Eri: Collar Sode: Sleeve Obidome: Sash Clip Tabi: Split-Toed Socks Geta: Wooden Clogs Haori: Coat Kasa: an Umbrella Or Parasol O

Total Page:16

File Type:pdf, Size:1020Kb

Eri: Collar Sode: Sleeve Obidome: Sash Clip Tabi: Split-Toed Socks Geta: Wooden Clogs Haori: Coat Kasa: an Umbrella Or Parasol O eri: collar sode: sleeve obidome: sash clip tabi: split-toed socks geta: wooden clogs haori: coat kasa: an umbrella or parasol obi: An elaborate and usually beautifully decorated sash to tie the kimono.* *A woman’s obi can be 3 to 4 meters long and up to 30cm wide. There is an art to tying the special knots that secure the obi. Men’s obi are narrower and knotted more simply. The currency of Japan is the Japanese Yen. As at Feb 2018, exchange rate is: £1.00 = approx. 148 Japanese Yen 1 ¥ = approx. £0.007 (approx. ¾ x 1p) Look up the Sugoroku RZSS fact file for the Japanese macaque. Write a letter to a relative or friend. Send the letter with commemorative (picture) UK stamps. Practise writing the ancient and modern character for ox - 牛 うし The tallest pagoda in Japan is the Kyo-o-gokokuji Temple, South Kyoto at 55m. There are various internet sites which explain the process of how tea is made. 1. Tea plant grown 2. Tea leaves picked 3. Oxidation and drying 4. Grading and sorting 5. Packaging Practise writing the ancient and modern character for rabbit - 兎 うさぎ Draw and colour the Japanese flag. How silk is made – 1. Farming silkworms* 2. Soaking cocoons 3. Spinning thread 4. Weaving into cloth 5. Dying the cloth *Farming silkworms – they are not actually worms but caterpillars. The species is Bombyx mori moth. Practise writing the ancient and modern character for dragon - 竜 たつ There are various internet sites which explain the process of how rice is made. Some different types of rice: long grain rice basmati rice black rice glutinous rice sushi rice お餅 おもち omochi are rice cakes Practise writing the ancient and modern character for snake - 蛇 へび There are various internet sites which have tips on growing bonsai, there are also ‘grow your own bonsai kits’ for sale and even some crafty ideas for making artificial bonsai. There are various internet sites and books which have information on the Japanese eras and history. Make an origami animal. Create a Japanese Stampart. Place a stamp onto A5 paper and create a drawing around it using the stamp as the inspiration for your drawing. Practise writing the ancient and modern character for horse - 馬 うま Lacquer is a resin substance from certain trees which is used as a natural varnish. Japanese lacquer is traditionally the sap from Rhus verniciflua tree. Wajima Tokyo There are three main types of Japanese traditional theatre: kabuki – traditional Japanese theatre noh – similar to the Western musical bunraku – Japanese puppet theatre Buddhism – the eightfold path 1. Right view 2. Right intention 3. Right speech 4. Right action 5. Right action 6. Right livelihood 7. Right effort 8. Right mindfulness 9. Right concentration Fugu chefs must have a licence to prepare and sell the fish. There is usually a three year course to become a fugu chef. The poison in the fugu is tetrodotoxin. Make your own Sugoroku game. Look up the Sugoroku RZSS fact file for the red crowned crane. There is a high possibility of earthquakes and volcanic eruptions in Japan because it is located near three major tectonic plate boundaries. The four basic tools of calligraphy are: brush inkstick paper inkstone (to grind the inkstick against and mix with water) Mount Fuji is the highest mountain in Japan at 3776 meters or 12,389 feet. Ben Nevis is the highest mountain in Scotland and is 1344 meters or 4,406 feet. There is a list of 100 Landscapes of Japan on Wikipedia Some examples: Mount Fuji Kumamoto Castle Kurobe Dam, Toyama Coral reefs, Okinawa Okhotsk ice floes, Hokkaido Tsutenkaku Tower, Osaka The Northern Japanese Alps Temples and shrines of Kyoto Sushi is a combination of vinegared rice and other ingredients, often raw fish. Sashimi is most commonly thinly sliced raw fish but can also be other raw meat. Japan is 9 hours ahead of Scotland. The Japanese do not change their clocks seasonally. Cherry blossom appears on many Japanese stamps. Start a collection of Japanese stamps and make an artistic page with the stamps. Practise writing the ancient and modern character for monkey - 猿 さる.
Recommended publications
  • Identification of Asian Garments in Small Museums
    AN ABSTRACTOF THE THESIS OF Alison E. Kondo for the degree ofMaster ofScience in Apparel Interiors, Housing and Merchandising presented on June 7, 2000. Title: Identification ofAsian Garments in Small Museums. Redacted for privacy Abstract approved: Elaine Pedersen The frequent misidentification ofAsian garments in small museum collections indicated the need for a garment identification system specifically for use in differentiating the various forms ofAsian clothing. The decision tree system proposed in this thesis is intended to provide an instrument to distinguish the clothing styles ofJapan, China, Korea, Tibet, and northern Nepal which are found most frequently in museum clothing collections. The first step ofthe decision tree uses the shape ofthe neckline to distinguish the garment's country oforigin. The second step ofthe decision tree uses the sleeve shape to determine factors such as the gender and marital status ofthe wearer, and the formality level ofthe garment. The decision tree instrument was tested with a sample population of 10 undergraduates representing volunteer docents and 4 graduate students representing curators ofa small museum. The subjects were asked to determine the country oforigin, the original wearer's gender and marital status, and the garment's formality and function, as appropriate. The test was successful in identifying the country oforigin ofall 12 Asian garments and had less successful results for the remaining variables. Copyright by Alison E. Kondo June 7, 2000 All rights Reserved Identification ofAsian Garments in Small Museums by Alison E. Kondo A THESIS submitted to Oregon State University In partial fulfillment of the requirements for the degree of Master ofScience Presented June 7, 2000 Commencement June 2001 Master of Science thesis ofAlison E.
    [Show full text]
  • Japanese Costume
    JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago, 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military ( samurai ) class, the ma- jority of whose descendents still cling to the national costume.
    [Show full text]
  • Tradisi Pemakaian Geta Dalam Kehidupan Masyarakat Jepang Nihon Shakai No Seikatsu Ni Okeru Geta No Haki Kanshuu
    TRADISI PEMAKAIAN GETA DALAM KEHIDUPAN MASYARAKAT JEPANG NIHON SHAKAI NO SEIKATSU NI OKERU GETA NO HAKI KANSHUU SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang Oleh: AYU PRANATA SARAGIH 120708064 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2016 i Universitas Sumatera Utara TRADISI PEMAKAIAN GETA DALAM KEHIDUPAN MASYARAKAT JEPANG NIHON SHAKAI NO SEIKATSU NI OKERU GETA NO HAKI KANSHUU SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang Oleh: AYU PRANATA SARAGIH 120708064 Pembimbing I Pembimbing II Dr. Diah Syafitri Handayani, M.Litt Prof. Hamzon Situmorang,M.S, Ph.D NIP:19721228 1999 03 2 001 NIP:19580704 1984 12 1 001 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2016 ii Universitas Sumatera Utara Disetujui Oleh, Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Medan, September 2016 Departemen Sastra Jepang Ketua, Drs. Eman Kusdiyana, M.Hum NIP : 196009191988031001 iii Universitas Sumatera Utara KATA PENGANTAR Segala puji dan syukur penulis panjatkan kepada Tuhan Yesus Kristus, oleh karena kasih karunia-Nya yang melimpah, anugerah,dan berkat-Nya yang luar biasa akhirnya penulis dapat menyelesaikan skripsi ini. Penulis dapat menyelesaikan skripsi ini yang merupakan syarat untuk mencapai gelar sarjana di Fakultas Ilmu Budaya Universitas Sumatera Utara. Adapun skripsi ini berjudul “Tradisi Pemakaian Geta Dalam Kehidupan Masyarakat Jepang”. Skripsi ini penulis persembahkan kepada orang tua penulis, Ibu Sonti Hutauruk, mama terbaik dan terhebat yang dengan tulus ikhlas memberikan kasih sayang, doa, perhatian, nasihat, dukungan moral dan materil kepada penulis sehingga penulis dapat menyelesaikan studi di Sastra Jepang USU, khususnya menyelesaikan skripsi ini.
    [Show full text]
  • Marriage in Japan Tadamasa Kobayashi*
    Marriage in Japan Traditional and Current Forms of Japanese Marriage Tadamasa Kobayashi* 1. Preface Marriage law follows folk practices. As Masayuki Takanashi writes, “Folk practices determine the reality of marriage. Laws cannot change these practices; they can only reflect them” (Masayuki Takanashi, 1969. Minpo no Hanasi. [Tales of Civil Law], p. 168. NHK Shuppan Kyokai). This theory is currently well-established; in fact Japanese family law specifi- cally states that marriage law “must match the sense of ethics and morality that characterizes a nation and should never run counter to social mores” (Kikunosuke Makino, 1929. Nihon Shinzoku Horon. [Theory on Japanese Family Law], pp. 7-8. Gan Sho Do). It is also specified that family law “is based on natural human relations, such as those between a married couple and between parent and child. Such natural human relations are influenced by a country’s climate, manners, and customs, as well as by the human characteristics of its inhabitants. Human relations thus develop uniquely in each country (Kikushiro Nagata, 1960. Shin Minpo Yogi 4. Shinzokuho. [Family Law, Major Significance of New Civil Law, and Vol. 4], p. 10. Tei- koku Hanre Hoki Shuppan Sha). Another writer has gone so far as to say that “Family law is powerless relative to traditional folk practices. Legisla- tion aiming at maintaining social mores is much less effective in practice than, for example, traditional talismans believed to expel evil and sickness” (Zennosuke Nakagawa, 1933. Minpo 3. [Civil Law, Vol. 3], pp. 6-7. Iwanami Shoten). With these views in mind, this paper focuses on traditional family law, particularly on marriage law and related issues, from the perspective of so- cio-jurisprudence rather than based on a strict legal interpretation.
    [Show full text]
  • Lucrări Ştiinţifice
    UNIVERSITATEA DE ŞTIINŢE AGRICOLE ŞI MEDICINĂ VETERINARĂ ʺION IONESCU DE LA BRADʺ IAŞI – ROMÂNIA LUCRĂRI ŞTIINŢIFICE SERIA MEDICINĂ VETERINARĂ VOL. 56 (1 – 2) ISSN 1454-7406 Editura „ION IONESCU DE LA BRAD“ Iaşi 2013 COLEGIUL DE REDACŢIE / EDITORIAL BOARD Redactor şef / Editor in Chief - Mihai Mareş Secretar de redacţie / Secretary - Valentin Năstasă Membru / Member - Mariana Grecu COMISIA DE REFERENŢI / ADVISORY BOARD Prof. dr. Liviu Miron – USAMV Iaşi (Romania) Prof. dr. Gheorghe Solcan – USAMV Iaşi (Romania) Prof. dr. Gheorghe Savuţa – USAMV Iaşi (Romania) Prof. dr. Gabriel Predoi – USAMV Bucureşti (Romania) Prof. dr. Cornel Cătoi – USAMV Cluj-Napoca (Romania) Prof. dr. Viorel Herman – USAMV Timişoara (Romania) Assoc. Prof. Dorina Timofte Carter – University of Liverpool (UK) Assoc. Prof. Valentin Năstasă – USAMV Iaşi (Romania) Assoc. Prof. Mihai Mareş - USAMV Iaşi (Romania) Responsabilitatea privind conţinutul articolelor, inclusiv traducerea acestora în limba engleză, revine exclusiv autorilor. The entire responsibility for the content of papers, including the English translation, belongs to the authors. Lucrări Ştiinţifice - vol. 56 seria Medicină Veterinară CUPRINS BIOCHEMICAL EFFECT OF TAURINE ON EXPERIMENTALLY HYPERGALACTOSEMIC RATS Omayma. A.R. Abou Zaid, Faten Zahran, Heba, A.M.Awad 1 - 11 BIOCHEMICAL STUDIES ON LIPOIC ACID AS ANTIOXIDANT Omayma A.R. Abou Zaid, Dowidar M F., Dina M I 12 - 21 ASSOCIATION OF INFLAMMATORY, ENDOTHELIAL DYSFUNCTION MARKERS AND CARDIOVASCULAR RISK FACTORS IN OVARIECTOMIZED STZ-DIABETIC RATS Omayma A., Ragab Abo-Zaid, Atef Goda Hussain, Sahar E. Ahmed 22 - 29 INVESTIGATIONS ON THE HISTOLOGICAL STRUCTURE OF THE PECTORALIS SUPERFICIALIS MUSCLE, IN COBB-500 COMMERCIAL MEAT- TYPE HYBRID HEN, SLAUGHTERED AT DIFFERENT AGES V.Teusan, Anca Prelipcean (Teusan) 30 - 44 RESEARCH ON THE THICKNESS AND PROFILE OF PROFOUND PECTORAL MUSCLE MYOCYTES OF MEAT TYPE HYBRID COBB-500, SLAUGHTERED AT DIFFERENT AGES V.
    [Show full text]
  • Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
    Artifacts of Diplomacy: Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854) CHANG-SU HOUCHINS SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 37 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through trie years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review.
    [Show full text]
  • Japanesecostume12guns.Pdf
    -s-t JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology WQStTY OF IUR0IS L . MCI 5 1923 FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 >7£ VtT3f 7^ Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago. 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military (samurai) class, the ma- jority of whose descendents still cling to the national costume.
    [Show full text]
  • Notice of Opposition Opposer Information Applicant Information
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA682666 Filing date: 07/09/2015 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Randa Corp. Granted to Date 07/11/2015 of previous ex- tension Address 417 Fifth Avenue11th Floor New York, NY 10016 UNITED STATES Attorney informa- Mary L. Grieco, Safia A. Anand tion Olshan Frome Wolosky LLP 65 East 55th Street New York, NY 10022 UNITED STATES [email protected], [email protected], [email protected] Phone:212-451-2300 Applicant Information Application No 79143045 Publication date 05/12/2015 Opposition Filing 07/09/2015 Opposition Peri- 07/11/2015 Date od Ends International Re- 1193211 International Re- 07/03/2013 gistration No. gistration Date Applicant J.B. Co., LTD. 3-20, Umeda 3-chome Osaka 530-0001, JAPAN Goods/Services Affected by Opposition Class 018. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: folding briefcases; shoulder bags; briefcases; carry-on bags; handbags; Boston bags; rucksacks; leather; fur pelts; artificial fur Class 025. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Evening dresses; children's wear, namely, rompers and one-piece garments; jackets; sweat pants; skirts; trousers; formalwear, namely, dresses, gowns, trousers
    [Show full text]
  • Japanese Kimono Sash) Women's Kantan Obi 20
    Japan Information and Culture Centre CULTURAL ITEMS FOR BORROWING As of April 2017 Embassy of Japan KIMONO - Adult size Iitem Description Notes 1. White with flowers Homon-gi - formal wear Women's Kimono 2. Red kimono 3. Dark blue kimono 4. Blue kimono Men's Kimono 5. Blue kimono with a matching haori (jacket) 6. Haori (jacket) - Blue KIMONO - Child size 7. Girl's kimono, light pink Primary school (junior) size Child Kimono 8. Boy's kimono, purple Primary school (junior) size YUKATA (casual summer kimono) 9. Pink 10. Yellow Women's Yukata 11. Blue 12. Assorted colours/patterns old yukata 13. Shogi (Japanese chess) pattern suitable for a tall person Men's Yukata 14. Kasuri pattern YUKATA - Child size Girls' casual summer kimono 15. Cat (maneki-neko) pattern suitable for primary school students Boys' casual sunner kimono 16. Cat (maneki-neko) pattern suitable for primary school students Small Girls' yukata 17. pink suitable for primary school students 18. blue suitable for primary school students Small Boys' yukata 19. Kasuri pattern suitable for primary school students OBI (Japanese Kimono sash) Women's Kantan obi 20. Various combination of yellow/red/purple/orange easy to fit with strings Girls' soft sash 21. pink goes with yukata Boys' soft sash 21. blue/green goes with yukata Page 1 Japan Information and Culture Centre CULTURAL ITEMS FOR BORROWING As of April 2017 Embassy of Japan HAPPI Jacket 22. Red "Matsuri " 23. Blue "Matsuri" Adult sizes (S, M, L, 2L) 24. Black & White "Matsuri " 25. Red "Japan (日本) " and a map of Japan suitable for small children Child size 26.
    [Show full text]
  • Fashioning Kimono
    fashioning fashioning TYPES OF KIMONO Kimono are classified into various types that can denote the age, marital status, kimono kimono and social standing of the wearer, as well as the occasion and season for which they are worn. ART DECO AND MODERNISM IN JAPAN ART DECO AND MODERNISM IN JAPAN The early to mid-twentieth century was one of the most dynamic periods in the history of the kimono. Although lifestyles were changing and concepts of Furisode: “Swinging sleeves;” modernity were being defined, the kimono remained the daily dress of choice kimono with long, hanging for the majority of people in Japan. While some kimono created during this sleeves and small wrist openings time reflect the country’s long-standing tradition of elegant designs made that is reserved for unmarried with centuries-old techniques, many illustrate a dramatic break with aspects young women and girls. of kimono tradition. Haori: Jacket worn by men, Kimono of the Taishō (1912–1926) and early to mid-Shōwa (1926–1950s) women, and children over a periods combined reinvented traditional techniques with modern weaving and kimono. dyeing technology. Western art and aesthetics were also reflected in designs, with traditional motifs updated and new influences incorporated. Kimono Hitoe: Unlined kimono of silk. fashions for men were conservative but could include decorative jacket linings and underrobes, while boys’ kimono often utilized modern imagery. Above all, Homongi: Simplified version the boldly patterned and brightly colored kimono of the period perfectly suited of the furisode and tomesode young, independent women; wearing such a garment, a woman could be worn by single or married glamorous, fashionable, and modern, but still Japanese.
    [Show full text]
  • Guide to the Japanese Textiles
    ' nxj jj g a LPg LIBRARY KHiW»s j vOU..-'.j U vi j w i^ITY PROVO, UTAH Digitized by the Internet Archive in 2016 https://archive.org/details/guidetojapaneset02vict . junihitoye Women’s Full Court Costume ( ) (From Tachibana no Morikuni, Yehon Shaho-bukuro.) Frontispiece.'] [See p. 48 [\JK ^84 .MS vol.S. VICTORIA AND AI.BERT MUSEUM DEPARTMENT OF TEXTILES GUIDE TO THE JAPANESE TEXTILES PART II.—COSTUME BY ALBERT J. KOOP LONDON : PRINTED UNDER THE AUTHORITY OF HIS MAJESTY’S STATIONERY OFFICE, 1920. Publication No. i2ot First Printed,, March , 1920 Crown Copyright Reserved BAR B. LEE LIBRARY bright m young university PROVO, UTAH PREFATORY NOTE. HE present volume, forming the second part of the guide to the Japanese textiles, has been written, in his own time, T by Mr. A. Koop, Assistant in the Department of Metalwork, J. Honorary Librarian and member of Council of the Japan Society. The thanks of the Museum are due to Mr. Koop for this voluntary assistance. CECIL HARCOURT SMITH. March , 1920. CONTENTS. PAGE INTRODUCTION I I. ORDINARY COSTUME 2 Men’s Dress . 3 Women's Dress . 10 Children’s Dress . 15 Travelling Dress . 16 Coolies and Field Workers . 17 Weddings, Funerals, Etc. 18 II. COURT AND ECCLESIASTICAL DRESS .. .. 19 Court Dress for Men . 19 Accession Robes . 19 Sokutai Dress . 21 Ikwan Dress . 33 Naoshi, Ko-naoshi, . Hanjiri . 34 Kariginu, Hoi Hakucho . , 37 Hitatare . 38 . Daimon (Nunobitatare) . 40 . Sud . 40 ( . Suikan Suikan no Kariginu) . 41 ( . Choken Choken no Suikan) . 41 . Types of Yeboshi . 41 . Kamishimo . 42 Dress of Military Court Officials . 44 Shinto Festival .
    [Show full text]
  • The Stuff of World War II Curators Shape a Modern Museum of History
    EXPLORATIONS The Stuff of World War II Curators shape a modern museum of history. by nell porter Brown uring a field trip to the Mu- Clockwise from top: a Sherman tank seum of World War II in Natick, dominates the Massachusetts, a burly high- “America Enters school junior stopped at the the War” exhibit; a D German doll’s belt glass case holding Adolf Hitler’s personal buckle sports a swastika; British effects: pills, powders, and ointments from propaganda targeting women; his medicine cabinet; a monogrammed sil- Rendell, Carter, and Heywood; ver hand-mirror; and a leather mustache- flags and other artifacts from trainer, worn at night to keep stray hairs the Pacific theater in line. ing off Route 9, behind a Dick’s “He said, ‘Ah, I get it now!’” reports di- Sporting Goods. It holds the rector of education Marshall W. Carter, most comprehensive collection Ed.M. ’97. The student had connected the of World War II artifacts in the “personal vanity and megalomania with the world. “Other places will have dictator.” It’s just this sort of insight, Carter a complete set of guns, or of believes, that the museum—especially in uniforms,” says Carter, or focus its planned expansion—should induce. on one nation’s involvement, or “The opportunity here,” he explains, “is to historic events, such as the Ho- understand that individuals in history had locaust. “But what we have is temperaments and agency that were very the most global collection—ma- complex, and that those traits ended up af- terial from every theater, from documents and objects are on
    [Show full text]