 1
    Scene Releases | For your daily Scene and P2P releases Page 1 Scene Releases For your daily Scene and P2P releases Home Forum About Affiliates Apply for Editor Disclaimer DMCA FAQ SGL xXx Website Rules IRC Links Contact Subscribe to Rss Feed WikiRebels - The Documentary The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release) AnthraX (1252)December 18th, 2010 | 1:11 pm or 13:11 GMTMovies, Movies - Cam Release Info Release Group: iLLUSiON (Kingdom-Release) ( P2P ) Release Name: The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release) Release Date: 18th Dec , 2010 Filename: The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release).avi Source: CAM Size: 697.029 MB (730,888,226 bytes) Genre: Action | Drama | Thriller Video: 704 x 302 | 873 Kbps Audio: English | 128 Kbps | 2 ch | Mp3 Subtitles: None Runtime: 1h 35mn IMDB Rating: 6.0/10 RT Critics: 4.3/10 ( 136 reviews) Directed By: Florian Henckel von Donnersmarck Starring: Johnny Depp, Angelina Jolie and Paul Bettany Release Description Revolves around Frank, an American tourist visiting Italy to mend a broken heart. Elise is an extraordinary woman who deliberately crosses his path. Release Quality Associated Links Homepage - Trailer - IMDB - RT - NFO - Search (TPB, Torrent, NZB) Download Links http://scenereleases.info/ 18-12-2010 12:50:02 Scene Releases | For your daily Scene and P2P releases Page 2 Download Single Link ( Hotfile ) ( Fileserve ) ( Duckload ) Online Streaming – Sample 12 Comments Call of Duty Black Ops Update 4 Read Nfo-SKIDROW RuSH (288)December 18th, 2010 | 12:06 pm or 12:06 GMTGames Release Info Release Group: SKIDROW Release Name: Call.of.Duty.Black.Ops.Update.4.Read.Nfo-SKIDROW Release Date: 18th Dec , 2010 Filename: Call.of.Duty.Black.Ops.Update.4.exe Size: 71 MB Genre: First-Person Shooter Published by: Activision Developed by: Treyarch Online Play: 18 Versus/ 4 Co-op Release Description Hear the call of duty once again with this seventh entry in this blockbuster first-person shooter franchise.
    [Show full text]
  • Columbia Pictures Industries, Inc. V. Fung
    FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT COLUMBIA PICTURES INDUSTRIES, No. 10-55946 INC.; DISNEY ENTERPRISES, INC.; PARAMOUNT PICTURES D.C. No. CORPORATION; TRISTAR PICTURES, 2:06-cv-05578- INC.; TWENTIETH CENTURY FOX SVW-JC FILM CORPORATION; UNIVERSAL CITY STUDIOS LLLP; UNIVERSAL CITY STUDIOS PRODUCTIONS, LLLP; OPINION WARNER BROS ENTERTAINMENT, INC., Plaintiffs-Appellees, v. GARY FUNG; ISOHUNT WEB TECHNOLOGIES, INC., Defendants-Appellants. Appeal from the United States District Court for the Central District of California Stephen V. Wilson, District Judge, Presiding Argued May 6, 2011 Submitted March 21, 2013 Pasadena, California Filed March 21, 2013 2 COLUMBIA PICTURES INDUSTRIES V. FUNG Before: Harry Pregerson, Raymond C. Fisher, and Marsha S. Berzon, Circuit Judges. Opinion by Judge Berzon SUMMARY* Copyright The panel affirmed in part and vacated in part the district court’s judgment in favor of film studios, which alleged that the services offered and websites maintained by the defendants induced third parties to download infringing copies of the studios’ copyrighted works. Affirming the district court’s summary judgment, the panel held that under Metro-Goldwyn-Mayer Studios, Inc. v. Grokster Ltd., 545 U.S. 913 (2005), the defendants were liable for contributory copyright infringement on an inducement theory because the plaintiffs established (1) distribution of a device or product, (2) acts of infringement, (3) an object of promoting the product’s use to infringe copyright, and (4) causation in the defendants’ use of the peer-to-peer file sharing protocol known as BitTorrent. The panel held that the defendants were not entitled to protection from liability under any of the safe harbor provisions of the Digital Millennium Copyright Act, including safe harbors provided by 17 U.S.C.
    [Show full text]
  • Quantifying the Heterogeneous Effects of Piracy on the Demand for Movies
    Quantifying the Heterogeneous Effects of Piracy on the Demand for Movies Zhuang Liu∗ University of Western Ontario February 10, 2019 Latest Version: http://publish.uwo.ca/~zliu328/jobmarketpaper.pdf Abstract The debate on digital piracy has attracted significant public attention. An accurate estimate of the loss due to piracy relies crucially on correctly identi- fying the substitution between pirated and paid consumption. Using a novel dataset of weekly piracy downloads collected from the BitTorrent network, I estimate a random-coefficient logit demand model of movies to quantify the effect of movie piracy on movie revenue from two distribution channels: box office and DVD sales. Counterfactual results reveal that digital piracy has het- erogeneous effects on different channels of sales. When all piracy is removed, US box office revenue will only increase by 2.71% ($ 231 million) while US DVD sales will increase by 36% ($ 527 million) over 40 weeks in 2015. In addition, the effects on sales differ substantially by quality of pirated videos. I find strong evidence that one movie's piracy have negative indirect effects on other movie's revenue. Decomposition exercises show that the magnitude of piracy's indirect effects is much larger than the direct effects on its own rev- enue. Lastly, I allow piracy to have potentially positive effects on sales through word of mouth (WOM). The positive WOM effects from all pirated consump- tion have relatively moderate contributions to the industry revenue amounted to $ 68.7 million over 40 weeks in 2015. ∗This paper was previously titled \A Structural Model of Movie Piracy with Word-of-mouth", \Estimating the Effects of fil-sharing on Movie Box office".
    [Show full text]
  • Pirates of the Oscars: Trends in Piracy Among Oscar Nominated Films Rachel Chiu, Yanli Gao, James Rigby
    Pirates of the Oscars: Trends in Piracy Among Oscar Nominated Films Rachel Chiu, Yanli Gao, James Rigby Introduction Relationship Between First Leak and Box Office Temporal Trends Gross With the 83rd annual Academy Awards just around the corner, we sought to • Not surprisingly, the movies that make more money at the box office • Prior to 2008, all nominated study the piracy trends in movies that have received Oscar nominations in (presumably the more popular ones) tend to be leaked faster than those movies had their retail DVD’s the years since 2003. With slightly over thirty films nominated each year, our that don’t do as well, which is likely due to the higher public demand leaked before Oscar Night for data set gave us 245 movies. The following are the types of leaks we associated with these films. several years in a row. studied: • Despite this trend, the movies that are leaked before they even reach • 2007 seems to have been the • R5: Low quality screener theaters tend to be the ones that don’t make as much money when they peak in number of leaks per • Cam: Video camera in movie theater are released (maybe because people have already seen them?). year, of all types, and since • Telesync (TS): Same as Cam recording but sound is directly connected to then there has been a steady source downward trend of that ratio. • Screener: Pre DVD sent to critics and other professionals prior to release • Steady decline in ratio of leaks • Retail DVD: Final product may be effective intervention Data on the part of the government or perhaps the film studios.
    [Show full text]
  • Guessit Documentation Release 0.10.2.Dev0
    GuessIt Documentation Release 0.10.2.dev0 Nicolas Wack March 08, 2015 Contents 1 Filename matcher 3 1.1 Main properties..............................................3 1.2 Episode properties............................................4 1.3 Video properties.............................................4 1.4 Audio properties.............................................5 1.5 Localization properties..........................................5 1.6 Other properties.............................................5 2 Other features 7 3 Usage 9 4 User Guide 11 4.1 Installation................................................ 11 4.2 Command-line usage........................................... 12 4.3 Python module usage........................................... 14 5 Web Service API 15 6 Developer Guide 17 6.1 Understanding the MatchTree...................................... 17 6.2 What does the IterativeMatcher do?................................... 17 6.3 Merging all the results in a MatchTree to give a final Guess...................... 19 6.4 Guess................................................... 19 6.5 MatchTree................................................ 21 6.6 Matchers................................................. 23 7 Support 25 8 Contribute 27 9 License 29 Python Module Index 31 i ii GuessIt Documentation, Release 0.10.2.dev0 Release v0.10.2.dev0 (Installation) GuessIt is a python library that extracts as much information as possible from a video file. It has a very powerful filename matcher that allows to guess a lot of metadata from a video
    [Show full text]
  • The Growing Threat of Internet Piracy in the Movie Industry: the Effect of Rapid Pirated Leaks on Motion Picture Revenues
    The Growing Threat of Internet Piracy in the Movie Industry: The Effect of Rapid Pirated Leaks on Motion Picture Revenues An Honors Thesis for the Department of Economics Nicholas Henning Tufts University, 2009 Abstract In 2005, the MPAA claimed that worldwide losses to movie piracy amounted to about $18.2 billion, with $6.1 billion of that missing revenue accounted for by MPAA affiliates alone. The difficulty in measuring piracy is that it is obviously illegal, making data collection and participant surveys skewed in results. In addition, the movie industry is a complex system, and any given movie has a large variability of success factors which amount to unpredictability in the expected revenue of motion pictures. This paper seeks to investigate how the speed of internet piracy affects industry revenues by creating a model for film revenue regressed against the number of days from theatrical release to first piracy leak, first screener leak, and first DVD leak, amongst several control variables. When including control variables, the impact of piracy is found to be negligible, particularly in comparison to the production budget variable. Without these controls, significance is found for days until first piracy leak and screener leak, implying the more days until first piracy leak the lower revenues will be and that more days until first screener leak leads to higher revenues, t(124)=-2.91, p<.01, and t(124)=3.05, p<.01. Finally, scatter plots of the data find that most films which end up making high worldwide revenues are pirated within the first week after theatrical release.
    [Show full text]
  • Software Piracy Exposed.Pdf
    323_Sof_Pir_FM.qxd 8/30/05 2:19 PM Page i Register for Free Membership to [email protected] Over the last few years, Syngress has published many best-selling and critically acclaimed books, including Tom Shinder’s Configuring ISA Server 2004, Brian Caswell and Jay Beale’s Snort 2.1 Intrusion Detection, and Angela Orebaugh and Gilbert Ramirez’s Ethereal Packet Sniffing. One of the reasons for the success of these books has been our unique [email protected] program. Through this site, we’ve been able to provide readers a real time extension to the printed book. As a registered owner of this book, you will qualify for free access to our members-only [email protected] program. Once you have registered, you will enjoy several benefits, including: ■ Four downloadable e-booklets on topics related to the book. Each booklet is approximately 20-30 pages in Adobe PDF format. They have been selected by our editors from other best-selling Syngress books as providing topic coverage that is directly related to the coverage in this book. ■ A comprehensive FAQ page that consolidates all of the key points of this book into an easy-to-search web page, pro- viding you with the concise, easy-to-access data you need to perform your job. ■ A “From the Author” Forum that allows the authors of this book to post timely updates and links to related sites, or additional topic coverage that may have been requested by readers. Just visit us at www.syngress.com/solutions and follow the simple registration process.
    [Show full text]