Fingers, Stars, and the Opening of the Mouth
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The Presence of Myth in the Pyramid Texts
The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife. -
Temples and Tombs Treasures of Egyptian Art from the British Museum
Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E. -
Historical Deception Gives an Excellent Overview of All Things Egyptian
About the Author Moustafa Gadalla was born in Cairo, Egypt in 1944. He gradu- ated from Cairo University with a Bachelor of Science degree in civil engineering in 1967. He immigrated to the U.S.A. in 1971 to practice as a licensed professional engineer and land surveyor. From his early childhood, Gadalla pursued his Ancient Egyp- tian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to re- searching the Ancient Egyptian civilization. As an independent Egyptologist, he spends a part of every year visiting and studying sites of antiquities. Gadalla is the author of ten internationally acclaimed books. He is the chairman of the Tehuti Research Foundation—an interna- tional, U.S.-based, non-profit organization, dedicated to Ancient Egyptian studies. Other Books By The Author [See details on pages 352-356] Egyptian Cosmology: The Animated Universe - 2nd ed. Egyptian Divinities: The All Who Are THE ONE Egyptian Harmony: The Visual Music Egyptian Mystics: Seekers of the Way Egyptian Rhythm: The Heavenly Melodies Exiled Egyptians: The Heart of Africa Pyramid Handbook - 2nd ed. Tut-Ankh-Amen: The Living Image of the Lord Egypt: A Practical Guide Testimonials of the First Edition: Historical Deception gives an excellent overview of all things Egyptian. The style of writing makes for an easy read by the non- Egyptologists amongst us. Covering a wide variety of topics from the people, language, religion, architecture, science and technol- ogy it aims to dispel various myths surrounding the Ancient Egyp- tians. If you want a much better understanding of Ancient Egypt, then you won’t be disappointed be with the straight forward, no-non- sense approach to information given in Historical Deception. -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life. -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
Ancient Egyptian ACTIVITY SHEET for YOUNG VISITORS
ArchaeologyArchaeology & History Ancient Egyptian ACTIVITY SHEET FOR YOUNG VISITORS This sheet belongs to Name: MUMMIES Start at the door Standing at the door, look at the mummy nearest to you on your left. This is the coffin of theLady Diafawer. Take a look at the body inside the coffin. It has been mummified. The Egyptians believed a dead person would need their body in another life. Because of this people went to a lot of trouble to stop it from rotting in the tomb. They took out some parts of the body and then a salty mixture is put all over the body to dry and preserve it. This salty mixture is called Natron. The body was left for up to 70 days until it was quite dry. The body was then washed and bandaged up with sweet smelling spices. Q. How would you go about preserving the body by mummification? Write your answer in the box below. Answer: . THE EGYPTIANS BELIEVED THE BODY HAD TO BE PROTECTED! Go down the steps on your left. Look in the large display case in front of you. One section in this case has lots of amulets and pendants. Amulets were a type of good luck charm which the Egyptians believed would protect against evil. These were found inside the bandages of ancient mummies. Find the “Eye of Horus” (number 1. on the panel). This is also called the “Wedjat Eye”. The left eye of Horus was a very popular symbol of protection. The scarab beetle was another popular amulet. It was placed with the deceased in the tomb as a symbol of new life. -
99516 Bickel OLA Funerary Texts ID 07 BICKEL.Indd
This pdf is a digital offprint of your contribution in S. Bickel & L. Díaz-Iglesias (eds), Studies in Ancient Egyptian Funerary Literature, ISBN 978-90-429-3462-7 The copyright on this publication belongs to Peeters Publishers. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 relations. You may not publish this pdf on the World Wide Web – including websites such as academia.edu and open-access repositories – until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well. If you wish to publish your article immediately on open- access sites, please contact the publisher with regard to the payment of the article processing fee. For queries about offprints, copyright and republication of your article, please contact the publisher via [email protected] ORIENTALIA LOVANIENSIA ANALECTA ————— 257 ————— STUDIES IN ANCIENT EGYPTIAN FUNERARY LITERATURE edited by SUSANNE BICKEL and LUCÍA DÍAZ-IGLESIAS PEETERS LEUVEN – PARIS – BRISTOL, CT 2017 TABLE OF CONtENtS Abbreviations VII Susanne Bickel, Lucía Díaz-Iglesias Introduction XIII Florence Albert Un groupe de papyrus funéraires tardifs 1 James P. Allen The Pyramid Texts as Literature 29 Bernard Arquier Le double sarcophage de Mésehti: l’espace, le verbe et le temps 43 Burkhard Backes Re-reading Pyramids? Gedanken zu Korrelationen zwischen Inhalt, Anbringungsort und hypothetischer Lesefolge funerärer Texte anhand PT 313‒321 73 Susanne Bickel Everybody’s Afterlife? “Pharaonisation” -
Pyramid of Unas : 11 Unas (Unis)(C. 2356
11 : Pyramid of Unas . Unas (Unis)(c. 2356 - 2323 BC) was the last king of the Fifth Dynasty. The pyramid dedicated to this king lies to the south of the Step Pyramid. The Pyramid of Unas (Unis) is in poor condition however, the burial chambers are worth the visit. In this chamber, you will find the earliest Egyptian funerary texts carved into the walls and filled with a blue pigment. These are referred to as the Pyramid Texts. They are the rituals and hymns that were said during the in the walls of the pyramids. burial. Before this time, nothing was engraved The pyramid, when it was complete stood about 62 ft (18.5 m). The core of the pyramid was loose blocks and rubble and the casing was of limestone. Today it looks like a pile of dirt and rubble, especially from the east side. Although the outside of the pyramid is in ruin, the inside is still sound. You may enter the pyramid from the north side. Trying to block the way, are three huge slabs of granite. Once inside the chamber, you will find the Pyramid Texts that were intended to help the pharaoh's soul in the afterworld. They were to help the soul find Re, the sun god. 12 : Pyramid of Pepi II . South Saqqara is completely separate from Saqqara. It is located about 1km south of the pyramid of Sekhemkhet, which is the most southern of all the pyramids in Saqqara. South Saqqara was founded in the 6th Dynasty (2345 - 2181 BC) by the pharaohs. -
Ancient Egypt: Symbols of the Pharaoh
Ancient Egypt: Symbols of the pharaoh Colossal bust of Ramesses II Thebes, Egypt 1250 BC Visit resource for teachers Key Stage 2 Ancient Egypt: Symbols of the pharaoh Contents Before your visit Background information Resources Gallery information Preliminary activities During your visit Gallery activities: introduction for teachers Gallery activities: briefings for adult helpers Gallery activity: Symbol detective Gallery activity: Sculpture study Gallery activity: Mighty Ramesses After your visit Follow-up activities Ancient Egypt: Symbols of the pharaoh Before your visit Ancient Egypt: Symbols of the pharaoh Before your visit Background information The ancient Egyptians used writing to communicate information about a person shown on a sculpture or relief. They called their writing ‘divine word’ because they believed that Thoth, god of wisdom, had taught them how to write. Our word hieroglyphs derives from a phrase meaning ‘sacred carvings’ used by the ancient Greek visitors to Egypt to describe the symbols that they saw on tomb and temple walls. The number of hieroglyphic signs gradually grew to over 7000 in total, though not all of them were used on a regular basis. The hieroglyphs were chosen from a wide variety of observed images, for example, people, birds, trees, or buildings. Some represent the sounds of the ancient Egyptian language, but consonants only. No vowels were written out. Also, it was not an alphabetic system, since one sign could represent a combination of two or more consonants like the gaming-board hieroglyph which stands for the consonants mn. Egyptologists make the sounds pronounceable by putting an e between the consonants, so mn is read as men. -
Contents Chronological Table Xii Abbreviations and Symbols Xiv
Contents Chronological Table xii Abbreviations and Symbols xiv Foreword by Antonio Loprieno xxiii Introduction Literary Genres and Literary Styles 3 PART ONE: The Old Kingdom I. Monumental Inscriptions from Private Tombs 15 Inscriptions of Princess Ni-sedjer-kai 15 Inscription of Hetep-her-akhet x6 Inscription of Nefer-seshem-re called Sheshi 17 Stela of Ni-hebsed-Pepi from Naqada 17 The Autobiography of Weni 18 The Autobiography of Harkhuf 23 II. A Royal Decree 28 Charter of King Pepi I for the Chapel of hs mother 28 III. From the Pyramid Texts 29 Unas Pyramid Texts: Utterances 217, 239, 245, 253, 263, 270, 273-274» 304» 3°9> 317 3° Teti Pyramid Texts: Utterances 337, 350, 373, 402, 403, 406,407 40 Pepi I Pyramid Texts: Utterances 432, 440, 442, 446» 454» 486» 517, 573 44 IV. A Theological Treatise 51 "The Memphite Theology" 51 V. Didactic Literature 58 The Instruction of Prince Hardjedef 58 The Instruction Addressed to Kagemni 59 The Instruction of Ptahhotep 61 ix X CONTENTS PART TWO: The Transition to the Middle Kingdom I. Monumental Inscriptions from Private Tombs 83 Stela of Count Indi of Th 84 The Fin Part 0f the Autobiography uî Ankhufi 85 Steia of che Butler Mere of Edfu 87 Stela of the Treasurer İti of Imyotru 88 Stela ot the Stewa d Seneni of Coptu 89 Stela ot the Soldier Qede f om Gebelem 90 Stela of the Treasurer Tjetji 90 iL The Prayers of a Theban King 94 A Stela of King Wahankh Intet II 94 111 The Testament of a Hcracleopolitan King 97 The In t uct o Addre~ ed to K ng Merikare 97 ???? ????? ??? ?????? ??????? I. -
The Organization of the Pyramid Texts
The Organization of the Pyramid Texts Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access Probleme der Ägyptologie Herausgegeben von Wolfgang Schenkel Antonio Loprieno und Joachim Friedrich Quack 31. BAND The titles published in this series are listed at brill.nl/pae Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access The Organization of the Pyramid Texts Typology and Disposition (Volume One) By Harold M. Hays Leiden • BostoN The titles published in this series are listed at brill.nl/pae 2012 Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access The digital edition of this title is published in Open Access. Library of Congress Cataloging-in-Publication Data Hays, Harold M. The organization of the pyramid texts : typology and disposition / by Harold M. Hays. v. cm. — (Probleme der Ägyptologie, ISSN 0169-9601 ; 31. Bd.) Includes bibliographical references and index. ISBN 978-90-04-21865-9 (set : alk. paper) — ISBN 978-90-04-23001-9 (v. 1 : alk. paper) — ISBN 978-90-04-22749-1 (e-book) — ISBN 978-90-04-23002-6 (v. 2 : alk. paper) — ISBN 978-90-04-22749-1 (e-book) 1. Pyramid texts. 2. Egyptian literature—History and criticism. I. Title. II. Series: Probleme der Ägyptologie ; 31. Bd. PJ1553.H39 2012 299’.3182—dc23 2012006795 ISSN 0169-9601 ISBN 978 90 04 21865 9 (hardback, set) ISBN 978 90 04 23001 9 (hardback, volume 1) ISBN 978 90 04 23002 6 (hardback, volume 2) ISBN 978 90 04 22749 1 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. -
Cwiek, Andrzej. Relief Decoration in the Royal
Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig