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Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
Mongrel Media Presents
Mongrel Media Presents Official Selection: Toronto International Film Festival Official Selection: Sundance Film Festival (97 mins, USA, 2009) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. -
Fighting Injustice
Fighting Injustice by Michael E. Tigar Copyright © 2001 by Michael E. Tigar All rights reserved CONTENTS Introduction 000 Prologue It Doesn’t Get Any Better Than This 000 Chapter 1 The Sense of Injustice 000 Chapter 2 What Law School Was About 000 Chapter 3 Washington – Unemployment Compensation 000 Chapter 4 Civil Wrongs 000 Chapter 5 Divisive War -- Prelude 000 Chapter 6 Divisive War – Draft Board Days and Nights 000 Chapter 7 Military Justice Is to Justice . 000 Chapter 8 Chicago Blues 000 Chapter 9 Like A Bird On A Wire 000 Chapter 10 By Any Means Necessary 000 Chapter 11 Speech Plus 000 Chapter 12 Death – And That’s Final 000 Chapter 13 Politics – Not As Usual 000 Chapter 14 Looking Forward -- Changing Direction 000 Appendix Chronology 000 Afterword 000 SENSING INJUSTICE, DRAFT OF 7/11/13, PAGE 2 Introduction This is a memoir of sorts. So I had best make one thing clear. I am going to recount events differently than you may remember them. I will reach into the stream of memory and pull out this or that pebble that has been cast there by my fate. The pebbles when cast may have had jagged edges, now worn away by the stream. So I tell it as memory permits, and maybe not entirely as it was. This could be called lying, but more charitably it is simply what life gives to each of us as our memories of events are shaped in ways that give us smiles and help us to go on. I do not have transcripts of all the cases in the book, so I recall them as well as I can. -
Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia
UPENDING THE “RACIAL DEATH-WISH”: BLACK GAY LIBERATION AND THE CULTURE OF BLACK HOMOPHOBIA A Thesis presented to the Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Kailyn Pope June 2021 © 2021 Kailyn Pope ALL RIGHTS RESERVED ii COMMITTEE MEMBERSHIP TITLE: Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia AUTHOR: Kailyn Pope DATE SUBMITTED: June 2021 COMMITTEE CHAIR: Andrew Morris, Ph.D. Professor of History COMMITTEE MEMBER: Kathleen Cairns, Ph.D. Lecturer Emeritus of History COMMITTEE MEMBER: Thomas Trice, Ph.D. Associate Professor of History iii ABSTRACT Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia Kailyn Pope This thesis analyzes the origin and impact of Black homophobia found in activist spaces of mid- to late-twentieth-century American society. Black gay Americans were subjected to intersecting forms of systemic and cultural oppression that were exceedingly hard to escape due to both the homophobia in Black spaces and the racism in gay spaces. Black gay activists and artists thus had to create their own avenues of expression where they and others could fully embrace what it meant to be Black and gay. This work utilizes a Black feminist framework to explore the roots of Black homophobia and how this type of bigotry was able to so deeply infiltrate Black activist spaces like the Civil Rights Movement and the Black Panther Party. Black homophobia originated as a response to White supremacist domination of the Black body, and was able to spread through the community for generations through paths such as hypermasculinity, the Black church, and misogynoir. -
Artie Shaw, 1940-1941
Glenn Miller Archives ARTIE SHAW January 1940 – March 1941 “The West Coast Band” Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents January 1940 ..................................................................................................................... 3 February 1940 .................................................................................................................... 9 March 1940....................................................................................................................... 16 April 1940 ......................................................................................................................... 22 May 1940 .......................................................................................................................... 24 June 1940 ........................................................................................................................ 29 July 1940 .......................................................................................................................... 34 August 1940 ..................................................................................................................... 42 September 1940 ............................................................................................................... 53 October 1940 .................................................................................................................. -
Austin City Limits Showcases Supergroup the Raconteurs & Introduces 2020 GRAMMY “Best New Artist” Nominee Black Pumas
Austin City Limits Showcases Supergroup The Raconteurs & Introduces 2020 GRAMMY “Best New Artist” Nominee Black Pumas New Episode Premieres January 11 on PBS Austin, TX—January 9, 2020—Austin City Limits (ACL) presents a Season 45 highlight, the return of powerhouse rockers The Raconteurs, the supergroup featuring Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence making their first appearance in over a decade in a must-see new installment. The hour also introduces a 2020 GRAMMY® “Best New Artist” nominee, Austin breakout duo Black Pumas. The broadcast premieres Saturday, January 11 at 8pm CT/9pm ET on PBS. The episode will be available to music fans everywhere to stream online the next day beginning Sunday, January 12 @10am ET at pbs.org/austincitylimits. Providing viewers a front-row seat to the best in live performance for a remarkable 45 years, the program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. The series recently announced the first taping of Season 46, featuring UK country-soul phenom Yola on February 4, 2020. The Raconteurs return with a full-tilt romp featuring killer gems from the acclaimed HELP US STRANGER, their third studio LP and first album in more than a decade. Featuring both Jack White and Brendan Benson as lead singers/guitarists AND songwriters, with an ace rhythm section of Jack Lawrence (bass) and Patrick Keeler (drums), The Raconteurs deliver a love letter to classic rock in a performance for the ages. -
Still on the Road: 2017 Europe Spring Tour
STILL ON THE ROAD 2017 EUROPE SPRING TOUR APRIL 1 Stockholm, Sweden Stockholm Waterfront Auditorium 2 Stockholm, Sweden Stockholm Waterfront Auditorium 4 Oslo, Norway Spektrum 6 Copenhagen, Denmark Den Kongelige Opera 7 Copenhagen, Denmark Den Kongelige Opera 9 Lund, Sweden Sparbanken Skåne Arena 11 Hamburg, Germany Barclaycard Arena 12 Lingen, Germany Emslandhallen 13 Düsseldorf, Germany Mitsubishi Electric Halle 16 Amsterdam, The Netherlands Heineken Music Hall 17 Amsterdam, The Netherlands Heineken Music Hall 18 Amsterdam, The Netherlands Heineken Music Hall 20 Paris, France Le Zenith 21 Boulogne Billancourt, France Seine Musicale 22 Esch-sur-Alzette, Luxembourg Rockhal 24 Antwerp, Belgium Lotto Arena 25 Frankfurt, Germany Festhalle 26 Hannover, Germany Swiss Life Hall 28 London, England London Palladium 29 London, England London Palladium 30 London, England London Palladium MAY 3 Cardiff, Wales Motorpoint Arena 4 Bournemouth, England Bournemouth International Centre 5 Nottingham, England Motorpoint Arena 7 Glasgow, Scotland SECC Clyde Auditorium 8 Liverpool, England Echo Arena 9 London, England The SSE Arena, Wembley 11 Dublin, Ireland 3Arena JUNE 4 Los Angeles, California Unidentified recording studio Bob Dylan: Still On The Road − 2017 Europe Spring Tour Bob Dylan: Still On The Road − 2017 Europe Spring Tour 38060 Stockholm Waterfront Auditorium Stockholm, Sweden 1 April 2017 1. Things Have Changed 2. Don't Think Twice, It's All Right 3. Highway 61 Revisited 4. Beyond Here Lies Nothin' 5. Full Moon And Empty Arms (Ted Mossman, Buddy Kaye) 6. High Water (For Charley Patton) 7. Melancholy Mood (Walter Schumann & Vick R. Knight Sr.) 8. Duquesne Whistle (Bob Dylan-Robert Hunter/Bob Dylan) 9. Love Sick 10. -
The Way the Wind Blew a History of the Weather Underground
The Way The Wind Blew A History Of The Weather Underground Author: Ron Jacobs Publisher: Verso Date: 1997 ISBN: 1-85984-167-8 Table of Contents Preface....................................................................................................................1 1. 1968: SDS Turns Left...........................................................................................3 2. Weather Dawns: The Break and the Statement .................................................13 3. Into the Streets: Days of Rage ..........................................................................21 4. Down the Tunnel: Going Underground ..............................................................35 5. Women, The Counterculture, And The Weather People .....................................45 6. Changing Weather.............................................................................................61 7. A Second Wind? The Prairie Fire Statement ......................................................75 8. The End of the Tunnel: Weather and Its Successors..........................................83 Bibliography.............................................................................................................i A Weather Chronology ............................................................................................v The Cast ...............................................................................................................xiii List of Acronyms ................................................................................................ -
On the Set Twitter Is Like... the Michael Cera Syndrome
01 29 10 | reportermag.com On The Set Of indie thriller, “Second Story Man” Twitter is Like... Six ways to describe the indescribable The Michael Cera Syndrome How long before he starts getting creepy? TABLE OF CONTENTS 01 29 10 | VOLUME 59 | ISSUE 17 NEWS PG. 06 Earthquake Hits Home For Rosmy Darisme A Haitian resident speaks about the tragedy in his homeland. RIT/ROC Forecast Go out there and be somebody. SG Update Freeze Fest is just around the corner. LEISURE PG. 10 The Psychology of Michael Scott What is that man thinking? Reviews Watch out pop music, The Dead Weather is coming for you. At Your Leisure Alex Rogala is in the house. FEATURES PG. 16 On the Set of “Second Story Man” An indie flick in the making. Twitter is like... Six ways to describe the indescribable. SPORTS PG. 22 Swim and Dive The Tigers take on two foes. Sarah Dagg Keep an eye out for #21. VIEWS PG. 27 The Michael Cera Syndrome How long before he starts getting creepy? RIT Rings Get a room! Rich Odlum (‘10) looks up to the summit of Mount Jo (Elevation 2876 ft) a peak in the Adirondak Park, while fellow students climb behind him. The students took part in a wellness class this past weekend named Adirondak Snowing, a part of RIT’s new Interactive Adventures program. | photograph by Steve Pfost Cover photograph by Chris Langer EDITOR’S NOTE EDITOR IN CHIEF Andy Rees | [email protected] HEISENBERG’S UNCERTAINTY PRINCIPLE MANAGING EDITOR Madeleine Villavicencio While doing research for this week’s feature (see pg. -
Still on the Road 2016 Us Fall Tour
STILL ON THE ROAD 2016 US FALL TOUR OCTOBER 7 Indio, California Empire Polo Club 13 Las Vegas, Nevada The Chelsea, The Cosmopolitan of Las Vegas 14 Indio, California Empire Polo Club 16 Phoenix, Arizona Comerica Theatre 18 Albuquerque, New Mexico Kiva Auditorium, Convention Center 19 El Paso, Texas Abraham Chavez Theatre 22 Thackerville, Oklahoma WinStar World Casino and Resort 23 Tulsa, Oklahoma Brady Theater 25 Shreveport, Louisiana Municipal Auditorium, Shreveport Civic Center Complex 26 Baton Rouge, Louisiana River Center Theater 27 Jackson, Mississippi Thalia Mara Hall, City Auditorium 29 Huntsville, Alabama Mark C. Smith Concert Hall, Von Braun Center 30 Paducah, Kentucky Luther F. Carson Four Rivers Center NOVEMBER 1 Louisville, Kentucky Kentucky Center for the Performing Arts 2 Charleston, West Virginia Maier Foundation Performance Hall, Clay Center 4 Durham, North Carolina Durham Performing Arts Center 5 Roanoke, Virginia Berglund Performing Arts Theatre, Berglund Center 6 Charlotte, North Carolina Belk Theater, Blumenthal Performing Arts Center 9 Knoxville, Tennessee Tennessee Theatre 10 Columbia, South Carolina Richland Township Auditorium 12 Asheville, North Carolina Thomas Wolfe Auditorium, U.S. Cellular Center 13 Chattanooga, Tennessee Tivoli Theatre 15 Birmingham, Alabama Concert Hall, Birmingham Jefferson Convention Centerss 16 Mobile, Alabama Mobile Saenger Theatre 18 Jacksonville, Florida Moran Theater, Times-Union Center for the Performing Arts Ruth Eckerd Hall, Richard B. Baumgardner Center for the 19 Clearwater, Florida Performing Arts Barbara B. Mann Performing Arts Hall, Florida Southwestern State 20 Fort Myers, Florida College 22 Orlando, Florida Dr. Phillips Center 23 Fort Lauderdale, Florida Au-Rene Theater, Broward Center for the Performing Arts Bob Dylan: Still On The Road – 2016 US Fall Tour Bob Dylan: Still On The Road – 2016 US Fall Tour 37770 Empire Polo Club Indio, California 7 October 2016 1. -
Terrorism and Political Violence Groupthink and Terrorist Radicalization
This article was downloaded by: [S Rajaratnam School of International Studies NTU] On: 11 November 2014, At: 19:37 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Terrorism and Political Violence Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ftpv20 Groupthink and Terrorist Radicalization Eteri Tsintsadze-Maass a & Richard W. Maass b a Department of Political Science , University of Kentucky , Lexington , Kentucky , USA b Department of Law, Politics, and Society , University of Evansville , Evansville , Indiana , USA Published online: 18 Feb 2014. To cite this article: Eteri Tsintsadze-Maass & Richard W. Maass (2014) Groupthink and Terrorist Radicalization, Terrorism and Political Violence, 26:5, 735-758, DOI: 10.1080/09546553.2013.805094 To link to this article: http://dx.doi.org/10.1080/09546553.2013.805094 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.