Fourteenth Sunday After Pentecost September 6, 2020
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2021 “Meditations of Our Hearts”
2021 “Meditations of Our Hearts” A Lenten Devotional of the First Presbyterian Church Jacksonville, Illinois “Let the words of my mouth and the meditations of my heart be acceptable to you, O Lord, my rock and my redeemer. Psalm 19:14 Last year, in the midst of Lent, our world completely changed. Schools, businesses, and life seemed to halt. The Lenten disciplines we practiced for years took a dramatic turn, we cancelled in-person worship, and overnight we shifted to live-streaming worship. The world we live in today is very different than it was last year. We have quickly learned that we have little control in our world. When everything is shifting and raging around us it can be very difficult to hold onto something solid. Yet, we are reminded in Psalm 46 much wisdom in times of certainty. God is our refuge and strength, a very present help in trouble. Therefore we will not fear, though the earth should change, though the mountains shake in the heart of the sea (Psalm 46:1-3). As a new year has come, and as seasons continue to pass, we discover that we are approaching another season of Lent. It is comforting to have rhythms and seasons. Lent can provide a helpful rhythm in the midst of chaos. Lent is a season that provides preparation and study, and a rhythm of prayer and fasting. According to the prophet Isaiah, the fast God desires the most is to lift the burden of bondage, feed the hungry, house the homeless, clothe the naked and share sympathy (Isaiah 58:6-7). -
Advent 4B 2020
The Promise The Fourth Sunday in Advent December 20th + 2020 PRINCE OF PEACE LUTHERAN CHURCH 3415 ERBES RD, THOUSAND OAKS, CA 91362 | WWW.PRINCEOFPEACETO.COM (805) 492-8943 PASTOR NOAH BATER | [email protected] | WISCONSIN EVANGELICAL LUTHERAN SYNOD YOUR PLACE TO FIND PEACE! WELCOME Thank you for joining us for this 1me of worship. We extend a special welcome to those who are our guests this morning—both in-person or online. We pray you will be blessed by the message of the living God as He comes to us through His Word of peace. NEW YEAR; NEW SEASON Today is the last Sunday in the season of Advent as we begin a new church year. Advent means “coming near” or “arrival,” and in the season before Christmas we think about how Jesus comes near to us at different 1mes and in many ways. One way we do this is by preparing to celebrate Christ’s first arrival when He came as a humble baby in Bethlehem. We also remember and rejoice that Jesus s:ll comes to us in lowly ways: in His Word, in Holy Bap:sm, and in Holy Communion. Through these humble means, He comes to give us His mercy, forgiveness, peace, and strength. Finally, we eagerly look ahead to when Jesus will come again, not in a humble way, but in glory and with all power at the end of :me. We confess this about Him each week in the Creed: “He will come again in glory to judge the living and the dead.” ADVENT SERIES: THE PROMISE Advent is a 1me of promises. -
Earth Angels Free Edition-0001.Pdf
T T: DEMONIC INVESTIGATOR BOOK FOUR EARTH ANGELS UNLEASHED By Terry Ulick Renegade Company Media © Copyright 2021 with Library of Congress by Terry Ulick ISBN: 978-1-7353192-6-1 Print Edition ISBN: 978-1-7353192-7-8 Electronic Edition Disclaimer: This is a work of fiction, drawn entirely from the imagination of the author. Characters, dialogue, events, locations, and situations are all entirely fictional. Characters are not drawn upon or intended to represent any persons living or dead. Any resemblance to actual events or people is unintentional and entirely coincidental. Proofing and Editing: This book series is exactly as written on an iPhone using the MS Word app, one finger at a time using only the spell checker. That is a critical part of the story. This book has retained the files, as written, and did not go through a separate party to change anything written. Please accept errors in punctuation and style. The book remains the result of pure inspiration, letting the original flow of ideas be seen by the reader. The author beleives the errors are clues to be preserved. What you see is actual inspiration without conventional authoring. It is as it was at the time of writing and has not been changed from that moment. First printing: March 2021 by Renegade Company Media Renegade Company Media is owned by Renegade Company LLC Type: Text is Garamond Pro, 12 point. Book designed and presented by: Terry Ulick Published by: Renegade Company Media PO Box 271193 Littleton, CO 80127 www.renegadecompany.com 2 T: DEMONIC INVESTIGATOR BOOK FOUR EARTH ANGELS UNLEASHED Adult Content Warning: Reader Discretion Strongly Advised. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Analýza Konceptuální Metafory Ve Vybraných Textech Britské Zpěvačky Dido
Filozofická fakulta Univerzity Palackého v Olomouci Katedra obecné lingvistiky Analýza konceptuální metafory ve vybraných textech britské zpěvačky Dido magisterská diplomová práce Autor: Bc. Eva Stručovská Vedoucí práce: Mgr. Lukáš Zámečník, Ph.D. Olomouc 2020 Prohlášení Prohlašuji, že jsem magisterskou diplomovou práci „Analýza konceptuální metafory ve vybraných textech britské zpěvačky Dido“ vypracovala samostatně a uvedla jsem veškerou použitou literaturu a veškeré použité zdroje. V Olomouci dne 5.5. 2020 Podpis 2 Na tomto místě bych velice ráda poděkovala vedoucímu práce Mgr. Lukášovi Zámečníkovi, Ph.D. za jeho cenné rady, postřehy, názory a připomínky při psaní této diplomové práce. 3 Obsah ÚVOD ..................................................................................................................................................... 6 2. Definice metafory ........................................................................................................................ 9 2.1. Metafora vs. Metonymie .................................................................................................10 2.2. Metafora vs. Frazém (Idiom) ........................................................................................11 3. Teorie konceptuálních metafor ...........................................................................................12 4. PRAKTICKÁ ČÁST – ANALÝZA PÍSŇOVÝCH TEXTŮ ....................................................16 5. ANALÝZA TEXTU PÍSNÍ ZPĚVAČKY DIDO .......................................................................19 -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
Praise Songs
When I Consider Your Heavens Songs of Worship & Praise 4 .1 Compiled by Dwayne Kingry Printed 2008 Praise and Worship When I Consider Your Heavens Praise and Worship v4.1 A Quiet Place [001] Above All [002] C E7 (Verse) There is a quiet place G/B C D G Am C7 Fmaj7 Above all powers above all kings Far from the rapid pace where God G/B C D G A7 D7 G9 Above all nature and all created things Can soothe my troubled mind D/F# Em D C G/B Gm9 C9 Above all wisdom and all the ways of man Sheltered by tree and flower C Am7 D G F9 Dm Am You were here before the world began There in my quiet hour with Him G/B C D G B7 E Dm7 G7 Above all kingdoms above all thrones My cares are left behind G/B C D G C E7 Above all wonders the world has ever known Whether a garden small D/F# Em D C G/B Am C7 Above all wealth and treasures of the earth Or on a mountain tall C Am7 B7 F Bm7 E7 Am C7 There's no way to measure what You're worth New strength and courage there I find F Fm6 Em (Chorus) Then from this quiet place I go G C D G Em7 A7 Dm7 Crucified laid behind a stone Prepared to face a new day G C D G G9 Dm7 G7 C You lived to die rejected and alone With love for all mankind D/F# Em D C G/B Like a rose trampled on the ground C G/B C D You took the fall and thought of me G Above all (Verse) (Chorus x2) D/F# Em D C G/B Like a rose trampled on the ground C G/B C D You took the fall and thought of me G Above all Page 1 of 218 When I Consider Your Heavens Praise and Worship v4.1 Adonai [003] Agnus Dei [004] (Capo 1st Fret) G C G Em C Intro: Gsus G G/B C Alleluia, alle---luia -
The Salvation Poem I Accepted Christ
Table of Contents Your Journey Begins!! 1st Flight: . 1-1 Welcome to CentershotSM Ministries! I hope and pray that Know the Word these next few weeks will be a rewarding experience for you. 2nd Flight: . 2-1 You may be wondering how archery and church go together. Jesus, You died upon a cross Has your youth pastor lost it? Well, maybe – no, just kidding! Just hang on because your journey is just beginning! 3rd Flight:. 3-1 And rose again to save the lost The study you are about to begin is called The Plan. What does that mean? Well, through this study, hopefully you will 4th Flight:. 4-1 understand that God loves you very much and has a plan for Forgive me now of all my sin how you should live your life. During this study, you’ll use The Salvation Poem which was written to help you under- 5th Flight:. 5-1 Come be my Savior, Lord and Friend stand and remember God’s plan for your life. Basically, the lessons in this study will help you understand who God is, 6th Flight:. 6-1 what God wants, and where YOU fit in! And, as if that wasn’t Change my life and make it new cool enough, we’re going to learn about archery in the 7th Flight:. 7-1 process! And help me, Lord, to live for You So listen up! We’re all going to learn something new in the next few weeks! 8th Flight:. 8-1 Forget the Past, Live the Future The Plan is divided into eight sections, or Flights, that will take you from the very basics of shooting a bow and Appendix . -
PPP Frequently Asked Questions (Updated As of April 6, 2021)
PPP Frequently Asked Questions (updated as of April 6, 2021) SUMMARY Paycheck Protection Program (“PPP”) loans are intended to provide forgivable loans to help small businesses and nonprofits continue operating and paying employees during the on-going economic uncertainty caused by COVID-19. The Economic Aid to Hard-Hit Small Businesses, Nonprofits, and Venues Act, signed into law on December 27, 2020 (“Economic Aid Act”), reopened PPP for first-time borrowers, allowed for 2nd Draw PPP loans for the hardest hit PPP borrowers, and made significant improvements to forgiveness requirements. The Small Business Administration (“SBA”) continues to issue guidance to implement these changes. Self-Help is closely monitoring PPP rules and guidance, and we will update our PPP FAQ as new information becomes available. PPP Loans: If you have not yet received a PPP loan and you meet eligibility requirements, you may apply for a first PPP loan (also called 1st Draw PPP loans) in the amount of two and a half months’ worth of your average monthly payroll costs. 2nd Draw PPP Loans for the hardest-hit small businesses and nonprofits: If you already received a PPP loan and you meet additional eligibility requirements, you may apply for a second PPP loan (also called 2nd Draw PPP loans) in the amount of two and a half months’ worth of your average monthly payroll costs. If you are classified as NAICS code beginning with 72 (accommodation and food services), you are eligible for three and a half months’ worth of your average monthly payroll costs. Additional eligibility requirements include: • You have experienced at least a 25% reduction in gross receipts in at least one quarter of 2020, as compared to 2019; and • You have used your first PPP loan for eligible purposes. -
Guilt, Forgiveness, and Reconciliation in Contemporary Music
IS SORRY REALLY THE HARDEST WORD? GUILT, FORGIVENESS, AND RECONCILIATION IN CONTEMPORARY MUSIC Ariana Sarah Phillips-Hutton Darwin College Department of Music University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy September 2017 ABSTRACT IS SORRY REALLY THE HARDEST WORD? GUILT, FORGIVENESS, AND RECONCILIATION IN CONTEMPORARY MUSIC Ariana S. Phillips-Hutton Guilt, forgiveness, and reconciliation are fundamental themes in human musical life, and this thesis investigates how people articulate these experiences through musical performance in contemporary genres. I argue that by participating in performances, individuals enact social narratives that create and reinforce wider ideals of music’s roles in society. I assess the interpenetrations of music and guilt, forgiveness, and reconciliation through a number of case studies spanning different genres preceded by a brief introduction to my methodology. My analysis of Arnold Schoenberg’s A Survivor from Warsaw illustrates the themes (guilt, confession and memorialisation) and approach I adopt in the three main case studies. My examination of William Fitzsimmons’s indie folk album The Sparrow and the Crow, investigates how ideals of authenticity, self-revelation, and persona structure our understanding of the relationship between performer and audience in confessional indie music. Analyses of two contemporary choral settings of Psalm 51 by Arvo Pärt and James MacMillan examine the confessional relationship between human beings and God. I suggest that by -
Women in Reality: a Rhetorical Analysis of Three of Henrik Ibsen’S Plays in Order to Determine the Most Prevalent Feminist Themes
WOMEN IN REALITY: A RHETORICAL ANALYSIS OF THREE OF HENRIK IBSEN’S PLAYS IN ORDER TO DETERMINE THE MOST PREVALENT FEMINIST THEMES A Thesis by Lesa M. Bradford MA, Wichita State University, 2007 BS, Northwestern Oklahoma State University, 1992 Submitted to the department of Communication and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2007 © Copyright 2007 by Lesa M. Bradford All Rights Reserved WOMEN IN REALITY: A RHETORICAL ANALYSIS OF THREE OF HENRIK IBSEN’S PLAYS IN ORDER TO DETERMINE THE MOST PREVALENT FEMINIST THEMES. I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts in Communication, with a major in Theatre and Drama Steve Peters, Committee Chair We have read this Thesis and recommend its acceptance: Betty Monroe, Committee Member Royce Smith, Committee Member iii ACKNOWLEDGEMENTS I would like to thank my family for all the support and love that they have given me throughout this whole process. They have been selfless and I have put them through quite an ordeal trying to accomplish my dreams. I love you all dearly. I would also like to thank my two dearest friends who encouraged and helped motivate me when things got tough and life threw obstacles in my way. I couldn’t get through it all without your support. Lastly, I would like to thank the faculty, staff, and students at WSU who made my time there so cherished and wonderful.