An Introduction to Virality Metrics
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Madonna: Kabbalah with the Kids! the Cast of the Bold Type Are Super Talented, So It’S Not Really Surprising to Madonna Makes a Quick Entrance Into Know That
JJ Jr. RSS Twitter Facebook Instagram MAIN ABOUT US EXCLUSIVE CONTACT SEND TIPS Search Chris Pine & Annabelle Wallis Miranda Lambert Mentions Will Smith & Jada Pinkett Smith You Won't Believe What One Hold Hands, Look So Cute Blake Shelton's Girlfriend Don't Say They're Married Woman Did to Protest Donald Together in London! Gwen Stefani in New Interview Anymore Find Out Why Trump (Hint: It's Terrifying) Older Newer SUN, 10 MARCH 2013 AT 7:30 PM Tweet 'The Bold Type' Cast Really Wants To Do A Musical Episode Madonna: Kabbalah with the Kids! The cast of The Bold Type are super talented, so it’s not really surprising to Madonna makes a quick entrance into know that... the Kabbalah Center while all bundled up for the chilly day on Saturday (March 9) in New York City. 'Free Rein' Returns To Netflix For The 54yearold entertainer was Season 2 on July 6th! Free Rein is almost here again and JJJ is accompanied by three of her children, so excited! The new season will center Lourdes, 16, Mercy, 8, and David, 7. on Zoe Phillips as... Last week, Madonna and Lourdes met up with some dancers from her MDNA tour at Antica Pesa in the Williamsburg Justin Bieber & GF Hailey Baldwin section of Brooklyn, where they dined on Head Out to Brooklyn... Justin Bieber and GF Hailey Baldwin are yummy Italian cuisine. continuing to have so much fun together! The 24yearold... An onlooker commented that Madonna seemed like the “coolest mom in the world,” according to People. -
21-0706-MEDALLIONS-Call for Entry Brochure.Pdf
ENTERYOURFINEST 2021 MEDALLIONENTER YOUR ENTERYOURAWARDS FINEST ENTERYOUR ENTERYOURFINEST ENTERYOURFINEST ENTERYOURFINEST ENTERYOURFINEST ENTERYOURFINEST ENTER YOUR PASSION ENTRY DETAILS WHO CAN ENTER The creative effort/concept must 2021 have originated from a community medallion or technical college or district or AWARDS state governing organization for two-year colleges. Entries may not be submitted through an ad YOu’VE DONE GReaT WORK. YOu’VE PUT IN EXTRA HOURS. agency; make submissions through a college, district or state govern- YOU DESERVE TO BE CELEBRATED FOR yoUR ACCOMPLISHMENTS. ing association only. In a time when creativity has been stretched to the limits, it’s WHAT TO ENTER important to take the time to reflect on your relentless pursuit of Entries must have been published, broadcast, displayed and used excellence. Show everyone the inspirational work you and your between July 1, 2020 and team have produced during one of the most challenging years June 30, 2021. in recent memory. Entries must be new designs or publications in the entry year; those that represent previously SPONSORED BY the National Council for RECOGNIZED AS the leading professional submitted work with minor Marketing & Public Relations (NCMPR), development organization for two-year modifications will be disqualified. the Medallion Awards recognize outstanding college communicators, NCMPR provides achievement in design and communication regional and national conferences, Entries must be original, creative at community and technical colleges webinars, a leadership institute, relevant work WITHOUT THE USE OF in each of seven districts. It’s the only information on emerging marketing TEMPLATES customized for regional competition of its kind that honors and PR trends, and connections to a individual college use. -
Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
“Decreasing World Suck”
Dz dzǣ Fan Communities, Mechanisms of Translation, and Participatory Politics Neta Kligler-Vilenchik A Case Study Report Working Paper Media, Activism and Participatory Politics Project AnnenBerg School for Communication and Journalism University of Southern California June 24, 2013 Executive Summary This report describes the mechani sms of translation through which participatory culture communities extend PHPEHUV¶cultural connections toward civic and political outcomes. The report asks: What mechanisms do groups use to translate cultural interests into political outcomes? What are challenges and obstacles to this translation? May some mechanisms be more conducive towards some participatory political outcomes than others? The report addresses these questions through a comparison between two groups: the Harry Potter Alliance and the Nerdfighters. The Harry Potter Alliance is a civic organization with a strong online component which runs campaigns around human rights issues, often in partnership with other advocacy and nonprofit groups; its membership skews college age and above. Nerdfighters are an informal community formed around a YouTube vlog channel; many of the pDUWLFLSDQWVDUHKLJKVFKRRODJHXQLWHGE\DFRPPRQJRDORI³GHFUHDVLQJZRUOGVXFN.´ These two groups have substantial overlapping membership, yet they differ in their strengths and challenges in terms of forging participatory politics around shared cultural interests. The report discusses three mechanisms that enable such translation: 1. Tapping content worlds and communities ± Scaffolding the connections that group members have through their shared passions for popular culture texts and their relationships with each other toward the development of civic identities and political agendas. 2. Creative production ± Encouraging production and circulation of content, especially for political expression. 3. Informal discussion ± Creating and supporting spaces and opportunities for conversations about current events and political issues. -
Parody and Pastiche
Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube Parody and Pastiche. Study I. January 2013 Kris Erickson This is an independent report commissioned by the Intellectual Property Office (IPO) Intellectual Property Office is an operating name of the Patent Office © Crown copyright 2013 2013/22 Dr. Kris Erickson is Senior Lecturer in Media Regulation at the Centre ISBN: 978-1-908908-63-6 for Excellence in Media Practice, Bournemouth University Evaluating the impact of parody on the exploitation of copyright works: An empirical study of music (www.cemp.ac.uk). E-mail: [email protected] video content on YouTube Published by The Intellectual Property Office This is the first in a sequence of three reports on Parody & Pastiche, 8th January 2013 commissioned to evaluate policy options in the implementation of the Hargreaves Review of Intellectual Property & Growth (2011). This study 1 2 3 4 5 6 7 8 9 10 presents new empirical data about music video parodies on the online © Crown Copyright 2013 platform YouTube; Study II offers a comparative legal review of the law of parody in seven jurisdictions; Study III provides a summary of the You may re-use this information (excluding logos) free of charge in any format or medium, under the findings of Studies I & II, and analyses their relevance for copyright terms of the Open Government Licence. To view policy. this licence, visit http://www.nationalarchives.gov. uk/doc/open-government-licence/ or email: [email protected] The author is grateful for input from Dr. -
Looking At, Through, and with Youtube Paul A
Santa Clara University Scholar Commons Communication College of Arts & Sciences 2014 Looking at, through, and with YouTube Paul A. Soukup Santa Clara University, [email protected] Follow this and additional works at: https://scholarcommons.scu.edu/comm Part of the Communication Commons Recommended Citation Soukup, Paul A. (2014). Looking at, through, and with YouTube. Communication Research Trends, 33(3), 3-34. CRT allows the authors to retain copyright. This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Communication by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Looking at, with, and through YouTube™ Paul A. Soukup, S.J. [email protected] 1. Looking at YouTube Begun in 2004, YouTube rapidly grew as a digi- history and a simple explanation of how the platform tal video site achieving 98.8 million viewers in the works.) YouTube was not the first attempt to manage United States watching 5.3 billion videos by early 2009 online video. One of the first, shareyourworld.com (Jarboe, 2009, p. xxii). Within a year of its founding, begin 1997, but failed, probably due to immature tech- Google purchased the platform. Succeeding far beyond nology (Woog, 2009, pp. 9–10). In 2000 Singingfish what and where other video sharing sites had attempt- appeared as a public site acquired by Thompson ed, YouTube soon held a dominant position as a Web Multimedia. Further acquired by AOL in 2003, it even- 2.0 anchor (Jarboe, 2009, pp. -
A Closer Look at Viral Videos on Youtube
Viral Video Style: A Closer Look at Viral Videos on YouTube Lu Jiang, Yajie Miao, Yi Yang, Zhenzhong Lan, Alexander G. Hauptmann School of Computer Science, Carnegie Mellon University Outline . Introduction . CMU Viral Video Dataset . Statistical Characteristics . Peak Day Prediction . Conclusions Outline . Introduction . CMU Viral Video Dataset . Statistical Characteristics . Peak Day Prediction . Conclusions What is a viral video? • A viral video is a video that becomes popular through the process of (most often) Internet sharing through social media. Gangnam Style What is a viral video? • A viral video is a video that becomes popular through the process of (most often) Internet sharing through social media. Charlie bit my finger Gangnam Style Missing pilot MH370 Social Validity • Viral videos have been having a profound impact on many aspects of society. • Politics: – Pro-Obama video “Yes we can” went viral (10 million views) in 2008 US presidential election [Broxton 2013]. – Obama Style and Mitt Romney Style went viral (30 million views in the month of Election Day), and peaked on Election Day. Social Validity • Viral videos have been having a profound impact on many aspects of society. • Politics: – Pro-Obama video “Yes we can” went viral (10 million views) in 2008 US presidential election [Broxton 2013]. – We found that Obama Style and Mitt Romney Style went viral (30 million views in the month of Election Day), and peaked on Election Day. Social Validity 6 x 10 2 Mitt Romney Style 1.5 Obama Style 2012 Election Day 1 0.5 Number of Views of Number 0 60 70 80 90 100 110 120 130 140 150 160 Days after the upload Social Validity cont. -
MAHARHAR MADNESS (Vol. 2)
MAHARHAR MADNESS (Vol. 2) 1. A song whose title has the words “Sono Chi no Sadame” in parentheses is an opening for this show. One song used as an opening for this show contains the lyrics “like a bloody storm” and is titled “Bloody Stream”. “Walk like an Egyptian” by the Bangles was an ending song to this show, but a more notable ending song to this show is “Roundabout” by Yes. For ten points, name this over-the-top show about the Joestar lineage. ANSWER: Jojo’s Bizarre Adventure 2. It’s not the Beatles, but this band has a Rock Band game dedicated to them. In a music video for one of this band’s songs, a girl cries as her boyfriend goes off to fight in the Iraq War. Another music video for one of this band’s songs features the band walk down an empty stretch of country road singing “my shadow’s the only one who walks beside me” and “I walk alone”. For 10 points, name this band behind hits such as “Holiday” and “American Idiot”. ANSWER: Green Day 3. Two films from this studio are modern takes on books by Charles Dickens and Robert Louis Stevenson. In one film from this studio, two RAS agents save an Australian boy from a poacher. Another film from this studio features an elaborate chase sequence inside of Big Ben. Milo Thatch searches for the lost city of Atlantis and Tiana works to start her own restaurant in New Orleans in two other films from this studio. -
Conservative Review
Conservative Review Issue #209 Kukis Digests and Opines on this Week’s News and Views December 25, 2011 In this Issue: Links This Week’s Events Say What? The Rush Section Joe Biden Prophecy Watch Amazing: Democrat President Demands Cut in Social Security Funding Watch This! We Stand for Principle Over Politics and the A Little Comedy Relief Establishment Can't Stand It Short Takes Michelle Obama's School Lunch Menu Forces Kids By the Numbers to Find Back-Alley Meals Polling by the Numbers A Little Bias Additional Rush Links Obama-Speak Questions for Obama Perma-Links Political Chess You Know You’ve Been Brainwashed if... Too much happened this week! Enjoy... News Before it Happens Prophecies Fulfilled The cartoons mostly come from: My Most Paranoid Thoughts www.townhall.com/funnies. Missing Headlines Capitalism and the Right to Rise If you receive this and you hate it and you don’t In freedom lies the risk of failure. But in statism want to ever read it no matter what...that is fine; lies the certainty of stagnation. By Jeb Bush email me back and you will be deleted from my What kind of society does America want? list (which is almost at the maximum anyway). By Mitt Romney Gridlock to the Rescue? By Thomas Sowell Previous issues are listed and can be accessed here: The Past and the Present By Thomas Sowell Senator Tom Coburn's Annual "Wastebook" Just http://kukis.org/page20.html (their contents are Released by Bob Adelmann described and each issue is linked to) or here: Tom Coburn’s 2011 Wastebook http://kukis.org/blog/ (this is the online directory Documents: ATF used "Fast and Furious" to make they are in) the case for gun regulations By Sharyl Attkisson Conclusion of Calvin Coolidge's Inaugural Address I attempt to post a new issue each Sunday by 5 or Obama Documents Not Released 6 pm central standard time (I sometimes fail at this attempt). -
Catching a Viral Video
J Intell Inf Syst DOI 10.1007/s10844-011-0191-2 Catching a viral video Tom Broxton · Yannet Interian · Jon Vaver · Mirjam Wattenhofer Received: 2 February 2011 / Revised: 21 September 2011 / Accepted: 25 November 2011 © Springer Science+Business Media, LLC 2011 Abstract The sharing and re-sharing of videos on social sites, blogs e-mail, and other means has given rise to the phenomenon of viral videos—videos that become popular through internet sharing. In this paper we seek to better understand viral videos on YouTube by analyzing sharing and its relationship to video popularity using millions of YouTube videos. The socialness of a video is quantified by classifying the referrer sources for video views as social (e.g. an emailed link, Facebook referral) or non- social (e.g. a link from related videos). We find that viewership patterns of highly social videos are very different from less social videos. For example, the highly social videos rise to, and fall from, their peak popularity more quickly than less social videos. We also find that not all highly social videos become popular, and not all popular videos are highly social. By using our insights on viral videos we are able develop a method for ranking blogs and websites on their ability to spread viral videos. Keywords Viral videos · Internet sharing · YouTube · Social media · Ranking blogs · Data mining · Logs mining · Weblogs T. Broxton · Y. Interian (B) · J. Vaver · M. Wattenhofer Google Inc., San Bruno, USA e-mail: [email protected] T. Broxton e-mail: [email protected] J. Vaver e-mail: [email protected] M. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
Freedom of Speech, the War on Terror, and What's Youtube Got To
Freedom of Speech, The War on Terror, and What’s YouTube Got to Do with it: American Censorship During Times of Military Conflict Melissa J. Morgans * TABLE OF CONTENTS I. INTRODUCTION ............................................................................... 147 II. BACKGROUND ................................................................................. 149 A. There is a Growing Issue of Terrorist Speech on the Internet Due to the Viral Nature Internet-Based Speech. ............................. 149 B. The United States Government Has Historically Censored Speech During Times of War. ............................................................... 151 C. Despite This Historical Precedent, the First Amendment Permits Censorship of Speech Only in Limited Circumstances. ........... 155 III. TERRORIST SPEECH ON THE INTERNET SHOULD BE CENSORABLE BY THE GOVERNMENT. ......................................................................... 159 A. Censoring Terrorist Speech Today is Consistent with the Tradition of Restrictions on Anti-Government Wartime Speech. ..................................................................................... 159 B. Targeting Internet-Based Speech is Consistent with the Tradition of Restrictions on Uniquely Invasive Media. ........................... 161 IV. THE “STOP TERRORIST ORGANIZATIONS FROM PROMOTING INTERNET TRANSMISSIONS ACT” COULD PERMISSIBLY REGULATE TERRORIST SPEECH ONLINE. ............................................................................. 164 * J.D., The George Washington University