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Šta Znače Oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV?
Šta znače oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV? Ako vas zanima šta tačno označavaju skraćenice za kvalitet filmskog snimka: CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV, itd., pročitajte ovaj članak. Slijedi tabela kvaliteta filmskih snimaka, koja govori sa kog fizickog medija (kino snimak kamerom, original vhs kaseta, original dvd, itd) je film kopiran, u smjeru od najlošijeg kvaliteta ka najboljem. Tip Oznaka Rasprostranjenost Dosta čest format, mada se sve ređe Cam "CAM" pojavljuje, zbog postojanja DVD rip formata koji je daleko kvalitetniji Snimak filma napravljen kamerom u kinu, a zvuk je dobijen pomoću mikrofona na kameri, tako da se često vide i čuju i gledaoci u bioskopu. Ovaj kvalitet snimka se obično pojavi odmah nakon prve premijere filma u kinima Kvalitet video i audio zapisa je najčešće veoma loš. "WP" Workprint Vrlo rijedak "WORKPRINT" Kopija napravljena od nedovršene verzije filma. Uglavnom fale mnogi efekti i film može da se skroz razlikuje od konačne verzije filma. "TS" Telesync Vrlo čest "TELESYNC" Nasuprot popularnom vjerovanju, kvalitet kod TS video snimka ne mora da bude bolji od kvaliteta CAM snimka. Naziv Telesync ne označava bolji kvalitet VIDEO zapisa, nego bolji kvalitet AUDIO zapisa. Uglavnom je video snimak isti kao i CAM, a audio snimak bolji. Zbog toga se CAM veoma često brka sa TS. R5 "R5" Vrlo čest R5 Line je DVD verzija za region 5. Region 5 čine Istočna Evropa, (bivši SSSR), Indija, Afrika, Severna Koreja i Mongolija. Kvalitet R5 snimka se razlikuje od kvaliteta normalnog DVD-a po tome što je video snimak odličnog kvaliteta (kopiran sa DVD-a), a audio snimak je lošeg kvaliteta (kopiran sa Telecyne snimka, da bi se dobio zvuk originala, pošto je R5 DVD verzija obično prilagođena/sinhronizovana na jezik nekog od tih 5 regiona). -
Oddly Placed Cooperative Burdens in the Online World Anjanette H
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northwestern University Illinois, School of Law: Scholarly Commons Northwestern Journal of Technology and Intellectual Property Volume 11 | Issue 5 Article 4 2013 Intermediaries’ Precarious Balance Within Europe: Oddly Placed Cooperative Burdens in the Online World Anjanette H. Raymond Indiana University, Kelley School of Business Recommended Citation Anjanette H. Raymond, Intermediaries’ Precarious Balance Within Europe: Oddly Placed Cooperative Burdens in the Online World, 11 Nw. J. Tech. & Intell. Prop. 359 (2013). https://scholarlycommons.law.northwestern.edu/njtip/vol11/iss5/4 This Article is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Technology and Intellectual Property by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. NORTHWESTERN J O U R N A L OF TECHNOLOGY AND INTELLECTUAL PROPERTY Intermediaries’ Precarious Balance Within Europe: Oddly Placed Cooperative Burdens in the Online World Anjanette H. Raymond April 2013 VOL. 11, NO. 5 © 2013 by Northwestern University School of Law Northwestern Journal of Technology and Intellectual Property Copyright 2013 by Northwestern University School of Law Volume 11, Number 5 (April 2013) Northwestern Journal of Technology and Intellectual Property Intermediaries’ Precarious Balance Within Europe: Oddly Placed Cooperative Burdens in the Online World By Anjanette H. Raymond* The Newzbin cases mark a clear shift in the responsibility that European based internet service providers must take in protecting intellectual property rights. Previously, that burden laid primarily with rights holders. Today, however, legislative bodies and courts in both the European Union and the United States have shifted the expectation of protections to a shared burden amongst internet service providers (ISPs) and rights holders. -
United States Court of Appeals for the Ninth Circuit
Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 1 of 114 Docket No. 10-55946 In the United States Court of Appeals for the Ninth Circuit COLUMBIA PICTURES INDUSTRIES, INC., DISNEY ENTERPRISES, INC., PARAMOUNT PICTURES CORPORATION, TRISTAR PICTURES, INC., TWENTIETH CENTURY FOX FILM CORPORATION, UNIVERSAL CITY STUDIOS LLLP, UNIVERSAL CITY STUDIOS PRODUCTIONS, LLLP and WARNER BROS. ENTERTAINMENT, INC., Plaintiffs-Appellees, v. GARY FUNG and ISOHUNT WEB TECHNOLOGIES, INC., Defendants-Appellants. _______________________________________ Appeal from a Decision of the United States District Court for the Central District of California, No. 06-CV-05578 · Honorable Stephen V. Wilson PETITION FOR PANEL REHEARING AND REHEARING EN BANC BY APPELLANTS GARY FUNG AND ISOHUNT WEB TECHNOLOGIES, INC. IRA P. ROTHKEN, ESQ. ROBERT L. KOVSKY, ESQ. JARED R. SMITH, ESQ. ROTHKEN LAW FIRM 3 Hamilton Landing, Suite 280 Novato, California 94949 (415) 924-4250 Telephone (415) 924-2905 Facsimile Attorneys for Appellants, Gary Fung and isoHunt Web Technologies, Inc. COUNSEL PRESS · (800) 3-APPEAL PRINTED ON RECYCLED PAPER Case: 10-55946 04/03/2013 ID: 8576455 DktEntry: 66 Page: 2 of 114 TABLE OF CONTENTS page Index of Authorities ..….....….....….....….....….....….....….....….....…....…... ii I. The Panel Decision Applies Erroneous Legal Standards to Find ..…... 1 Fung Liable on Disputed Facts and to Deny Him a Trial by Jury II. The Panel Decision and the District Court Opinion Combine to ……... 5 Punish Speech that Should Be Protected by the First Amendment III. The Panel Decision Expands the Grokster Rule in Multiple Ways ….. 7 that Threaten the Future of Technological Innovation A. The “Technological Background” set forth in the Panel ………. -
A Dissertation Submitted to the Faculty of The
A Framework for Application Specific Knowledge Engines Item Type text; Electronic Dissertation Authors Lai, Guanpi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 03:58:57 Link to Item http://hdl.handle.net/10150/204290 A FRAMEWORK FOR APPLICATION SPECIFIC KNOWLEDGE ENGINES by Guanpi Lai _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF SYSTEMS AND INDUSTRIAL ENGINEERING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Guanpi Lai entitled A Framework for Application Specific Knowledge Engines and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: 4/28/2010 Fei-Yue Wang _______________________________________________________________________ Date: 4/28/2010 Ferenc Szidarovszky _______________________________________________________________________ Date: 4/28/2010 Jian Liu Final approval and acceptance of this dissertation is contingent -
Download Vaulin KAT Complaint & Affidavit
AO 91 (Rev. 11/11) Criminal Complaint AlJSAs William E. Ridgway and Devlin K Su Senior Coun 1 R an K. Dicke (CCIPS) UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ILLINOIS FILED EASTERN DIVISION JUL - 8 2016 UNITED STATES OF AMERICA THOMAS G. BRUTON CASE NUMBER: CLERK, U.S. DISTRICT COURT V. UNDER SEAL ARTEM VAULIN, 16CR 43,8 also known as "tirm" MAGISTRATE JUDGE GILBER1 CRIMINAL COMPLAINT I, the complainant in this case, state that the following is true to the best of my knowledge and belief. Count One From at least as early as in or about November 2008, to on or about July 8, 2016, in the Northern District of Illinois, Eastern Division, and elsewhere, Artem Vaulin, also known as "tirm," defendant herein, conspired with others to: (1) willfully infringe, for purposes of commercial advantage and private financial gain, at least ten copies and phonorecords of one or more copyrighted works with a total retail value of more than $2,500 during a 180-day period, in violation of Title 17, United States Code, Section 506(a)(l)(A) and Title 18, United States Code, Section 2319(b)(l); and (2) willfully infringe, for purposes of commercial advantage and private financial gain, a copyright by distribution of a work being prepared for commercial distribution, by making it available on a computer network accessible to members of the public, when defendant knew and should have known that that work was intended for commercial distribution, in violation of Title 17, United States Code, Section 506(a)(l)(C) and Title 18, United States Code, Section 2319(d)(2), all in violation of Title 18, United States Code, Section 371. -
The Copyright Crusade
The Copyright Crusade Abstract During the winter and spring of 2001, the author, chief technology officer in Viant's media and entertainment practice, led an extensive inqUiry to assess the potential impact of extant Internet file-sharing capabilities on the business models of copyright owners and holders. During the course of this project he and his associates explored the tensions that exist or may soon exist among peer-to-peer start-ups, "pirates" and "hackers," intellectual property companies, established media channels, and unwitting consumers caught in the middle. This research report gives the context for the battleground that has emerged, and calls upon the players to consider new, productive solutions and business models that support profitable, legal access to intellectual property via digital media. by Andrew C Frank. eTO [email protected] Viant Media and Entertainment Reinhold Bel/tIer [email protected] Aaron Markham [email protected] assisted by Bmre Forest ~ VI ANT 1 Call to Arms Well before the Internet. it was known that PCs connected to two-way public networks posed a problem for copyright holders. The problem first came to light when the Software Publishers Association (now the Software & Information Industry Association), with the backing of Microsoft and others, took on computer Bulletin Board System (BBS) operators in the late 1980s for facilitating trade in copyrighted computer software, making examples of "sysops" (as system operators were then known) by assisting the FBI in orchestrat ing raids on their homes. and taking similar legal action against institutional piracy in high profile U.S. businesses and universities.' At the same time. -
1 Digital Movie Piracy
Digital Movie Piracy; A Perspective on Downloading Behaviour through Social Cognitive Theory Ruud S. Jacobs Abstract The current article attempts to refine and specify a model based on other researchers' applications of the Social Cognitive Theory originally posited by Bandura to allow the behaviour and attitudes downloaders exhibit to be analysed and compared to the amount of movies they consume (measured as an monthly average estimate). The new model is then tested against data obtained from college students as well as from a technological lifestyle forum. After the revisions these analyses suggested were applied, the model explained nearly 23% of the variance in the number of movies downloaded. The most important factors in this model were, among others: the drives to see many different and new movies, the social environment and its perceived attitude toward the behaviour, and the degree to which downloading has embedded itself in the daily routine. Because the Dutch government and lobbyists are superficially unclear about the current legislature, the unique opportunity existed to study the impact of knowing about legislature on the behaviour. Other results indicate an unexpected openness to an alternative film-distribution method where both the producers and the consumers get an honest deal, presenting options to release the current political and social tension without prosecuting an increasing portion of the population. Introduction When groundbreaking new technologies find their way into the commercial markets and end users' hands, unforeseen psychological and sociological consequences have often surprised both legislators and analysts alike. The World Wide Web is a prime example of a technological breakthrough that upset social status quo. -
United Kingdom
FREEDOM ON THE NET 2014 United Kingdom 2013 2014 Population: 64.1 million Internet Freedom Status Free Free Internet Penetration 2013: 90 percent Social Media/ICT Apps Blocked: No Obstacles to Access (0-25) 2 2 Political/Social Content Blocked: No Limits on Content (0-35) 6 6 Bloggers/ICT Users Arrested: No Violations of User Rights (0-40) 15 16 TOTAL* (0-100) 23 24 Press Freedom 2014 Status: Free * 0=most free, 100=least free Key Developments: May 2013 – May 2014 • Filtering mechanisms, particularly child-protection filters enabled on all household and mobile connections by default, inadvertently blocked legitimate online content (see Limits on Content). • The Defamation Act, which came into effect on 1 January 2014, introduced greater legal protections for intermediaries and reduced the scope for “libel tourism,” while proposed amendments to the Contempt of Court Act may introduce similar protections for intermediaries in relation to contempt of court (see Limits on Content and Violations of User Rights). • New guidelines published by the Director of Public Prosecutions in June 2013 sought to limit offenses for which social media users may face criminal charges. Users faced civil penalties for libel cases, while at least two individuals were imprisoned for violent threats made on Facebook and Twitter (see Violations of User Rights). • In April 2014, the European Court of Justice determined that EU rules on the mass retention of user data by ISPs violated fundamental privacy and data protection rights. UK privacy groups criticized parliament for rushing through “emergency” legislation to maintain the practice in July, while failing to hold a public debate on the wider issue of surveillance (see Violations of User Rights). -
Index Images Download 2006 News Crack Serial Warez Full 12 Contact
index images download 2006 news crack serial warez full 12 contact about search spacer privacy 11 logo blog new 10 cgi-bin faq rss home img default 2005 products sitemap archives 1 09 links 01 08 06 2 07 login articles support 05 keygen article 04 03 help events archive 02 register en forum software downloads 3 security 13 category 4 content 14 main 15 press media templates services icons resources info profile 16 2004 18 docs contactus files features html 20 21 5 22 page 6 misc 19 partners 24 terms 2007 23 17 i 27 top 26 9 legal 30 banners xml 29 28 7 tools projects 25 0 user feed themes linux forums jobs business 8 video email books banner reviews view graphics research feedback pdf print ads modules 2003 company blank pub games copyright common site comments people aboutus product sports logos buttons english story image uploads 31 subscribe blogs atom gallery newsletter stats careers music pages publications technology calendar stories photos papers community data history arrow submit www s web library wiki header education go internet b in advertise spam a nav mail users Images members topics disclaimer store clear feeds c awards 2002 Default general pics dir signup solutions map News public doc de weblog index2 shop contacts fr homepage travel button pixel list viewtopic documents overview tips adclick contact_us movies wp-content catalog us p staff hardware wireless global screenshots apps online version directory mobile other advertising tech welcome admin t policy faqs link 2001 training releases space member static join health -
Movie Tags & Meaning of It
Movie Tags & meaning of it Original Sources CAM - A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard. TELESYNC (TS) - A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled. TELECINE (TC) - A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. -
Scene Releases | for Your Daily Scene and P2P Releases Page 1
Scene Releases | For your daily Scene and P2P releases Page 1 Scene Releases For your daily Scene and P2P releases Home Forum About Affiliates Apply for Editor Disclaimer DMCA FAQ SGL xXx Website Rules IRC Links Contact Subscribe to Rss Feed WikiRebels - The Documentary The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release) AnthraX (1252)December 18th, 2010 | 1:11 pm or 13:11 GMTMovies, Movies - Cam Release Info Release Group: iLLUSiON (Kingdom-Release) ( P2P ) Release Name: The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release) Release Date: 18th Dec , 2010 Filename: The Tourist 2010 Cam XviD – iLLUSiON (Kingdom-Release).avi Source: CAM Size: 697.029 MB (730,888,226 bytes) Genre: Action | Drama | Thriller Video: 704 x 302 | 873 Kbps Audio: English | 128 Kbps | 2 ch | Mp3 Subtitles: None Runtime: 1h 35mn IMDB Rating: 6.0/10 RT Critics: 4.3/10 ( 136 reviews) Directed By: Florian Henckel von Donnersmarck Starring: Johnny Depp, Angelina Jolie and Paul Bettany Release Description Revolves around Frank, an American tourist visiting Italy to mend a broken heart. Elise is an extraordinary woman who deliberately crosses his path. Release Quality Associated Links Homepage - Trailer - IMDB - RT - NFO - Search (TPB, Torrent, NZB) Download Links http://scenereleases.info/ 18-12-2010 12:50:02 Scene Releases | For your daily Scene and P2P releases Page 2 Download Single Link ( Hotfile ) ( Fileserve ) ( Duckload ) Online Streaming – Sample 12 Comments Call of Duty Black Ops Update 4 Read Nfo-SKIDROW RuSH (288)December 18th, 2010 | 12:06 pm or 12:06 GMTGames Release Info Release Group: SKIDROW Release Name: Call.of.Duty.Black.Ops.Update.4.Read.Nfo-SKIDROW Release Date: 18th Dec , 2010 Filename: Call.of.Duty.Black.Ops.Update.4.exe Size: 71 MB Genre: First-Person Shooter Published by: Activision Developed by: Treyarch Online Play: 18 Versus/ 4 Co-op Release Description Hear the call of duty once again with this seventh entry in this blockbuster first-person shooter franchise. -
Pirates of the Oscars: Trends in Piracy Among Oscar Nominated Films Rachel Chiu, Yanli Gao, James Rigby
Pirates of the Oscars: Trends in Piracy Among Oscar Nominated Films Rachel Chiu, Yanli Gao, James Rigby Introduction Relationship Between First Leak and Box Office Temporal Trends Gross With the 83rd annual Academy Awards just around the corner, we sought to • Not surprisingly, the movies that make more money at the box office • Prior to 2008, all nominated study the piracy trends in movies that have received Oscar nominations in (presumably the more popular ones) tend to be leaked faster than those movies had their retail DVD’s the years since 2003. With slightly over thirty films nominated each year, our that don’t do as well, which is likely due to the higher public demand leaked before Oscar Night for data set gave us 245 movies. The following are the types of leaks we associated with these films. several years in a row. studied: • Despite this trend, the movies that are leaked before they even reach • 2007 seems to have been the • R5: Low quality screener theaters tend to be the ones that don’t make as much money when they peak in number of leaks per • Cam: Video camera in movie theater are released (maybe because people have already seen them?). year, of all types, and since • Telesync (TS): Same as Cam recording but sound is directly connected to then there has been a steady source downward trend of that ratio. • Screener: Pre DVD sent to critics and other professionals prior to release • Steady decline in ratio of leaks • Retail DVD: Final product may be effective intervention Data on the part of the government or perhaps the film studios.