Eastern Progress 1980-1981 Eastern Progress
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
About the Filmmakers
About the Filmmakers Although he is known primarily as an author, Timothy Ferris has been involved in television since age sixteen, when he wrangled seagulls for NBC’s Omnibus and shot film for the Tonight show. While in high school he anchored a live Saturday-morning panel program, Youth Meets Business, which he describes today as “so stultifyingly boring that I believe its only viewers some mornings were our parents,” and played a defense attorney in a youth-oriented courtroom drama “that even our parents gave up watching.” Undaunted, Ferris went on to write and present two PBS specials — The Creation of the Universe and Life Beyond Earth. The two aired back-to-back in 1999, making Ferris one of the few nonfiction filmmakers to have an entire night of prime-time network programming devoted to his work. In addition to producing, writing, and narrating Seeing in the Dark, Ferris shot several of its time-lapse sequences, made field recordings for its soundtrack, and designed its special effects. Ferris is the author of ten books, including Seeing in the Dark, on which the film is based, named by The New York Times as one of the ten best books of the year. He produced the Voyager phonograph record, an artifact of human civilization launched aboard the twin Voyager interstellar spacecraft and now exiting the outer reaches of the solar system, and was among the journalists selected as candidates to fly aboard the space shuttle in 1986. Called “the Press Contact: best popular science writer in the English language” by The Christian Science Monitor and “the best science writer of his generation” by The Washington Gail Rubin Post, Ferris is a Fellow of the American Association for the Advancement of (505) 265-7215 Science. -
February 2014 Womack Family Band Sandtown Band Two2many Band Friday, February 14Th - 8:30 Pm Friday, March 14Th - 8:30 Friday, April 11Th - 8:30 Pm
An American Music Series presented by Anna Givens Tickets $10 February 2014 Womack Family Band SandTown Band Two2Many Band Friday, February 14th - 8:30 pm Friday, March 14th - 8:30 Friday, April 11th - 8:30 pm Patti Krewson, Director of Warm Up with a Hot Ticket! Administration & Development A Night of Comedy Now that the holidays are truly behind us and the Resigns decorations are packed and put away, we are looking for I would like to express my sincere Friday, February 7th - 8 pm Friday, March 7th - 8 pm things to do until the spring comes and the snow will finally appreciation to David Taylor and Featuring Chris Smith & Headliner The Fryman Featuring Bill Boronkay &Headliner Chili Challis be gone. It also means we need to do something to get rid the staff of the Theatre and to the of those winter blues until we can get back to the outdoors. Full Cash Bar Service Board of Directors for the Mature Audience I have just the ticket! On the inside you will discover a lot of fantastic opportunity to work at one of shows we have coming that fit everyone in your family’s taste for Sandusky’s historic landmarks. It Tickets entertainment, and your friends for that perfect night out. has been a privilege to spend the $10 Bill Boronkay Chili Challis last 2 ½ years working with the Until Friday, you can buy before the public if you are a Member of the community to promote the mission Tickets Sandusky State Theatre. Members are a part of our Membership of the Theatre. -
Act Like a Lady, Think Like a Man: What Men Really Think About Love
ACT LIKE A Lady, THINK LIKE A MAN Steve Harvey * WHAT MEN REALLY THINK A'BOUT LOVE, RELATIONSHIPS, INTIMACY, AND COMMITMENT I 've made a living for more than twenty years making people laugh about themselves, about each other, about family, and friends, and, most certainly, about love, sex, and relationships. My humor is always rooted in truth and full of wisdom the kind that comes from living, watching, learning, and knowing. I'm told my jokes strike chords with people be cause they can relate to them, especially the ones that explore the dynamics of relationships between men and women. It never ceases to amaze me how much people talk about relationships, think about them, read about them, ask about them even get in them without a clue how to move them forward. For sure, if there's anything I've discovered during my journey here on God's earth, it's this: (a) too many women are clueless about men, (b) men get away with a whole lot of stuff in relationships because women have never understood how men think, and (c) I've got some valuable information to change all of that. I discovered this when my career transitioned to radio with the Steve Harvey Morning Show. Back when my show was based in Los Angeles, I created a segment called Ask Steve, during which women could call in and ask anything they wanted to about relationships. Anything. At the very least, I thought Ask Steve would lead to some good comedy, and at .rst, that's pretty much what it was all about for me getting to the jokes. -
Scissor Sisters by Claude J
Scissor Sisters by Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The American pop band Scissor Sisters was spawned in New York City's gay club scene and has cultivated a large glbtq fan base around the world, especially in the United Kingdom and the United States. With four of its current five members openly gay men; with the lyrics of their songs regularly addressing transgressive sexuality and glbtq subjects, such as transsexual prostitutes and coming out to one's family; and with the group's music and flamboyant presentation drawing on the rich heritage of gay dance music, especially disco and Scissor Sisters lead glam rock: it is not a stretch to suggest that the band expresses a contemporary gay singers Ana Matronic artistic vision, notwithstanding its consistent rejection of the label "gay band." and Jake Shears. Image of Ana Matronic by Wikimedia Commons Although co-founder Jake Shears has said that "I don't believe sexuality really matters contributor HD. Image of when it comes to music," he has nevertheless expressed the desire for the band to be Jake Shears by "openly gay" in a way that other bands have not been in the past, without coyness or Wikimedia Commons apology. Contributor Ames. Both images appear under the Creative Commons Whatever label one attaches to the group, there is no doubt that the band seems to Attribution 2.0 Generic crystallize the joyful energy and genderbending campiness, as well as the sardonic license. poses, tender yearning, and uninhibited eroticism, of many glbtq young people. -
Austria Switzerland
INTERNATIONAL KNOPFLER & THE NOTTING HILLIBILLIES ARE (PRESUMED) HAVING A GOOD TIME ON LOW -KEY U.K. TOUR (Continued from page 32) whether his experiment in enjoying road, says the band, was to abandon Local promoters made little. A scribes as an "upper -end guest formed three years ago by guitar- himself on tour worked. the idea of a seated, formal concert minimal merchandising advance house or standard business -rate ho- ists Croker and Phillips, with The country-blues set of the Hill- feel. The shows that worked best was long since spent and the light- tel." Everybody, he stressed, was Knopfler quickly shedding his origi- billies -the name comes from the were those with roughly equal seat- ing and PA firms waived rental treated equally. nal producer's hat for a more active west London district of Notting ing and standing space. Council hall charges. "The tour wouldn't have None in the principal band drew a role. Hill, where Knopfler lives -is a stewards were briefed not to pre- happened otherwise," says Bicknell. wage. The exceptions: the two con- A Hillbillies album, released by combination of three things: covers, vent anybody from getting up and The 11- person road crew took a cut tracted "session" men, Nashville - Phonogram in the U.K., was two new material from Brendan Croker, dancing. But not all venues were in wages. There was one equipment based pedal steel guitarist Paul years in the making at Knopfler's Phillips, and Knopfler, and at least able to offer standing room. truck and four minibuses. There Franklin and bassist Marcus Cliff of home studio. -
Ilistung Spec:131
-FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod. -
Mark Knopfler Paris Tickets
Mark knopfler paris tickets We're currently processing your order; this may take several minutes. Processing © Newsletter | Terms of Use | Privacy. Get the latest news and exclusive ticket presales at Mark Knopfler's official site – MARK KNOPFLER en concert: Mark Knopfler c'est le guitariste, chanteur, compositeur et producteur de Dire Straits, groupe qui a su adapter la musique. Find and buy Mark Knopfler and Band tickets at Find upcoming event tour dates and schedules for Mark Knopfler and Band at Find and buy Mark Knopfler tickets at Find upcoming event tour dates and schedules for Mark Knopfler at DVD-Video containing the first concert of Dire Straits in Paris Great concert, good atmosphere. This is a. Privateering. Lyrics Depot is your source of lyrics to A Walk in Paris by Mark Knopfler. Please check back for more Mark Knopfler lyrics. David Knopfler: TO FEEL THAT WAY AGAIN Paris, June 7” – DAVE 7 To Sultans Of Swing (Video) Mark Knopfler: LAST EXIT TO BROOKLYN Vertigo. Win Return flights to Paris with Air France, two tickets to see Mark Knopfler live and a Fender American Standard Stratocaster signed by Mark Knopfler. KNOPFLER part of The Music Sales Group London / New York / Paris / Sydney / Copenhagen / Berlin / Madrid / Hong Kong / Tokyo DIRE STRAITS ANGEL OF. With The Very Best of Dire Straits bROTHERS iN bAND disembarks in Paris on keyboardist Dire Straits and Mark Knopfler since period, he came to be. The Tracker Tour was a concert tour by British singer-songwriter and guitarist Mark Knopfler, Date, City, Country, Venue, Tickets Sold/Available, Box Office . -
Sultans of Swing Artist:Dire Straits , Writer:Mark Knopfler
Sultans of Swing artist:Dire Straits , writer:Mark Knopfler Dire Straits: https://www.youtube.com/watch?v=2jH74e3Qo9k [Dm] You get a shiver in the dark, It's a [C] raining in the [Bb] park but mean[A]time- [A7] [A] [Dm] South of the river you [C] stop and you hold every[Dm]thing [A7] [A] [F] A band is blowing Dixie, double [C] four time [Bb] You feel alright when you hear the music [Dm] ring [Bb] [C] Well now you [Dm] step inside but you [C] don't see [Bb] too many [A] faces [A7] [Dm] Coming in out of the [C] rain they hear the [Bb] jazz go [A] down [A7] [F] Competition in other [C] places Uh [Bb] but the horns they blowin' that [Dm] sound [Bb] [C] Way on downsouth [Bb] [C] Way on downsouth London town Check out [Dm] guitar george, [C] he knows [Bb] all the [Dm] chords [A7] [Dm] Mind he's strictly rhythm He doesn't [C] want to make them [Bb] cry or [A] sing [A7] [A] [F] They said an old guitar is [C] all he can afford [Bb] When he gets up under the lights to play his [Dm] thing [Bb] [C] And [Dm] Harry doesn't [C] mind, if [Bb] he doesn't [A] make the scene [A7] [A] [Dm] He's got a [C] daytime [Bb] job, he's doing al[A]right [A7] [A] [F] He can play the honky tonk like any[C]thing [Bb] Savin' it up, for Friday [Dm] night [Bb] [C] With the Sultans [Bb] [C] We're the Sultans of Swing [Dm] Then a crowd a young boys they're a [C] foolin' a[Bb]round in the [A] corner [A7] [A] [Dm] Drunk and dressed in their best brown [C] baggies And their [Bb] platform [Dm] soles [A7] [A] [F] They don't give a damn about any [C] trumpet playin' band [Bb] It ain't what they call rock and [Dm] roll [Bb] [C] Then the Sultans, [Bb] [C] Yeah the Sultans they play creole, creole [Dm] And then the man he [C] steps right [Bb] up to the [A] microphone [Dm] And says at [C] last just as the [Bb] time bell [A] rings [A7] [A] [F] Goodnight, now it's [C] time to go home [Bb] And he makes it fast with one [Dm] more thing [Bb] [C] We are the Sultans [Bb] [C] We are the Sultans of [Dm] Swing Produced by www.ozbcoz.com - Jim's Ukulele Songbook Ukulele gCEA Tuning. -
Vicente Amigo
Vicente Amigo Tierra Different. Global. Surprising. That's how you can describe Vicente Amigo's new album Tierra, the most innovative and international of his career which will be released in February 2013. The great Flamenco guitar player has opened his music's window to the fresh air of the British producer Guy Fletcher and recorded in London with musicians from Dire Straits, Mark Knopfler and Capercaillie, in order to offer an exceptional and brave album in which Flamenco music blends naturally with other music styles, opening new paths without losing depth, holding tightly to the inspirational Southern Spanish sounds but wrapped in Celtic melodies, linking light and mist, hovering over different styles to create something completely new. “I met Guy in Córdoba last year, at a Mark Knopfler show during the Guitar Festival”, says Vicente Amigo. “We were introduced by the show's promoters, and the initial idea of playing a song with them developed into a new main objective: I wanted to fuse with all those great musicians. My proposal was to embrace all our freedoms: mine, his as a producer, and the musicians' who collaborated. That is far more important, at a certain point, than music itself”. The album Tierra has been produced by Guy Fletcher (Kent, 1960), who was Dire Straits' keyboard player and Mark Knopfler's inseparable collaborator. As a musician he has also worked with Roxy Music, Mick Jagger, Nothing Hillbillies, Randy Newman, Tina Turner, Willie De Ville, Brian Ferry, Aztec Camera ... An emblematic British musician who has placed Vicente Amigo's guitar in a new dimension of lyricism, dream-state, rhythmic beats, tone variety, brightness … An artistic connection going beyond different types of music, styles, languages. -
Supermolecules Steer Electrons Down a Wrong-Way Street
COMMENTARY Supermolecules steer electrons down a wrong- way street COMMENTARY Malcolm D. E. Forbesa,b,1 The controlled movement of electrons is of paramount reaction centers was understood in detail by the 1970s importance for solving current technological problems (7). When the crystal structure of a reaction center that will have broad societal impact. Batteries for became available in 1984 (8), many structure−reactivity electric vehicles, quantum computers, efficient solar relationshipsinphotosynthesisweremoreclearly energy conversion devices, and nanoscale machines elucidated. A key feature of the ET cascade was its for biomedical applications represent just a handful of pronounced directionality: Despite 2 sets of pigments such possible advances. A current research thrust is to arranged in an approximate C2 symmetry inside the better understand and control the rate and direction- membrane-bound protein, the multistep reaction ality of electron transfer (ET) reactions. The problem of went in only one direction. This observation stimu- ET directionality has long fascinated scientists and lated many scientists to attempt to mimic the process engineers (1), and researchers in the field of electron in solution, and to develop artificial photosynthetic donor (D)–acceptor (A) interactions are now deeply systems (9). immersed in developing methods to exert control The desire for a deeper understanding of photo- over electron motion in molecules, metamaterials, synthesis in plants, to mimic nature’s processes for and bulk materials on micrometer and nanometer solar energy conversion, and for the generation of scales. The PNAS paper by Polizzi et al. (2) reports re- solar fuels, led chemists to develop a special class of sults on directional ET reactions in so-called “supermo- molecule called a donor–spacer–acceptor (DSpA). -
John Illsley –
John Illsley – Live In London (74:13, CD,Absolute /Rough Trade, 2015) Bevor wir im Einzelnen auf das Album eingehen, muss vorausgeschickt werden, dass die Analyse unseres hauseigenen Labors ergeben hat, dass dieses Produkt keine nachweisbaren Spuren von Prog enthält, obwohl die Zutatenliste (Cover) dies durchaus hätte vermuten lassen können. Was also erwartet den Hörer? Der Ex-Dire-Straits-Bassist legt hier ein ordentliches, wenn auch unspektakuläres Live-Album vor, welches ganz in der Tradition seiner ehemaligen Band daher kommt. Exakt so könnten sich die Dire Straits in ihren frühen Tagen in einem kleinen Club angehört haben. Simon Johnson agiert als „Mark Knopfler- Darsteller“ souverän an der Gitarre.Illsley selbst ist stimmlich auch sehr nahe bei seinem alten Buddy. Die Truppe spielt locker zusammen und nebenbei ist der Klang der CD auch ausgezeichnet. Die Tracklist besteht zu einem großen Teil aus Dire Straits- Klassikern und Illsley-Solo-Material. ‚Walk Of Life‘ mag man möglicherweise nicht mehr hören. Dann gilt das Gleiche auch für ‚Money For Nothing‘. DieIllsley -Songs fallen hier zumindest nicht negativ auf. Bis auf ‚Streets Of Heaven‘ und ‚When God Made Time‘ lassen sie aber auch nicht wirklich aufhorchen. Stilistisch könnte man sie in etwa in die frühe Dire Straits-Phase bis „Making Movies“ einordnen. Dazu finden sich mit ‚Another Brick In The Wall‘ und ‚First We Take Manhattan‘ auch zwei Cover-Versionen auf dem Album – von denen Illsley allerdings besser die Finger gelassen hätte. Ersteres kann ich schon im Original nur noch selten genießen und ‚First We Take Manhattan‘ macht im „Sultans Of Swing“-Outfit auch keine glückliche Figur. -
Black Country Music(S) and The
Jost Hendrik Cornelius Burfeind Wilhelmplatz 6 24116 Kiel E-Mail: [email protected] Telefon: 01520–2667189 Matrikelnummer: 1014350 “THAT BLACK SPECK SOUND JUST LIKE A REDNECK”: BLACK COUNTRY MUSIC(S) AND THE (RE-)MAKING OF RACE AND GENRE MASTERARBEIT im Fach „English and American Literatures, Cultures, and Media” mit dem Abschlussziel Master of Arts der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Hendrik Burfeind Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Dr. Dennis Büscher-Ulbrich Kiel im April 2020 TABLE OF CONTENTS 1. Introduction 1 2. Theoretical Framework 2.1 Race, Racialization, and Ideology 8 2.2 Genre and Crossover 10 2.3 Articulation and Genre 15 2.4 On Hijacks, Covers, and Versions 16 3. “Just Out of Reach”: Locating the Soul/Country Binary 3.1 The South and the Geography of Genre(s) 19 3.2 Richard Nixon, “Okie from Muskogee,” and the Politics of Country Music 22 3.3 The ‘Segregation of Sound’ and the ‘Common Stock’ 25 3.4 Charting Success; Or, the Segregation of Sound, Continued 28 4. Analysis, Pt. 1: Rhythm and Country 4.1 “I’ve Always Been Country”: The Making of an Alternative Tradition 31 4.2 Country Music and the Birth of Soul 35 4.3 The Impossibility of Black Country 37 4.4 Modern Sounds and the Same Old Song 39 4.5 Interlude: Race and Genre in the Early 1960s 44 4.6 Country-Soul Flourishes 46 5. Analysis, Pt. 2: Country-Soul 5.1 “Country Music Now Interracial” 48 5.2 Crossover at the Outskirts of Town 50 5.3 Introducing Soul Country 53 5.4 “The Chokin’ Kind” Explores New Territory 57 5.5 “Blacks Sing Country Music” 60 5.6 “Wherever You Go, It’s Simon Country” 64 6.