Wra Summer Reading Program 2019
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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
SS-Catalog-September2017 1.17.17.Indd
SEVEN SEAS ENTERTAINMENT Just Added to May 2017 Hatsune Miku: Bad∞End∞Night, vol. 1 Original concept by Hitoshizuku-P x Yama Story and art by Tsubata Nozaki An all-new tale of drama beneath the spotlight starring the global sensation Hatsune Miku and her fellow vocaloids! atsune Miku is a young woman seeking to Hbecome an actress. Although she’s finally gotten her chance, everything is thrown upside down when she finds herself hurled into the “world of stage” within a strange mansion. There she meets seven mysterious, and potentially dangerous, characters. Although each comes with their own secrets, they almost all have one thing in common—find the stolen script pages or be trapped in this false world forever! COVER NOT • GLOBAL PHENOMENON: Based on the global FINAL hit vocaloid franchise, Hatsune Miku, which has inspired dozens of manga, anime, music, and video games FINALNEW VOLUME SERIES • DELUXE PRINTING: Each volume will be MANGA printed at a larger trim size Trade Paperback • FOR FANS OF: Unofficial Hatsune Mix, The ISBN: 978-1-626924-74-1 Disappearance of Hatsune Miku, and Alice in the Country of Joker Rated: Teen (13+) On Sale: May 2, 2017 5.875” x 8.25”/ 180 pages $13.99/US | $15.99/CAN Hitoshizuku-P x Yama is a Japanese song composer whose lyrics have been used as the basis for a variety of light novels and manga. Tsubata Nozaki is a manga creator best known for Hatsune Miku: Bad∞End∞Night. SEVEN SEAS ENTERTAINMENT Just Added to July 2017 Hatsune Miku: Bad∞End∞Night, vol. -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
Three Forms of Death in David Rabe's the Basic Training of Pavlo
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2019 Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones Sloan Garner University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Garner, Sloan, "Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones" (2019). Honors Theses. 625. https://aquila.usm.edu/honors_theses/625 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Three Forms of Death in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones By Sloan Garner A Thesis Submitted to the Honors College of The University of Southern Mississippi In Partial Fulfillment of Honors Requirements May 2019 ii Approved by Alexandra Valint, Ph.D., Thesis Advisor Associate Professor of English, Director of Graduate Studies Luis Iglesias, Ph.D. Interim Director of School of Humanities Stacy Reischman Fletcher, M.F.A. Director of School of Visual and Performing Arts Ellen Weinauer, Ph.D. Dean of Honors College iii Abstract In this thesis, I argue there are three main forms of death that progress chronologically in David Rabe’s The Basic Training of Pavlo Hummel and Sticks and Bones. -
5.0-6.0 the Lost Gate Card, Orson Scott 5.8 Danny North Knew From
5.0-6.0 The Lost Gate Card, Orson Scott 5.8 Danny North knew from early childhood that his family was different, and that he was different from them. While his cousins were learning how to create the things that commoners called fairies, ghosts, golems, trolls, werewolves, and other such miracles that were the heritage of the North family, Danny worried that he would never show a talent, never form an outself. He grew up in the rambling old house, filled with dozens of cousins, and aunts and uncles, all ruled by his father. Their home was isolated in the mountains of western Virginia, far from town, far from schools, far from other people. There are many secrets in the House, and many rules that Danny must follow. There is a secret library with only a few dozen books, and none of them in English — but Danny and his cousins are expected to become fluent in the language of the books. While Danny's cousins are free to create magic whenever they like, they must never do it where outsiders might see. Unfortunately, there are some secrets kept from Danny as well. And that will lead to disaster for the North family. The Gate Thief Card, Orson Scott 5.3 In this sequel to The Lost Gate, bestselling author Orson Scott Card continues his fantastic tale of the Mages of Westil who live in exile on Earth in The Gate Thief, a novel of the Mither Mages. Here on Earth, Danny North is still in high school, yet he holds in his heart and mind all the stolen outselves of thirteen centuries of gatemages. -
“A Real Joy to Be Had” Kim Stanley Robinson Interviewed by Terry Bisson
“a Real joy to be haD” Kim Stanley RobinSon inteRVieWeD by teRRy biSSon David Hartwell once said that the Golden Age of Science Fiction is twelve. Was that true for you? What was your first literature? I didn’t know science fction existed until I was eighteen; then I fell in pretty deeply. The frst book I remember reading was Huckleberry Finn, and I still have that copy of the book with me, it has a gorgeous cover depicting Huck and Jim pulling a caught fsh onto the raft, in vibrant colors. For years I pretended to be Huck Finn. My parents subscribed to the Scholastic book of the month club, and I read those when they came in the mail pretty much the day of arrival. I read everything that caught my eye at the library when I was a child, then as a teenager did the same, but became a fan of locked- room detective mysteries, chiefy John Dickson Carr but also Ellery Queen, and all the rest of that crowd from the 1930s. Then just as I was leaving for college I ran into the science fction section at the library, all the books with their rocketship-and-radiation signs on the spine, and that was very exciting. In college I majored in history 78 | Kim Stanley RobinSon and literature, and on the side majored in science fction, absorbing the New Wave pretty much as it happened. Did your parents read to you as a kid? Did anyone? Do you read to your kids? Yes, my mom read to my brother and me at bed- time, and then I read on by myself with a fashlight. -
TITLE AUTHOR SUBJECTS Adult Fiction Book Discussion Kits
Adult Fiction Book Discussion Kits Book Discussion Kits are designed for book clubs and other groups to read and discuss the same book. The kits include multiple copies of the book and a discussion guide. Some kits include Large Print copies (noted below in the subject area). Additional Large Print, CDbooks or DVDs may be added upon request, if available. The kit is checked out to one group member who is responsible for all the materials. Book Discussion Kits can be reserved in advance by calling the Adult Services Department, 314-994-3300 ext 2030. Kits may be picked up at any SLCL location, and should be returned inside the branch during normal business hours. To check out a kit, you’ll need a valid SLCL card. Kits are checked out for up to 8 weeks, and may not be renewed. Up to two kits may be checked out at one time to an individual. Customers will not receive a phone call or email when the kit is ready for pick up, so please note the pickup date requested. To search within this list when viewing it on a computer, press the Ctrl and F keys simultaneously, then type your search term (author, title, or subject) into the search box and press Enter. Use the arrow keys next to the search box to navigate to the matches. For a full plot summary, please click on the title, which links to the library catalog. New Book Discussion Kits are in bold red font, updated 11/19. TITLE AUTHOR SUBJECTS 1984 George Orwell science fiction/dystopias/totalitarianism Accident Chris Pavone suspense/spies/assassins/publishing/manuscripts/Large Print historical/women -
To Sewer System LITTLE SILVER—Voters Here Said' in Resounding Fashion Yesterday They Do Not Want a Sewerage Sys- Tem Installed
' ••'":.¥&!* '\ •:•; Distribution Vt*r taiuf mi tMfefct. Part. tf ***** tmmtm. Hfefc to* Today dap, 71. Low (aright, la Mf. See pace 2. 13,950 An Independent Newspaper Under Same Ownership Since 1878 VOLUME 82, NO. 199 limed Dally, Monday through Frtdiy, entered a< Second Class Matter ^PERRWEEK at tho Post Office at Red Bank. N. J., under the Act of March 3. 187!), RED BANK, N. J., THURSDAY, MAY 19, 1960 7c PER COPY 3 PAGE ONE Voters Say 'No' To Sewer System LITTLE SILVER—Voters here said' in resounding fashion yesterday they do not want a sewerage sys- tem installed. Soviet Asks New Klirush The Mayor and Council, using the vote as a guide, are expected to go along with the results and take no U.N. Action Blast Buries action to start such a project. On Spying Salvage Hope Seek Joint It was by better than a UNITED NATIONS, N. PARIS (AP)—A nervous 2-1 margin that the sys- Y. (AP) — The Russians world faced a dangerously Meeting On tem was turned down. pressed today for a speedy uncertain future today as There were 953 persons against U.N. Security Council hostile chiefs of the United Rezoning he proposal and -439 for it. meeting on American spy Residents who would have been flights over Russia to get States and the Soviet Un- NEW SHREWSBURY — The affected by the system, did the ion turned away from the Planning Board last night direc- the jump on a U.S. pro- voting. The balloting was done posal for international aerial in- East-West battle at the ted its secretary, Prancis by mail. -
Fd Playbill Draft 05
WHTC's New Play Development Series AMERICAN WOMEN presents a Lab production of Actors' Equity Association (AEA), founded in 1913, FREEZER DREAMS represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, By Jess Foster and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of Directed by Cyndy A. Marion** excellence. www.actorsequity.org Featuring: Katie Hartman, Sarah Levine, Cynthia Shaw, Heather Lee Rogers, David Sedgwick*, and Jen Wiener Special Props/Sets: John C. Scheffler, Costumes: Derek Nye Lockwood, Lighting Design: Debra Leigh Siegel, Fight Choreography: Michael G. Chin, Assistant Director/ASM: Alanna Dorsett, Stage Management & Sound Design: Elliot Lanes, Master Electrician: Shawn Wysocki Moderated discussion led by Dramaturg Vanessa R. Bombardieri will directly follow each COMING MAY 3-19, 2013 performance Marsha Norman's Pulitzer Prize-winning 'NIGHT, MOTHER Joria Productions 260 West 36th Street, 3rd floor Sat. Nov. 17th at 1pm & 7pm, 2012 Save the Date: For WHTC's 10th Anniversary Celebration! *MemberActors’ Equity/Equity Approved Showcase Monday, January 14th, 2013 **Member SDC at The Players , Gramercy Park 6:30 p.m. - 9:00 p.m. Show Graphic by Jen Wiener/Program designed by Leslie Feffer www.whitehorsetheater.com This program was made possible in part through the sponsorship of The Field and with funding provided by WHTC sponsors Ballet, Wings Theatre Company, Michael Chekhov Theater Company, Mansfield Council for the Arts, Hackmatack Playhouse, and the COMPANY BIOS: Harry Hope Theatre. -
David Rabe's Good for Otto Gets Star Studded Cast with F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perl
David Rabe’s Good for Otto Gets Star Studded Cast With F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perlman and More t2conline.com/david-rabes-good-for-otto-gets-star-studded-cast-with-f-murray-abraham-ed-harris-mark-linn-baker-amy- madigan-rhea-perlman-and-more/ Suzanna January 30, 2018 Bowling F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), Ed Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn- Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Maulik Pancholy (Alex), Rhea Perlman (Nora) and Michael Rabe (Jimmy), will lite up the star in the New York premiere of David Rabe’s Good for Otto. Rhea Perlman took over the role of Nora, after Rosie O’Donnell, became ill. Directed by Scott Elliott, this production will play a limited Off-Broadway engagement February 20 – April 1, with Opening Night on Thursday, March 8 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street). Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (Ed Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity. -
ENC 1145 Section 14017 Baugus
1 ENC1145 (#14017) Secondary Worlds and (Imaginary) Travel Narratives Instructor Name: Samantha Baugus Course meeting times & locations: T 8-9, R 9, MAEB 0229 Office Location and Hours: Turlington 4367, T 4-5 (10:40-12:35) Course website: Canvas Instructor Email: [email protected] Course Description: Traveling holds a complicated and tense position in society — people travel for pleasure and work, to escape persecution, to conquer new lands, to obey oppressive regimes and captors. But traveling is not limited to the reaches of the world as we know it. In this course we will be exploring travel to what J. R. R. Tolkein termed “secondary worlds” — the worlds of science fiction and fantasy. Why do people write about travel to places that don’t exist? Is there a difference between a fantastic travel narrative and a realistic travel narrative and does that difference matter? Does secondary world travel exist outside of fiction, and should we go to these places? And, most importantly, what is a primary world and what is a secondary world? Our texts will focus on traveling from the primary world to secondary worlds, to different versions of the primary world, and to imaginary places that are part of the primary world. By thinking about these three different kinds of travel, we will think about colonialism and imperialism (what happens when we go to a new world), identity politics (how we interact with the inhabitants of these new world), and the political stakes of inventing new world (why do we need to create the final frontier). Of equal importance will be logistics and modes of travel: defining modes of travel, how we make them, and how we get to secondary worlds. -
A Study of David Jones's the Anathemata
The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Liturgy, Imagination and Poetic Language: a study of David Jones's The Anathemata Richard St.John Jeremy Marsh Thesis Submitted for the degree of Doctor of Philosophy University of Durham School of English 1991 1 8 AUG 1992 Liturgy, Imagination and Poetic Language: a study of David Tones's The Anathemata Richard St.John Jeremy Marsh Abstract The thesis seeks to attempt an examination of David Jones's long poem The Anathemata primarily from a theologically informed standpoint. It sets out to understand,from the literary-critical point of view, the forces and influences that have come together in order to make the poem. At the same time, it is aware of and tries to explore the theological, liturgical and mythological material which provides Jones with both the background to and the content of his poem. It is argued that the form of poem, its linguistic content and the experience of reading it, are best understood in terms of pilgrimage and that such a metaphor is best suited to encompass both its huge scale and its attention to detail. From an overall examination of the available secondary literature, the thesis proceeds examine something of the experience of reading the poem, whether or not the poem can be conveniently understood as an epic and what Jones himself thought he was doing, at the same time his own theoretical stance is illuminated by reference to other contemporary thinkers.