A Bundle of Ballads
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Chartist Robin Hood: Thomas Miller’S Royston Gower; Or, the Days of King John (1838)
Studies in Scottish Literature Volume 44 Article 8 Issue 2 Reworking Walter Scott 12-31-2019 The hC artist Robin Hood: Thomas Miller’s Royston Gower; or, The aD ys of King John (1838) Stephen Basdeo Richmond: the American International University Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Basdeo, Stephen (2019) "The hC artist Robin Hood: Thomas Miller’s Royston Gower; or, The aD ys of King John (1838)," Studies in Scottish Literature: Vol. 44: Iss. 2, 72–81. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/8 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. THE CHARTIST ROBIN HOOD: THOMAS MILLER’S ROYSTON GOWER; OR, THE DAYS OF KING JOHN (1838) Stephen Basdeo Thomas Miller was born in Gainsborough, Lincolnshire in 1807, to a poor family and in his early youth worked as a ploughboy before becoming a shoemaker’s apprentice. He had a limited education, but his mother encouraged him to read on a daily basis.1 In his adult life, he became a professional author. He greatly admired Walter Scott, whom he referred to as “the immortal author of Waverley.”2 Indeed, such was his admiration that it was in emulation of Scott’s Ivanhoe (1819) that Miller authored his own Robin Hood novel titled Royston Gower; or, The Days of King John, published in December 1838.3 Ivanhoe had a profound influence upon the Robin Hood legend. -
Mikee Delony Abilene Christian University Peer-Reviewed Robin
A REVIEW OF THE YEAR’S PUBLICATIONS IN ROBIN HOOD SCHOLARSHIP Mikee Delony Abilene Christian University Peer-reviewed Robin Hood scholarship published in 2015 includes two single-author books, two edited book chapters, and eight journal articles. These publications examine specific texts from the matter of Robin Hood, providing new approaches to familiar texts and further exploration of less-familiar materials. Many scholars also comment on the tradition’s capacity for seemingly endless adaptation and highlight the similar ideological and political threads woven through the materials. Shining an academic light upon five centuries of Robin Hood texts that celebrate political resistance and public activism against oppression takes on new importance in light of contemporary global resistance to government overreach and systemic oppression. Since Robin Hood scholarship also tends to resist categorization, I have loosely grouped these reviews by literary chronology and genre. GENERAL STUDIES In Reading Robin Hood: Content, Form, and Reception in the Outlaw Myth,1 Stephen Knight revisits the Robin Hood literary tradition from his position as one of the early pioneers in the field of Robin Hood studies. In his survey, which ranges from medieval oral ballads to twenty- first film and television adaptations, Knight notes the multivalent, “unhierarchial, nonlinear” (10) nature of the tradition and suggests that Deleuze and Guattari’s rhizomatic “model of multiplicity” (234) might best describe the “various, porous, [and] richly labile” legend (10). Writing that the Robin Hood tradition “renews itself in turns of current political forces and media of dissemination and consistently has as scant a respect for literary and formalistic authority as it has for social and legal forces of order” (253), Knight celebrates the characteristics that prevent the tradition from achieving canonical status at the same time they have remained relevant for centuries. -
Robin Hood and Other Outlaw Tales
Robin Hood and Other Outlaw Tales edited by Stephen Knight and Thomas Ohlgren ISBN: 9781580440677 (pb) DESCRIPTION: 9781580444248 (pdf) Although nearly everyone has heard the name of Robin Hood, few have actually read any medieval tales about the legendary outlaw. Stephen Knight and Thomas Ohlgren set out to correct this PRICE: discrepancy in their comprehensive collection of all pre-seventeenth-century Robin Hood tales. The $39.95 (pb) editors include such other "outlaw" figures as Hereward the Wake, Eustache the Monk, and Fouke le $32.00 (pdf) Fitz Waryn to further contextualize the tradition of English outlaw tales. In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the PUBLICATION DATE: ballads, plays, and romances that grew around his fame and impressed him on our fictional and 01 August 2000 (pb) historical imaginations. This edition is particularly useful for classrooms, with its extensive 01 August 2000 (pdf) introductions, notes, and glosses, enabling students of any level to approach the texts in their original Middle English. BINDING: Paperback & PDF eBook TABLE OF CONTENTS: Illustrations SIZE: 7 x10 General Introduction PAGES: The Chronicler's Robin Hood 742 Introduction PUBLISHER: Medieval Institute From Andrew of Wyntoun's Orygynale Chronicle (c. 1420) Publications From Walter Bower's Continuation of John of Fordun's Scotichronicon (c. 1440) IMPRINT: Medieval Institute From John Major's Historia Majoris Britanniae (1521) Publications From Richard -
Robin Hood and the Crusades: When and Why Did the Longbowman of the People Mount up Like a Lord?
12fl_23.1_knight.qxd 2008/11/19 16:02 PM Page 201 Robin Hood and the Crusades: When and Why Did the Longbowman of the People Mount Up Like a Lord? Stephen Knight In the mid 1950s some thirty million people in Britain and the United States would each week watch an episode of the British-made The Adventures of Robin Hood. It starred Richard Greene as the officer-type hero, returned from the crusades and forced, through the vileness of the Norman lords under bad Prince John, to take to the forests to defend English freedom.1 As a nobleman and a returning crusader, Robin rode into the open- ing scene, and he is remembered as a cavalryman: the theme song, still widely known, goes “Robin Hood, Robin Hood, riding through the glen, Robin Hood, Robin Hood, with his band of men.”2 But what does this imply? Is it just Robin on a horse leading his faith- ful infantry? Or are all the band mounted, like fox-hunters, or lost cowboys? Or are the two lines alternatives: perhaps Robin might either ride through the glen on his own or might just be there on foot with his band of men? And why, in any case, is it a glen — a word connected with Scotland, not English Nottingham? This paper will discuss issues like these in light of the long-lasting Robin Hood tradition. But the most interesting question is simply where this idea of Robin on horseback came from, and where and why the crusades became involved. 1 For a description of the series and its reception, see Richards,“Robin Hood on Film and Television,”67. -
The Common Touch
The Common Touch The Common Touch Popular Literature from the Elizabethans to the Restoration Volume I Paul A. Scanlon and Adrian Roscoe The Common Touch: Popular Literature from the Elizabethans to the Restoration, Volume I Paul A. Scanlon and Adrian Roscoe This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Paul A. Scanlon and Adrian Roscoe All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6021-2, ISBN (13): 978-1-4438-6021-5 TABLE OF CONTENTS List of Illustrations ................................................................................... viii Acknowledgements .................................................................................... ix Introduction ................................................................................................. x Broadside Ballads ........................................................................................ 1 Against Filthy Writing, and Such Like Delighting The Cucking of a Scould The Great Boobee A Briefe Sonet Declaring the Lamentation of Beckles A Caveat for Cut-purses A Light Hearts a Iewell A Ditty Delightfull of Mother Watkins Ale A He-Deuil -
Francis James Child and William Macmath Working Together for Ballads
THE CAUSE Francis James Child and William Macmath Working Together for Ballads Mary Ellen Brown• • , Editor Contents Acknowledgements The Cause The Letters Index Acknowledgments The letters between Francis James Child and William Macmath reproduced here belong to the permanent collections of the Houghton Library, Harvard University and the Hornel Library, Broughton House, Kirkcudbright, a National Trust for Scotland property. I gratefully acknowledge the help and hospitality given me by the staffs of both institutions and their willingness to allow me to make these materials more widely available. My visits to both facilities in search of data, transcribing hundreds of letters to bring home and analyze, was initially provided by the John Simon Guggenheim Memorial and Andrew W. Mellon foundations and subsequently—for checking my transcriptions and gathering additional material--by the Office of the Provost for Research at Indiana University Bloomington. This serial support has made my work possible. Quite unexpectedly, two colleagues/friends met me the last time I was in Kirkcudbright (2014) and spent time helping me correct several difficult letters and sharing their own perspectives on these and other materials—John MacQueen and the late Ronnie Clark. Robert E. Lewis helped me transcribe more accurately Child’s reference and quotation from Chaucer; that help reminded me that many of the letters would benefit from copious explanatory notes in the future. Much earlier I benefitted from conversations with Sigrid Rieuwerts and throughout the research process with Emily Lyle. Both of their published and anticipated research touches on related publications as they have sought to explore and make known the rich past of Scots and the study of ballads. -
A Bundle of Ballads
A Bundle of Ballads Henry Morley A Bundle of Ballads Table of Contents A Bundle of Ballads............................................................................................................................................1 Henry Morley...........................................................................................................................................1 INTRODUCTION BY THE EDITOR....................................................................................................2 CHEVY CHASE......................................................................................................................................6 SECOND FYTTE....................................................................................................................................7 CHEVY CHASE (the later version.).....................................................................................................10 THE NUT−BROWN MAID..................................................................................................................19 ADAM BELL, CLYM OF THE CLOUGH, AND WILLIAM OF CLOUDESLIE.........................................28 THE FIRST FYTTE..............................................................................................................................28 THE SECOND FYTTE.........................................................................................................................34 THE THIRD FYTTE.............................................................................................................................39 -
Radical Medievalism Pierce E
© 2016, the Author. This is the final version of a chapter published in Imagining the Victorians. Reproduced with permission from the publisher. Basdeo, S. (2016) Radical Medievalism: Pierce Egan’s the Younger’s Robin Hood, Wat Tyler, and Adam Bell. In: Basdeo, S. and Padgett, L. Eds. Imagining the Victorians: Leeds Working Papers in Victorian Studies. 15. pp. 48-64. Leeds Centre for Victorian Studies. Radical Medievalism: Pierce Egan’s the Younger’s Robin Hood, Wat Tyler, and Adam Bell Stephen Basdeo1 [email protected] Leeds Trinity University Brownberrie Lane Horsforth Leeds LS18 5HD Introduction In 1866 an anonymous correspondent in MacMillan’s Magazine declared that: There is a mighty potentate in England whose name is Pierce Egan […] Many among us fancy that they have a good general idea of what is English literature. They think of Tennyson and Dickens as the most popular of our living authors. It is a fond delusion, from which they should be aroused. The works of Mr. Pierce Egan are sold by the half million. What living author can compare with him?2 The author whom the writer was referring to was Pierce James Egan (1814-1880), usually styled ‘the younger’ to distinguish him from his more famous father who bears the same name. Egan began his working life as an illustrator, and he provided the illustrations to some of his father’s works such as The Pilgrims of the Thames in Search of the National (1838).3 After having collaborated with his father on The Pilgrims of the Thames, he turned his attention to writing, and in the -
Robin Hood and Other Outlaw Tales
Robin Hood and Other Outlaw Tales Edited by Stephen Knight and Thomas Ohlgren with contributions by Thomas E. Kelly Russell A. Peck Michael Swanton Paul Whitfield White Published for TEAMS (The Consortium for the Teaching of the Middle Ages) in Association with the University of Rochester by Medieval Institute Publications WESTERN MICHIGAN UNIVERSITY Kalamazoo, Michigan — 2000 Contents Illustrations vii Preface xiii General Introduction 1 Select Bibliography 18 The Chroniclers' Robin Hood Introduction 21 From Andrew of Wyntoun's Orygynale Chronicle (c. 1420) 24 From Walter Bower's Continuation of John of Fordun's Scotichronicon (c. 1440) 25 From John Major's Historia Majoris Britanniae (1521) 26 From Richard Grafton's Chronicle at Large (1569) 27 Early Ballads and Tales Robin Hood and the Monk 31 Robin Hood and the Potter 57 A Gest ofRobyn Hode 80 Robin Hood and Guy of Gisborne 169 The Tale of Gamelyn 184 Robyn and Gandelyn 227 Adam Bell, Clim of the Clough, and William of Cloudesley 235 Robin Hood Plays Robyn Hod and the Shryff off Notyngham 269 Robin Hood and the Friar and Robin Hood and the Potter 281 Introduction to the Munday Plays 296 The Downfall of Robert, Earle of Huntington, by Anthony Munday 303 From The Death of Robert, Earle of Huntington, by Anthony Munday 402 Robin Hood and His Crew of Souldiers 441 Later Ballads Introduction 453 Robin Hood and the Curtal Friar 458 The Jolly Pinder of Wakefield 469 Robin Hood and Little John 476 Robin Hood and Allin a Dale 486 Robin Hood and Maid Marian 493 Robin Hood and Will Scarlet 499 -
A Comparative Study of Ballad Editing and Shakespeare Editing in the Eighteenth Century
THE ORIGIN AND THE DEVELOPMENT OF SCHOLARLY EDITING: A COMPARATIVE STUDY OF BALLAD EDITING AND SHAKESPEARE EDITING IN THE EIGHTEENTH CENTURY MINORU MIHARA A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY Shakespeare Institute Department of English School of Humanities The University of Birmingham University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Thomas Percy created the unprecedented ballad collection, Reliques of Ancient English Poetry, all the five editions of which were published in 1765, 1767, 1775, 1794 and 1812 respectively. Edmond Malone's edition of Shakespeare (1790) constructed the model of the succeeding scholarly editions. Malone's editorial impact was also reflected in Percy's Reliques, crossing a line of literary genre between balladry and Shakespeareana. What this thesis centres on is how Malone's editorial principle influenced the fourth edition of the Reliques, more faithful to a source book of the Reliques, his Folio MS than the earlier editions. This respect for an original document resulted from the new trend in eighteenth-century editing that Malone reinforced. From the viewpoint of the study of Percy's Reliques, this thesis considers how significant the fresh tendency is in the history of scholarly editing. -
An Account of the Sirname Edgar: and Particularly of the Family of Wedderlie in Berwickshire. [With Plates.]
' National ™ryofScoH! *B000059987 (Mjjm. Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://www.archive.org/details/accountofsirnameOOarch AN ACCOUNT OF THE SIRNAME (ftipr: AND PAETICULAKLY OP THE FAMILY OF WEDDERLIE BERWICKSHIRE J. H. LAWRENCE-LECHER. k CAPTAIN H.P. ^^- '- ';.. s-v; LONDON: JOHN CAMDEN HOT TEN. EDINBURGH : T. G. STEVENSON. MDCCCLXXIII. LEAMINGTON : PRINTED BY DAVID SARNEY, 44, REGENT STREET. Contents. Prefatory Remarks Calendar of State Papers 79 Edgar of Wedderlie 1 The Darien Company 79 Descent of the Edgar Lairds of Wedderlie 8 The Lyon Register 79 Cadets of Wedderlie 14 Register of Deeds 81 Edgar of Edinburgh and Peffermiln 17 Inventory of Papers 86 Edgar of Newtoun 19 Decisions of the Court of Session 86 Edgars of Dunse, Auchingrammont, and Bridgelands 20 Inventory of Consistorial Processes 90 Edgars of Inchgall, and Edinburgh 25 Unextracted Processes 91 Edgars in Galloway, and of Midlocharwoods 27 Extractors of the Court of Session 91 Edgar of Keithock 28 Register of Public Notaries 92 Edgars in Ireland 33 Universities and Colleges 92 Edgars in England 33 Records of Royal Burghs 94 Chartularies, &c 49 Court Books of Berwickshire 96 Register of the Great Seal 54 Commissariot Records, and Testaments 100 Register of the Privy Seal 63 Edicts of Executory Ill Inquisitions 65 Parish Registers 112 Service of Heirs 67 Parish Registers ( England ) 123 Register of Seisins 69 Monumental Inscriptions 128 Register of Entails 74 Notices of Edgar in the Older Journals, &c 132 Rymer's Fcedera : Compota Camerariorum ; and Errata 137 Accounts of Lord High Treasurer 75 Additions and General Notes 141 Acts of Lords of Council 76 Errata to Tabulated Pedigree 156 Acts of Parliament and Privy Council 76 General Index 159 S/aklatcb Dtbijjms. -
Lollard Polemic in Pre-Reformation Popular
THE IMPOVERISHED AND THE EMPOWERED: LOLLARD POLEMIC IN PRE-REFORMATION POPULAR EXPRESSION by Rebecca Allen Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of English Texas Christian University Fort Worth, Texas December 10, 2012 ii THE IMPOVERISHED AND THE EMPOWERED: LOLLARD POLEMIC IN PRE-REFORMATION POPULAR EXPRESSION Project Approved: Jill C. Havens, Ph.D. Department of English (Supervising Professor) Ariane Balizet, Ph.D. Department of English Jodi Campbell, Ph.D. Department of History & Geography iii TABLE OF CONTENTS INTRODUCTION ...............................................................................................................1 SURVEY OF THE ROBIN HOOD LITERARY TRADITION.........................................3 PIERS PLOWMAN...........................................................................................................13 LOLLARDY......................................................................................................................16 LOLLARD INFLUENCE ON POPULAR WORKS........................................................20 TENSION BETWEEN ORTHODOXY AND HETERODOXY......................................33 APPENDIX A....................................................................................................................36 APPENDIX B....................................................................................................................37 BIBLIOGRAPHY..............................................................................................................39