Select Mindfulness Curriculum Modules for Adolescents Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Select Mindfulness Curriculum Modules for Adolescents Table of Contents Select Mindfulness Curriculum Modules for Adolescents Table of Contents 1 Basic Structure for Group Mindfulness Interventions for At-Risk Youth 5 Sample “Introduction to Mindfulness” Module 12 Sample “Mindfulness of the Body” Module 19 Sample “Mindfulness of the Emotions/Emotional Intelligence” Module 24 Sample “Mindful Listening” Module 30 Sample “Transforming Negative Core Beliefs” Module © Copyright 2011, The Mind Body Awareness Project. All rights reserved. Basic Structure for Group Mindfulness Interventions for At-Risk Youth Pre-Requisites & Set-up Pay attention to creating a good container. If you’re working in an institutional environment such as a juvenile call or a foster care facility, your first challenge is often going to be securing room-space that is quiet. While we encourage flexibility, our experience suggests that it’s wise to push for the following: UÊ Ê/ iÊV>ÃÃÊë>ViÊà Õ`ÊÌÊLiÊÊÌ iʺ«ÕLV»Ê«>ÀÌÊvÊÌ iÊv>VÌÞÊÞÕÊ>ÀiÊÊÜ iÀiÊÃÌ>vv]ÊÌi>V iÀÃ]ÊÀÊ visitors can walk through. Ideally you should push for a dedicated classroom space with some natu- ral light. UÊ Ê >ÃÃiÃÊà Õ`ÊÌ>iÊ«>ViÊÜÌ ÕÌÊ«ÀL>ÌÊvwViÀÃÊÀÊ>}iVÞÊÃÌ>vvÊÊÌ iÊÀ°Ê9ÕÌ Ê>ÞÊV ÃiÊ to collectively invite staff to participate as the program progresses, but initially it should be clarified that this space is completely separate from everything else happening in the agency/school/institution. UÊ Ê iÃÃ]ÊV >ÀÃÊÀÊVÕà ÃÊà Õ`ÊLiÊ>ÀÀ>}i`ÊÊ>ÊVÀVi°Ê/ iÊVÀViÊà Õ`ÊLiÊÌ} ÌÊÜÌ ÕÌÊLi}Ê cramped; there should be no empty chairs or desks. UÊ Ê>iÊ>Ê>}ÀiiiÌÊÜÌ ÊÌ iÊv>VÌÞÊÌ >ÌÊÃÌ>vvÊÜÊÌÊÌiÀÀÕ«ÌÊÌ iÊV>ÃÃÊViÊ̽ÃÊLi}Õ°ÊÊÞÕÌ É family or probation facilities, this can take some doing, as the class may occur during a time that youth are regularly administered medication or are called in for some other mandated activity. Hosting Facilitators have the responsibility to ‘host the party.’ It is your class, your party, your jam, and you are welcoming youth to Ì°Ê9ÕÊ>ÀiÊ>}Ê>ÊVi>ÀÊ`ÃÌVÌÊLiÌÜiiÊÌ iÊë>ViÊvÊÌ iÊ class, and the ‘ordinary’ space of the school/agency/juvie unit. Shake everybody’s hand when they come in, make eye contact with them, say ‘what’s up?’. Acknowledge each of them. Norms & Agreements When you’re first initiating mindfulness and council practice with the youth, it’s critical to have the group agree to norms and agreements up front. Discussion Points for Agreements: UÊ ,iëiVÌÊÞÕÀÃivÊ>`ÊÌ iÀÊiLiÀÃÊvÊÌ iÊ}ÀÕ« UÊ "iÊ«iÀÃÊÌ>}Ê>ÌÊ>ÊÌi UÊ Êà ÌÌ>}ÉÃ>à }ÊÊvÃÉVÀÃÃÊÌ>} UÊ 7 >ÌÊ >««iÃÊÊÌ iÊÀÃÊÃÌ>ÞÃÊÊÌ iÊÀ Script “Allright y’all… before we jump into the content of what we’re gonna be doing together, I want to take a step back and talk about the kind of space we’re making for ourselves here in this circle—in “Teaching Mindfulness & Emotional Literacy to At-Risk Youth” 1 this room. Most classes we take in our lives are about us learning an external skill. This class is an exception to that. What we’re doing here is looking is taking ourselves—what we think, feel and do—as the main subject. Not in some wack after-school special kind of way—but just in a straight- up human way. This class is basically a response to the fact that most of us—me included—spend a lot of our lives stressed out, playing games, and fronting. This space is an invitation to put down all the shit going through your head and get real with your- selves and each other. It’s a ritual that will allow you to see how you’re living more clearly and to shift shit that previously may have been hard or impossible to shift. To really have that work—to have everyone really show up and for this not turn into just another lame-ass activity on your list—we gotta throw down some rules for what this container is gonna be. The central agreement around which all others revolve is respect. Respect yourself and respect others in the group. There’s going to be times during these sessions when somebody is sharing their story, or something deep, and when they’re talking, let’s just let them talk and not interrupt them. We spend so much of our lives competing and positioning ourselves in a group; these sessions are really an experiment in taking a break from that shit. For just a short chunk of time, we’re going to experi- ence the relief of talking and listening without an agenda. If we all agree to this and abide by it, then when we’re all talking everyone else will respect us. Is that cool?” Scan the circle, make eye contact… “Let’s also not agree to smash people or talk shit about people in the group. Some of you may have all sorts of shit you are playing out outside of class. For this to work, you must experiment with put- ting all of that down to the best of your ability. I know you’re human—some days you’re gonna slip and that’s built into the plan. The key thing is, if some beef get’s started, can you stay open to chill- ing out and resolving it? Can you let me and the other folks in the group bring you back to neutral?? What I’m asking for now is your commitment to that intention. I am never going to disrespect you, but part of being here means being open to being asked to take a breath and re-focus when shit has gotten off track. Cool?” “The final agreement is confidentiality. Say it out loud with me—“what happens in this room stays in this room.” As we move forward in this work, people are going to be sharing deep, which will in-turn encourage others to throw down. For this to work the way it’s supposed to work, we can’t be sitting around wondering whether my PO, parents or crew is going to hear about the shit I’m saying. We need to know that the confidentiality agreement is rock solid. So I ask everyone in the room to take that on now.” “Some of you may be processing this as just another list of limitations, of things you have to remem- ber to do and not do. But the reality is that we’re building a space where we can really get down with each other—we are definitely not “restricting” ourselves. The initial agreements set the stage for a kind of freedom that is rare in the culture we live in. We get to take off our armor and put down our defenses here, and the best part is that I won’t have to argue you with you about how valuable that is—just keep showing up a few more times and you will get a taste for it. To get real with the causes of suffering, and to learn some practices that address those causes, is a natural human appetite.” 2 “Teaching Mindfulness & Emotional Literacy to At-Risk Youth” Names Always start out with introductions, getting everyone’s name in the room. This can be just the name, or the name and a quick check-in about how they’re doing in the present moment. ,iiLiÀ}Ê«i«i½ÃÊ>iÃÊÃÊvÕ`>Ì>ÊÌÊ>VÜi`}}ÊÌ i°ÊvÊÞÕÊ >ÛiÊÌ]Ê}À>LÊ>Ê«iViÊvÊ paper, make a diagram of the circle, and fill in names during check-in so you have something to refer back to later. Deliver Class Content Five sample focus topics are covered in this manual. The sessions are designed to cover the basics of mindfulness with at-risk youth. Signature Meditation Most of the sessions/modules included here have distinct meditations related to the skills being taught Ê>Ê}ÛiÊ`Õi°Ê ½ÃʺÃ}>ÌÕÀiÊi`Ì>Ì»ÊÃÊÕÀÊÃÌÊL>ÃVÊ`vÕiÃÃÊiÝiÀVÃi°ÊÌÊ}i̽ÃÊÕÃi`ÊÌÊ begin classes, to transition between topics within a class, and to close things out. Wherever it’s placed, the main point is that it shows up in almost every session we teach. Let’s begin by noticing the posture in the body. Sit with the dignity of a king/queen—sitting up but relaxed. Feet solid on the ground, that’s our foundation. Let’s take a few deep breaths to land in the body. (instructor takes two deep breaths) Let’s check out how the body feels right now. What’s happening right now. We’re gonna move through the body and I want you to breathe into it and let any tension go. Let’s start at the base with our feet, noticing the feeling in the feet, and the contact with the floor, and slowly, like it’s an x-ray, move our attention up the legs. Starting at the ankles, the lower legs, knees, upper legs. Feel the pressure of the body against the chair. Up into the stomach. Softening any obvious places of tension. Up through the back. Into the shoulders, relaxing. The chest. Down the arms and into the hands, let your arms hang from your shoulders with gravity. And finally the jaw and all the muscles in the face. The eyebrows. Keep relaxing any tension you come to. Now notice the whole body. This is how the body feels right now. Whether the body is relaxed or not, there’s no wrong way to feel right now. Now, just allow your breath to find its natural rhythm. Let the breath breathe you. Notice where you feel the breath the most. Where you feel it coming in and out, or the rising and falling of the belly and post your attention there.
Recommended publications
  • Supply Chain Management of Rations in Indian Army
    47 SUPPLY CHAIN MANAGEMENT OF RATIONS IN INDIAN ARMY MINISTRY OF DEFENCE PUBLIC ACCOUNTS COMMITTEE 2011-2012 FORTY-SEVENTH REPORT FIFTEENTH LOK SABHA LOK SABHA SECRETARIAT NEW DELHI FORTY-SEVENTH REPORT PUBLIC ACCOUNTS COMMITTEE (2011-2012) (FIFTEENTH LOK SABHA) SUPPLY CHAIN MANAGEMENT OF RATIONS IN INDIAN ARMY MINISTRY OF DEFENCE Presented to Lok Sabha on 28 December, 2011 Laid in Rajya Sabha on 28 December, 2011 LOK SABHA SECRETARIAT NEW DELHI December, 2011/Pausa, 1933 (Saka) PAC NO. 1956 Price: ` 70.00 ©2011 BY LOK SABHA SECRETARIAT Published under Rule 382 of the Rules of Procedure and Conduct of Business in Lok Sabha (Fourteenth Edition) and Printed by the General Manager, Government of India Press, Minto Road, New Delhi-110 002. CONTENTS PAGE COMPOSITION OF THE PUBLIC ACCOUNTS COMMITTEE (2011-12) ...................... (iii) COMPOSITION OF THE PUBLIC ACCOUNTS COMMITTEE (2010-11) ...................... (V) INTRODUCTION ................................................................................................ (vii) REPORT PART I I. Introductory .......................................................................................... 1 II. Audit Review ....................................................................................... 2 III. Dry Rations (a) Provisioning of Dry Rations ...................................................... 3 (b) Opening Stock Balances Adopted at different levels for Demand Projections Differed Substantially ................................ 9 (c) Procurement of Dry Rations ......................................................
    [Show full text]
  • Act Like a Lady, Think Like a Man: What Men Really Think About Love
    ACT LIKE A Lady, THINK LIKE A MAN Steve Harvey * WHAT MEN REALLY THINK A'BOUT LOVE, RELATIONSHIPS, INTIMACY, AND COMMITMENT I 've made a living for more than twenty years making people laugh about themselves, about each other, about family, and friends, and, most certainly, about love, sex, and relationships. My humor is always rooted in truth and full of wisdom the kind that comes from living, watching, learning, and knowing. I'm told my jokes strike chords with people be cause they can relate to them, especially the ones that explore the dynamics of relationships between men and women. It never ceases to amaze me how much people talk about relationships, think about them, read about them, ask about them even get in them without a clue how to move them forward. For sure, if there's anything I've discovered during my journey here on God's earth, it's this: (a) too many women are clueless about men, (b) men get away with a whole lot of stuff in relationships because women have never understood how men think, and (c) I've got some valuable information to change all of that. I discovered this when my career transitioned to radio with the Steve Harvey Morning Show. Back when my show was based in Los Angeles, I created a segment called Ask Steve, during which women could call in and ask anything they wanted to about relationships. Anything. At the very least, I thought Ask Steve would lead to some good comedy, and at .rst, that's pretty much what it was all about for me getting to the jokes.
    [Show full text]
  • Scissor Sisters by Claude J
    Scissor Sisters by Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The American pop band Scissor Sisters was spawned in New York City's gay club scene and has cultivated a large glbtq fan base around the world, especially in the United Kingdom and the United States. With four of its current five members openly gay men; with the lyrics of their songs regularly addressing transgressive sexuality and glbtq subjects, such as transsexual prostitutes and coming out to one's family; and with the group's music and flamboyant presentation drawing on the rich heritage of gay dance music, especially disco and Scissor Sisters lead glam rock: it is not a stretch to suggest that the band expresses a contemporary gay singers Ana Matronic artistic vision, notwithstanding its consistent rejection of the label "gay band." and Jake Shears. Image of Ana Matronic by Wikimedia Commons Although co-founder Jake Shears has said that "I don't believe sexuality really matters contributor HD. Image of when it comes to music," he has nevertheless expressed the desire for the band to be Jake Shears by "openly gay" in a way that other bands have not been in the past, without coyness or Wikimedia Commons apology. Contributor Ames. Both images appear under the Creative Commons Whatever label one attaches to the group, there is no doubt that the band seems to Attribution 2.0 Generic crystallize the joyful energy and genderbending campiness, as well as the sardonic license. poses, tender yearning, and uninhibited eroticism, of many glbtq young people.
    [Show full text]
  • John Legend and Salamishah Tillet in Conversation on the Artist's Duty
    Apollo Theater Presents John Legend and Salamishah Tillet in Conversation On the Artist’s Duty Wednesday, September 23 at 7pm On Apollo’s Digital Stage “An artist’s duty, as far as I’m concerned, is to reflect the times. I think that is true of painters, sculptors, poets, musicians. As far as I’m concerned, it’s their choice, but I CHOOSE to reflect the times and situations in which I find myself.” – Nina Simone Harlem, NY – September 8, 2020 – On September 23 at 7:00pm ET, the Apollo Theater presents In Conversation: John Legend and Salamishah Tillet. The event will be presented free of charge on the Apollo Digital Stage at www.ApolloTheater.org. Inspired by their mutual role model Nina Simone and her thoughts on the artist’s duty to reflect contemporary issues, Legend and Tillet will discuss art and social justice, the roots of Legend’s activism and what he believes the responsibilities of artists are at this critical moment in American history. For over 86 years, the Apollo has served as an incubator for social and civic advocacy in Harlem, and the Black community at-large. This conversation extends the non-profit Theater’s commitment to using its internationally renowned stage to amplify Black voices and stimulate timely conversations on race and social justice. To RSVP for the program, visit this link. Multiplatinum recording artist, composer, activist, and philanthropist John Legend has been an outspoken champion of civil and human rights. Throughout his life, Legend has been deeply committed to philanthropic efforts, launching several organizations, including the Show Me Campaign, an organization that works to break the cycle of poverty through education.
    [Show full text]
  • Ilistung Spec:131
    -FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod.
    [Show full text]
  • Dave Tozer Press Kit (Rev. Jun 21 2010)
    Dave Tozer | Press Kit Tozertunes Publishing | [email protected] Biography Dave Tozer is a producer, songwriter and musician. He has worked “Dave Tozer is a with several R&B, Hip-Hop, Rock and Pop artists including John talented, tasteful writer Legend, Jay-Z, Kanye West, Justin Timberlake, John Mayer, and producer with a Natasha Bedingfield, Musiq Soulchild, Estelle, Jazmine musical sensibility that Sullivan and Elliott Yamin. is both distinct and classic. Some of my Hailing from Bridgeton, New Jersey, Tozer taught himself guitar, bass best work has been in and keyboard. After moving to Philadelphia in the late 1990s, Tozer collaboration with Dave, honed his production skills at various Philadelphia-area studios and and I hope to work with began working as a freelance musician playing everything from Hip- him for many years in Hop and Rock to R&B and Pop. Through Max Blumenthal, a mutual the future.” friend, Tozer met University of Pennsylvania student John Stephens John Legend (later Grammy award-winning R&B star John Legend) and began a Recording Artist fruitful, professional relationship. In addition to developing creatively with Legend, Tozer produced his three independently released albums: John Stephens (2000), Live at Jimmy‘s Uptown (2001) and Live at SOB’s (2003). In 2004, Tozer contributed to eight tracks on Legend‘s Grammy Award-winning major label debut Get Lifted and his writing skills garnered him a publishing deal with Viacom-owned Famous Music Publishing. 2005 proved to be an important year for Tozer with the massive success of Get Lifted, which earned eight Grammy nominations and reached multi-platinum status.
    [Show full text]
  • Eastern Progress 1980-1981 Eastern Progress
    Eastern Kentucky University Encompass Eastern Progress 1980-1981 Eastern Progress 1-15-1981 Eastern Progress - 15 Jan 1981 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1980-81 Recommended Citation Eastern Kentucky University, "Eastern Progress - 15 Jan 1981" (1981). Eastern Progress 1980-1981. Paper 17. http://encompass.eku.edu/progress_1980-81/17 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1980-1981 by an authorized administrator of Encompass. For more information, please contact [email protected]. ' • ■ . OHteW SOKW PuMtenton of iMn. Kantueky IMWrtty Vol. SO/No 17 10 Thursday. Jmwv 16. 1M1 NWmM4. K y. «047B High parking ticket fines, abundance of tickets provoke questions Editor's note: all statistics quoted in Even though the University had and carried her luggage into the dor- the following story were obtained from fewer cars registered last semester mitory. When she returned there was a Tom Lindquist, director of Public than either UK or Western, the ticket on her car. Reyes looked at her Safety at Eastern, Ruth Hastie, University issued many more tickets. watch - it was 10:42 a.m. She looked at manager of the parking department at The parking department at Western the ticket ... it had been written at UK and Sgt Janet Kirby, parking and issued 7,348 parking decals from the 10:41 a.m. traffic supervisor at Western. first week in June through the first week in December. The department "I was extremely angry," said By BETTY MALKIN wrote 7,929 parking tickets for the same Reyes.
    [Show full text]
  • October, 2020
    October 2020 The Importance of Voting This November This upcoming Election is one of the most important elections in history. Don’t forget to go to the voting polls November 3rd to cast your ballot. Not only has Donald Trump made his stance clear on immigration and the Black Lives Matter Movement, but his policies have been just as harmful as his Twitter rants. President CLICK HERE TO Trump implemented policies that have actively hurt the READ MORE CLICK HERE TO Read Read black community, such as being disproportionately left out More More from Trump’s tax cuts, rolling back Obama-era guidance on school discipline created to protect black students from severe CLICK HERE TO punishment and much more, according to democrats.org READ MORE CLICK CLICK CLICK HERE TO HERE TO HERE TO CLICK HERE TO READ MORE READ MORE READ MORE Read More Black PR Wire Offers Opportunity for Self-Promotion Promoting yourself, your business or your services is always a good thing. Self promotion enables you to present yourself as competent to other people – able to get the job done effectively. Did you know that there is an entire month dedicated CLICK HERE TO to self-promotion? The idea behind this observanceREAD MORE is that there’s nothing wrong CLICK HERE TO Read Read with being your own best promoter! More More In celebration of Self-Promotion Month, Black PR Wire is offering an exclusive opportunity for those who take a notion to engage in a little self- CLICK HERE TO promotion. All throughout the month of October,READ MORE Black PR Wire will offer a special discount to anyone who distributes a press release through CLICK CLICK CLICK HERE TO HERE TO HERE TO CLICK READ MORE READ MORE READ MORE us.
    [Show full text]
  • American Express Presents
    SIX-TIME GRAMMY® WINNER LADY GAGA TO RECEIVE THE JANE ORTNER ARTIST AWARD AT THE GRAMMY MUSEUM®'S 2016 JANE ORTNER EDUCATION AWARD LUNCHEON Event to be Marked by Special Performances from Lady Gaga and GRAMMY® and Oscar Winner John Legend Annual Luncheon Benefitting the Museum's Jane Ortner Education Award Program, Which Encourages Teachers To Utilize Music As A Tool to Enhance the Academic Experience, Will be Held Monday, April 4, 2016 LOS ANGELES (Feb. 5, 2016) — Six-time GRAMMY® Award winner Lady Gaga will be the recipient of the Jane Ortner Artist Award at the GRAMMY Museum®'s 2016 Jane Ortner Education Award Luncheon on April 4, 2016 at Ron Burkle's Green Acres home in Beverly Hills, Calif. The Artist Award honors a performer who has demonstrated passion and dedication to education through the arts. The recipient of this year's Jane Ortner Education Award, which honors K-12 academic teachers who use music in the classroom as a powerful educational tool, will be announced shortly. The luncheon will be marked by special performances from Lady Gaga and nine-time GRAMMY winner and Oscar winner John Legend, the recipient of the Museum's first- ever Jane Ortner Artist Award. Building on the Museum's successful education programs and initiatives, the Jane Ortner Education Award for teachers and the Jane Ortner Artist Award were established by the GRAMMY Museum in partnership with Charles Ortner — entertainment attorney, Museum Board member and husband of the late Jane Ortner, a devoted and beloved public school teacher who valued music as a tool for teaching academic subjects and building confidence and community.
    [Show full text]
  • John Legend Announces 2014 North American Tour “An Evening with John Legend: the All of Me Tour”
    For Immediate Release Media Contact: Anne Abrams Charles Zukow Associates 415.296.0677 or [email protected] JOHN LEGEND ANNOUNCES 2014 NORTH AMERICAN TOUR “AN EVENING WITH JOHN LEGEND: THE ALL OF ME TOUR” Legend to play Santa Rosa’s Wells Fargo Center for the Arts April 1, 2014 Exclusive Pre-Sale for Citi Cardmembers Begins January 28; General Public On-sale January 31 at Noon Santa Rosa (January 24, 2014) Nine-time Grammy Award winning artist John Legend has announced dates for his 2014 North American tour titled “An Evening with John Legend: The All of Me Tour.” The tour which begins March 20th in Temecula, CA and goes through early June will feature John in an intimate and acoustic setting, highlighted by guitar/vocal accompaniment as well as a string quartet. The tour will stop at Santa Rosa’s Wells Fargo Center for the Arts on Tuesday, April 1, with an 8 p.m. performance, and other stops on the tour will include a night at the prestigious Disney Concert Hall in Los Angeles, CA on March 26th as well the Brooklyn Academy of Music in Brooklyn, NY on May 31st. Citi cardmembers have access to presale tickets beginning Tuesday, January 28th at 10 a.m.; for more information on how to purchase tickets with a Citi credit card in advance of the public sale, visit www.citiprivatepass.com. Tickets will be available to the general public beginning Friday, January 31 at noon, and can be purchased online at wellsfargocenterarts.org, by calling 707.546.3600, or in person at 50 Mark West Springs Road in Santa Rosa.
    [Show full text]
  • John Legend: Il 19 Giugno Esce Il Nuovo Album "Bigger Love"
    GIOVEDì 14 MAGGIO 2020 Uscirà il 19 giugno "Bigger Love", il nuovo album di inediti del poliedrico artista John Legend. John Legend: il 19 giugno esce il nuovo album "Bigger Love" La super star americana, inoltre, domenica 17 maggio sarà ospite in esclusiva di Fabio Fazio a "Che tempo che fa", in prima serata su Rai 2. L'album prende il nome dall'omonimo singolo attualmente in ANTONIO GALLUZZO radio, "Bigger Love", di cui è stato recentemente pubblicato il video diretto da Mishka Kornai. "Il video è stato realizzato per celebrare insieme l'amore, la speranza e la resilienza", racconta Legend. "Stiamo usando la tecnologia per rimanere in contatto e per trovare modi creativi per reagire. Volevamo che il video fosse un grande abbraccio collettivo per tutte le persone nel mondo che [email protected] stanno cercando di rimanere in contatto con la propria famiglia, di SPETTACOLINEWS.IT aiutare i propri vicini o anche semplicemente di trovare un momento di pausa per scatenarsi in un ballo, nonostante il momento folle in cui siamo immersi". I fan da tutte le parti del mondo hanno inviato le loro clip da utilizzare nel video; il risultato è una sorta di viaggio all'insegna di messaggi personali, telefonate e video sui social media di varie persone, che mettono in evidenza i diversi modi in cui si resta connessi gli uni agli altri e con cui si diffonde l'amore in questi tempi così difficili. Scritta da Legend insieme a Ryan Tedder, Zach Skelton e Cautious Clay, "Bigger Love" segue la pubblicazione di "Actions" e di "Conversations In The Dark", entrambi inclusi nel nuovo disco della star internazionale.
    [Show full text]
  • Black Country Music(S) and The
    Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6.
    [Show full text]