Download Preview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
DARK PEAK NEWS February 2012
DARK PEAK NEWS February 2012 l Run like the clappers – Judith reveals her unique training regime l Triple crossing – triple views l Fashion statement horror l UXBs – watch where you're putting your feet In this edition» est. 1976 www.dpfr.org.uk BRITISH CHAMPIONS Dark Peak are again the top dogs in British fell President: Eric Mitchell running. Men’s captain Rob Little tells the story of our magnificent victory in the Yorkshire Dales and reflects Chairman Secretary on “the special spirit from everyone when racing in the Paul Sanderson, Rob Moore brown vest”. 27 Milden Road, 2 Kerwen Close, Been there, done that, page 30 Wadsley Dore, Sheffield Sheffield S6 4AT S17 3DF SNARES COMPROMISE 0114 2206353 07766 520741 The Moscar estate has offered to put up signs warning [email protected] [email protected] about snares on its land after the incidents in which two Dark Peakers put their feet in them. Bob Berzins Treasurer Membership brings you up to date and asks for your help in policing Lynn Bland, Ann Watmore the scheme. 51 Hurlfield Ave 26 Robertson Drive News, page 4 Gleadless, Sheffield Sheffield, S6 5DY S12 2TL 0114 2338383 CHOP CHOP 0114 2646409 [email protected] [email protected] Sadly, it’s not all good news in that neck of the woods. The magnificent wind-stunted pines that used to characterise the climb to Stanage from the “haunted Clothing and Eqpt. Men’s Captain house” have fallen victim to an over-enthusiastic chain Richard Hakes Rob Little, saw. Mike Browell laments their passing. -
The Chartist Robin Hood: Thomas Miller’S Royston Gower; Or, the Days of King John (1838)
Studies in Scottish Literature Volume 44 Article 8 Issue 2 Reworking Walter Scott 12-31-2019 The hC artist Robin Hood: Thomas Miller’s Royston Gower; or, The aD ys of King John (1838) Stephen Basdeo Richmond: the American International University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Basdeo, Stephen (2019) "The hC artist Robin Hood: Thomas Miller’s Royston Gower; or, The aD ys of King John (1838)," Studies in Scottish Literature: Vol. 44: Iss. 2, 72–81. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/8 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. THE CHARTIST ROBIN HOOD: THOMAS MILLER’S ROYSTON GOWER; OR, THE DAYS OF KING JOHN (1838) Stephen Basdeo Thomas Miller was born in Gainsborough, Lincolnshire in 1807, to a poor family and in his early youth worked as a ploughboy before becoming a shoemaker’s apprentice. He had a limited education, but his mother encouraged him to read on a daily basis.1 In his adult life, he became a professional author. He greatly admired Walter Scott, whom he referred to as “the immortal author of Waverley.”2 Indeed, such was his admiration that it was in emulation of Scott’s Ivanhoe (1819) that Miller authored his own Robin Hood novel titled Royston Gower; or, The Days of King John, published in December 1838.3 Ivanhoe had a profound influence upon the Robin Hood legend. -
Mikee Delony Abilene Christian University Peer-Reviewed Robin
A REVIEW OF THE YEAR’S PUBLICATIONS IN ROBIN HOOD SCHOLARSHIP Mikee Delony Abilene Christian University Peer-reviewed Robin Hood scholarship published in 2015 includes two single-author books, two edited book chapters, and eight journal articles. These publications examine specific texts from the matter of Robin Hood, providing new approaches to familiar texts and further exploration of less-familiar materials. Many scholars also comment on the tradition’s capacity for seemingly endless adaptation and highlight the similar ideological and political threads woven through the materials. Shining an academic light upon five centuries of Robin Hood texts that celebrate political resistance and public activism against oppression takes on new importance in light of contemporary global resistance to government overreach and systemic oppression. Since Robin Hood scholarship also tends to resist categorization, I have loosely grouped these reviews by literary chronology and genre. GENERAL STUDIES In Reading Robin Hood: Content, Form, and Reception in the Outlaw Myth,1 Stephen Knight revisits the Robin Hood literary tradition from his position as one of the early pioneers in the field of Robin Hood studies. In his survey, which ranges from medieval oral ballads to twenty- first film and television adaptations, Knight notes the multivalent, “unhierarchial, nonlinear” (10) nature of the tradition and suggests that Deleuze and Guattari’s rhizomatic “model of multiplicity” (234) might best describe the “various, porous, [and] richly labile” legend (10). Writing that the Robin Hood tradition “renews itself in turns of current political forces and media of dissemination and consistently has as scant a respect for literary and formalistic authority as it has for social and legal forces of order” (253), Knight celebrates the characteristics that prevent the tradition from achieving canonical status at the same time they have remained relevant for centuries. -
Robin Hood and Other Outlaw Tales
Robin Hood and Other Outlaw Tales edited by Stephen Knight and Thomas Ohlgren ISBN: 9781580440677 (pb) DESCRIPTION: 9781580444248 (pdf) Although nearly everyone has heard the name of Robin Hood, few have actually read any medieval tales about the legendary outlaw. Stephen Knight and Thomas Ohlgren set out to correct this PRICE: discrepancy in their comprehensive collection of all pre-seventeenth-century Robin Hood tales. The $39.95 (pb) editors include such other "outlaw" figures as Hereward the Wake, Eustache the Monk, and Fouke le $32.00 (pdf) Fitz Waryn to further contextualize the tradition of English outlaw tales. In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the PUBLICATION DATE: ballads, plays, and romances that grew around his fame and impressed him on our fictional and 01 August 2000 (pb) historical imaginations. This edition is particularly useful for classrooms, with its extensive 01 August 2000 (pdf) introductions, notes, and glosses, enabling students of any level to approach the texts in their original Middle English. BINDING: Paperback & PDF eBook TABLE OF CONTENTS: Illustrations SIZE: 7 x10 General Introduction PAGES: The Chronicler's Robin Hood 742 Introduction PUBLISHER: Medieval Institute From Andrew of Wyntoun's Orygynale Chronicle (c. 1420) Publications From Walter Bower's Continuation of John of Fordun's Scotichronicon (c. 1440) IMPRINT: Medieval Institute From John Major's Historia Majoris Britanniae (1521) Publications From Richard -
Tics, Similarity and Dissimilarity of the Stories of Robin Hood in England and Robin and Marion in France
KU ScholarWorks | The University of Kansas Pre-1923 Dissertations and Theses Collection http://kuscholarworks.ku.edu The Development, Characteris- tics, Similarity and Dissimilarity of the Stories of Robin Hood in England and Robin and Marion in France by Bonnie Mae Bell 1907 Submitted to the Department of French of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts This work was digitized by the Scholarly Communications program staff in the KU Libraries’ Center for Digital Scholarship. Master thesis Romance Language French Bellf Bonnie M. 1907 "The development, character• istics, similarity, and dissimilarity of the stories of Robin Hood in England and Robin and Marion in France." THE DEVELOPMENT, CHARACTERISTICS, SIMILARITY, AMD DISSIMILARITY OP THE STORIES OF ROBIN HOOD IN. ENGLAND AND ROBIN AND MARION IN FRANCE. BONNIE M. BELL Graduate School 1907. Thesis written for Masters Degree in French, THE DEVELOPMENT, CHARACTERISTICS, SIMILARITY, AND DISSIMILARITY OP THE STORIES OP ROBIN HOOD IN ENGLAND AND ROBIN AND MARION IN PRANCE. Part 1. The story of Robin Hood has "floated down the stream of time" for many centuries and although it may hare lost a little of its fascination, there is still an at• tract Irenes s about it sufficient to interest many. Be• cause of the similarity of names in the English and Prench "ballads one would naturally think that RoMn Hood and Maid Marian might "be th^e same people as Robin and Marion. In reality these characters are not at all similar, and the stories themselres hare few points in common. -
Livermore Heritage Guild “Help Save Yesterday for Tomorrow”
Livermore Heritage Guild “Help Save Yesterday For Tomorrow” P.O. Box 961, Livermore, Ca. 94551 WWW.lhg.org Phone (925) 449-9927 Sept/Oct 2005 Vol. XXXIV No. 6 Foresters of America, Livermore Court #77 1745, a group was formed at Knarsborough Castle in By Larry Mauch England called the “Royal Foresters”. They claimed In August of 1892, the “Independent Order of Foresters” their origins went back to Robin Hood. In 1834, a and the “Ancient Order of Foresters of America” were convention was held at Rochdale, England and the both in Livermore soliciting members for their name was changed to “The Ancient Order of Foresters”. respective organizations. Both organizations attributed At the time, Court #1 was formed in England. Sometime their roots to Robin Hood and the Ancient Order of later, a court was formed in Philadelphia, Pa; the Foresters in England. The Independent Order of “Court of Good Speed, Court #201” which claimed its Foresters, today known only as the “Foresters”, was origins went back to the 1830’s in the United States. promoting insurance as a major benefit of membership Several other “Ancient Order of Foresters” courts are in their organization; purchasing a policy was documented in the 1840’s in the United States (New mandatory. The Ancient Order of Foresters of America, York and Boston). It appears most of the courts in the today known as the “Foresters of America”, was United States were abandoned by the time of the Civil promoting the traditions of the Foresters of England War. In 1864, Court Brooklyn #4421 in New York and and their commitment to “Unity, Benevolence and one other court existed. -
AFCA History Book
HISTORY of the ARLINGTON FOREST COMMUNITY and the ARLINGTON FOREST CITIZENS ASSOCIATION Fourth Edition John K. Naland Editor © 2015 Arlington Forest Citizens Association Contents Introduction 1 History 2 Building Arlington Forest 4 Arlington Forest Citizens Association 6 Honor Roll of Presidents 8 The Arlington Forester 9 Architecture of Arlington Forest 11 Neighborhood Landmarks 12 Geology 17 Remembrances: 18 Early Decades 18 Recent Decades 36 Looking to the Future 45 Year-by-Year History 1940-2015 47 Prefaces to Previous Editions 142 Bibliography 144 Appendix 146 75th Anniversary Proclamation Arlington Forest Sales Brochure Aerial Photographs (1934, 1940) Maps (1942-2015) This history is dedicated to the residents of Arlington Forest who have participated in the work of the Arlington Forest Citizens Association. Introduction to the 75th Anniversary Edition Happy 75th Anniversary Arlington Forest! This book tells the story of our neighborhood from pre-historic times to mid-2015. It incorporates most of the content created by the editors of the previous three editions to whom we owe a debt of gratitude for documenting Arlington Forest’s first 60 years: Fay Rosado, Alice Letzler, and Louise McCue (1969 edition); Elroy Nieweg and Paul Darnell, Jr. (1990 edition); and Elroy and Dorothy Nieweg (2000 edition). This fourth edition includes new essays on history, geology, architecture, and neighborhood landmarks. It also includes new maps, vintage photographs, and additional first-hand reminisces by past and current residents. The year-by-year chronology of events has been brought up to date, as have several of the historical essays contained in the previous editions. A bibliography has been added to aid readers who want to dig deeper into our history. -
Rorin Hoon - ERIES
_ Rorin Hoon - ERIES. Copyrighted 32 LE Sou sHtitit BRO De BENS = KORE THE STORY OF ROBIN HOOD. IT was about seven hundred years ago, in England, when Richard the First was King, that Rosin Hoop lived. At that time a large part of the land was covered with great forests, in which deer and other game run wild; and it was near the borders of one of these, called Sherwood Forest, that Robin Hood was born. From his earliest years he had a great love for all the manly out- door sports and games of those times; and he became very experé at them ; above all, in the use of the bow and arrows. He grew sé skillful in this that there was no archer in all the county round whe could compare with him, and he always carried off the prizes at the shooting matches. Beside this, he had bright wits, and a merry heart ; loved a song and a jest; and was liked by all who knew him But something took place which drove him into a way of life that, otherwise, he might not have chosen for himself. All the game in the forest belonged to the King. It was against the law to shoot it; and the King had men in the forest, called foresters, to catch those who did so and have them punished. One day, as Robin Hood was passing through the forest, he met with a party of these foresters. One of them was a man who had had a great name as an archer, and was jealous of Robin Hood’s growing fame. -
103 Foresters Mutinies and Death Sentences in the Local Regiment – 1914-18
103 FORESTERS MUTINIES AND DEATH SENTENCES IN THE LOCAL REGIMENT – 1914-18 ISSUE 2: The First Case – W Harvey’s death sentence, Western Front, February 1915 Authored by Valentine Yarnspinner, published by Loaf On A Stick Press, Nottingham, February 2015, Version 1.2. Distribute and quote as you like (non-commercial use only!). This is the second issue in a series of pamphlets, planned to be published over the next few years. Given that this is a work in progress, you will find that we will be revisiting earlier issues as the project develops, adding to or changing sections of previous publications. For some more information on People’s Histreh, please see the links below and have a look at the last page of this document. For comments, criticism etc. please contact us: [email protected] Please keep an eye on our (highly irregularly updated) blog to find future issues in this series, and information on events, past projects by People’s Histreh, etc.: http://peopleshistreh.wordpress.com You can also find us on one of those social media thingies: http://twitter.com/PeoplesHistreh Contents Introduction ........................................................................................................................................... 3 I. The 1st Foresters ........................................................................................................................ 4 II. The 1st Foresters at war – November 1914 to March 1915 ................................................. 8 III. W Harvey’s death sentence ................................................................................................... -
WM? Loug Dlin. Bros
{OrvRiEwT 1997 AG Louguein Baos: NEW YORK, WM? loug Dlin. Bros THE STORY OF ROBIN HOOD. I'l’ was about seven hundred years ago, in England, when Richard the First was King, that Robin Hood lived. At that time a large part of the land was covered with great forests, in which deer and other game ran wild; and it was near the borders of one of these, called Sherwood Forest, that Robin Hood was born. From his earliest years he had a great love for all the manly out-door sports and games of those times, and he became very expert at them; above all, in the use of the bow and arrow. He grew so skillful in this that there was no archer in all the country round who could com- pare with him, and he always carried off the prizes at the shooting matches. Besides this, he had bright wits, and a merry heart; loved a song anda jest; and was liked by nearly everybody who knew him. But something took place which drove him into a way of life that, otherwise, he aight not have chosen for himself. In those days ail the game, in the forest be- longed to the King; it was against the law to shoot it; and the King had men in the forest, called foresters, to catch those who did so and have them punished. One day, as Robin Hood was passing through the forest, he met with a party of these foresters. One of them was a man who had a great name as an archer, and was jealous of Robin Hood's growing fame. -
Robin Hood and the Crusades: When and Why Did the Longbowman of the People Mount up Like a Lord?
12fl_23.1_knight.qxd 2008/11/19 16:02 PM Page 201 Robin Hood and the Crusades: When and Why Did the Longbowman of the People Mount Up Like a Lord? Stephen Knight In the mid 1950s some thirty million people in Britain and the United States would each week watch an episode of the British-made The Adventures of Robin Hood. It starred Richard Greene as the officer-type hero, returned from the crusades and forced, through the vileness of the Norman lords under bad Prince John, to take to the forests to defend English freedom.1 As a nobleman and a returning crusader, Robin rode into the open- ing scene, and he is remembered as a cavalryman: the theme song, still widely known, goes “Robin Hood, Robin Hood, riding through the glen, Robin Hood, Robin Hood, with his band of men.”2 But what does this imply? Is it just Robin on a horse leading his faith- ful infantry? Or are all the band mounted, like fox-hunters, or lost cowboys? Or are the two lines alternatives: perhaps Robin might either ride through the glen on his own or might just be there on foot with his band of men? And why, in any case, is it a glen — a word connected with Scotland, not English Nottingham? This paper will discuss issues like these in light of the long-lasting Robin Hood tradition. But the most interesting question is simply where this idea of Robin on horseback came from, and where and why the crusades became involved. 1 For a description of the series and its reception, see Richards,“Robin Hood on Film and Television,”67.