DOCSLIB.ORG

Japanese New Acquisitions Highlight (January 2015) 日本語課新収集資料 (2015 年 1 月)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Japanese New Acquisitions Highlight (January 2015) 日本語課新収集資料 (2015 年 1 月) Japanese New Acquisitions Highlight (January 2015) 日本語課新収集資料 (2015 年 1 月) Numbers of titles in this list: WEB ARCHIVE COLLECTION (1) -- BOOKS (49) -- CD-ROM/DVD (1) The titles were sorted with Japanese Dewey Classification for shelving purposes. Please Press “Control” button and click the major subject areas below and the cursor will lead you to that subject area. ◊Web Archive Collection◊ ◊Books◊ 200 History/ Geography/ Biography 300 Social Science 500 Technology 700 Arts 800 Language 900 Literature ◊CD-ROMs / DVDs◊ 1 Web Archive Collection 請求記号 Year of Link to 書 名 Titles Call numbers Publication Full Catalogue Description Japan: lower house election Dec 2014 Internet http://nla.gov.au/nla.cat- vn6704241 <back to the top> 200 History / Geography / Biography 請求記号 Year of Link to 書 名 Titles Call numbers Publication Full Catalogue Description 昭和 : 写真家が捉えた時代の一瞬 / 編集構成 小西治美. JAP 210.7 Sh97 2013 http://nla.gov.au/nla.cat- Ko vn6574381 Shōwa : shashinka ga toraeta jidai no isshun / henshū kōsei Konishi Harumi. 時の眼-沖縄 : 復帰 40 年の軌跡 / 比嘉豊光,山城博明. JAP 219.9 H55B 2012 http://nla.gov.au/nla.cat- vn6537260 Toki no me Okinawa : fukki 40-nen no kiseki / Higa Toyomitsu, Yamashiro Hiroaki. 沖縄をどう教えるか / 「沖縄をどう教えるか」編集委員会編. JAP 219.9 O52 Ok 2006 http://nla.gov.au/nla.cat- vn6569604 Okinawa o dō oshieru ka / “Okinawa o dō Oshieru ka” Henshū Iinkai hen. 2 瀬長フミと亀次郎 : 届かなかった獄中への手紙 / 内村千尋編著. JAP 289.1 Se57A 2005 http://nla.gov.au/nla.cat- vn6569609 Senaga Fumi to Kamejirō : todokanakatta gokuchū e no tegami / Uchimura Chihiro hencho. R.H. ブライスの生涯 : 禅と俳句を愛して = The life of R.H. Blyth / 吉村侑久代. JAP 289.3 B59 1996 http://nla.gov.au/nla.cat- vn6646579 R.H. Buraisu no shōgai : Zen to haiku o aishite = The life of R.H. Blyth / Yoshimura Ikuyo. 改正泰平鑑 : 全. OJRB 269 [late 19th http://nla.gov.au/nla.cat- century] vn6716036 Kaisei taiheikagami : zen. <back to the top> 300 Social Science 請求記号 Year of Link to 書 名 Titles Call numbers Publication Full Catalogue Description 沖縄社会大衆党史 / 編纂者 沖縄社会大衆党史編纂委員会. JAP 315.199 O52 1981 http://nla.gov.au/nla.cat- vn6569597 Okinawa Shakai Taishū tōshi / hensansha Okinawa Shakai Taishū Tōshi Hensan Iinkai. 民族という政治 : ベトナム民族分類の歴史と現在 / 伊藤正子. JAP 316.8231 I89 2008 http://nla.gov.au/nla.cat- vn6574455 Minzoku to iu seiji : Betonamu minzoku bunrui no rekishi to genzai / Itō Masako. 3 警視庁百年の步み / 編集警視庁創立 100 年記念行事運営委員会. JAP 317.72 Ke27 Shōwa 49 http://nla.gov.au/nla.cat- [1974] vn6614440 Keishichō 100-nen no ayumi / henshū Keishichō Sōritsu 100-nen Kinen Gyōji Un’ei Iinkai. 憲法九条の戦後史 / 田中伸尚. JAP 323.142 Ta84 2005 http://nla.gov.au/nla.cat- vn6537407 Kenpō kyūjōo n sengoshi / Tanaka Nobumasa. BC 級戦犯裁判 / 林博史. JAP 329.67 H48B 2005 http://nla.gov.au/nla.cat- vn6764148 BC-kyū senpan saiban / Hayashi Hirofumi. 満州民族資本の研究 : 日本帝国主義と土着流通資本 / 風間秀人. JAP 332.225 Ka99 1993 http://nla.gov.au/nla.cat- vn6646282 Manshū minzoku shihon no kenkyū : Nihon teikoku shugi to dochaku ryūtsū shihon / Kazama Hideto. 他人を見下す若者たち / 速水敏彦. JAP 367.68 H47 2006 http://nla.gov.au/nla.cat- vn6537405 Tanin o mikudasu wakamonotachi / Hayamizu Toshihiko. 戦後初期人身売買/子ども労働問題資料集成 / 藤野豊編. JAP 368.4 J52 2013-2014. http://nla.gov.au/nla.cat- vn6414639 Sengo shoki jinshin baibai/Kodomo rōdō mondai shiryō shūsei / Fujino Yutaka hen. 歴史にみる震災: 企画展示 / 大学共同利用機関法人人間文化研究機構国立歴史民俗博物 JAP 369.31 R25 2014 http://nla.gov.au/nla.cat- 館編集. vn6574382 Rekishi ni miru shinsai : kikaku tenji / Daigaku Kyōdō Riyō Kikan Hōjin Ningen Bunka Kenkyū Kikō Kokuritsu Rekishi Minzoku Hakubutsukan henshū. 4 琉大事件とは何だったのか / 琉球大学教授職員会大学人九条の会沖縄編. JAP 377.21 R98 2010 http://nla.gov.au/nla.cat- vn6569615 Ryūdai Jiken to wa nandatta no ka / Ryūkyū Daigaku Kyōju Shokuinkai Daigakujin 9-jō no Kai Okinawa hen. ヒューマン・ドキュメント沖縄海上ヘリ基地 : 拒否と誘致に摇れる町 / 写真・文石川真 JAP 395.39 I76 1998 http://nla.gov.au/nla.cat- 生. vn6574449 Hyūman dokyumento Okinawa kaijō heri kichi : kyohi to yūchi ni yureru machi / shashin, bun Ishikawa Mao. <back to the top> 500 Technology 請求記号 Year of Link to 書 名 Titles Call numbers Publication Full Catalogue Description 六ヵ所村: 核燃基地のある村と人々 / 写真・文島田恵. JAP 539.48 Sh36 2001 http://nla.gov.au/nla.cat- vn6574451 Rokkasho-mura : kakunen kichi no aru mura to hitobito / shashin, bun Shimada Kei. 日本のたばこデザイン : 1904-1972. JAP 589.8 N71 Shōwa 47 http://nla.gov.au/nla.cat- [1972] vn6614433 Nihon no tabako dezain : 1904-1972. <back to the top> 5 700 Arts 請求記号 Call Year of Link to 書 名 Titles numbers Publication Full Catalogue Description 沖縄文化の軌跡, 1872-2007 : 美術館開館記念展 / 編集翁長直樹 [and three others] JAP 702.1999 O52 2007 http://nla.gov.au/nla.cat- vn6569610 Okinawa bunka no kiseki, 1872-2007 : Bijutsukan kaikan kinenten / henshū Onaga Naoki [and three others]. ある浮世絵師の遺産 : 高見沢遠治おぼえ書 / 高見沢たか子. JAP 721.9 Ta43 Shōwa 53 http://nla.gov.au/nla.cat- [1978] vn6541061 Aru ukiyoeshi no isan : Takamizawa Enji oboegaki / Takamizawa Takako. 上村松篁展 = Uemura Shoko / 編集京都国立近代美術館, 富山県水墨美術館, 日本経済新 JAP 721.9 U42 2014 http://nla.gov.au/nla.cat- 聞社. vn6574384 Uemura Shōkō ten = Uemura Shoko / henshu Kyōto Kokuritsu Kindai Bijutsukan, Toyama-ken Suiboku Bijutsukan, Nihon Keizai Shinbunsha. 中澤弘光展. JAP 723.1 N46 1980 http://nla.gov.au/nla.cat- vn6572347 Nakazawa Hiromitsu ten. 初版本複刻竹久夢二全集. JAP 726 Ta61 Shōwa 60 http://nla.gov.au/nla.cat- [1985] vn6611951 Shohanbon fukkoku Takehisa Yumeji zenshū. ピアノの森 = The perfect world of Kai / 一色まこと. JAP 726.1 I85A 2005- http://nla.gov.au/nla.cat- vn6487039 Piano no mori = The perfect world of Kai / Isshiki Makoto. 6 昭和元禄落語心中 / 雲田はるこ. JAP 726.1 Ku39 2011- http://nla.gov.au/nla.cat- vn6574180 Shōwa Genroku rakugo shinjū / Kumota Haruko. ヘルプマン! / くさか里樹 = Help man! : One touch of nature makes the whole world kin / JAP 726.1 Ku82 2004-2014. http://nla.gov.au/nla.cat- Riki Kusaka. vn6574192 ましろのおと / 羅川真理茂. JAP 726.1 R12 2011- http://nla.gov.au/nla.cat- vn6487052 Mashiro no oto / Ragawa Marimo. 毎日かあさん / 西原理恵子. JAP 726.1 Sa17 2004- http://nla.gov.au/nla.cat- vn6486737 Mainichi kāsan / Saibara Rieko. パリ-東京, さくら並木 / 高橋真琴. JAP 726.1 Ta33A 2006 http://nla.gov.au/nla.cat- vn6574227 Pari-Tōkyō, sakura namiki / Takahashi Makoto. へうげもの / 山田芳裕. JAP 726.1 Y19 2005- http://nla.gov.au/nla.cat- vn6487041 Hyōgemono / Yamada Yoshihiro. ヴィンランド・サガ = Vinland Saga / 幸村誠. JAP 726.1 Y97 2006- http://nla.gov.au/nla.cat- vn6486772 Vinrando saga = Vinland saga / Yukimura Makoto. 少女マンガの世界 : 原画’ (ダッシュ) 10 年の軌跡 / 監修 竹宮恵子 = The world of girls’ JAP 726.101 Sh96 2011 http://nla.gov.au/nla.cat- comics : Genga’ (dash)’s 10 year trajectory / supervising editor, Keiko Takemiya. Ta vn6678307 7 少女マンガパワー! : つよく・やさしく・うつくしく = Shojo Manga! Girl Power! / 図録 JAP 726.101 Sh96 [2008?] http://nla.gov.au/nla.cat- 編集ヤマダトモコ, 金澤韻. Ya vn6484512 Shōjo manga pawā! : tsuyoku, yasashiku, utsukushiku = Shojo manga! Girl power! / zuroku henshū Yamada Tomoko, Kanazawa Kodama. 紙上のモダニズム : 1920-30 年代日本のグラフィックデザイン / 構成, 文 川畑直道. JAP 727.021 Sh32 2003 http://nla.gov.au/nla.cat- vn6539271 Shijō no modanizumu : 1920-30-nendai Nihon no gurafikku dezain / kōsei, bun Kawahata Naomichi. 沖縄ソウル / 石川真生. JAP 740.21 I76 2002 http://nla.gov.au/nla.cat- vn6569598 Okinawa souru / Ishikawa Mao. 漂う島とまる水 = Okinawa Amami Manila / 砂守勝巳. JAP 748 Su73 1995 http://nla.gov.au/nla.cat- vn6574448 Tadayou shima tomaru mizu = Okinawa Amami Manila / Sunamori Katsumi. 伊丹万作全集 / 伊丹万作. JAP 778.08 I88 Shōwa 48 http://nla.gov.au/nla.cat- [1973] vn6611932 Itami Mansaku zenshū / Itami Mansaku. 映倫 50 年の步み / 編者「映倫 50 年の步み」編纂委員会. JAP 778.09 E39 2006 http://nla.gov.au/nla.cat- vn6614434 Eirin 50-nen no ayumi / hensha “Eirin 50-nen no Ayumi” Hensan Iinkai. 琉球秘伝・女踊りと武の神髄 / 宮城隼夫. JAP 789 Mi73 2014 http://nla.gov.au/nla.cat- vn6569605 Ryūkyū hiden onnaodori to bu no shinzui / Miyagi Hayao. 8 復興祭紀念納札. OJRB 268 [1930] http://nla.gov.au/nla.cat- vn6645859 Fukkōsai kinen nōsatsu. 勘亭流題字納札集 / 東京荒井 xx 揮毫. OJRB ef 21 [192-]. http://nla.gov.au/nla.cat- vn6645861 Kantei-ryū daiji nōsatsushū / Tōkyō Arai xx kigō. <back to the top> 800 Language 請求記号 Call Year of Link to 書 名 Titles numbers Publication Full Catalogue Description 日本語学講座 / 今野真二. JAP 810.8 Ko75 2010- http://nla.gov.au/nla.cat- vn6608001 Nihongogaku kōza / Konno Shinji. 900 Literature 請求記号 Call Year of Link to 書 名 Titles numbers Publication Full Catalogue Description 新編沖縄の文学 / 監修波照間永吉 ; 編集高教組教育資料センター「新編沖縄の文学」編 JAP 910.29 Sh69 2008 http://nla.gov.au/nla.cat- 集委員会. vn6569608 Shinpen Okinawa no bungaku / kanshū Hateruma Eikichi ; henshū Kōkyōso Kyōiku Shiryō Sentā“ Shinpen Okinawa no Bungaku” Henshū Iinkai. 9 物語「在日」民族教育の夜明け : 一九四五年一〇月 - 四八年一〇月 = The dawn of JAP 913.6 Y71B 2002 http://nla.gov.au/nla.cat- Korean national education in Japan / 李殷直. vn6574452 Monogatari “Zainichi” minzoku kyōiku no yoake : 1945-nen 10-gatsu - 48-nen 10-gatsu = The dawn of Korean national education in Japan / Ri Unjiku. 日本の原爆文学 / 企画 “核戦争の危機を訴える文学者の声明” 署名者. JAP 918.6 N71 1983 http://nla.gov.au/nla.cat- vn6761802 Nihon no genbaku bungaku / kikaku “Kaku Sensō no Kiki o Uttaeru Bungakusha no Seimei” Shomeisha. 堀田善衛全集 / 堀田善衛. JAP 918.68 H96 1993-1994. http://nla.gov.au/nla.cat- vn6611936 Hotta Yoshie zenshū /Hotta Yoshie. 佐藤春夫全集 / 佐藤春夫. JAP 918.68 Sa85 Shōwa 41-45 http://nla.gov.au/nla.cat- [1966-1970] vn6611930 Satō Haruo zenshū / Satō Haruo. 武田泰淳全集 / 武田泰淳. JAP 918.68 Ta59 Shōwa 53-55 http://nla.gov.au/nla.cat- [1978-1980] vn6611924 Takeda Taijun zenshū /Takeda Taijun. <back to the top> 10 CD-ROMs / DVDs 請求記号 Year of Link to 書 名 Titles Call numbers Publication Full Catalogue Description 日経全文記事データベース: 3 紙版. 日経産業新聞・日経金融新聞・日経 MJ(流通新聞) JAP S mt 21 2005 http://nla.gov.au/nla.cat- [electronic res] / 日本経済新聞社編. vn6678475 Nikkei zenbun kiji dētabēsu : sanshi ban.
Load more

Recommended publications
  • The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: morgan@uow.edu.au. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment.
    [Show full text]
  • Pression Du Groupe Et Affirmation De Soi Dans Le Shôjo Manga
    005 Académie européenne du manga et des arts japonais Working Paper Working serie Art et communication N° Pression du groupe et affirmation de soi dans le shôjo manga par Saïnabou CISSE sous la direction de Julien BASTIDE 2008 SOMMAIRE SOMMAIRE ..............................................................................................................................................2 REMERCIEMENTS .................................................................................................................................4 ABSTRACT(F) .........................................................................................................................................5 ABSTRACT (E) ........................................................................................................................................6 INTRODUCTION ....................................................................................................................................7 PREMIERE PARTIE............................................................................................................................ 11 Qu’est ce que le shôjo manga ? ............................................................................................................ 11 A) Mode de production........................................................................................................................... 16 1) Un objet éditorial....................................................................................................................... 16
    [Show full text]
  • Pagine-Zen-100-3.Pdf
    Lo shōjo: iL manga per ragazze made ALIMENTI E OGGETTISTICA DAL MONDO BACCHE DI GOJI IN Japan Caratteri e specificità di un genere che ha conquistato il mondo www.kathay.it Claudia Barrera VENDITA ONLINE Nella mentalità comune, quando si parla di manga, di solito vengono in mente im- Via Rosmini 11, Milano magini riguardanti i fumetti di Lupin, Dragon Ball, Naruto, ossia quei caratteri ma- tel. 02-33105368 SHIRATAKI schili che hanno fatto grande il Giappone nel mondo. Gli addetti ai lavori e una discreta cerchia di lettori, conoscono il fumetto giapponese nelle sue diverse sfaccet- tature e nei generi e sottogeneri letterari che esso ha. Lo shōjo manga, letteralmente il fumetto per ragazze, è uno di questi. Nato come genere a sé intorno alla metà degli PAGINE n.100 anni Cinquanta con il manga di Osamu Tezuka, (ma la sua nascita effettiva ha origi- ROMA MILANO luglio ni ben più lontane) Ribon no Kishi (il cavaliere con il fiocco) secondo la critica il pri- settembre 2013 mo e vero shōjo manga del fumetto giapponese, lo shojo era inizialmente disegna- Lo shōjo: il manga to da mangaka di sesso maschile e non presentava caratteristiche particolari. Ma a per ragazze made partire dagli anni Sessanta i fumetti per ragazze vengono disegnati da autrici donne, in Japan che lo trasformano definitivamente. Fra tutti si distingue il gruppo 24, chiamato così perché le autrici erano nate nell’anno 24 della Showa, ovvero nel 1949: Moto Hagio, Ryoko Ikeda, Yumiko Oshima e Keiko Takemiya. Il gruppo definisce per sempre le seguici su L’origine della caratteristiche principali, sia dal punto di vista dei contenuti che della grafica: storie distanza facebook! sentimenti sì, ma anche avventure, fantascienza, horror e uno stile sempre raffina- to ed edulcorato che si esprime negli occhi grandi, corpi affusolati, fiori e stelle de- Simbologia del corative.
    [Show full text]
  • Fabulous Year 24 Group’, the Such As Yuri (‘Girls’ Love’) and Shonen-Ai
    34 GIRLS’ WORLD THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 GIRLS’ WORLD 35 - THE ‘FABULOUSGIRLS YEAR 24 GROUP’ & THE SHOJO MANGA REVOLUTION’ WORLD ZOE TAYLOR tells the extraordinary story of a group of pioneering young Japanese women who reshaped the comics industry and the wider culture, challenged inherited ideas of gender and revolutionised visual storytelling. Taylor also interviews MATT THORN, whose English translations became a vehicle for popularising the work Fushi no Hana (An Immortal Flower), Yukiko Kai, 1979 36 GIRLS’ WORLD THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 GIRLS’ WORLD 37 Huge twinkling eyes, splintered panels, abstract page audience of teenagers to shojo- manga (it was previously layouts, androgynous boys, fowing hair, stars, fowers and aimed only at elementary school girls), which allowed the melancholic longing… Year 24 Group artists to explore more complex themes These distinctive features of shojo- manga – Japanese such as sexual abuse and abortion and, with their open ap- comics aimed at junior and high school girls – crystallised proach to gender and sexuality, paved the way for genres in the early 1970s when ‘the Fabulous Year 24 Group’, the such as yuri (‘Girls’ Love’) and shonen-ai- . frst wave of women artists working in the genre, elevated it to a new cultural prominence. Exploring philosophical, THE ORIGINS psychological and previously taboo themes with a unique Shojo- manga magazines such as Ribon began appearing sense of lyricism, they revolutionised the medium in works in the 1950s and 1960s. Their precursors, the pre-war il- such as Moto Hagio’s The Heart of Thomas (1974-75) and So, in a sense, the revolutionaries lustrated literary magazines, had promoted a nationwide Keiko Takemiya’s The Song of the Wind and Trees (1976- reading community of girls.
    [Show full text]
  • What Is the Comic Market? What Are Doujinshis?
    www.comiket.co.jp A presentation by the Comic Market Preparations Committee February, 2008 Copyright 2007ｰ2008 COMIKET www.comiket.co.jp Chapter One What is the Comic Market? What are Doujinshis? Copyright 2007ｰ2008 COMIKET www.comiket.co.jp What are Doujinshis? What are Doujinshi Marketplaces? What are Doujinshis? - Doujinshis are defined in Japanese dictionaries as "magazines published as a cooperative effort by a group of individuals who share a common ideology or goals with the aim of establishing a medium through which their works can be presented." Originating from the world of literature, fine arts, and academia, doujinshis experienced unprecedented growth in Japan as a medium of self-expression for various subcultures centered around manga. - At present, books edited and published by individuals with the aim of presenting their own material are also considered doujinshis. - As a norm, doujinshis are not included in the commercial publishing distribution system. > The primary goal of doujinshi publishing is that of self-expression of one's own works--Ordinarily commercial profits are not the primary rationale for doujinshis endeavors. > Their distribution is limited in scope. What are Doujinshi Marketplaces? - Social functions centered around the display and distribution of doujinshis. - Their scale and function can vary from anywhere between small gatherings taking place in regular conference spaces where only a few dozen circles (doujinshi publishing groups) attend but can be big as the Comic Market where over 35,000 circles congregate. - Outside of Japan, similar forums are usually attached to various manga and anime related public gatherings. In Japan, doujinshi marketplaces are almost always independent public events where the focus is on the individuals and groups that publish the doujinshis.
    [Show full text]
  • Manga | @JPOPMANGA | @Jpopmanga
    55 LE PROPOSTE DI J-POP & EDIZIONI BD PAG GOBLIN 16 SLAYER PERCHÉ GLI UNICI GOBLIN BUONI SONO QUELLI CHE NON la nuova edizione dei capolavori PAG METTONO IL MUSO FUORI DALLE LORO LURIDE TANE! di osamu tezuka 33 GOBLIN SLAYER 2016 © Kumo Kagyu / SB Creative Corp. Character design: Noboru Kannatuki ©2016 Kousuke Kurose/SQUARE ENIX CO., LTD. COPIA GRATUITA - VIETATA LA VENDITA DIRECT 55 55 SPOTLIGHT ON DIRECT è una pubblicazione di Edizioni BD S.r.l. Viale Coni Zugna, 7 - 20144 - Milano tel +39 02 84800751 - fax +39 02 89545727 Le scarpe di pelle di salmone - Lavori in corso - Il mokkuri completo, in attesa di essere suonato! www.edizionibd.it www.j-pop.it Costruire il mokkuri, lo scacciapensieri Ainu di cui si legge in Golden Kamui, è allo stesso tempo più semplice e più difficile di quanto possa sembrare. Coordinamento Georgia Cocchi Pontalti Per prima cosa, è sicuramente facile perché l’esperienza è già pronta e impacchettata per i visitatori del Art Director Giovanni Marinovich centro culturale Ainu Pirika kotan (letteralmente: bel villaggio in lingua Ainu) vicino a Sapporo, dove tutti Hanno collaborato Jacopo Costa Buranelli, i manufatti Ainu e loro ricreazioni si possono toccare, provare, annusare (in particolare le scarpe fatte di pelle di salmone, annusarle è stata un’esperienza!), ma soprattutto, costruire! Giorgio Cantù, Ilenia Cerillo, Matteo Cremaschi, Quindi eccoci lì, davanti a una sorridente ragazza con sangue Ainu dagli occhi color miele, che brandisce Matteo de Marzo, Andrea Ferrari, Valentina Ghidini, dei bastoni di bambù pre-incisi e un minaccioso mazzo di scalpelli a punta piatta! Fabio Graziano, Lucia Palombi, Federico Salvan, Il mokkuri si ricava intagliando una tavoletta di bambù in modo da ottenere un bastoncino mobile Marco Schiavone al centro, che produce delle vibrazioni se tirato tramite l’apposito cordoncino.
    [Show full text]
  • Manga Seminar Communication Materials
    PR material for Manga and Comics Isolation and Inspiration SEMINAR WITH LECTURES AND ARTIST INTERVIEWS MANGA & COMICS SEP 27, 9-15.30 IN PAROLESALEN, AMMUNITIONSVEJ 8, 8800 VIBORG Poster for the seminar/symposium distributed around Viborg and relevant Danish universities PR material for Manga and Comics Isolation and Inspiration Manga and Comics: Inspiration and Isolation To mark the 150 year anniversary of diplomatic relations between Japan and Denmark, Viborg Animation Festival cordially invites you to participate in a one day seminar on Japanese comics (manga) and the ways in which they’ve inspired and been inspired by Western comics! The organizer of the seminar, The Animation Workshop, is the leading Nordic school for animators and comics artists. We’ve witnessed first hand how manga has become the universal language of young Western artist everywhere: A clear majority of everyone applying to the school – from near or far – are heavily inspired by the dynamic pen strokes of Japan’s finest mangaka. Some even give the strong female characters of the world of manga most of the credit for turning the female to male ratio of young animators and comics artists upside down: These days, the majority of our and other animation and comics schools’ applicants are female whereas 10 years ago, the opposite was true. In other words, Japanese comics have made a profound impression on Western popular culture. “Manga and Comics” will show why manga has had such an impact here and exactly how. The contemporary state of the art form will be traced back to its Japanese and Western roots, and comics artists and mangaka will discuss how inspiration from Japan and the West enriches their own work.
    [Show full text]
  • Julien Bastide Critique Et Auteur De Livres Sur Les Mangas
    PARCOURS EN BIBLIOTHÈQUE Des adonaissants aux jeunes adultes REIMS 12-15 juin 2008 Session 5 L’engouement des jeunes pour les Mangas Julien Bastide Critique et auteur de livres sur les Mangas Mangas : une nouvelle littérature populaire En moins de quinze ans, la bande dessinée japonaise a conquis de nombreux lecteurs francophones, remettant en cause la suprématie historique de la bande dessinée franco-belge. Elle se caractérise par une production pléthorique, fondée sur le principe du feuilleton et ciblée en fonction de l’âge et du sexe du lecteur, suscitant des récits qui jouent sur les attentes du public, entre identification et fantasme. Les débuts du Cri qui tue Lorsqu’en 1978, Motoichi « Athos » Takemoto, jeune Japonais installé en Suisse, publie le premier numéro de la revue Le Cri qui tue, il ne se doute pas qu’il est le précurseur d’un mouvement destiné à bouleverser le marché de la bande dessinée européenne. Si l’on excepte la publication de quelques histoires de Hiroshi Hirata dans la revue d’arts martiaux Budo, à partir de 1969, c’est en effet dans ce périodique que furent présentées pour la première fois, de manière volontariste, au public francophone des bandes dessinées japonaises traduites en français – mais faute de succès, la publication du Cri qui tue est interrompue en 1981, après six numéros. Il faut attendre le début de la décennie suivante pour que la bande dessinée japonaise connaisse ses premiers best-sellers en Europe francophone, sous l’impulsion notamment de l’éditeur français Jacques Glénat, fort de l’énorme succès de la série Dragon Ball d’Akira Toriyama, publiée en français à partir de 1991 (éd.
    [Show full text]
  • Char's Counterattack © 1998, 2002 Sotsu Agency • Sunrise
    TT HH EE AA NN II MM EE && MM AA NN GG AA MM AA GG AA ZZ II NN EE $$ 44 .. 99 55 UU SS // CC AA NN PROTOCULTURE PROTOCULTUREAA DD DD II CC TT SS MAGAZINE www.protoculture-mag.com 7373 •• cosmocosmo wwarriorarrior zerozero •• ccowboyowboy bebopbebop thethe moviemovie •• jojojosjos bizarrebizarre Sample file adventureadventure •• natsunatsu hehe nono totobirabira •• projectproject armsarms •• sakurasakura warswars •• scryedscryed •• slayersslayers premiumpremium •• NEWSNEWS && REVIEWSREVIEWS CHAR’S COUNTERATTACK CHAR’S COUNTERATTACK C o v e r 2 o f 2 Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ............................................................... 5, 10 Claude J. Pelletier [CJP] — Publisher / Manager ANIME RELEASES (VHS / DVD) & PRODUCTS (Live-Action, Soundtracks, etc.) .............................. 6 Miyako Matsuda [MM] — Editor / Translator MANGA RELEASES / MANGA SELECTION / MANGA NEWS .......................................................... 7 Martin Ouellette [MO] — Editor JAPANESE DVD (R2) RELEASES .............................................................................................. 9 NEW RELEASES ..................................................................................................................... 11 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe Kevin Lillard, Gerry
    [Show full text]
  • The Discourse of the Sci-Fi Fan Civil War of 1980 As Seen in Anime Magazines
    The Discourse of the Sci-Fi Fan Civil War of 1980 as Seen in Anime Magazines Dr. Renato Rivera Rusca Meiji University Abstract anime?” and the search for a harmonious midway point between “SF fans” and “SF The so-called “Anime Boom” period anime fans”, have been recorded, of 1977-1985 coincided with the encapsulatinged the mood of this resurgence of science-fiction in a new skin, pioneering era. a post-pulp incarnation of the genre which The Japanese animation industry has was informed by the latest developments given rise to some unique “genres” – or in theoretical and applied astrophysics as perhaps, better phrased, “motifs” or well as hypothetical social dilemmas that “frameworks” – which continue to this day, would ensue as a result of the realization as a result of certain commercial factors of these possible futures. In the midst of pertaining to business models and this, anime as a medium was coming of production processes put into place during age and as it began to prove to be the 1960s. conducive for visualizations of these new imagined worlds, a clash in media Introduction ideologies began to form between certain groups of anime fans and science-fiction To set the scene for the discourse that aficionados. continued through the late 1970s into the Much of this controversy hinged on the early 1980s, some details need to be laid approach towards 1979’s seminal robot out to form a foundation upon which we anime series, Mobile Suit Gundam, with its may begin our analysis. unconventional balance between toy Firstly, it took around 15 years (1963- sponsor requisites and sci-fi/hypothetical 1977/78) for animation to be recognized as science elements.
    [Show full text]
  • Gazing at the Stars from Kwasan Observatory
    Gazing at the Stars from Kwasan Observatory Kwasan Astro-Culture Foundation Kyoto Shimbun Publishing Center Edited by: Kazunari Shibata, Fumitaka Sugino, Kazuyuki Sakka, and Masayoshi Nishimura Gazing at the Stars / Contents [Contribution] I and the Universe / Keiko Takemiya Brief Introduction of Kwasan Observatory Chapter 1 – Meigetsuki and Abe no Seimei 1. Meigestuki and Supernova SN1006 [Contribution] Fujiwara no Teika and Crab Nebula / Kimiko Reizei 2. Yasuaki Iba, Amateur Astronomer Who Sent Message to the World [Contribution] Crab Nebula and SN1054 – Oort and Meigetsuki / Fumitaka Sato 3. SN1181, Supernova Which Appeared in the Age of Genpei War 4. Abe no Seimei, Tenmon Hakase 5. Abe no Seimei and Star Shape 6. Tsuchimikado Family, Descendent of Abe no Seimei [Under the Starry Sky] Composing Haiku about Ten-Chi-Jin / Kazuo Oike Chapter 2 – History of Kyoto and Shiga 1. Ancient Records of Aurorae – Some Aurora Visible Also in Kyoto 2. Direction of Capital, and Nijo-jo Castle [Column] Legend of Heavenly Maiden in Kyoto Prefecture 3. Shibukawa Harumi 4. Shibukawa Harumi’s Astronomical Charts 5. Tachibana Nankei and Iwahashi Zenbei 6. Kunitomo Ikkansai, Master of Invention 7. Center Line of Ino Maps 8. First Weather Map of Japan 9. Fall of Sone Meteorite [Under the Starry Sky] Composing Haiku about Earth / Kazuo Oike Chapter 3 – Kyoto University and Kwasan Observatory Genealogy of Persons Connected with Department of Astronomy, Kyoto University 1. Shinzo Shinjo, Founder of Department of Astronomy, Kyoto University 2. Kazukiyo Yamamoto, Father of “World Number One” Amateur Astronomy 3. Supporters of Kwasan Observatory [Contribution] Kojiki, Universe and Encounter with Kwasan Observatory 4.
    [Show full text]
  • Male Entertainers and the Divide Between Popular Culture and History in Japan Meradeth Lin Edwards University of San Diego
    University of San Diego Digital USD Theses Theses and Dissertations Summer 8-7-2018 Professional Heartbreakers: Male Entertainers and the Divide Between Popular Culture and History in Japan Meradeth Lin Edwards University of San Diego Follow this and additional works at: https://digital.sandiego.edu/theses Part of the Asian History Commons, and the History of Gender Commons Digital USD Citation Edwards, Meradeth Lin, "Professional Heartbreakers: Male Entertainers and the Divide Between Popular Culture and History in Japan" (2018). Theses. 31. https://digital.sandiego.edu/theses/31 This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Theses by an authorized administrator of Digital USD. For more information, please contact digital@sandiego.edu. UNIVERSITY OF SAN DIEGO Professional Heartbreakers: Male Entertainers and the Divide Between Popular Culture and History in Japan A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in History by Meradeth Lin Edwards Thesis Committee Yi Sun, Ph.D., Chair Michael Gonzalez, Ph.D. 2018 The Thesis of Meradeth Lin Edwards is approved by: _________________________________________________________ Thesis Committee Chair _________________________________________________________ Thesis Committee Member University of San Diego San Diego 2018 ii Copyright 2018 Meradeth Lin Edwards Limitations: No part of this document may be reproduced in any form without the author's prior written consent for a period of three years after the date of submittal. _______________________________________ Meradeth Lin Edwards iii Dedicated to my American parents, who were undoubtedly the most enthusiastic fans of this work and are patient with my free spirit, and my Japanese parents, who instilled in me a great love of their culture, history, and lifestyle.
    [Show full text]