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A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Art of Elia Kazan Geoffrey Jacques Film Director, Playwright
Promises, Trust, Betrayal: The Art of Elia Kazan Geoffrey Jacques Film director, playwright, and novelist Elia Kazan (1909-2003) led a storied, even legendary career. During his seven decades in public life he was much honored and much vilified, yet his work, particularly in film, has helped shape the stylistic, thematic, and ethical concerns of the genre. His work in the movies was in part driven by a group of ethical concerns that allowed him to explore a wide range of social issues without explicitly triggering his era’s left-right ideological discourse. His films sidestepped this discourse while simultaneously drawing from it in order to pursue concerns that seem to have interested him as much, and perhaps even more, than the significance of the social problems he used as the basis for his movies. These concerns have to do with the ethical dimensions of promising, trusting, and betrayal. J. Hoberman has remarked that betrayal is a prominent theme in the movies Kazan made after his 1952 testimony before HUAC (House Un-American Activities Committee),1 but betrayal was actually a thematic element from his earliest films, beginning with A Tree Grows in Brooklyn, his first feature, and they played a constitutive role throughout Kazan’s career. Without theorizing about how these themes “developed” over his career, we can see they have been with him always, forming a kind of scaffolding on which he built his movies. Kazan was born in Istanbul into an Anatolian Greek family that immigrated to the United States when he was four years old. He attended Montessori school and had Catholic catechism lessons, graduated from Williams College, and attended Yale Drama School before embarking on a career as an actor and was associated for several years with the Group Theater, founded by Harold Clurman, Cheryl Crawford, and Lee Strasburg. -
A Statistical Survey of Sequels, Series Films, Prequels
SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J. -
(E I Suoi Attori) Marlon Brando James Dean Montgomery Clift … Parte Prima: 1945 – 1953 a Tree Grows in Brooklyn Un Albero Cr
ELIA KAZAN gennaio–marzo 2015 (E I SUOI ATTORI) MARLON BRANDO JAMES DEAN MONTGOMERY CLIFT … PARTE PRIMA: 1945 – 1953 a cura dei Circoli dei cinema ticinesi, in collaborazione con il CIRCOLO CIRCOLO LUGANOCINEMA93 CINECLUB DEL Festival del film Locarno (www.pardo.ch) DEL CINEMA DEL CINEMA www.luganocinema93.ch MENDRISIOTTO LOCARNO BELLINZONA www.cinemendrisiotto.org www.cclocarno.ch www.cicibi.ch Multisala Teatro Cinema Morettina Cinema Forum 1+2 Cinema Iride Mignon e Ciak Mer 14 gennaio Sab 17 gennaio Mar 20 gennaio A TREE GROWS 20.30 18.00 20.30 Teatro di Locarno IN BROOKLYN (Kursaal) UN ALBERO CRESCE Introduzione di Carlo Chatrian Direttore artistico Festival del film A BROOKLYN Locarno (1945) Entrata gratuita Ven 16 gennaio Mar 20 gennaio Mar 27 gennaio THE SEA OF GRASS 20.30 20.30 20.30 MARE D’ERBA (1947) Ven 23 gennaio Sab 24 gennaio Mar 3 febbraio BOOMERANG 20.30 18.00 20.30 BOOMERANG, L’ARMA CHE UCCIDE (1947) Lun 26 gennaio Mar 27 gennaio Mar 10 febbraio Mer 21 gennaio GENTLEMAN’S 18.30 20.30 20.30 20.45 AGREEMENT BARRIERA INVISIBILE (1948) Ven 30 gennaio Sab 31 gennaio Mar 24 febbraio PINKY 20.30 18.00 20.30 PINKY, LA NEGRA BIANCA (1949) Ven 6 febbraio Mar 3 febbraio Mar 3 marzo PANIC IN THE STREETS 20.30 20.30 20.30 BANDIERA GIALLA (1950) Lun 9 febbraio Sab 7 febbraio Mar 10 marzo Mer 28 gennaio A STREETCAR NAMED 18.30 18.00 20.30 20.45 DESIRE UN TRAM CHE SI CHIAMA DESIDERIO (1951) Ven 27 febbraio Mar 24 febbraio Mar 17 marzo Mer 11 febbraio VIVA ZAPATA! 20.30 20.30 20.30 20.45 VIVA ZAPATA! (1952) Lun 2 marzo Sab 28 marzo Mar 24 marzo MAN ON A TIGHTROPE 18.30 18.00 20.30 SALTO MORTALE (1953) Entrata: fr. -
Wi4a414, 144.0411-, 41. Ál
Wi4a414, 144.0411-, 41. Ál LA MARCA DE LOS MAXIMOS TRItINFOS #41•~ etoda4 ead, E.ftioefsad 4íglic().de E-dfl4#14. el Puiet4 que ted. ee4 eiedean. €0.4 otejmed ft404~44d ftd44 et It4<j•IZiOt6 aius. 1946, et qu& led 4ect~ ead. otalmed ti,044~4 C44$ ci44d, 414e~y 444414ed. 4U~d~:~ Enero 1944 Barcelona, Circular de información exclusiva para los Señores Empresarios r 12_4H6 iLOTE ATÓMICO! La canción de Bernadette Las llaves del reino Lazos humanos Stan y Oliver, toreros (The Song of Bernadette) (The Keys of the Kingdon) (A Tree Grows in Brooklyn) (The Bullfighters) Director: Henry King. Director: John M. Stahl Director: Elia Kazan Director: Mal St. Clair Reparto: Jennifer Jones, William Eythe, Charles Bickford, Reparto: Gregory Peck, Thomas Mitchell, Vincent Price, Reparto: Dorothy McGuire, James Dunn, Joan Blondell, Reparto: Stan Laurel, Oliver Hardy, Margo Woods, Ri Vincent Price, Lee J. Cobb, Gladys Cooper, Rosa Stradner, Roddy McDowall, Edmund Peggy Ann Garner, Ted Donaldson, Lloyd chard Lane, Carol Andrews, Diosa Costello. Anne Revere. Gwenn, Sir Cedric Hardwicke, Peggy Ann Nolan, James Gleason, Ruth Nelson, John Garner, Jane Ball, James Gleason, Anne Alexander, B. S. Pully, Revere. La de la libertad El gran milagro campana (The Story of Alexander Graham Bell) (A Bell for Adano) Director: Irving Cummings Director: Henry King Cita en los cielos Vidas sin rumbo (Wild Geese Calling) Reparto: Don Ameche, Loretta Young, Henry Fonda, Reparto: Gene Tierney, John Hodiak, William Bendix, (Winged Victory) John Brahm Charles Coburn, Gene Lockhart, Spring Bying Glenn Langan, Richard Conte, Stanley Prager, Director: George Cukor ton, Sally Blane, Polly Ann Young, Georgina Henry Morgan, Montague Banks, Reed Had Henry Fonda, Joan Bennett, Warren William, Reparto: Lon McCallister, Jeanne Crain, Young. -
Motion Picture Relief Fund - ITEM 537
Motion Picture Relief Fund - ITEM 537 A Bobby Blake Linda Christian Ann Blyth Dane Clark Bud Abbott Karin Booth Stanley Clements Jane Adams Lee Bowman Charles Coburn Brian Aherne William “Hoppy” Boyd Steve Cochran Eddie Albert Charles Boyer Claudette Colbert Robert Alda Eddie Bracken Lois Collier Louise Allbritton Patti Brady Ronald Colman June Allyson Lucille Bremer Jerry Colonna Don Ameche Walter Brennan Perry Como Mary Anderson George Brent Richard Conte Dana Andrews Barbara Britton Morgan Conway Maxene Andrews Hillary Brooke Gary Cooper Annabella Geraldine Brooks Jackie Cooper Eve Arden James Brown Lou Costello Desi Arnaz Joe E. Brown Joseph Cotten Edward Arnold Johnny Mack Brown John Coy Fred Astaire Vanessa Brown Catherine Craig Mary Astor Nigel Bruce James Craig Mischa Auer Smiley Burnette Jeanne Crain Lew Ayres Bob Burns Richard Crane B Lois Butler Joan Crawford Donald Crisp Lauren Bacall C Hume Cronyn Fay Bainter James Cagney Xavier Cugat Lucille Ball Rory Calhoun Robert Cummings Lynn Bari Phyllis Calvert Peggy Cummins Jess Barker Rod Cameron Victor Cutler Ethel Barrymore Judy Canova Lionel Barrymore Eddie Cantor (2) D Anne Baxter Macdonald Carey Howard Da Silva Warner Baxter (2) Richard Carlson Arlene Dahl Wallace Beery John Carradine Cass Daley William Bendix Leo Carrillo Helmut Dantine Bruce Bennett John Carroll Linda Darnell Constance Bennett Jack Carson Jane Darwell Joan Bennett Janis Carter Bette Davis Jack Benny Joan Caulfield Joan Davis Edgar Bergen Carmen Cavallero Dennis Day Turhan Bey Charlie Chaplin Laraine Day Charles -
APPENDIX SUMMARY of FILMS at SELECTED CAPE Towntown CINEMAS Cape Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University HOLLYWOOD, AFRICAN CONSOLIDATED FILMS, AND "BIOSKOOPBESKAWING," ORBIOSCOPE CULTURE: ASPECTS OF AMERICAN CULTURE IN CAPE TOWN, 1945-1960 A Thesis Submitted to the Department of History at the University of Cape Town for the degree of Master of Arts in African History Town Cape By of David J. Gainer, B.A. University Washington, D.C. 31 January 2000 CONTENTS LIST OF CHARTS AND GRAPHS ........................................ iii ABSTRACT .................................... , ...................... iv INTRODUCTION ...................................................... 1 CHAPTERS 1. Overview of 'Americanization' and Consumer Culture in Twentieth Century South Africa ................................... " 4 Literature Review ....................................... 6 American and South Africa Economic Connections, 1930-1960 .. 22 American Automobiles, Mass Marketing and South African Consumer Culture ................................ 26 2. 'America' in Cape Town's English-speaking Press, 1945-60 ......... 41 3. The Organisation Of The Cinema In Cape Town, 1930-1960. .. 70 General Overview: Cinemas in Cape Town .................. 72 The Film Industry in South Africa . .. 87 Hollywood Films Dominate the South African Market.Town ........ 101 'The Big Three' in Cape Town ........................... 109 4. The Film Circuit, American Images, And 'Modem' Cape Town, 1945-1960 ................................ , 114 The Circuit And The Genres Of Films InCape Cape Town ......... , 116 Differences Within White Cinemas and Within Coloured Cinemas .........................................of 128 The Cinema And South Africa as a Modem, Western Nation .