THE HUDSON RIVER VALLEY REVIEW a Journal of Regional Studies

Total Page:16

File Type:pdf, Size:1020Kb

THE HUDSON RIVER VALLEY REVIEW a Journal of Regional Studies AUTUMN 2018 THE HUDSON RIVER VALLEY REVIEW A Journal of Regional Studies The Hudson River Valley Institute at Marist College is supported by a major grant from the National Endowment for the Humanities. This issue of The Hudson River Valley Review has been generously underwritten by the following: Peter Bienstock THE POUGHKEEpsIE GRAND HOTEL SHAWANGUNK VALLEY AND CONFERENCE CENTER …centrally located in the Historic Hudson Valley CONSERVANCY midway between NYC and Albany… Conservation • Preservation • Education www.pokgrand.com From the Editors We are a “journal of regional studies,” so we should be familiar with the concept of “place”—in our case, the Hudson River Valley. But sometimes even we are surprised about how great an influence this region has had, both on the surrounding world and on its own residents. This issue highlights the interplay between “our place” and people from colonial times to the present. It also answers some intriguing questions. For example, who developed the British strategy during the American Revolution, and how was that strategy implemented by field officers and affected by the “field” itself? Or how has a legendary commander profoundly impacted the U.S. Military Academy despite never setting foot on its grounds? While both sides in the Revolution coveted the Hudson River Valley, at times it stood in their way, as when the French and American armies marched from Rhode Island to Yorktown. Their epic journey contributed immensely to America’s independence, so why did it take an equally epic effort to have the federal government establish the Washington-Rochambeau Revolutionary Route? Some fifty years after the Revolution, one British citizen relied on the New World to forge his own independence from the Old. Today, a scholarly debate rages as to how British or American Thomas Cole may have been. Our author maintains that the artist’s small-town life in Catskill is the key to understanding his identity. Community and identity also are essential to the history of the Rhinebeck Fire Department, which has maintained a reputation for selfless service and strong fraternal ties since its founding in 1834. We hope this issue will inspire you to think about how we continue to inform and to be formed by the places we call home. On the cover: Detail of View on the Catskill – Early Autumn, Thomas Cole, 1836-37. The Metropolitan Museum of Art, Gift in Memory of Jonathan Sturges by his children, 1895: 95.13.3 ii THE HUDSON RIVER VALLEY REVIEW Vol. 35, No.1, Autumn 2018 The Hudson River in the Revolution: America’s Key to Victory, James Kirby Martin ...........2 Thomas Cole’s Knickerbocker and Catskill Identity, 1825–1838: A Reconsideration of Cole’s “Englishness” and “Conservatism” through a Brief Portrait of the Artist who Chose Cedar Grove, Matthew DeLaMater .........16 Personal Reflection The Washington-Rochambeau Revolutionary Route National Historic Trail, James M. Johnson ............................................48 Notes and Documents The Maid of the Highlands: Joan of Arc Reflected in West Point Iconography, Dr. John Pendergast ..............................................................56 Regional History Forum Answering the Call: The Rhinebeck Fire Company and the FASNY Museum, Elijah Bender ...64 Book Reviews The Pinkster King and the King of the Kongo: The Forgotten History of America’s Dutch-Owned Slaves, Jeroen Dewulf ..................78 An Oneida in Foreign Waters: The Life of Chief Chapman Scanandoah, 1870-1953, Laurence Hauptman .............................................................80 A Spirit of Sacrifice: New York State in the First World War, Aaron Noble, Keith Swaney, and Vicki Weiss .....................................................83 Embattled River: The Hudson and Modern American Environmentalism, David Schuyler .....86 New & Noteworthy Books ........................................................89 The Hudson River in the Revolution: America’s Key to Victory James Kirby Martin View up the Hudson River from West Point Thirteen links of the Great Chain on display at United States Military Academy at West Point At the time of the Revolutionary war, waterways often dictated the direction and course of key military movements. Moving south to north along North America’s eastern coastline were five major river networks: the Ashley and Cooper rivers in South Carolina; the James and Yorktown rivers in Virginia; the Delaware River, dividing New Jersey and Pennsylvania; the Hudson River separating New York and New Jersey; and the St. Lawrence River in Canada. Each river network played some sort of pivotal role in major combat operations affecting the outcome of the Revolution. 2 The Hudson River Valley Review My question for consideration is as follows: Which river network was the most important, and why? Surprisingly, this subject has not received much attention in assessing the reasons for success and failure in the Revolutionary War. As a generalization, commentators seem to assume that major campaigns and battles more or less took place in haphazard fashion, as if land forces just happened to bump into each other for no particular reason. In reality, the geographic location of waterways had a profound effect in determining the sites of military operations during the war. It’s my conclusion that one river network, featuring the Hudson River, had the greatest impact of them all. So let’s go back in time to 1775 and 1776. The rebellion got off to a rather surprising start on April 19, 1775, when New England militiamen drove off a British force charged with capturing and destroying weapons being stashed in Concord, Massachusetts. Most shocked that the Americans could put up a good fight were British planners 3,000 miles across the Atlantic Ocean in imperial mother England. King George III and first minister Lord Frederick North, along with many leaders in Parliament, had blithely assumed that these treasonous American rebels, as they called them, would break and run at the first whiff of massed British gunfire and gleaming bayonets. The loss of Fort Ticonderoga to Benedict Arnold, Ethan Allen, and the Green Mountain Boys a month later, coupled with the brutal contest at Bunker (Breed’s) Hill in June shocked Britain’s leaders into realizing that the “rude rabble” represented a more worthy opponent than they had ever imagined.1 Developing a broad strategic plan to suppress the rebellion before it was too late to do so thus became an urgent British priority. During the autumn of 1775 and early winter days of 1776, King George, Lord North, and newly appointed Secretary for American Affairs Lord George Germain considered various options for effecting a quick end to the uprising.2 As they studied maps of the colonies, they came to appreciate the difficulties of regaining the political allegiance of more than two million Americans spread out along more than 1,000 miles of coastline—and in some locales, living more than 100 miles inland. Trying to subdue so huge a territory and so many people lay beyond their limited military means, referring to the size of land and naval forces of the day. Britain’s was a maritime empire, but using His Majesty’s navy to control the American coastline and key waterways could not guarantee the containment of ongoing rebel uprisings in the countryside. Any plan had to combine in some fashion the coordinated deployment of land and naval forces. Furthermore, any land-based operations would require thousands more trained troops than currently available in Britain (enter the hiring of Hessians to supplement His Majesty’s land forces). 1 For rebel success during 1775 in juxtaposition to supercilious British attitudes, see James Kirby Martin and Mark Edward Lender, “A Respectable Army”: The Military Origins of the Republic 1763-1789 (3rd ed., Malden, MA: Wiley Blackwell, 2015), 33-52. 2 On Germain, known for his alleged cowardice at the Battle of Minden in 1759 but critical role in shaping British strategy during the Revolutionary War, see Andrew Jackson O’Shaughnessy, The Men Who Lost America: British Leadership, the American Revolution, and the Fate of the Empire (New Haven and London: Yale University Press, 2013), 165-203; and Gerald Saxon Brown, The American Secretary: The Colonial Policy of Lord George Germain (Ann Arbor: University of Michigan Press, 1963). The Hudson River in the Revolution: America's Key to Victory 3 The Campaign of 1777, Atlas of the American Revolution, Department of History, United States Military Academy Their study of the maps indicated to them that focusing operations on one geographic location had the potential to both contain and end the uprising before such traditional enemies as France began supporting the rebel cause in various covert ways. Establishing New York City as the main base of operations while also taking control of the Hudson River was the obvious choice. The idea was to cut off New England, at that time the epicenter of the rebellion, from the other colonies, some of them not yet fully committed to what would eventually morph into a widespread independence movement. Once in control of the Hudson River up to Albany, and even beyond, British land forces would then sweep eastward across New England to vanquish lingering rebel resistance. The Royal Navy, meanwhile, would complete the pincers movement by blockading the New England coastline. If need be, these war vessels would not hesitate to bombard any coastal community still offering rebel resistance. Let’s call this overview plan for British victory the Hudson Highlands Strategy. Part of the thinking of George III, Lord North, Lord Germain, and other advisers was that most colonists remained loyal to the Crown but had been duped into treasonous thinking by a few radical leaders like Samuel Adams in Boston and Alexander McDougall in New York City.3 The presence of the King’s troops would reawaken the suppressed loyalists to 3 For an example of the commonly held attitude that most colonists were still loyal to the empire but the dupes of popular leaders, see Douglass Adair and John A.
Recommended publications
  • Hiking and Private Property
    Catskill 3500 Club Hiking & Private Property May 2021 With the closure of Graham and Doubletop to public access, all 33 required summits are on public property and can be accessed by hiking only on public property or public easements. Nonetheless, hikers should be aware of private lands in close proximity to trails and ridges, and should avoid hiking there without permission. This brief guide is intended to help new and returning hikers avoid illegal trespassing. Contact the aspirants chair at [email protected] with any questions. Updates with current information can be found on our website www.catskill-3500-club.org Kaaterskill High Peak & Roundtop KHP is typically approached from the south, but some may prefer to come in from the west using the snowmobile trail or by bushwhacking over Roundtop. This is fine, but care must be taken to stay on the footpaths coming from the two parking areas on Gillespie Rd. Do not trespass on private land above Cortina Valley to the north of the two parking areas. Drivers should be advised that the road after the first parking area is EXTREMELY rough and is not maintained in winter. Friday Mountain A hunter’s cabin is located on private property along the East shoulder of Friday Mountain, just below 2000’. Please avoid this property altogether when ascending Friday. The best way to avoid private lands in the area is by following the woods roads along the blue track (A). It’s also much easier than heading directly up the mountain! Halcott Mountain Please do not attempt to climb Halcott from the south without permission from property owners.
    [Show full text]
  • Hudson River School
    Hudson River School 1796 1800 1801 1805 1810 Asher 1811 Brown 1815 1816 Durand 1820 Thomas 1820 1821 Cole 1823 1823 1825 John 1826 Frederick 1827 1827 1827 1830 Kensett 1830 Robert 1835 John S Sanford William Duncanson David 1840 Gifford Casilear Johnson Jasper 1845 1848 Francis Frederic Thomas 1850 Cropsey Edwin Moran Worthington Church Thomas 1855 Whittredge Hill 1860 Albert 1865 Bierstadt 1870 1872 1875 1872 1880 1880 1885 1886 1910 1890 1893 1908 1900 1900 1908 1908 1902 Compiled by Malcolm A Moore Ph.D. IM Rocky Cliff (1857) Reynolds House Museum of American Art The Beeches (1845) Metropolitan Museum of Art Asher Brown Durand (1796-1886) Kindred Spirits (1862) Crystal Bridges Museum of American Art The Fountain of Vaucluse (1841) Dallas Museum of Art View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm - the Oxbow. (1836) Metropolitan Museum of Art Thomas Cole (1801-48) Distant View of Niagara Falls (1836) Art Institute of Chicago Temple of Segesta with the Artist Sketching (1836) Museum of Fine Arts, Boston John William Casilear (1811-1893) John Frederick Kensett (1816-72) Lake George (1857) Metropolitan Museum of Art View of the Beach at Beverly, Massachusetts (1869) Santa Barbara Museum of Art David Johnson (1827-1908) Natural Bridge, Virginia (1860) Reynolda House Museum of American Art Lake George (1869) Metropolitan Museum of Art Worthington Whittredge (1820-1910) Jasper Francis Cropsey (1823-1900) Indian Encampment (1870-76) Terra Foundation for American Art Starrucca Viaduct, Pennsylvania (1865) Toledo Museum of Art Sanford Robinson Gifford (1823-1880) Robert S Duncanson (1821-1902) Whiteface Mountain from Lake Placid (1866) Smithsonian American Art Museum On the St.
    [Show full text]
  • Rartioter Vol
    rartioter Vol. XII, No. 1 WINTER 1 9 7 9 BLACK DOME IN 1924 The Catskill Mountains have been known to white men for three hundred years and their valleys have been settled more than a cen- tury. It would seem as if all their summits ought by this time to be easily accessible by well known trails. Yet there are a dozen or more of the higher ones, above 3500 feet, which have no trails to their summits and which are climbed only by the exploring hiker, or perhaps a bear hunter in winter. I recently found another trackless peak, Black Dome, just under 4000 feet--3990 according to the Durham sheet of the United States Geological Survey--on a week-end climb in the northern Catskills. There is no trail over it, and the only paths that reach its flanks are faded out logging roads in the valleys north and south, attain- ing heights 1500 feet below its highest point. Black Dome is the central and highest of the three peaks that make up the Blackhead Mountains, running east and west, Black Head being the easternmost, then Black Dome and the last Thomas Cole. The other two are about fifty feet lower than the Dome. South of them is the valley of the East Kill, north that of Batavia Kill. North of Black Head runs a long ridge to Acra Point, then turning west to Windham High Peak. South this ridge runs through North Mountain and Stoppel Mountain to Kaaterskill Clove. Black Head is accessible by a good trail.
    [Show full text]
  • S T a T E O F N E W Y O R K 3695--A 2009-2010
    S T A T E O F N E W Y O R K ________________________________________________________________________ 3695--A 2009-2010 Regular Sessions I N A S S E M B L Y January 28, 2009 ___________ Introduced by M. of A. ENGLEBRIGHT -- Multi-Sponsored by -- M. of A. KOON, McENENY -- read once and referred to the Committee on Tourism, Arts and Sports Development -- recommitted to the Committee on Tour- ism, Arts and Sports Development in accordance with Assembly Rule 3, sec. 2 -- committee discharged, bill amended, ordered reprinted as amended and recommitted to said committee AN ACT to amend the parks, recreation and historic preservation law, in relation to the protection and management of the state park system THE PEOPLE OF THE STATE OF NEW YORK, REPRESENTED IN SENATE AND ASSEM- BLY, DO ENACT AS FOLLOWS: 1 Section 1. Legislative findings and purpose. The legislature finds the 2 New York state parks, and natural and cultural lands under state manage- 3 ment which began with the Niagara Reservation in 1885 embrace unique, 4 superlative and significant resources. They constitute a major source of 5 pride, inspiration and enjoyment of the people of the state, and have 6 gained international recognition and acclaim. 7 Establishment of the State Council of Parks by the legislature in 1924 8 was an act that created the first unified state parks system in the 9 country. By this act and other means the legislature and the people of 10 the state have repeatedly expressed their desire that the natural and 11 cultural state park resources of the state be accorded the highest 12 degree of protection.
    [Show full text]
  • Parks Attendance Summary
    Parks Attendance 8/29/2012 3:37:13 PM Summary Search Criteria: Region: -All- From Date: 1/1/2011 To Date: 8/28/2011 Group By: None Park Name: -All- IsStatistical: No Category: -All- Reg Costcenter Attendance -ALL- Allegany Quaker Area 423,970 Allegany Red House Area 500,778 Lake Erie St Pk 75,666 Long Point Marina 56,030 Midway State Park 82,880 Battle Isl Golf Course 22,209 Betty And Wilbur Davis State Park 12,756 Bowman Lake St Pk 40,515 Canadarago Boat Lnch 18,903 Chenango Valley St Pk 124,247 Chittenango Fls St Pk 30,551 Clark Reservation 34,530 Delta Lake St Pk 158,574 Fort Ontario 96,717 Gilbert Lake St Pk 79,082 Glimmerglass State Park 98,066 Green Lakes State Park 633,669 1 of 8 Herkimer Home 10,744 Lorenzo 25,265 Mexico Point Boat Launch 14,201 Old Erie Canal 16,916 Oquaga State Park 24,292 Oriskany Battlefield 3,446 Pixley Falls State Park 24,124 Sandy Island Beach 33,793 Selkirk Shores 53,235 Steuben Memorial 438 Verona Beach State Park 153,719 Allan Treman Marina 115,237 Buttermilk Falls St Pk 116,327 Canadaigua Btlau Ontrio 37,866 Cayuga Lake St Pk 93,276 Chimney Bluffs 86,443 Deans Cove Boat Launch 11,572 Fair Haven St Pk 230,052 Fillmore Glen St Pk 92,150 Ganondagan 22,339 H H Spencer 24,907 Honeoye Bt Lau 26,879 Indian Hills Golf Course 19,908 Keuka Lake St Pk 69,388 Lodi Point Marina/Boat 23,237 Long Point St Pk 33,257 Newtown Battlefield 17,427 Robert H Treman St Pk 158,724 Sampson St Pk 111,203 Seneca Lake St Pk 116,517 2 of 8 Soaring Eagles Golf Course 18,511 Stony Brook St Pk 118,064 Taughannock Falls St Pk 328,376 Watkins Glen St Pk 381,218 Braddock Bay 28,247 Conesus Lake Boat Launch 18,912 Darien Lakes State Park 52,750 Durand Eastman 18,704 Genesee Valley Greenway 21,022 Hamlin Beach State Park 221,996 Irondquoit Bay Boat Lnch 27,035 Lakeside Beach St Pk 50,228 Letchworth State Park 407,606 Oak Orchard Boat Launch 4,954 Rattlesnake Point 1,699 Silver Lake 17,790 Bayard C.
    [Show full text]
  • Contact: Associate Director, Jennifer Greim, [email protected] the Thomas Cole National Historic Site Announces the Gift Of
    Contact: Associate Director, Jennifer Greim, [email protected] The Thomas Cole National Historic Site Announces the Gift of a Thomas Cole Masterpiece from Susan Warner, Chairman of the Board of the Warner Foundation The Painting – One of Thomas Cole’s Earliest – Will be the Focus of an October 20 Virtual Lecture by the Director of the Birmingham Museum of Art Catskill, NY – October 8, 2020 – The Thomas Cole National Historic Site announced today the gift of a Thomas Cole masterpiece from Susan Warner, Chairman of the Board of the Warner Foundation, founded by the late, legendary art collector Jack Warner. The painting, Hunters in a Landscape, 1824-25, is a gift from her personal collection and is one of Thomas Cole’s earliest works. The painting dates from the period of time when his paintings were first displayed on Lower Broadway in Manhattan, launching his career and the style of painting now known as the Hudson River School, which became the nation’s first major Thomas Cole, Hunters in a Landscape, 1824-25, 28 1/4” x 35 art movement. 1/2”, Oil on canvas, Thomas Cole National Historic Site, Gift of Dr. Susan Gates Austin Warner The Warner Foundation and Susan Warner have loaned two additional Thomas Cole paintings to the historic site: Autumn Landscape (View of Chocorua Peak), 1827-28, and Catskill Mountain House, 1845-48. Dr. Warner joined the Board of Directors of the Thomas Cole National Historic Site in July 2020. Hunters in a Landscape will be the focus of a virtual lecture on Tuesday, October 20, by Dr.
    [Show full text]
  • The Hudson River School
    Art, Artists and Nature: The Hudson River School The landscape paintings created by the 19 th century artist known as the Hudson River School celebrate the majestic beauty of the American wilderness. Students will learn about the elements of art, early 19 th century American culture, the creative process, environmental concerns and the connections to the birth of American literature. New York State Standards: Elementary, Intermediate, and Commencement The Visual Arts – Standards 1, 2, 3, 4 Social Studies – Standards 1, 3 ELA – Standards 1, 3, 4 BRIEF HISTORY By the mid-nineteenth century, the United States was no longer the vast, wild frontier it had been just one hundred years earlier. Cities and industries determined where the wilderness would remain, and a clear shift in feeling toward the American wilderness was increasingly ruled by a new found reverence and longing for the undisturbed land. At the same time, European influences - including the European Romantic Movement - continued to shape much of American thought, along with other influences that were distinctly and uniquely American. The traditions of American Indians and their relationship with nature became a recognizable part of this distinctly American Romanticism. American writers put words to this new romantic view of nature in their works, further influencing the evolution of American thought about the natural world. It found means of expression not only in literature, but in the visual arts as well. A focus on the beauty of the wilderness became the passion for many artists, the most notable came to be known as the Hudson River School Artists. The Hudson River School was a group of painters, who between 1820s and the late nineteenth century, established the first true tradition of landscape painting in the United States.
    [Show full text]
  • The Erie Canal in Cohoes
    SELF GUIDED TOUR THE ERIE CANAL IN COHOES Sites of the Enlarged Erie Canal Sites of the Original Erie Canal Lock 9 -In George Street Park, north oF Lock 17 -Near the intersection oF John Old Juncta - Junction of the Champlain Alexander Street. and Erie Sts. A Former locktender’s house, and Erie Canals. Near the intersection of Lock 10 -Western wall visible in George now a private residence, is located to the Main and Saratoga Sts. Street Park. A towpath extends through west of the lock. A well-preserved section the park to Lock 9 and Alexander Street. of canal prism is evident to the north of Visible section of “Clinton’s Ditch” southwest of the intersection of Vliet and Lock 11 -Northwest oF the intersection oF the lock. N. Mohawk Sts. Later served as a power George Street and St. Rita’s Place. Lock 18 -West oF North Mohawk Street, canal for Harmony Mill #2; now a park. Lock 12 -West oF Sandusky Street, north of the intersection of North Mohawk partially under Central Ave. Firehouse. and Church Sts. Individual listing on the Old Erie Route - Sections follow Main National Register of Historic Places. and N. Mohawk Streets. Some Lock 13 - Buried under Bedford Street, structures on Main Street date from the south of High Street. No longer visible. early canal era. Lock 14 - East of Standish Street, The Pick of the Locks connected by towpath to Lock 15. A selection of sites for shorter tours Preserving Cohoes Canals & Lock 15 - Southeast of the intersection of Locks Spindle City Historic Vliet and Summit Streets.
    [Show full text]
  • Day Hikes.Pages
    DAY HIKES in the Saugerties Area ESOPUS BEND NATURE PRESERVE Highlights: Esopus Creek, Stony Point Near: Barclay Heights in Saugerties, NY Distance: 1.2 mile loop Difficulty: Easy Trail Condition: Maintained trail Hike Type: Loop Summary: The 156-acre preserve is located partially within both the village and town of Saugerties along a dramatic bend in the Esopus Creek. The Schroeder Trail (1.2 mile loop) follows an old farm road and footpath down to and along Esopus Creek, looping back over a historic Carriage Road, which was once used to gain access to a scow ferry that crossed Esopus Creek at Stony Point. Spur trails lead to viewpoints of the creek and Stony Point. Trailhead: From 9W take Overbaugh Street. Make a left onto Simmons Drive, a Right onto Appletree Drive and a Left onto Shady Lane. There is a parking lot that can accommodate a few cars. FALLING WATERS PRESERVE Highlights: Hudson River views, waterfalls Near: Glasco, NY Distance: roughly two miles of trails Difficulty: Easy Trail Condition: maintained trail Hike Type: Loop Summary: Falling Waters Preserve is an excellent place to explore the rugged beauty of the Hudson River, hiking atop rock ledges that slant precipitously into the water while occasionally descending to the shoreline. On your way to (or from) the mile-long trail hugging the river, you'll pass other scenic treasures, including a meadow affording outstanding views of the Catskills and a picturesque waterfall. Trailhead: From Saugerties, drive south on Route 9W; turn left onto Joseph's Drive, then turn right at the T intersection onto York Street.
    [Show full text]
  • Some Perspectives on Its Purpose from Published Accounts Preston E
    SOME PERSPECTIVES ON ITS PURPOSE FROM PUBLISHED ACCOUNTS PRESTON E. PIERCE ONTARIO COUNTY HISTORIAN DEPARTMENT OF RECORDS, ARCHIVES AND INFORMATION MANAGEMENT ERVICES CANANDAIGUA, NEW YORK 2019 (REPRINTED, UPDATED, AND REVISED 2005, 1985) 1 Front cover image: Sullivan monument erected at the entrance to City Pier on Lake Shore Drive, Canandaigua. Sullivan-Clinton Sesquicentennial Commission, 1929. Bronze tablet was a common feature of all monuments erected by the Commission. Image from original postcard negative, circa 1929, in possession of the author. Above: Sullivan-Clinton Sesquicentennial Commission tablet erected at Kashong (Yates County), Rt. 14, south of Geneva near the Ontario County boundary. 1929. Image by the author. 2004 2 Gen. John Sullivan. Image from Benson J. Lossing, Pictorial Field Book of the Revolution. v. I. 1860. p. 272. 3 Sullivan-Clinton Campaign monument (front and back) erected in 1929 in Honeoye. Moved several times, it commemorates the location of Ft. Cummings, a temporary base established by Sullivan as he began the final leg of his march to the Genesee River. Images by the author. Forward 4 1979 marked the 200th anniversary of the Sullivan-Clinton expedition against those Iroquois nations that allied themselves with Britain and the Loyalists during the American Revolution. It is a little-understood (more often misunderstood) military incursion with diplomatic, economic, and decided geo-political consequences. Unfortunately, most people, including most municipal historians, know little about the expedition beyond what is recorded on roadside markers. In 1929, during the sesquicentennial celebrations of the American Revolution, the states of New York and Pennsylvania established a special commission that produced a booklet, sponsored local pageants, and erected many commemorative tablets in both states.
    [Show full text]
  • Read Book American Wilderness the Story of the Hudson River School
    AMERICAN WILDERNESS THE STORY OF THE HUDSON RIVER SCHOOL OF PAINTING 1ST EDITION PDF, EPUB, EBOOK Kevin J Avery | 9781883789572 | | | | | American Wilderness The Story of the Hudson River School of Painting 1st edition PDF Book Here, he painted many of his Hudson River School works of art, eventually marrying the niece of Cedar Grove's owner and relocating to the area permanently. In a period of six years, Reed had assembled a significant collection of European and American art, which he displayed in a two- room gallery in his lower Manhattan home on Greenwich Street. SKU Morse In , Cole, then a calico designer, had a cordial meeting with Doughty, in Philadelphia, and the men encouraged each other to follow their aesthetic interest. In retrospect the main benefit to Cole of returning to England was seeing paintings by J. One of the uncles, Alexander Thomson, continued ownership, and the Coles shared living space with the Thomson family. Artists with a connection to these places:. Sign In. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree However, recognition of the key roles of these early Hudson River painters in our fine-art heritage is increasing. Members included William Cullen Bryant , prominent literary figure, and historical-genre painter Samuel S. An American art journal called The Crayon, published between and , reinforced the Hudson River School painters and promoted the idea that nature was a healing place for the human spirit.
    [Show full text]
  • Lackawanna Valley
    MAN and the NATURAL WORLD: ROMANTICISM (Nineteenth-Century American Landscape Painting) NINETEENTH-CENTURY AMERICAN LANDSCAPE PAINTING Online Links: Thomas Cole – Wikipedia Hudson River School – Wikipedia Frederic Edwin Church – Wikipedia Cole's Oxbow – Smarthistory Cole's Oxbow (Video) – Smarthistory Church's Niagara and Heart of the Andes - Smarthistory Thomas Cole. The Oxbow (View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm), 1836, oil on canvas Thomas Cole (1801-1848) was one of the first great professional landscape painters in the United States. Cole emigrated from England at age 17 and by 1820 was working as an itinerant portrait painter. With the help of a patron, he traveled to Europe between 1829 and 1832, and upon his return to the United States he settled in New York and became a successful landscape painter. He frequently worked from observation when making sketches for his paintings. In fact, his self-portrait is tucked into the foreground of The Oxbow, where he stands turning back to look at us while pausing from his work. He is executing an oil sketch on a portable easel, but like most landscape painters of his generation, he produced his large finished works in the studio during the winter months. Cole painted this work in the mid- 1830s for exhibition at the National Academy of Design in New York. He considered it one of his “view” paintings because it represents a specific place and time. Although most of his other view paintings were small, this one is monumentally large, probably because it was created for exhibition at the National Academy.
    [Show full text]