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LE MANI SULLA CITTÀ Hommage HÄNDE ÜBER DER STADT HANDS OVER the CITY MAIN BASSE SUR LA VILLE Regie: Francesco Rosi

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LE MANI SULLA CITTÀ Hommage HÄNDE ÜBER DER STADT HANDS OVER the CITY MAIN BASSE SUR LA VILLE Regie: Francesco Rosi H_9903:H_ 24.01.2008 0:01 Uhr Seite 360 Berlinale 2008 LE MANI SULLA CITTÀ Hommage HÄNDE ÜBER DER STADT HANDS OVER THE CITY MAIN BASSE SUR LA VILLE Regie: Francesco Rosi Italien/Frankreich 1963 Filmografie 1948 LA TERRA TREMA (DIE ERDE BEBT) Länge 105 Min. Regie: Luchino Visconti; Format 35 mm Regieassistenz Schwarzweiß 1951 BELLISSIMA (BELLISSIMA) Regie: Luchino Visconti; Stabliste Regieassistenz, Co-Autor Buch Francesco Rosi 1952 I VINTI (KINDER UNSERER ZEIT) Raffaele La Capria Regie: Michelangelo Antonioni; Enzo Forzella Regieassistenz Enzo Provenzale CAMICIE ROSSE Kamera Gianni Di Venanzo Regie: Goffredo Alessandrini; Regie Kameraführung Pasqualino De Santis während der letzten Drehtage Schnitt Mario Serandei 1954 SENSO (SENSO) Ton Vittorio Trentino Regie: Luchino Visconti; Musik Piero Piccione Regieassistenz Ausstattung Angelo Canevari 1955 RACCONTI ROMANI Massimo Rosi (VIER HERZEN IN ROM) Kostüm Marilù Carteni Regie: Gianni Franciolini; Co-Autor Produktionsltg. Enzo Provenzale 1956 KEAN Aufnahmeleitung Roberto Cocco Foto: Cinémathèque Suisse Regie: Vittorio Gassman, Gaetano Amata Technische Leitung Produzent Lionello Santi HÄNDE ÜBER DER STADT LE NOVANTANOVE DISGRAZIE Produktion Galatea, DI PULCINELLA Roma/Société In Neapel stürzt ein Haus ein, Menschen kommen zu Schaden. Es stellt sich TV-Serie Cinématographique heraus, dass in Neapel, von Parteien der politischen Rechten und der Mitte 1958 LA SFIDA Lyre, Paris verwaltet, öffentlicher Boden zu Schleuderpreisen Politikern übereignet (DIE HERAUSFORDERUNG) wurde, die ihrerseits als Bauunternehmer agieren und prächtige Gewinne 1959 I MAGLIARI (AUF ST. PAULI IST Darsteller aus den Bodenspekulationen ziehen. „Das ist nun wirklich ein atemberau- DER TEUFEL LOS) 1962 SALVATORE GIULIANO (WER Eduardo Nottola Rod Steiger bender Film: Er bringt es fertig, ohne das geringste Eingehen auf persönli- Bürgermeister ERSCHOSS SALVATORE G.?) De Angeli Salvo Randone che Schicksale eine politische und soziale Situation wiederzugeben, daß sie 1963 LE MANI SULLA CITTÀ Aglione Guido Alberti zur faszinierenden Dokumentation wird. Kalt, nüchtern, gegenwärtig, wirk- (HÄNDE ÜBER DER STADT) Balsamo Angelo D’Alessandro lich. Realität ohne Kommentar – der Film als politische Untersuchungs - 1965 IL MOMENTO DELLA VERITÀ De Vita Carlo Fermariello kommission.“ (Ponkie, Abendzeitung, München, 12.1.1965) (AUGENBLICK DER WAHRHEIT) Nottolas Freunde Marcello Cannavale 1967 C'ERA UNA VOLTA … Alberto Canocchia (SCHÖNE ISABELLA) Gaetanto Grimaldi HANDS OVER THE CITY 1970 UOMINI CONTRO Filioli A house collapses in Naples and people are injured. It transpires that in (BATAILLON DER VERLORENEN) Kommissions- Naples, which is governed by right-wing and mainstream politicians, pub- 1972 IL CASO MATTEI vorsitzender Dante Di Pinto lic land has been sold at throwaway prices to politicians, who have in turn (DER FALL MATTEI) 1973 LUCKY LUCIANO Berater Alberto Amato earned a fortune as property developers. “A breathtaking film that succeeds Franco Rigamonti (LUCKY LUCIANO) in portraying a political and social situation without relying in the least on 1976 CADAVERI ECCELLENTI Mit freundlicher Unterstützung von personal biographies. The result is a fascinating document: cold, sober, con- (DIE MACHT UND IHR PREIS) Cinecittà Holding Spa, Rom, und temporary and honest. Reality without commentary. A political investiga- 1979 CRISTO SI È FERMATO A EBOLI Intramovies Srl, Rom tion in cinematic form. (Ponkie, Abendzeitung, Munich, 12.1.1965) (CHRISTUS KAM NUR BIS EBOLI) 1981 TRE FRATELLI (DREI BRÜDER) 1984 CARMEN (CARMEN) MAIN BASSE SUR LA VILLE 1987 CRONACE DI UNA MORTE A Naples, un immeuble entier s’écroule, il y a des victimes. Il s’avère que dans ANNUNCIATA (CHRONIK EINES la ville administrée par les partis de la droite et du centre, des terrains muni- ANGEKÜNDIGTEN TODES) cipaux sont cédés à bas prix à des hommes politiques qui tirent d’énormes 1990 DIMENTICARE PALERMO (PALERMO VERGESSEN) profits de la spéculation immobilière par le biais de leurs entreprises de 1992 DIARIO NAPOLEATANO construction. « C’est vraiment un film époustouflant : sans faire la moindre Dokumentarfilm allusion à des destins personnels, il parvient à restituer une situation poli- 1997 LA TREGUA (DIE ATEMPAUSE) tique et sociale de façon à produire un fascinant documentaire. Froid, sobre, 1998 12 REGISTI PER 12 CITTÀ actuel, concret. La réalité dénuée de commentaire – le film en tant que com- Gemeinschaftsfilm, Regie der Episode NAPOLI mission d’enquête. » (Ponkie, Abendzeitung, Munich, 12-1-1965) 360.
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