Undoing Yourself
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Israel Regardie and the Psychologization of Esoteric Discourse
Correspondences 3 (2015) 5–54 ISSN: 2053-7158 (Online) correspondencesjournal.com Israel Regardie and the Psychologization of Esoteric Discourse Christopher A. Plaisance E-mail: [email protected] Abstract This is an article in the history of Western esoteric currents that re-examines and clarifies the relationship between esoteric and psychological discourses within the works of Israel Regardie. One of the most common ways in which these two discourses have been found to be related to one another by scholars of the esoteric is through the process of “psychologization”— with Regardie often being put forth as a paragon of the process. This paper argues that a unitary conception of psychologization fails to adequately describe the specific discursive strategies utilized by Regardie. In order to accurately analyze his ideas, a manifold typology of complementary, terminological, reductive, and idealist modes of psychologization is proposed instead. Through this system of classification, Regardie’s ideas regarding the relationship between psychological and esoteric discourses are understood as a network of independent but non-exclusive processes, rather than as a single trend. It is found that all four modes of psychologization are present, both in relative isolation and in combination with one another, throughout his works. These results demonstrate that while it is accurate to speak of Regardie as having psychologized esoteric discourse, this can only be the case given an understanding of “psychologization” that is differentially nuanced in a way that, at least, accounts for the distinct discursive strategies this paper identifies. Keywords psychologization; method and theory; psychology and esotericism; science and religion; Israel Regardie; Golden Dawn © 2015 Christopher A. -
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Israel Regardie
This torrent represents a work of LOVE All texts so far gathered, as well as aU future gatherings aim at exposing interested students to occult information. Future releases will include submissions from users like YOU. For some of us, the time has come to mobilize. U you have an in terest in assisting in this process - we aUhave strengths to brin g to the table - please email occu lt .d igital.mobilizalion~gtt\O.il.com Complacency serves the old go ds. A GARDEN OF POM\EGRANATES AN OUTLINE OF THE QABALAH By the author: The Tree of Life My Rosicrucian Adventure The Art of True Healing ISRAEL REGARDIE The Middle Pillar The Philosopher's Stone The Golden Dawn Second Edition The Romance of Metaphysics Revised and Enlarged The Art and Meaning of Magic Be Yourself, the Art of Relaxation New Wings for Daedalus Twelve Steps to Spiritual Enlightenment The Legend of Aleister Crowley (with P.R. Stephensen) The Eye in the Triangle 1985 Llewellyn Publications St. Paul, Minnesota, 55164-0383, U.S.A. INTRODUCTION TO THE SECOND EDITION It is ironic that a period of the most tremendous technological advancement known to recorded history should also be labeled the Age of Anxiety. Reams have been written about modern man's frenzied search for his soul-and. indeed, his doubt that he even has one at a time when, like castles built on sand, so many of his cherished theories, long mistaken for verities, are crumbling about his bewildered brain. The age-old advice, "Know thyself," is more imperative than ever. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
West Side Story"
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-6-2014 12:00 AM Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story" Andrew M. Falcao The University of Western Ontario Supervisor Paul Coates The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Andrew M. Falcao 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Falcao, Andrew M., "Tragedy, Ecstasy, Doom: Modernist Moods of "West Side Story"" (2014). Electronic Thesis and Dissertation Repository. 2091. https://ir.lib.uwo.ca/etd/2091 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. TRAGEDY, ECSTASY, DOOM: MODERNIST MOODS OF “WEST SIDE STORY” (Thesis format: Monograph) by Andrew Michael Falcao Graduate Program in Global Film Cultures A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew M. Falcao 2014 i Abstract This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses. -
A Garden of Pomegranates (Regardie)
A GARDEN OF POM\EGRANATES AN OUTLINE OF THE QABALAH By the author: The Tree of Life My Rosicrucian Adventure The Art of True Healing ISRAEL REGARDIE The Middle Pillar The Philosopher's Stone The Golden Dawn Second Edition The Romance of Metaphysics Revised and Enlarged The Art and Meaning of Magic Be Yourself, the Art of Relaxation New Wings for Daedalus Twelve Steps to Spiritual Enlightenment The Legend of Aleister Crowley (with P.R. Stephensen) The Eye in the Triangle 1985 Llewellyn Publications St. Paul, Minnesota, 55164-0383, U.S.A. INTRODUCTION TO THE SECOND EDITION It is ironic that a period of the most tremendous technological advancement known to recorded history should also be labeled the Age of Anxiety. Reams have been written about modern man's frenzied search for his soul-and. indeed, his doubt that he even has one at a time when, like castles built on sand, so many of his cherished theories, long mistaken for verities, are crumbling about his bewildered brain. The age-old advice, "Know thyself," is more imperative than ever. The tempo of science has accelerated to such a degree that today's discoveries frequently make yesterday's equations obsolescent almost before they can be chalked up on a blackboard. Small wonder, then that every other hospital bed is occupied by a mental patient. Man was not constructed to spend his life at a crossroads, one of which leads he knows not where, and the other to threatened annihilation of his species. In view of this situation it is doubly reassuring to know that, even in the midst of chaotic concepts and conditions there still remains a door through which man, individually, can enter into a vast store-house of knowledge, knowledge as dependable and immutable as the measured tread of Eternity. -
[Aleister] Crowley
A REEVALUATION OF TI-IE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY A Thesis Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Charles Nicholas Serra II April 1991 A REEVALUATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY by Charles Nicholas Serra Il Approved by Committee: ~~.;.,. Dean of the School of Graduate Studies Dedicated to four instrumental people: For Aleister Crowley, who quested after "the light that never shone on land or sea"; for B. H. who provided patronage and patience; for Grace Eckley, who managed to nurse me through; and for L. L., "my Gitana, my Saliya," who has all the answers I lack, now in the ineffable. Unpublished Copyright. all rights reserved. 1991 1 A REEVALVATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Table of Contents Page Abstract ., . ............. ..... ... .......... u Section One: Yeats and the Golden Dawn . Section Two: Augoeides, Maturity and Mysticism. ...... .. ..... 17 Section Three: Literary Decline, the War Years 36 Works Consulted. ...... ...... .. ........................... 44 Notes. .......... ....... ............ 49 Textual Appendix. ......................................... IA 11 A REEVALVAnON OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Abstract For the last fifty years the poetry and prose of Edward Alexander [Aleister] Crowley (1875-1947) has been systematically ignored by scholars and critics on the narrow grounds that it deals with the occult sciences, is pornographic, or simply because detractors did not agree with Crowley's personal philosophy or life. Since the mid 1970's, however, academics have become increasingly interested in the mystical and occult content of William Butler Yeats's poetry, praising it for the same characteristics which have always been labeled "defects" in Crowley's work. -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate. -
The Black Lodge of Santa Cruz Bysatyr Tex Rii Bag Zaa Des VTI the Kaos-Babalon Press London Copyright © 2002 the Satyrikon All Rights Reserved
the black lodge of santa cruz bySatyr tex rii bag zaa des VTI The Kaos-Babalon Press London Copyright © 2002 The Satyrikon All rights reserved Citation: Satyr. “The Black Lodge of Santa Cruz.” In: Biroco, Joel (ed). KAOS 14: Supplement [pdf edition]. London: The Kaos-Babalon Press, 2002. I “Jacques de Molay was not roasted alive so we could put a Holy King on the throne.” Fr Spartacus In the spring of 1990, an ashlar was ripped from the foundation of the Caliphate Ordo Templi Orientis, heaved into the trunk of a Chevy Nova, taken by a steep and precipitous route to the California coast, and there for a time brought to rest. It was an ominous moment, the kind that though significant only to a handful, nonetheless spawned rumor, hearsay, and the balance of that from which myth and legend are born. One such rumor is that the person responsible—or persons responsible, as some might object—was a renegade “Wandering Bishop”, acting under the auspices of the Black Lodge of Santa Cruz, a clandestine initiatory body that had formed near the heart of the Caliphate and now threatened its very existence. Personally, I felt such speculation was mere fodder for foolish assumption, and am surprised to find it persists to this day. It is for this reason that I have found myself compelled to step forward, and present the truth of the matter as best I can. I can assure you that when I, the witness of these events, first came into contact with the Caliphate, becoming embroiled in an insane plot to break away from that celebrated body was the farthest thing from my intent. -
Wilson, Robert Anton Robert Anton Wilson (1932-2007) Was An
D. G. Robertson, “Wilson, Robert Anton” Forthcoming in: E. Asprem (ed.), Dictionary of Contemporary Esotericism Preprint manuscript of: D. G. Robertson, “Wilson, Robert Anton”, Dictionary of Contemporary Esotericism (ed. E. Asprem), Leiden: Brill. Archived at ContERN Repository for Self-Archiving (CRESARCH) https://contern.org/cresarch/cresarch-repository/ Feb. 5, 2019. Wilson, Robert Anton Robert Anton Wilson (1932-2007) was an American writer, known for the Illuminatus! Trilogy (1975, co-written with Robert Shea) and the autobiographical Cosmic Trigger (1977). He had a considerable influence upon the popularisation of “invented” religions, conspiracy theories, and Chaos Magick. Wilson was involved in early Discordianism, a satirical religion invented in 1957 by Greg Hill and Kerry Thornley, two Californian high school friends. It was based upon light-hearted worship of Eris, the Goddess of Chaos, and the philosophical position that all order is illusory, and salvation lies in embracing chaos and silliness. Discordianism developed largely through correspondence with a slowly expanding circle of smart, young, (mostly) white, male atheists, including Wilson. The material developed was compiled by Hill and published as the Principia Discordia in 1969. Wilson’s contributions included some conspiracist material on the Bavarian Illuminati, references to writers HP Lovecraft and James Joyce, and the “23 Enigma”, which states that once you are aware of it, you will start to see the number twenty-three everywhere. Discordianism provided many of the characters and themes of Illuminatus!, which Wilson was writing at the time with Robert Shea. While working as associate editors for Playboy, the two became fascinated by the many letters the magazine received spinning elaborate conspiratorial narratives concerning the Illuminati, the Council on Foreign Relations, the Vatican and the Kennedys. -
Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F
Mississauga Library System DVD Library - A to E 08/08 Call Number Title F ELEVE 11:14 F EIGHT 8 1/2 F TEN 10 F FIFTY 54 F THREE 300 F FOURT 1408 F NINET 1941 HINDI F NINET 1947 SF NINET 1984 F TWENT 2046 616.834 BUT "But you still look so well--" living with multiple sclerosis / X 636. 2142 F "F" is for farm do you know where the milk comes from? 914.39 GOO The "good life" in Hungary 620.5 N "N" is for nanotechnology 822.33 T7 "O" 784.54 WEI "Weird Al" Yankovic live! 747 YOU "You can do it!" home decorating series. 7 layers of design & Color courage 747 YOU "You can do it!" home decorating series. Nurturing spaces & Double duty 362.1 AND & thou shalt honor 302.23 HAT (Hate) machine 782. 42166 NSY *NSYNC Popodyssey live. F AND ...And give my love to the swallows 613.71 EIG :08 min. abs and arms CHINESE F ONE 1 litre of tears 973 TEN 10 days that unexpectedly changed America. 1 973 TEN 10 days that unexpectedly changed America. 2 973 TEN 10 days that unexpectedly changed America. 3 613.71 TEN 10 minute solution 613.71 TEN 10 minute solution carb burner 613.71 TEN 10 minute solution kickbox bootcamp. 613.71 TEN 10 minute solution Pilates 613.71 TEN 10 minute solution target toning for beginners 613. 7046 TEN 10 minute solution Yoga F TEN 10 things I hate about you F TEN 10,000 black men named George CHINESE F ONE 100 ways to murder your wife 629.13 ONE 100 years of flight J ONE 101 Dalmatians J ONE 101 Dalmatians II Patch's London adventure / 636. -
The 8-Circuit Model of Consciousness As a Model for Rhetorical Theory
Hendry/1 The 8-Circuit Model of Consciousness as a Model for Rhetorical Theory John Hendry Hendry/2 The 8-Circuit Model of Consciousness as a Model for Rhetorical Theory Introduction The connection between rhetoric and consciousness has been made mostly implicitly and in parts. Various scholars have made claims about the epistemic1 and ontological2 components of rhetoric, but few rhetorical theorists have directly attempted to link rhetoric to a more holistic view of consciousness. Perhaps the closest rhetoric has come to its own theorists of consciousness are Eric Havelock (The Muse Learns to Write, 1986) and Walter Ong (Orality and Literacy, 1982), whose work engages with the ways in which technological change and language have produced new forms of consciousness we may call rhetorical, but these studies of consciousness are constrained to particular epochs in history. While we may find useful analogies for modern living, neither Havelock nor Ong make claims about the current state of consciousness or its connection to the mediated rhetorical landscape of the twenty-first century. Ong’s central claim in Orality and Literacy is that “writing restructures consciousness” (77). He explains this change by saying that “the critical and unique breakthrough into new worlds of knowledge was achieved within human consciousness not when simple semiotic marking was devised but when a coded system of visible marks was invented whereby a writer could determine the exact words that the reader would generate from the text” (83). This insight, coming hundreds of years after the invention of writing and literacy, stands in stark contrast to 1 Robert Scott’s “On Viewing Rhetoric as Epistemic” (1967) produced a lively debate which drew in scholars like Michael Leff, Barry Brummett, and Sonja Foss over the years.