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A Paula Ortiz Film Based on “Blood Wedding”
A Paula Ortiz Film A PAULA ORTIZ FILM INMA ÁLEX ASIER CUESTA GARCÍA ETXEANDÍA Based on “Blood Wedding” from Federico García Lorca. A film produced by GET IN THE PICTURE PRODUCTIONS and co-produced by MANTAR FILM - CINE CHROMATIX - REC FILMS BASED ON BLOOD WEDDING THE BRIDE FROM FEDERICO GARCÍA LORCA and I follow you through the air, like a straw lost in the wind. SYNOPSIS THE BRIDE - Based on “Blood Wedding” from F. García Lorca - Dirty hands tear the earth. A woman’s mouth shivers out of control. She breathes heavily, as if she were about to choke... We hear her cry, swallow, groan... Her eyes are flooded with tears. Her hands full with dry soil. There’s barely nothing left of her white dress made out of organza and tulle. It’s full of black mud and blood. Staring into the dis- tance, it’s dicult for her to breathe. Her lifeless face, dirtied with mud, soil, blood... she can’t stop crying. Although she tries to calm herself the crying is stronger, deeper. THE BRIDE, alone underneath a dried tree in the middle of a swamp, screams out loud, torn, endless... comfortless. LEONARDO, THE GROOM and THE BRIDE, play together. Three kids in a forest at the banks of a river. The three form an inseparable triangle. However LEONARDO and THE BRIDE share an invisible string, ferocious, unbreakable... THE GROOM looks at them... Years have gone by, and THE BRIDE is getting ready for her wedding. She’s unhappy. Doubt and anxiety consume her. She lives in the middle of white dessert lands, barren, in her father’s house with a glass forge. -
Palmeras En La Nieve Pdf 30
Palmeras En La Nieve Pdf 30 Palmeras En La Nieve Pdf 30 1 / 3 2 / 3 Lee gratis todos los libros de Amazon Kindle Unlimited por 30 días. Suscribite hoy desde este link. ¿Por qué los lectores están descargando el libro Palmeras .... Palmeras En La Nieve Pdf 30. ... Palmeras en la nieve ngeles Coello Fernndez Como el libro detalla a la perfeccin casi la totalidad de los hechos histricos .... 2019- Descargar Palmeras En La Nieve de Luz Gabas Kindle, PDF, ... 30 Nov 2016 Teorias conductistas desde Ivan Pavlov hasta Albert .... Download | Watch. Palmeras En La Nieve Pdf 30golkes. palmeras nieve palmeras nieve 2015 palmeras nieve trailer palmeras nieve pelicula. Descargar el libro Palmeras en la nieve para leer en formato epub. Bajar y leer en el móvil, en la tablet o en el e-reader. Gratis, sin pagar nada, lee.. 4:53 Mar 30, 2016 · Me gustaria saber Donde puedo descargar libro Palmeras en la nieve en pdf por favor?!!! Descarga el libro en formato PDF .... Palm Trees in the Snow is a 2015 Spanish romantic drama film directed by Fernando González Molina. The screenplay is based on the novel of the same name, Palmeras en la nieve, by Luz Gabás. ... 30th Goya Awards, Best Art Direction, Antón Laguna, Won ... Create a book · Download as PDF · Printable version .... Descargar Palmeras en la nieve (Verano 2018) PDF Gratis, Buscas ✅ páginas para descargar libros electrónicos gratuitos en español en .... Editorial Reviews. About the Author. Nació en 1968 en Monzón (Huesca). Los mejores ... Reviewed in the United Kingdom on June 30, 2013. Format: Kindle ... -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Conceptual Sphere of Modern Cinema (A Study of Headline Complexes of 21St - Century European and Asian Movies)
DOI: 10.308161ICONN412017166 Conceptual sphere of modern cinema (a study of headline complexes of 21st - century European and Asian movies) Elena Gudeleva, Ekaterina Sudarkina Vladimir State University, Russia Abstract: This article aims to reveal the conceptual sphere of modern cinema dis- course in Europe and Asia by analyzing movie headline complexes. More than two thousand original movie titles and slogans of 21st-century films presented at the largest festivals are studied. The main concepts man( , opposition, love, house and nature) are pointed out and explained. In addition to the detailed theoretical commentary, the paper shows how the cinema headline complex con- centrates intertextual and non-textual associations, and carries information about authors’ intentions and tastes of moviegoers who are the target audience for the interpreter. Keywords: headline complex, concept, cinema discourse, translation, linguocul- tural analysis Introduction The headline complex (all the elements of the frame text grouped around a work’s title)1 takes on such functions as nominative, evaluative and expressive, infor- mative, and advertising. It is aimed at helping people navigate in a large stream of data in a more flexible manner. The linguistic base in cinematography is a relatively new and regularly expanded section of onomastics. In Western science cinematographic names and other non-textual elements are studied within the terminological framework of the paratext theory formulated in the 1980s by Gerard Genette and several other research- ers (Robert Stam; Nicole Janin-Foucher) and also within the framing theory suggested by Erving Goffman Frame( Analysis, 1974) and Werner Wolf with the contributors to his anthology (2006), who have tried to apply it to media. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Sake, Sex and Gore: the Japanese Zombie Film and Cult Cinema
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203. This file was downloaded from: https://eprints.qut.edu.au/96101/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/ac.26.2.193_1 Sake, sex and gore: The Japanese zombie film and cult cinema Kayleigh Murphy, Queensland University of Technology Abstract Zombie film is a minor, yet growing, sub-genre within Japan’s contemporary horror genre. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
Cambridge University Press 978-1-107-11853-9 — Disability in Contemporary China Sarah Dauncey Index More Information
Cambridge University Press 978-1-107-11853-9 — Disability in Contemporary China Sarah Dauncey Index More Information Index 100 Reasons to Live (Huozhe de 100 ge liyou, possibility of, 3, 33 Qian Mindan), 172 provided through internal monologue, 93 risk and contradictory nature of, 94, 192 ‘A Corner in the Shade’ (Mei you taiyang de Ah Q, 116 jiaoluo, Shi Tiesheng), 112, 118–123 amputees, 17, 104, See also ‘The Amputee’; challenging discriminatory language, Wu Yunduo; Wu Zhizhong; Xu 119–120 Xuehui; Yin Shujun collective and individual anxiety, 119 An Angel with Broken Wings: In Conversation dehumanisation of disabled people, 119 with Life (Zhechi tianshi: yu shengming need for societal change, 133 duihua, Yin Shujun), 179 possibility of love, 121–123 animals, disabled people likened to, A Private Life (Siren shenghuo, Chen Ran), 99–100, 129 35 asexuality, 191 A Showdown with Death (Duijue sishen, Yin ‘At Middle Age’ (Ren dao zhongnian, Shen Shujun). See Yin Shujun Rong), 35 A Song of Triumph for Chairman Mao’s audience Proletarian Line on Public Health (Mao challenged to change attitudes and zhuxi wuchanjieji weisheng luxian de behaviours, 32, 112, 158 shengli kaige), 55–56, 91–92 disabled and non-disabled, 94, 191 A Tragic Life (Beiju shengya, BaiWei), 35 expectations and assumptions of, 109, A Treasury of Inspiration (Shouhuo gandong, 148 Wang Xinxian), 161 for revolutionary propaganda, 37–38, able-bodied gaze 45–46, 60 and the female body, 35, 130 for self-help guidance and expertise, othering of the disabled body, 100, 107, 167–171 129 for talent shows, 153–155 superiority and normalcy, 109, 192 for the ‘socialist spiritual civilisation’ ‘able-bodied people’ (jianquanren), 77, 144, campaign, 65, 68, 72–74 150, 162, See also ‘normal people’ invited to ‘stare’,71 ‘robust’ (jianquan) citizenry, 21 reassured of their superiority and able-bodiedness and able-mindedness, 17, ‘normalcy’, 94, 130, 132 19, 27, 94, 109 Auntie. -
The Dreadful Credibility of Absurd Things: a Tendency in Fantasy Theory 1
Mark Bould The Dreadful Credibility of Absurd Things: A Tendency in Fantasy Theory 1 In Britain it has been estimated that 10% of all books sold are fantasy. And of that fantasy, 10% is written by Terry Pratchett. So, do the sums: 1% of all books sold in Britain are written by Terry Pratchett. Coo. 2 Although it is unclear whether, by ‘fantasy’, Butler intends a narrow denition (generic fantasy, i.e., imitation Tolkien heroic or epic fantasy and sword ’n’ sorcery) or a broad denition (the fantastic genres, i.e., generic fantasy, sf (science ction), horror, super- natural gothic, magic realism, etc.), such statistics nonethless make the need for a Marxist theory – or preferably, Marxist theories – of the fantastic self- evident. The last twenty or thirty years have witnessed a remarkable expansion in the study of fantastic texts and genres. Literary studies has embraced the gothic, fairy tales and sf, and screen studies has developed a complex critique of horror and is now beginning 1 With profound thanks to China Miéville, Kathrina Glitre, Greg Tuck – friends, colleagues, comrades. Thanks also to Historical Materialism ’s anonymous readers, and to José B. Monleón for translating a passage from Benito Pérez Galdós’ s The Reason of Unreason (1915) and thereby providing me with a title. 2 Butler 2001, p. 7. Historical Materialism , volume 10:4 (51–88) ©Koninklijke Brill NV, Leiden, 2002 Also available online – www.brill.nl 52 Mark Bould to come to terms with sf. However, there is a remarkable absence in all this endeavour. The rst major Marxist sf theorist, Darko Suvin, notoriously described (narrowly-dened) fantasy as ‘just a subliterature of mystication’ and asserted that the ‘[c]ommerical lumping of it into the same category as SF is thus a grave disservice [to sf] and a rampantly socio-pathological phenomenon’. -
Circus Sunday Seward, Tall Twister; Steve Krones, Wesley 6 P.M
Hoag & Sons rrInIpSt'tfK SU an -928U Leola Weston wins coupon drawing 7 % e Leola Weston of R.R. 1, Roberts was announced as the winner of the coupon book drawing held Friday at the Shafer-Pearson Agency. Dr. Chambers of Chats worth drew out the winning contestant. Sl.e will receive a gift certificate for $50 good for any store in Chatsworth. ’P te U n d e o jU ft Also, a second prize of $25 was awarded to Marilyn Vaughan of Piper City. This is valid CHATSWORTH, ILLINOIS (60921), THURSDAY, MAY 14, 1981 only at Kelly’s Store in Chatsworth. CDNE HUNDRED SEVENTH YEAR NUMBER 33 These coupon books were made available <&1H1, Cornbett to the public since April 1. They were good for 30 days in Chatsworth to help promote the businesses in town. Pontiac prison chaplain guest speaker for Lions G. Coleman Akin, senior chaplain at the Klem and Max Moore, vice-presidents; Dan Pontiac Correctional Center, was the speaker Kerber. treasurer; Dr. O.D. Willstead, at Chatsworth Lions' ladies’ night dinner and secretary; and Jerry Oilman, president. program at the Farmers Pub on Monday ese officers also form the new board of evening, May 11. Chaplain Akin gave a moving directors. talk on the importance of the services his Lion president, Richard Pearson, in office performs, and what he feels is the completing his year ir. office, expressed growing effectiveness of his work and that of thanks to all in the club and the community for his four associates. The ministers are visible their help in making the year a successful one in all parts of the center, and he feels that the in community service. -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others. -
Oct-Dec Press Listings
ANTHOLOGY FILM ARCHIVES OCTOBER – DECEMBER PRESS LISTINGS OCTOBER 2013 PRESS LISTINGS MIX NYC PRESENTS: Tommy Goetz A BRIDE FOR BRENDA 1969, 62 min, 35mm MIX NYC, the producer of the NY Queer Experimental Film Festival, presents a special screening of sexploitation oddity A BRIDE FOR BRENDA, a lesbian-themed grindhouse cheapie set against the now-tantalizing backdrop of late-60s Manhattan. Shot in Central Park, Times Square, the Village, and elsewhere, A BRIDE FOR BRENDA narrates (quite literally – the story is told via female-voiced omniscient narration rather than dialogue) the experiences of NYC-neophyte Brenda as she moves into an apartment with Millie and Jane. These apparently unremarkable roommates soon prove themselves to be flesh-hungry lesbians, spying on Brenda as she undresses, attempting to seduce her, and making her forget all about her paramour Nick (and his partners in masculinity). As the narrator intones, “Once a young girl has been loved by a lesbian, it’s difficult to feel satisfaction from a man again.” –Thurs, Oct 3 at 7:30. TAYLOR MEAD MEMORIAL SCREENING Who didn’t love Taylor Mead? Irrepressible and irreverent, made of silly putty yet always sharp- witted, he was an underground icon in the Lower East Side and around the world. While THE FLOWER THIEF put him on the map, and Andy Warhol lifted him to Superstardom, Taylor truly made his mark in the incredibly vast array of films and videos he made with notables and nobodies alike. A poster child of the beat era, Mead was a scene-stealer who was equally vibrant on screen, on stage, or in a café reading his hilarious, aphoristic poetry.