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Ars Electronica 2003 Festival Für Kunst, Technologie Und Gesellschaft Festival for Art, Technology and Society
Ars Electronica 2003 Festival für Kunst, Technologie und Gesellschaft Festival for Art, Technology and Society Organization Ars Electronica Center System AEC Ars Electronica Center Linz Administration & Technical Maintenance: Museumsgesellschaft mbH Christian Leisch, Christian Kneissl, Karl Schmidinger, Gerold Hofstadler Managing Directors Gerfried Stocker / Romana Staufer Architecture Scott Ritter Hauptstraße 2, A-4040 Linz, Austria Tel. +43 / 732 / 7272-0 Technical Expertise & Know-how Fax +43 / 732 / 7272-77 Ars Electronica Futurelab [email protected] Web Editor / Web Design www.aec.at/code Ingrid Fischer-Schreiber / Joachim Schnaitter ORF Oberösterreich Editors General Director Gerfried Stocker, Christine Schöpf Helmut Obermayr Editing Prix Ars Electronica Coordination Ingrid Fischer-Schreiber Christine Schöpf English Proofreading Prix Ars Electronica Organization lan Bovill, Elizabeth Ernst-McNeil Gabriele Strutzenberger, Judith Raab Graphic Design Europaplatz 3, A-4021 Linz, Austria Gerhard Kirchschläger Tel. +43 / 732 / 6900-0 Fax +43 / 732 / 6900-24270 Cover Subject [email protected] The CODE Logo is based on a design by Astrid http://prixars.orf.at Benzer and Elisabeth Schedlberger. A dictionary entry was used for the background text. Directors Ars Electronica By permission. From Merriam-Webster Online Gerfried Stocker, Ars Electronica Center Linz Dictionary ©2003 by Merriam-Webster, Christine Schöpf, ORF Oberösterreich Incorporated (www.Merriam-Webster.com). Producer All rights reserved. Katrin Emler Printing Gutenberg-Werbering -
The Aesthetic Interface
DETAILED ADVANCE PROGRAMME The Aesthetic Interface MAY 9TH - 12TH LOCATION: STORE AUD. IT-HUSET, IT-PARKEN, AARHUS UNIVERSITET MAY 9TH, WEDNESDAY 9.30-17.00 This day of the conference will discuss the interface in aes- thetic and historical terms. 9.30-12.35 INTERFACE ARCHEOLOGY • Erkki Huhtamo: Multiple Screens – Intercultural Ap- proaches to Screen Practice(s). Abstract: We associate screens as information surfaces with western technological achievements and media cultural hegemony. The fact that similar screens are observed and manipulated in all cor- ners of the world is taken as a sign of the increasing homogeniza- tion of culture; a ‘global screen practice’ seems to be in the mak- ing. Still, although they may not have used the word screen, dif- ferent cultures have developed “screen practices” in very diverse cultural contexts for hundreds and even thousands of years. From the shadow theatre to the traditions of visual storytelling, screens have been used in countless forms, and associated with complex social, economic and ideological issues. Do these tradi- tions play any role at all when it comes to understanding contem- porary high-tech screen practices? Is there anything we could 1 possibly learn from studying them? This paper proposes a media- archaeological approach to understanding screens as intercul- tural information surfaces. Drawing on fields like visual anthro- pology and comparative cultural studies, it looks at screens from an extended perspective, making a contribution to “screenology”, a hypothetical field of study. Bio: Erkki Huhtamo is a media archaeologist, writer, and exhibition curator. He was born in Helsinki, Finland (1958) and works as Professor of Media History and Theory at the University of Cali- fornia Los Angeles (UCLA), Department of Design | Media Arts. -
Temporary Software Art Factory Festival for Software Art and Cultures
README IOO TEMPORARY SOFTWARE ART FACTORY DORTMUND 2OO5 2OO5 DORTMUND This book is published as a part of README 100 — Temporary Software Art Factory Festival for Software Art and Cultures http://readme.runme.org Organised by: Hartware MedienKunstVerein, Dortmund, Germany, 2005 Hosted by: Stadt- und Landesbibliothek Dortmund City and State Library Dortmund, Germany November 4–5, 2005 Edited by: Olga Goriunova Graphic Design: Kirill Iloushenko Cover photo: Boris Ignatovich Herstellung und Verlag: Books on Demand GmbH, Norderstedt. © 2005: the authors, the artists, Readme 100 and Hartware MedienKunstVerein ISBN 3–8334–4369–3 Hartware MedienKunstVerein Guentherstr. 65 44143 Dortmund T +49-231-534 63 607 http://www.hmkv.de [email protected] TABLE OF CONTENTS (07) Maximum emotions for minimum budget! Readme 100 software art factory (09) Inke Arns, Francis Hunger: The Clean Rooms’ Dirty Secret. «Temporary Software Art Factory». Readme 100 in Dortmund, Germany, 2005 (16) Olga Goriunova, Alexei Shulgin: Interfacing Art to Art, Audience and Culture and Vice Versa (25) Alessandro Ludovico: Spam, the Economy of Desire (41) Christophe Bruno: Cosmolalia (57) Renate Wieser, Julian Rohrhuber: Part one.The Invisible Hand Part two.The Invisible Hand Machine (73) Special Guest: Reject Me. State Scrounging as Means of Production (78) Leonardo Solaas: Outsource me! Eric Londaits: Go-Logo (94) Yves Degoyon, elpueblodechina, Sergio Moreno, Jaume Nualart and others: MapOMatix (105) Javier Candeira: Towards a Permanently Temporary Software Art Factory. (Notes for -
Digimag42.Pdf
DIGICULT Digital Art, Design & Culture Founder & Editor-in-chief: Marco Mancuso Advisory Board: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Publisher: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Editorial Press registered at Milan Court, number N°240 of 10/04/06. ISSN Code: 2037-2256 Licenses: Creative Commons Attribution-NonCommercial-NoDerivs - Creative Commons 2.5 Italy (CC BY- NC-ND 2.5) Printed and distributed by Lulu.com E-publishing development: Loretta Borrelli Cover design: Eva Scaini Digicult is part of the The Leonardo Organizational Member Program TABLE OF CONTENTS Giulia Simi Cristophe Bruno: From Dada To Google .................................................................. 3 Loretta Borrelli Art And Everyday Life In The After Future ............................................................... 8 Barbara Sansone The Influencers 2009: Analog Guerrillas ................................................................. 18 Teresa De Feo Generative Modules By Guido Smider .................................................................... 24 Francesco Bertocco Philippe Parreno: No Ghost Just A Shell ................................................................ 29 Matteo Milani Brian Eno: Synthesist ................................................................................................. 34 Lucrezia Cippitelli Dick Raaijmakers: A Monography ........................................................................... 40 Donata Marletta Jan Rohlf: Musical(mind) -
Programme Preface Smart Mistakes | Conferences Share Prize 2010
3 Programme 4 Preface 8 Smart miStakeS | conferences 12 Share Prize 2010 22 Sm_a rt miStakeS | exhibition 30 reality iS Out there | special project 40 JaPan media art feStival | guest event 42 PerformanceS 44 4 Smart miStakeS Smart miStakeS 5 PROGRAMMe inauguration conference Performance FRI 15 WARM-UP 9.00 Pm ENIAC into the Wood p. 45 WARM-UP 06:00 Pm NICHOLAS NOVA WED 20 accidents and Failure as Fertile Creative ground for the Near Future p. 13 WARM-UP 09:00 Pm JAPAN MEDIA ART FESTIVAL GIO 28 Screening of selected videos from the 13th Japan media art festival p. 42 OPENING TUE 2 06:30 Pm regional museum of natural Science, via giolitti 36 07:30 Pm TEATRINO ELETTRICO DC12V p. 27 09:00 Pm SONIA CILLARI aS aN artiSt , i NeeD tO reSt p. 25 02:00 Pm CHRISTIAN ULRIK ANDERSEN ,TATIANA BAZZICHELLI , G EOFF 04:30 Pm ROBERTA BUIANI COX , and LES LIENS INVISIBLES Scientific visualisation: conquest of uncertainty? p. 14 WED 3 Smart mistakes, or Business as usual p. 13 05:15 Pm VALERIA GANDUS and JASMINA TEŠANOVI ć p. 14 03:30 Pm CHRISTOPHE BRUNO and SAMUEL TRONÇON artwar(e ) p. 14 06:15 Pm Kim Cascone the Failure of aesthetics p. 15 08:00 Pm Marko Batista Parallel Digital StruCtureS p. 46 09:30 Pm Giacomo Verde multi -r eVerSe p. 47 THU 4 03:00 Pm Les Liens Invisibles , r.i.O.t p. 40 02:30 Pm Mario Calabresi and Anna Masera p. 15 04:30 Pm Max Casacci and Wu-Ming 1 p. -
Program 15.30 Coffee, Tea 15.45 – 17.30 Alternative Search 1 > P.07 Speakers: Matthew Fuller, Cees Snoek, Ippolita Collective
FRIDAY, NOVEMBER 13 TrouwAmsterdam 09.30 Doors open, coffee and tea 10.00 Welcome 10.15 – 12.30 Society of the Query > p.02 Speakers: Yann Moulier Boutang, Matteo Pasquinelli, Teresa Numerico, David Gugerli 12.30 – 13.30 Lunch 13.30 – 13.45 Book presentation by Konrad Becker > p.05 Deep Search: The Politics of Search beyond Google 13.45 – 15.30 Digital Civil Rights > p.05 Speakers: Joris van Hoboken, Ingmar Weber Program 15.30 Coffee, tea 15.45 – 17.30 Alternative Search 1 > p.07 Speakers: Matthew Fuller, Cees Snoek, Ippolita Collective SATURDAY, NOVEMBER 14 TrouwAmsterdam 09.30 Doors open, coffee and tea 10.00–12.30 Art and the Engine > p.10 Speakers: Lev Manovich, Daniel van der Velden, Christophe Bruno, Allessandro Ludovico 12.30 – 13.30 Lunch 13.30 – 13.45 FLARF poetry performance by Ton van ’t Hof > p.12 13.45 – 15.30 Googlization > p.13 Speakers: Siva Vaidhyanathan, Martin Fuez, Esther Weltevrede 15.30 Coffee, tea 15.45 – 17.30 Alternative Search 2 > p.15 Speakers: Florian Cramer, Antoine Isaac, Steven Pemberton 20.30 – 22.30 Evening program > p.17 TrouwAmsterdam, De Verdieping INTRODUCTION With the Society of the Query conference - Stop Searching, Start Questioning -, the Institute of Network Cultures aims to critically reflect on the information society and the dominant role of the search engine in our culture. What does this high dependency on search engines to manage the complex system of knowledge on the Internet mean? What alternatives exist? What is the future of interface design? How do we deal with centralization on the Web and how does this relate to many social media platforms increasingly becoming more syndicated, divorcing content form structure? Search is the way we now live. -
Chris Sharp Théo-Mario Coppola Katia Kameli Christophe Bruno
Été / Summer 2021 Chris Sharp Katia Kameli Florence Jung Théo-Mario Coppola Christophe Bruno Camille Picquot Taysir Batniji 02 Revue d’art contemporain gratuite / 02 Free Contemporary Art Review Tarik Kiswanson Mirrorbody Carré d’Art, Nîmes VINCENT GEYSKENS 28.05.21 05.09.21 , 2020. Courtesy de l’artiste. Photo Vinciane Lebrun. © Tarik Kiswanson © Tarik Lebrun. Vinciane Courtesy Photo , 2020. de l’artiste. Nest Dates & Infos : www.carreartmusee.com more info GRAND ARLES EXPRESS 2021 LES RENCONTRES DE LA PHOTOGRAPHIE © Vincent Geyskens, ‘i conformisti’, 2020, oil on canvas, 60 x 80 cm. Photo: Lieven Herreman M-LIFE Tarik_MIRRORBODY_02_20210507.indd 1 19.05.21 09:31 HASSAN SHARIF Circumnavigation I AM THE SINGLE WORK ARTIST jusqu’à épuisement JUSQU’AU 26 SEPT. 2021 Clarissa Tossin Hassan Sharif, Jumping No.2, 1983, photographie sur carton, 98 × 73,2 cm, documentation de la performance à Dubaï, collection Guggenheim Abu Dhabi. Photo : Guggenheim Abu Dhabi. 01.07 — 31.10.2021 , 2021 ; 18 cm x 10 cm x 5 cm ; Terre cuite © Photo: Brica Wilcox — Courtesy de l’artiste — Courtesy Brica Wilcox © Photo: cuite ; 18 cm x 10 5 Terre , 2021 kunsthallemulhouse.com Becoming Mineral K51 A_P ZERO 2 210*297.indd 1 15/06/2021 18:09 Prix des Arts Visuels Une exposition proposée par Julien Arnaud Du 03/07 au 12/09/2021 26 JUIN 29 AOÛT 2021 FRANCESCO FONASSI MICHALA JULINYOVA BERNHARD RÜDIGER FLORENCE SCHMITT Anthony Bodin LEANDER SCHÖNWEGER (DÉTAIL), 2016 / PHOTO : ALBERTO RICCI COURTESY DE L’ARTISTE © ADAGP, PARIS, 2021 Ariane Yadan Benoit Baudinat LA MAISON -
25 Years of Ars Electronica
Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 -
Networked Disruption Networked
NETWORKED DISRUPTION fter the emergence of Web 2.0, the critical framework of art and hacktivism has shifted from developing strategies of opposition to embarking on the art of disruption. By identifying the present Acontradictions within the economical and political framework of Web 2.0, hacker and artistic practices are analysed through business instead of in opposition to it. Connecting together disruptive practices of networked art and hacking BAZZICHELLI TATIANA TATIANA BAZZICHELLI in California and Europe, the author proposes a constellation of social networking projects that challenge the notion of power and hegemony, such as mail art, Neoism, Th e Church of the SubGenius, Luther Blissett, Anonymous, Anna Adamolo, Les Liens Invisibles, the Telekommunisten collective, Th e San Francisco Suicide Club, Th e Cacophony Society, the NETWORKED early Burning Man Festival, the NoiseBridge hackerspace, and many others. Tatiana Bazzichelli is a PhD Scholar at Aarhus University. She was a visiting scholar at Stanford University (2009) and is part of the transmediale DISRUPTION festival team in Berlin. Active in the Italian hacker community since the end of the ’90s, her project AHA won the honorary mention for digital RETHINKING OPPOSITIONS IN ART, HACKTIVISM communities at Ars Electronica in 2007. She has previously written the book Networking: Th e Net as Artwork (Costa & Nolan, 2006/DARC, AND THE BUSINESS OF SOCIAL NETWORKING 2008). www.networkingart.eu PHD DISSERTATION · AARHUS UNIVERSITY 2011 NETWORKED DISRUPTION Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking Tatiana Bazzichelli PhD Dissertation Department of Information and Media Studies Aarhus University 2011 Supervisor: Søren Pold, Associate Professor Department of Information and Media Studies, Aarhus University. -
Algorithmic Anxiety in Contemporary Art: a Kierkegaardian Inquiry Into the Imaginary of Possibility Patricia De Vries
ALGORITHMIC ANXIETY IN CONTEMPORARY ART: A KIERKEGAARDIAN INQUIRY INTO THE IMAGINARY OF POSSIBILITY PATRICIA DE VRIES A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 33 ALGORITHMIC ANXIETY IN CONTEMPORARY ART: A KIERKEGAARDIAN INQUIRY INTO THE IMAGINARY OF POSSIBILITY PATRICIA DE VRIES 2 THEORY ON DEMAND Theory on Demand #33 Algorithmic Anxiety in Contemporary Art: A Kierkegaardian Inquiry intothe Imaginary of Possibility Author: Patricia de Vries Editing: Scott Wark Production: Sepp Eckenhaussen Cover design: Katja van Stiphout Supported by the Amsterdam University of Applied Sciences, Faculty of Digital Media and Creative Industries. Published by the Institute of Network Cultures, Amsterdam, 2019 ISBN: 978-94-92302-52-6 Contact Institute of Network Cultures Phone: +3120 5951865 Email: [email protected] Web: http://www.networkcultures.org This publication is published under the Creative Commons Attribution-NonCommercial- NoDerrivatives 4.0 International (CC BY-NC-SA 4.0) licence. This publication may be ordered through various print-on-demand-services or freely downloaded from http://www.networkcultures.org/publications. ALGORITHMINC ANXIETY IN CONTEMPORARY ART 3 4 THEORY ON DEMAND CONTENTS INTRODUCTION: FROM ALGORITHMS TO ALGORITHMIC CULTURE 6 1. FROM ALGORITHMIC CULTURE TO ALGORITHMIC ANXIETY 16 2. MASKED AND CAMOUFLAGED: THWARTING OFF FACIAL RECOGNITION ALGORITHMS, OR THE POSSIBILITY OF SELF 35 3. A SPECTER, A DIETY AND A FLOOD IN THE BLACK BOX OF FINANCE, OR THE POSSIBLE IN THE ACTUAL 57 4. WALKING IN CIRCLES IN THE SEARCH ENGINE, OR COLLECTING THE POSSIBLE 94 CONCLUSION: FROM ALGORITHMIC ANXIETY TO ALGORITHMIC POSSIBILITY, OR MOVEMENT AT THE SPOT 126 BIBLIOGRAPHY 136 ACKNOWLEDGMENTS 154 ABOUT THE AUTHOR 156 ALGORITHMINC ANXIETY IN CONTEMPORARY ART 5 6 THEORY ON DEMAND INTRODUCTION: FROM ALGORITHMS TO ALGORITHMIC CULTURE For a long time, artistic engagement with algorithms was marginal in contemporary art. -
A Peer-Reviewed Journal About POST-DIGITAL RESEARCH
A Peer-Reviewed Journal About POST-DIGITAL RESEARCH Jamie Allen Morten Riis Christian Ulrik Andersen Eric Snodgrass Josephine Bosma Winnie Soon Christophe Bruno Bodil Marie Stavning James Charlton Thomsen Budhaditya Chattopadhyay Christian Ulrik Andersen, Florian Cramer Geoff Cox and Georgios Geoff Cox Papadopoulos (Eds.) Jonas Fritsch Robert Jackson Magnus Lawrie Alessandro Ludovico Georgios Papadopoulos Lotte Philipsen Søren Bro Pold Volume 3, Issue 1, 2014 ISSN 2245-7755 1 Contents Christian Ulrik Andersen, Geoff Cox, Georgios Papadopoulos Editorial: Postdigital Research 4 THE POST-DIGITAL CONDITION Florian Cramer What is ‘Post-digital’? 10 Eric Snodgrass Dusk to dawn: horizons of the digital/post-digital 26 Magnus Lawrie Trash Versionality for Post-Digital Culture 42 Robert Jackson Four Notes Towards Propaganda and the Post-Digital Symptom 56 Geoff Cox Prehistories of the Post-digital: Or, Some Old Problems with Post-anything 70 APPLICATIONS OF THE POST-DIGITAL Alessandro Ludovico Post-digital Publishing, Hybrid and Processual Objects in Print 78 Georgios Papadopoulos A Critical Engagement with Monetary Interfaces 86 Jonas Fritsch & Bodil Marie Stavning Thomsen An Ethology of Urban Fabric(s) 96 Josephine Bosma Post-Digital is Post-Screen: Arnheim’s Visual Thinking applied to Art in the Expanded Digital Media Field 106 Lotte Philipsen Who’s Afraid of the Audience? – Digital and Post-Digital Perspectives on Aesthetics 120 Budhaditya Chattopadhyay Object-Disoriented Sound: Listening in the Post-Digital Condition 132 POST-DIGITAL PRACTICE-BASED -
Michael Mandiberg Education 2003 MFA Photography and Media
Michael Mandiberg Associate Professor 14 Butler Pl Apt #82 College of Staten Island/CUNY Brooklyn NY, 11238 Doctoral Faculty [email protected] CUNY Graduate Center www.Mandiberg.com 917 572 2488 Education 2003 MFA Photography and Media, California Institute of the Arts 2000 BA English (with Honors) & Visual Arts, Magna Cum Laude, Brown University 1998-2000 Photography Studies including Degree Project, Rhode Island School of Design 1998 Fine Arts Studies, San Francisco Art Institute, Semester Exchange Appointments 2012-present, Founder and Director, New York Arts Practicum 2011-present, Associate Professor, Department of Media Culture, College of Staten Island/CUNY 2011-present, Doctoral Faculty, CUNY Graduate Center, Interactive Technology and Pedagogy Certificate Program 2004-2011, Assistant Professor, Department of Media Culture, College of Staten Island/CUNY 2008-2010, Senior Fellow, Eyebeam Center for Art and Technology, New York 2007-2008, Research Fellow, Eyebeam Center for Art and Technology, New York 2003-2004, Full-time Faculty, Multimedia, Art Institute of Orange County, California 2003, Part-time Faculty, Digital Media, Brooks College, Long Beach, California Selected Internet Art Works 2014 Print Wikipedia 2009 HowMuchItCosts.us, http://howmuchitcosts.us/ 2008 31 Acts, with Marisa Olson, http://www.marisaolson.com/31acts/, September 10 2007 Real Costs, http://TheRealCosts.com, May 1 2006 Oil Standard, http://turbulence.org/Works/oilstandard, March 15 2005 IN Network, with Julia Steinmetz, http://turbulence.org/Works/innetwork,