Il Trovatore Page 1 of 2 Opera Assn

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San Francisco War Memorial 1994 Il Trovatore Page 1 of 2 Opera Assn. Opera House New Production This production is made possible by generous gifts from the Franklin/Templeton Group of Funds and Mr. and Mrs. John R. Hamilton. Il Trovatore (in Italian) Opera in four acts by Giuseppe Verdi Libretto by Salvadore Cammarano Based on play by Antonio García Gutiérrez Conductor CAST Daniel Oren Ferrando Jeffrey Wells Stage Director Inez Elizabeth Bishop John Copley Leonora Claudia Waite (9/17,22,25) Set designer Aprile Millo Gerard Howland Il Conte di Luna Paolo Gavanelli Lighting Designer Manrico Fabio Armiliato Thomas J. Munn Azucena Dolora Zajick Chorus Director A Gypsy Daniel Sumegi Ian Robertson A messenger Alfredo Portilla Musical Preparation Ruiz Stephen Guggenheim Joyce Fieldsend Masahiro Sato Valery Ryvkin *Role debut †U.S. opera debut Ernest Fredric Knell PLACE AND TIME: Fifteenth-century Spain Philip Eisenberg Prompter Philip Eisenberg Assistant Stage Director Paula Williams Stage Manager Jerry Sherk Supertitles Christopher Bergen Saturday, September 17 1994, at 8:00 PM Act I (The Duel), Scene 1 -- The barracks Thursday, September 22 1994, at 7:30 PM Act I, Scene 2 -- The palace gardens Sunday, September 25 1994, at 2:00 PM Act II (The Gypsy), Scene 1 -- A Gypsy camp Wednesday, September 28 1994, at 7:30 PM Act II, Scene 2 -- A convent Saturday, October 1 1994, at 8:00 PM INTERMISSION Thursday, October 6 1994, at 8:00 PM Act III (The Gypsy's Son), Scene 1 -- A military encampment Tuesday, October 11 1994, at 8:00 PM Act III, Scene 2 -- The fortress of Castellor Act IV (The Torture), Scene 1 -- A tower in Aliaferia palace Act IV, Scene 2 -- A prison in Aliaferia palace San Francisco War Memorial 1994 Il Trovatore Page 2 of 2 Opera Assn. Opera House Sponsors: The performance of September 22nd is sponsored by Delta Air Lines The performance of September 28th is sponsored by American Airlines The performance of October 1st is sponsored by the Franklin/Templeton Group of Funds The performance of October 6th is sponsored by Lexus Notes: Scenery constructed in San Francisco Opera Scenic Studios Costumes executed by San Francisco Opera Costume Shop SUPERNUMERARIES Mary Freeman Kristina Kling Andrea Kohlruss Stephanie Salter Kimberly Thompson Joe Alietti John Atkinson Jim Bowes Peter Cannon Peter Clark David Dahlstrand Daniel Daniloff Nicholas Doxey Jim Dyvad Mark Fons Richard W. Johnson Andrew Korniej Ken Korpi Dan Kyte Andrew E. Melomet Ian Mishkin Lucas Rebston Louis Schilling Don Stoddard Michael Strickland Raymond R. Sullivan Mario Tarabini.

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San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera.
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1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
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Contact: Ruben Pimentel Rachel Krasner Director of Marketing & Communications Marketing & Events Associate [email protected] [email protected] 415.936.2323 415.936.2320 Jean Shirk [email protected] 510.332.4195 FOR IMMEDIATE RELEASE / May 24, 2017 Merola Opera Program 2017 Summer Festival continues its 60th Anniversary Season with Schwabacher Summer Concerts July 6 at 7:30 pm at San Francisco Conservatory of Music and July 9 at 2:30 pm at Bing Concert Hall at Stanford University (l to r: Anne Manson, David Lefkowich) (San Francisco, CA – May 24, 2017) - The acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the United States, celebrates its 60th Anniversary Season with the 2017 Summer Festival, presenting the popular Schwabacher Summer Concerts Thursday, July 6 at 7:30 pm at the San Francisco Conservatory of Music and Sunday, July 9 at 2:30 pm at the Bing Concert Hall at Stanford University. Conducted by Anne Manson and directed by David Lefkowich, the Schwabacher Summer Concert features this year’s Merola Opera artists performing extended scenes from operas including The Ballad of Baby Doe by Douglas Moore, Lucrezia Borgia by Gaetano Donizetti, Der Freischütz by Carl Maria von Weber, Thaïs by Jules Massenet, Cavalleria rusticana by Pietro Mascagni, and Street Scene by Kurt Weill. Tickets for the concert at the 1 San Francisco Conservatory of Music range from $25 to $45, with a limited number of $15 student tickets available. Tickets for the concert at Bing Concert Hall are $30 to $40. Conductor Anne Manson has served as Music Director of the Manitoba Chamber Orchestra since 2008 and recently renewed her contract through 2020.
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Hérodiade Herodiade Page 1 of 3 Opera Assn
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Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
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Dolora Zajick – Mezzosoprano
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Ernani Giuseppe Verdi Operas and Revision
Ernani Giuseppe Verdi Operas and Revision • Oberto, conte di San Bonifacio • First performance: Milan, Scala, 17 Nov 1839. • Un giorno di regio (Il Finto Stanislao) • First performance: Milan, Scala, 5 Sept 1840; alternative title used 1845 • Nabuccodonosor (Nabucco) • first performance: Milan, Scala, 9 March 1842 • Lombardi alla prima crociata • First performed: Milan, Scala, 11 Feb 1843 • Ernani • First performance: Venice, Fenice, 9 March 1844 • I due Foscari • First performance: Rome, Argentina, 3 Nov 1844 • Giovanna d’Arco • First performance: Milan, Scala, 15 Feb 1845 • Alzira • First performance: Naples, S Carlo, 12 Aug 1845 • Macbeth • First performance: Florence, Pergola, 14 March 1847 • I masnadieri • First performance: London, Her Majesty’s, 22 July 1847 • Jérusalem • First performance: Paris, Opéra, 26 Nov 1847 • Il Corsaro • First performance: Trieste, Grande, 25 October 1848 • La battaglia di Legnano • First performance: Rome, Argentina, 27 Jan 1849 • Luisa Miller • First performance: Naples, S Carlo, 8 Dec 1848 • Stiffelio • First performance: Trieste, Grnade, 16 Nov 1850; autograph used for Aroldo, 1857 • Rigoletto • First performance: Venice, Fenice, 11 March 1851 • Il trovatore • First performance: Rome, Apollo, 19 Jan 1853 • La Traviata • First performance: Venice, Fenice, 6 March 1853 • Les vêpres siciliennes • First performance: Paris, Opéra, 13 June 1855 • Simon Boccanegra • First performance: Venice, Fenice, 12 March 1857, rev. version Milan, Scala, 24 March 1881 • Aroldo • First performance: Rimini, Nuovo, 16 Aug 1857 • Un ballo in maschera • First performance: Rome, Apollo, 17 Feb 1859 • La forza del destino • First performance: St Petersburg, Imperial, 10 Nov 1862, rev. version Milan, Scala, 27 Feb 1869 • Don Carlos • First performance: Paris, Opéra, 11 March 1867, rev.
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Walker Lake a Delicate Balance
Once Nevada, Always Nevada • Fall 2007 TOP SCHOLARS SHINE AT NEVADA STATECOE SENATOR SWOBE WHO MADE A DIFFERENCE WALKER LAKE A delicate balance LATINO BUSINESS OWNERS STRUGGLE, BUT THRIVE MARY-ELLEN MCMULLEN ALUMNA OF THE YEAR REMEMBERS STUDENT DayS Like the University’s founders who planted a quadrangle of trees BENEFITS OF MEMBERSHIP at the heart of campus so many years ago… your generosity and • Listing in the Annual foresight will provide for an environment where great minds will thrive. Honor Roll of Donors and other publications (with permission) • Invitation to Annual Gratitude Event on campus • Nevada Legacy Society certificate and lapel pin • As a member of the Nevada Legacy Society you can choose where funds will be applied. AREAS IN NEED OF University Quadrangle, late 1800s. SUppORT INCLUDE: On behalf of the Foundation, we are pleased to announce the creation of the • Endowed student scholarships based on criteria set by the donor Nevada Legacy Society. • Innovative academic programs that prepare The society was formed to recognize and honor the commitment of those who have provided for students for 21st century the future support of the University under their estate or financial plans — regardless of the size of challenges the gift. • Lecture series that feature The launch of our Legacy Society also brings new opportunities to share examples of how an scientists, scholars, artists, individual can make a difference. Your confidence and investment is critical to securing Nevada’s and other leaders future, and we are grateful to be able to thank you now! • Professorships, chairships, If you have included the University of Nevada, Reno Foundation in your bequest, insurance policy, deanships and other trust or other planned gift, we would appreciate you contacting development programs us and letting us list your name in the future among others who to recruit the best faculty have provided resources to the Foundation.
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