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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
Press Release Frank Gehry First Major European
1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh. -
THE ELEUSINIAN MYSTERIES of DEMETER and PERSEPHONE: Fertility, Sexuality, Ancl Rebirth Mara Lynn Keller
THE ELEUSINIAN MYSTERIES OF DEMETER AND PERSEPHONE: Fertility, Sexuality, ancl Rebirth Mara Lynn Keller The story of Demeter and Persephone, mother and daugher naturc goddesses, provides us with insights into the core beliefs by which earl) agrarian peoples of the Mediterranean related to “the creative forces of thc universe”-which some people call God, or Goddess.’ The rites of Demetei and Persephone speak to the experiences of life that remain through all time< the most mysterious-birth, sexuality, death-and also to the greatest niys tery of all, enduring love. In these ceremonies, women and inen expressec joy in the beauty and abundance of nature, especially the bountiful harvest in personal love, sexuality and procreation; and in the rebirth of the humail spirit, even through suffering and death. Cicero wrote of these rites: “Wc have been given a reason not only to live in joy, but also to die with bettei hope. ”2 The Mother Earth religion ceIebrated her children’s birth, enjoyment of life and loving return to her in death. The Earth both nourished the living and welcomed back into her body the dead. As Aeschylus wrote in TIic Libation Bearers: Yea, summon Earth, who brings all things to life and rears, and takes again into her womb.3 I wish to express my gratitude for the love and wisdom of my mother, hlary 1’. Keller, and of Dr. Muriel Chapman. They have been invaluable soiirces of insight and under- standing for me in these studies. So also have been the scholarship, vision atdot- friendship of Carol €! Christ, Charlene Spretnak, Deem Metzger, Carol Lee Saiichez, Ruby Rohrlich, Starhawk, Jane Ellen Harrison, Kiane Eisler, Alexis Masters, Richard Trapp, John Glanville, Judith Plaskow, Jim Syfers, Jim Moses, Bonnie blacCregor and Lil Moed. -
Final 2011-12 Winter Chronological Listings
WALT DISNEY CONCERT HALL 2011/12 CHRONOLOGICAL LISTING OF EVENTS SEPTEMBER 2011 LOS ANGELES PHILHARMONIC Tuesday, September 27, 2011, at 7 PM -OPENING NIGHT GALA- Walt Disney Concert Hall OPENING NIGHT GALA (Non-subscription) Gustavo Dudamel, conductor Herbie Hancock, piano GERSHWIN Cuban Overture GERSHWIN An American in Paris GERSHWIN Rhapsody in Blue The gala evening benefits the Los Angeles Philharmonic Association. LOS ANGELES PHILHARMONIC Friday, September 30, 2011, at 8 PM Walt Disney Concert Hall Gustavo Dudamel, conductor ADAMS Short Ride in a Fast Machine STRAVINSKY SympHony in C BERLIOZ Symphonie fantastique OCTOBER 2011 LOS ANGELES PHILHARMONIC Saturday, October 1, 2011, at 8 PM Walt Disney Concert Hall Sunday, October 2, 2011, at 2 PM Gustavo Dudamel, conductor ADAMS Short Ride in a Fast Machine STRAVINSKY SympHony in C BERLIOZ Symphonie fantastique GREEN UMBRELLA Tuesday, October 4, 2011, at 8 PM Walt Disney Concert Hall LA Phil New Music Group Otto Tausk, conductor DI CASTRI La forma dello spazio for solo violin FELDMAN Viola in My Life Nos. 1 and 2 TAKEMITSU Rain Coming HAAS new work (U.S. premiere, LAPA commission) LOS ANGELES PHILHARMONIC Thursday, October 6, 2011, at 8 PM Walt Disney Concert Hall Friday, October 7, 2011, at 11 AM Saturday, October 8, 2011, at 8 PM Sunday, October 9, 2011, at 2 PM Gustavo Dudamel, conductor Janine Jansen, violin MENDELSSOHN Hebrides Overture MENDELSSOHN Violin Concerto MENDELSOHN SympHony No. 3, “ScottisH” BAROQUE VARIATIONS Tuesday, October 11, 2011, at 8 PM Walt Disney Concert Hall -
Designing and Manufacturing Architecture in the Digital Age KOLAREVIC, Branko University of Pennsylvania, USA
Go contents 05 Designing and Manufacturing Architecture in the Digital Age KOLAREVIC, Branko University of Pennsylvania, USA http://www.upenn.edu/gsfa The paper describes and examines the implications of the recent developments in the architectural application of the latest digital design and fabrication technologies, which offer alternatives to the established understandings of architectural design and production processes and their material and economic constraints. It offers a possibility of a revised understanding of the historic relationship between architecture and its means of production. Keywords: Digital design, digital fabrication, CAD/CAM. Introduction industries, is opening up new dimensions in “Having abandoned the discourse of style, the architectural design. The implications are vast, as architecture of modern times is characterized by “architecture is recasting itself, becoming in part an its capacity to take advantage of the specific experimental investigation of topological geometries, achievements of that same modernity: the partly a computational orchestration of robotic material innovations offered it by present-day science and production and partly a generative, kinematic sculpting technology. The relationship between new of space,” as observed by Peter Zellner in “Hybrid technology and new architecture even comprises Space” (1999). a fundamental datum of what are referred to as It was only within the last few years that the avant-garde architectures, so fundamental as to advances in computer-aided design (CAD) and -
Houses Undergoing Psychoanalysis: Gehry's Residence, Venturi's Mother's House and Johnson's Glass House
Houses Undergoing Psychoanalysis: Gehry's Residence, Venturi's Mother's House and Johnson's Glass House Ruth Palmon Bachelor of Architecture Bezalel Academy of Art and Design Jerusalem, Israel, 1997 - Submitted to the Department of Architecture in Partial Fulfillment of the requirements for the degree of Master of Science in Architecture Studies At the Massachusetts Institute of Technology June 2002 © 2002 Ruth Palmon. All Rights Reserved The Author hereby grants MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author: Department of Architecture May 23, 2002 Certified by: Julian Beinart Professor of Architecture Thesis Supervisor Accepted by: Julian Beinart Professor of Architecture MASSACHUSETTS INSTITUTE Chairman ,Department Committee on Graduate Students OF TECHNOLOGY JUN 2 4 2002 ROTCH LIBRARIES Mark M. Jarzombek, Associate Professor of History and Architecture, Reader. Beatriz Colomina, Professor of History and Theory of Architecture, Princeton University, Reader. 2 Houses Undergoing Psychoanalysis: Johnson's Glass House, Venturi's Mother's House, and Gehry's Residence. By Ruth Palmon Submitted to the Department of Architecture on May 23, 2002 in Partial Fulfillment of the requirements for the degree of Master of Science in Architecture Studies ABSTRACT The objective of this thesis is to explore the relationship between the self and the house. In approaching the subject, my assumptions were that the basic condition of the house-self relationship is of tension and animosity and that architectural design, following a psychoanalytical tendency to reduce tension, is used to improve this condition. When great amounts of energy and care are invested in this process, the narrative of tension and its resolution is brought to the surface through architectural drawings. -
![Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L](https://docslib.b-cdn.net/cover/6957/greek-color-theory-and-the-four-elements-full-text-not-including-figures-j-l-1306957.webp)
Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject. -
Four Conversations on the Architecture of Discourse
FOUR CONVERSATIONS ON THE ARCHITECTURE OF DISCOURSE Aaron Levy and William Menking Venice New York London Chicago ARCHITECTURAL ASSOCIATION LONDON FOUR CONVERSATIONS ON THE ARCHITECTURE OF DISCOURSE Aaron Levy and William Menking Four Conversations on the Architecture of Discourse ARCHITECTURAL ASSOCIATION LONDON Contents Introduction 7 Venice 15 New York 49 London 93 Chicago 135 Contributors 182 Introduction Aaron Levy Architecture on Display is a two-part research initia- tive and series of publications that explores the vexed relationship between architecture and its publics, uniting around a simple premise: that architecture problematises its own display. The initiative began with a series of inter- views that Bill Menking and I conducted with the former directors of the Venice Biennale of Architecture, which, since 1980, has become the most internationally prestigious venue for the display of architecture. Those interviews, also pub- lished by the AA, recover the forgotten history of this exhibition and explore its indebtedness to the social and political movements of the late 1960s. Our questions were informed by our experience at the 2008 Venice Biennale, when Into the Open, our installation for the US pavilion, was arguably overshadowed by economic, political and touristic tensions – tensions that Venice does not have the monopoly on, but have come to define contempo- rary curating in general. The findings that emerged from those interviews, together with a new genera- tion’s interest in questioning architecture on dis- play, acted as the catalyst for the second part of this project, in which we move beyond the biennial 7 spotlight on the lagoon of Venice to foreground urgency to this dialogic approach, it is because other critical positions. -
Religion and Reconciliation in Greek Cities (2010)
Religion and Reconciliation in Greek Cities AMERICAN PHILOLOGICAL ASSOCIATION american classical studies volume 54 Series Editor Kathryn J. Gutzwiller Studies in Classical History and Society Meyer Reinhold Sextus Empiricus The Transmission and Recovery of Pyrrhonism Luciano Floridi The Augustan Succession An Historical Commentary on Cassius Dio’s Roman History Books 55 56 (9 B.C. A.D. 14) Peter Michael Swan Greek Mythography in the Roman World Alan Cameron Virgil Recomposed The Mythological and Secular Centos in Antiquity Scott McGill Representing Agrippina Constructions of Female Power in the Early Roman Empire Judith Ginsburg Figuring Genre in Roman Satire Catherine Keane Homer’s Cosmic Fabrication Choice and Design in the Iliad Bruce Heiden Hyperides Funeral Oration Judson Herrman Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene Noel Robertson Religion and Reconciliation in Greek Cities The Sacred Laws of Selinus and Cyrene NOEL ROBERTSON 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright q 2010 by the American Philological Association Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. -
Read Book Religion in the Ancient Greek City 1St Edition Kindle
RELIGION IN THE ANCIENT GREEK CITY 1ST EDITION PDF, EPUB, EBOOK Louise Bruit Zaidman | 9780521423571 | | | | | Religion in the Ancient Greek City 1st edition PDF Book Altogether the year in Athens included some days that were religious festivals of some sort, though varying greatly in importance. Some of these mysteries, like the mysteries of Eleusis and Samothrace , were ancient and local. Athens Atlanta, Georgia: Scholars Press. At some date, Zeus and other deities were identified locally with heroes and heroines from the Homeric poems and called by such names as Zeus Agamemnon. The temple was the house of the deity it was dedicated to, who in some sense resided in the cult image in the cella or main room inside, normally facing the only door. Historical religions. Christianization of saints and feasts Christianity and Paganism Constantinian shift Hellenistic religion Iconoclasm Neoplatonism Religio licita Virtuous pagan. Sacred Islands. See Article History. Sim Lyriti rated it it was amazing Mar 03, Priests simply looked after cults; they did not constitute a clergy , and there were no sacred books. I much prefer Price's text for many reasons. At times certain gods would be opposed to others, and they would try to outdo each other. An unintended consequence since the Greeks were monogamous was that Zeus in particular became markedly polygamous. Plato's disciple, Aristotle , also disagreed that polytheistic deities existed, because he could not find enough empirical evidence for it. Once established there in a conspicuous position, the Olympians came to be identified with local deities and to be assigned as consorts to the local god or goddess. -
The World of Greek Religion and Mythology
Wissenschaftliche Untersuchungen zum Neuen Testament Herausgeber/Editor Jörg Frey (Zürich) Mitherausgeber/Associate Editors Markus Bockmuehl (Oxford) ∙ James A. Kelhoffer (Uppsala) Tobias Nicklas (Regensburg) ∙ Janet Spittler (Charlottesville, VA) J. Ross Wagner (Durham, NC) 433 Jan N. Bremmer The World of Greek Religion and Mythology Collected Essays II Mohr Siebeck Jan N. Bremmer, born 1944; Emeritus Professor of Religious Studies at the University of Groningen. orcid.org/0000-0001-8400-7143 ISBN 978-3-16-154451-4 / eISBN 978-3-16-158949-2 DOI 10.1628/978-3-16-158949-2 ISSN 0512-1604 / eISSN 2568-7476 (Wissenschaftliche Untersuchungen zum Neuen Testament) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available at http://dnb.dnb.de. © 2019 Mohr Siebeck Tübingen, Germany. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that permitt- ed by copyright law) without the publisher’s written permission. This applies particular- ly to reproductions, translations and storage and processing in electronic systems. The book was typeset using Stempel Garamond typeface and printed on non-aging pa- per by Gulde Druck in Tübingen. It was bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. in memoriam Walter Burkert (1931–2015) Albert Henrichs (1942–2017) Christiane Sourvinou-Inwood (1945–2007) Preface It is a pleasure for me to offer here the second volume of my Collected Essays, containing a sizable part of my writings on Greek religion and mythology.1 Greek religion is not a subject that has always held my interest and attention.