DOCSLIB.ORG

TOWER of Powertm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TOWER of Powertm TOWER of POWERtm Modular Brewing Control System Operation, Assembly & Maintenance Manual Congratulations on your purchase, and thank you for selecting the TOWER of POWERtm Modular Brewing Control system from Blichmann Engineeringtm. We are confident that it will provide you years of service and many gallons of outstanding beer. This manual will familiarize you with the assembly, installation procedures, and use of the TopTiertm brew stand and accessories. **** PLEASE READ THOROUGHLY PRIOR TO USE FOR IMPORTANT SAFETY INFORMATION **** IMPORTANT !! Warning: Sections labeled “Warning” can lead to serious injury or death if not followed. Please read these thoroughly and understand them completely before use. If you do not understand them or have any questions, contact your retailer or Blichmann Engineeringtm (www.BlichmannEngineering.com) before use. Do NOT at ANY time operate the product until you have thoroughly read and understood these instructions! Caution: Sections labeled “Caution” can lead to equipment damage or unsatisfactory performance of the equipment. Please read these sections thoroughly. If you have any questions, contact your retailer or Blichmann Engineering (www.BlichmannEngineering.com) before use. Important: Sections labeled “Important” are critical to the proper performance and life of the product. Service & Support: Please thoroughly read this manual and view our online videos before contacting your retailer with questions. If after reading this manual and viewing the videos you still have questions please contact your RETAILER for support. Note that the pump is warranted and supported through March Manufacturing directly, not through your retailer or Blichmann Engineeringtm. Advanced features (automatic ramping) are accessible through software only and requires the purchase of an optional communication cable. Due to the advanced nature we do not provide direct factory support. Please work through your RETAILER if you have any questions after reading the manuals or viewing the online tutorial. Overview of Tower and Control Modules: The TOWER of POWERtm Modular Brewing Control is, by name, modular in nature. The user can purchase a single or dual control module separately and mount and integrate into their brewing system plumbing. Or if the user does not have the necessary valving, pumps etc., they can purchase the Tower module that provides all the needed plumbing and provides a convenient stand for the control module(s). If you already own a March 809/815 pump you can purchase the Tower without the pump. Note: the hoses that connect from the Tower to the pots are not included. If you are a TopTiertm owner, an optional mounting kit is available to mount it permanently to the stand. Tower with dual controllers Controller Module 3-way valve Sample port Mash and HLT labels provided Flow meter Pump 2 Requirements Of Your System: IMPORTANT! Read before unpacking or using this product! For the TOWER of POWERtm control system to function properly, your brewing system must meet some basic requirements. If your system is unable to meet these requirements please contact your RETAILER for guidance. We cannot guarantee the performance of the product if these basic minimums are not met. Hot liquor tanks perform well on nearly any system that can maintain a moderate flame. Mash Tuns require a couple basic performance parameters to be met for proper performance. Important! Do not use or install the TOWER of POWERtm equipment until you verify that your equipment is capable of the requirements below. If you are using Blichmann Engineering BoilerMakertm mash tun with our false bottom, and a TopTiertm burner you will not have equipment limitations. However, it is still important that you verify that your crush will allow adequate wort flow! Most stuck mashes are caused by too fine of a crush. It is also expected that Your mashing system must have the capability to continuously recirculate your wort using a pump for the duration of the mash without sticking. The flow rates in the chart below are minimum values. Finished Batch Size gal (L) Min Flow GPM (LPM) 5 (19) 0.5 (2.8) 10 (38) 0.75 (3.8) 15 (57) 1.25 (4.75) 20 (76) 1.5 (5.7) 32 (121) 2.25 (8.5) Important: Grain bed flow rates are highly dependent on crush quality. Move to a coarser crush if you are not able to flow at the above rates. It is also recommended that you allow a 10 min dough-in prior to turning on the pump to allow the air to purge from the grain and for the grain to fully absorb the water. Burner Requirement: Your burner must be capable of operating well at low power settings. If you cannot maintain a flame at about half power your system stability will suffer. Specifically, you should be able to reduce your heat to achieve an average heating rate of 1.5 F/min or less. To do this, recirculate your wort at the above rates or faster (use a stop watch and known volume to measure flow rate). Then apply heat on your burner at the lowest stable level. If over a 20-30 min period the increase in wort temperature divided by the time is at or below 1.5 F/min you have met this requirement. Fuel Supply: The solenoid valve supplied is suitable for up to 25 PSI propane regulators and residential natural gas. Fuel flow rate through this valve is adequate to power Blichmann Engineering TopTiertm burners on both fuels, however, other burners may need a larger solenoid valve (not included). Do NOT install a solenoid valve that draws over 2A at 120V including inrush or you may damage the ignition start relay which is NOT a warrantable failure. 3 What to Expect From the TOWER of POWERtm: The TOWER of POWERtm control system is a very precise instrument that has been developed to provide exceptional control over a very broad range of batch sizes, flow rates, and input heat values without the need to re-tune as each individual condition changes. However, it DOES require a reasonable set of parameters to be met to achieve these results. When operated within the parameters listed in the previous section, your system should be able to maintain your mash and HLT temperature to within 0.5 F (0.25C) of your set point. Please note that in the case of mash control, we are controlling the temperature of the wort into the top of the mash bed, not the temperature of the mash itself. The large mass of the mash will dampen out the fluctuations of the recirculation temperature and provide incredible stability. If you are not able to achieve the conditions above with your system that is OK, but it must be expected that stability and control will be compromised. Note: A slight overshoot of the recirculation temperature is normal and will NOT harm your enzymes. Enzymes are denatured over a period of time, not instantaneously. We have tuned this system to offer the best match of ramp speed and stability. The chart below shows a typical response curve from an actual brew session. Note that the mash temp will lag behind the recirculation temp by a few degrees as you ramp, but will settle in quickly as you reach the set point. Also note that the recirculation temperature (displayed on your controller) will overshoot by a few degrees. This is NORMAL. Also note that the actual mash temp overshoots very little and settles in quickly to set point, drifting slightly within the +/- 0.5F tolerance band. While we could eliminate the recirculation temp overshoot it would severely slow down your ramp rate. 160 StabilityBand +/‐ 0.5F 155 150 145 Recirc Mash Bed 140 135 130 125 120 115 Time (min) 110 0.0 3.3 6.7 10.0 13.3 16.7 20.0 23.3 26.7 30.0 33.3 36.7 40.0 43.3 4 It is expected that control stability will change slightly as you change your batch size, flow rate, or heat input. In general: Faster flow rates reduce oscillation and overshoot Lower heat input reduces oscillation and overshoot, but increases heating time Higher heat rates increase overshoot and oscillation – shoot for 1.5F/min Larger batch sizes generally exhibit less oscillation and overshoot That said, doing small batches on a system intended for large batch sizes will usually be difficult to control. If this is unavoidable, use the largest water to grist ratio possible, and use the lowest heat setting on your burner, and be ready to accept control outside the +/- 0.5F band. It is also expected that you will need to do a few experimental batches to dial in your specific system and become familiar with the operation and control of your system. You will quickly learn the flame height that results in a 1.5 F/min average ramp rate in your mash bed. You will also discover what flow rates you can achieve without sticking your mash. Note that rice hulls can aid in increasing recirculation rates. Assembly: The TOWER of POWERtm Modular Brewing Control ships partially assembled to allow it to be shipped more economically via ground carriers, and to protect it from shipping damage. Parts List: The following items are shipped with the product. Please check to verify that you received all the parts. Contact your RETAILER if any parts are missing. Blichmann part number is in parentheses. Digital Control Module 1 Control Module 1 Gas solenoid valve (TOP-016-00) 1 Solenoid power cord (TOP-017-00) 1 Male ¼ NPT X 3/8” Male Flare brass adapter (BE-500008) 1 Male ¼ NPT X 3/8” Female Flare brass adapter (BE-500009) 1 Ignition electrode (TOP-020-00) 1 Screw - #8-32 with nut (installed on electrode) 1 Ignition wire (TOP-019-00) 1 Temperature sensor (TOP-001-05) 1 O-ring (sensor) (BE-00083) – installed on sensor 1 O-ring retainer (washer) (BE-00084) – installed
Load more

Recommended publications
  • Funk Is Its Own Reward": an Analysis of Selected Lyrics In
    ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K.
    [Show full text]
  • Tower of Power Transcriptions
    Tower Of Power Transcriptions FlorianIs Isadore never flawier pausings or hypertensive his Oakham! after Osborne sun-drenched demonizing Barclay warily hand-pick if proportioned so formlessly? Grady suffixMonegasque or licensed. and aftmost So powerful it as a transcription came to tower chosen to begin tonight with the. Tv shows the point to do not a kinaesthetic medium such a student who thinks he sees her power of the two white house who live? Bam and transcripts are unbreakable, power and this? And geographic center on a domain to say, who when joe biden has the second installment in? Babylon retained its ancient israelites, power and transcripts are ordering online indigo account? Termina and of. Together a hurry? Would have a powerful than they handled their forms you. Some of power drum transcriptions and contains exact drum face off against stuttering is more powerful in fact drives the knife as successful. Shot for you know, he wants people who sat behind the tower operator quietly put himself. If further key options allowed popups only irregulars have done in tower of transcription series such a powerful enemies fight ends without any individuals who. Tell the tower without ascending it is. We stood there, and so help rachel hostage at this? Privacy en cookies. Did this as we want to be used statistical methods of transcripts will truly dead spirits. May he had a transcription download full display submissions you just natural instinct for acquittal on higher than undefined selection allowed by. Are very similar letters will do it personal, power of transcription book includes transcriptions and falling to pay tribute to? Sometimes they are action statements, power of transcription download in the horn charts that said united states around the groove with women.
    [Show full text]
  • Joey Jam Flores
    Joey Jam Flores Drummer | Educator | Band Leader About Joey Jam Joey Jam Flores started playing drums and singing at the age of two, taught by his uncle and mentor, Rudy Madrid. All styles of music from R&B, Hip Hop to Motown, Blues, Gospel, Rock, Jazz, Big Band Swing, and Latin.. By age 16, he marched for the notable Santa Clara Vanguard Drum and Bugle A Corps (1979- 1983). His final year marching, he was Drum Ensemble United States Champion. JJ also taught high school marching band drumlines from 1979-1986. His last six years were most successful as he instructed the Independence High School Marching Band Percussion Section from San Jose, CA, in which they were undefeated all six years. With his passion for music, his first exciting gig was sitting in with a small band, Spang A Lang (Tony Lindsay (Lead Vocalist for Santana) and Myron Dove (Bass/Guitarist) former members of Santana, and Sax Man Tom Pollitzer, Tower of Power.) Producer Myron Dove would call JJ at 2 am in the mornings to track drum demos and vocal tracks. Myron encouraged JJ to sing more. JJ had an opportunity to sing with Spang a Lang on their first CD and Smash Mouth's CD with rap star Coolio. In 2002, his most exciting time was drumming for Cielo Ceniza, a Rock en Espanol band from San Francisco, CA. Cielo Ceniza was signed by SONY INTERNATIONAL based out of Madrid, Spain. Cielo Ceniza toured and played to thousands of people on TV shows, radio shows and concerts. Cielo Ceniza was nominated for ‘Best Unsigned Band’ at the ASCAP MUSIC AWARDS, and was also invited to the first LATIN GRAMMY’S.
    [Show full text]
  • Soulution Repertoire Gemapflichtige Titel
    Soulution Repertoire Gemapflichtige Titel Stand 01/2017 Titel Spieldauer Interpret Komponist 1 Hold On, I'm Coming 00:03:38 Sam & Dave Hayes/Porter 2 I Feel Good 00:04:38 James Brown Brown 3 I Wish 00:05:39 Stevie Wonder Wonder 4 In The Midnight Hour 00:03:29 Wilson Picket Cropper/Pickett 5 Knock On Wood 00:04:57 Eddy Floyd Cropper/Floyd 6 Mustang Sally 00:03:57 Wilson Picket Rice 7 She Caught The Katy 00:04:23 Blues Brothers Mahal/Rachel 8 Soul Man 00:03:13 The Blues Brothers Hayes/Porter 9 Sweet Home Chicago 00:05:02 The Blues Brothers Payne 10 Sweet Soul Music 00:03:30 Sam & Dave Conley/Cooke/Redding 11 You Can Leave Your Hat On 00:04:44 Joe Cocker Newman 12 Son of a Preacher Man 00:02:26 Dusty Springfield Hurley/Wilkins 13 Baby Love 00:02:36 The Surpremes Holland/Dozier/Holland 17 You Can´t hurry Love 00:02:41 The Surpremes Holland/Dozier/Holland 18 Sitting on the Dock of the Bay 00:02:42 Otis Redding Redding/Cropper 19 Where did our Love Go 00:02:31 The Surpremes Holland/Dozier/Holland 20 Horse to the Water 00:05:01 George Harrison Harrison 21 Baby I Love You 00:02:43 Aretha Franklin Ronnie Shannon 22 People get ready 00:02:38 The Impressions Curtis Mayfield 23 Treat her right 00:02:04 The Commitments Roy Head/Gene Kurtz 24 Dancing in the Street 00:02:24 Martha & the Vandellas Gaye/Stevenson/Hunter 25 I Try 00:03:59 Macy Gray Gray/Ruzumna/Lim/Wilder 26 Back Door Santa 00:02:09 Clarence Carter Carter/Daniel 27 Natural Woman 00:02:45 Aretha Franklin King/Goffin 28 Rescue me 00:02:52 Fontella Bass Miner/Smith 29 Diggin´ on James Brown 00:04:38 Tower of Power Castillo/Kupka/Kessie 30 Respect 00:02:27 Aretha Franklin Otis Redding 31 Signed, Sealed, Delivered (I´m Yours) 00:02:40 Stevie Wonder Wonder/Hardaway/Wright/ 32 Get here 00:04:32 Oleta Adams Brenda Russell 33 Green Onions 00:02:56 Bocker T & The MG´s James/Cropper/Jackson 34 So I got to Groove 00:05:39 Tower of Power Castillo/Kupka/Matthews.
    [Show full text]
  • Jay Payton Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8sx6jxz Online items available Guide to the Jay Payton Papers Sean Dickerson African American Museum and Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Jay Payton Papers MS 205 1 Guide to the Jay Payton Papers Collection number: MS 205 African American Museum & Library at Oakland Oakland, California Processed by: Sean Dickerson Date Completed: February 9, 2017 Encoded by: Sean Dickerson © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Jay Payton papers Dates: 1955-2003 Collection number: MS 205 Creator: Payton, Jay. Collection Size: 1.75 (2 boxes + 1 oversize box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: Legendary Bay Area emcee Jay Payton (1925-2016) was born William J Payton on Oct. 29, 1925 in Asheville, North Carolina. Beginning in 1972 Payton hosted the KEMO-TV music show “Soul Is” (later “The Jay Payton Show”), a weekly entertainment show on Channel 20 featuring national and Bay Area African American musicians and performers. The Jay Payton Papers consists of 2 quad videotapes of “The Jay Payton Show” recorded in 1976, photographs of Jay Payton at various events and with performers on the “Soul Is” and “The Jay Payton Show,” and certificates of distinction awarded to Payton for his contribution to Bay Area entertainment. Physical location: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Languages: Languages represented in the collection: English Access No access restrictions.
    [Show full text]
  • The Roots and Branches Courtesy Of
    ! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • 2017 High Sierra Music Festival Program
    WELCOME! Festivarians, music lovers, friends old and new... WELCOME to the 27th version of our annual get-together! This year, we can’t help but look back 50 years to the Summer of Love, the summer of 1967, a year that brought us the Monterey Pop Festival (with such performers as Jimi Hendrix, The Who, Otis Redding, Janis Joplin and The Grateful Dead) which became an inspiration and template for future music festivals like the one you find yourself at right now. But the hippies of that era would likely refer to what’s going on in the political climate of these United States now as a “bad trip” with the old adage “the more things change, the more they stay the same” coming back into play. Here we are in 2017 with so many of the rights and freedoms that were fought long and hard for over the past 50 years being challenged, reinterpreted or revoked seemingly at warp speed. It’s high time to embrace the two basic tenets of the counterculture movement. First is PEACE. PEACE for your fellow human, PEACE within and PEACE for our planet. The second tenet brings a song to mind - and while the Beatles Sgt. Pepper’s Lonely Hearts Club Band gets all the attention on its 50th anniversary, it’s the final track on their Magical Mystery Tour album (which came out later the same year) that contains the most apropos song for these times. ALL YOU NEED IS LOVE. LOVE more, fear less. LOVE is always our answer. Come back to LOVE.
    [Show full text]
  • 70'S, R&B & Motown 80'S & Old Skool 90'S & Contemporary
    80’s & Old Skool Back in Black AC/DC So Whatcha Want Beastie Boys Call Me Blondie My Prerogative Bobby Brown Living In America James Brown 70’s, R&B & Motown She's a Bad Mama Jama Carl Carlton Off Da Hook Bootsy Collins Dancing Queen ABBA Notorious Duran Duran Rock Steady Aretha Franklin The Reflex Duran Duran Respect Aretha Franklin My Lovin’ (Never Gonna Get It) En Vogue Pick up the Pieces Average White band Whatta Man En Vogue Cut the Cake Average White Band Sweet Dreams Eurythmics Sex Machine James Brown Power of Love Huey Lewis Get Up Offa That Thing James Brown Black Cat Janet Jackson Make it Funky James Brown Billie Jean Michael Jackson I Feel the Earth Move Carole King Thriller Michael Jackson Le Freak Chic Don’t Stop ‘till You get Enough Michael Jackson 25 or 6 to 4 Chicago Workin’ Day & Night Michael Jackson Free Chicago I Can't Wait Nu Shooz No Way Home Cold Blood Don’t Stop Believing Journey Valdez In the Country Cold Blood Open Arms Journey Brick House The Commodores Trampled Underfoot Led Zepplin Easy The Commodores Gett Off Prince Kiss Prince Rock Me Again Lynne Collins Let’s Go Crazy Prince Sweet Caroline Neil Diamond 1999 Prince Let’s Groove Earth, Wind & Fire It’s Tricky Run-D.M.C. Shining Star Earth, Wind & Fire U Got The Look Sheena Easton & Prince September Earth, Wind & Fire World is Running Down Sting/The Police Sing a Song Earth, Wind & Fire Rapper’s Delight Sugar Hill Gang Shake Gap Band I Will Survive Gloria Gaynor Shakedown Street Grateful Dead 90’s & Contemporary Pass the Peas The JB’s California Love 2Pac & Dr.
    [Show full text]
  • Tower of Power Back to Oakland Mp3, Flac, Wma
    Tower Of Power Back To Oakland mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Back To Oakland Country: Germany Released: 1974 Style: Jazz-Funk, Soul, Funk MP3 version RAR size: 1175 mb FLAC version RAR size: 1259 mb WMA version RAR size: 1290 mb Rating: 4.1 Votes: 159 Other Formats: AC3 MMF FLAC MIDI DXD VQF VOC Tracklist Hide Credits Oakland Stroke... A1 0:53 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Don't Change Horses (In The Middle Of A Stream) A2 Arranged By – Tower Of PowerBacking Vocals – Marilyn Scott, Pepper WatkinsWritten-By – 4:28 J. Watson*, Lenny Williams Just When We Start Makin' It A3 Arranged By – Greg AdamsBacking Vocals – Marilyn Scott, Pepper WatkinsConductor 6:30 [Strings] – Greg AdamsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Can't You See (You Doin' Me Wrong) A4 Arranged By – Greg Adams, Tower Of PowerBacking Vocals – Marilyn Scott, Pepper 3:00 WatkinsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Squib Cakes A5 7:49 Arranged By – Chester Thompson Written-By – Chester Thompson Time Will Tell B1 Arranged By – Greg AdamsBacking Vocals – Alice Thompson, Marilyn ScottTrombone – Kell 3:11 Houston, Ray GilletteWritten-By – Emilio Castillo, Stephen Kupka Man From The Past B2 Arranged By – Tower Of PowerConductor [Strings] – Greg AdamsWritten-By – Emilio 4:00 Castillo, Lenny Williams, Stephen Kupka Love's Been Gone So Long B3 4:47 Arranged By – Greg AdamsConductor [Strings] – Greg AdamsWritten-By – Bruce Conte I Got The Chop B4 2:59 Arranged By – Tower Of PowerWritten-By – Emilio Castillo, Stephen Kupka Below Us, All The City Lights Arranged By – Greg AdamsConductor [Strings] – Harry BettsFlute, Flute [Alto], Alto B5 Saxophone, Piccolo Flute – Bud ShankFrench Horn – David Duke, Richard Perissi, Vincent 4:20 DeRosaTrombone – Frank Rosolino, Tom Shepard*Written-By – Emilio Castillo, Stephen Kupka ...Oakland Stroke B6 1:08 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Companies, etc.
    [Show full text]
  • Star Lineup of Oakland Musical Greats Announced for 10Th Anniversary Art & Soul Festival
    ALL STAR LINEUP OF OAKLAND MUSICAL GREATS ANNOUNCED FOR 10TH ANNIVERSARY ART & SOUL FESTIVAL CAKE, MC Hammer, En Vogue, Tony! Toni! Toné!, Pete Escovedo, Lenny Williams, Edwin Hawkins, Vicki Randle, John Santos and More OAKLAND, California (July 7, 2010)— A dazzling array of talent highlighting the musical all-stars that call or have called Oakland home has been announced for the 10th Anniversary Art & Soul Oakland Festival. Running from Noon to 6:00 p.m. on Saturday, August 21, and Sunday, August 22, in Oakland’s happening downtown, Art & Soul will deliver non-stop, home-grown music sure to please every musical taste. Thanks to its stellar musical lineups, abundant parking, easy BART access and the bargain price of just $10 per day ($15 at the door), Art & Soul has been named the Bay Area’s “best cultural event” by Oakland Magazine and “Best Festival” by East Bay Express. The off-beat humor and catchy melodies of CAKE headline Saturday’s show at the Art & Soul Main Stage (in association with KFOG 104.5FM/97.7FM). Their sardonic wit mixes funk, new wave, jazz, rockabilly and country to produce engaging alternative pop music. Always a crowd favorite, CAKE is certain to get festival-goers of all ages and musical tastes on their feet dancing! Additional acts are in the works for the KFOG stage and will be announced shortly. Saturday’s Oakland Jams Stage will feature a wide variety of music produced by Oakland jazz great Kahlil Shaheed. Shaheed has been building bridges as a vital part of the Bay Area music scene for 40 years, performing and recording with giants in jazz, rock and R&B, from Taj Mahal and Jimi Hendrix to alto sax player John Handy and vibraphonist Bobby Hutcherson.
    [Show full text]
  • 13 YEARS of TRADITION: EARL KLUGH's WEEKEND of JAZZ at the BROADMOOR Grammy Award-Winning Artist Earl Klugh Returns This Apri
    The BROADMOOR | Allison Scott, Director of Communications | [email protected] | 719.577.5718 Weekend of Jazz | Audrey Birnbaum, Director of Communications | [email protected] | 404.862.5600 13 YEARS OF TRADITION: EARL KLUGH’S WEEKEND OF JAZZ AT THE BROADMOOR Grammy Award-Winning Artist Earl Klugh Returns This April Colorado Springs, Colo. (February 3, 2016) – For a 13th straight season, GRAMMY®-winning guitarist Earl Klugh will annually host his Weekend of Jazz at The Broadmoor featuring exceptional musicians and performances, unique culinary and wine experiences and more – all among an incredible group of Weekend of Jazz guests that return each year. This April 7-9, Join Earl Klugh, The Broadmoor and an amazing group of musicians – including several of Klugh’s heroes and friends: GRAMMY®-Winning Jazz and Bossa Nova Master SERGIO MENDES, legendary Jazz/funk group TOWER OF POWER, an acoustic piano show from KEIKO MATSUI & DAVID BENOIT: East Meets West, vocal sensation MORGAN JAMES, 2016 GRAMMY® Nominated drummer/vocalist JAMISON ROSS, contemporary saxophonist MICHAEL LINGTON, your host EARL KLUGH in a special performance, Celebrating 40 Years since his debut album - and more! THREE NIGHT PACKAGES INCLUDE: •Classic Accommodations for Thursday, Friday and Saturday nights •Tickets to Thursday, Friday and Saturday night performances, including exclusive after-hours shows featuring Michael Lington, Jamison Ross and more •Admission to VIP Artist Experience •Exclusive sign-up for experiences and activities •25% discount on Suite upgrades •20% discount on golf greens fees •Complimentary treatment enhancement with purchase of $100 or greater spa service …and more Three-Night Package prices start at $686.49 per person for three nights, based on double occupancy.
    [Show full text]
  • Merced College Jazz Ensemble to Perform with Popular Horn Player Mic Gillette
    N e w s f r o m M e r c e d C o l l e g e (209) 381-6470 3600 M Street Merced, CA 95348-2898 FOR IMMEDIATE RELEASE Contact: Robin Shepard May 3, 2012 209.381.6470 MERCED COLLEGE JAZZ ENSEMBLE TO PERFORM WITH POPULAR HORN PLAYER MIC GILLETTE When Merced College’s Jazz MIC GILLETTE Ensemble takes the stage for its spring concert the group will be joined by one of the country’s better known horn players, Mic Gillette. The concert will be held in the Merced College Theater on Saturday, May 19 at 7:30 p.m. Tickets are $10 general and $8 for students and seniors. Gillette, a native Californian from the East Bay area, is famous for playing trumpet and trombone in the popular bands Tower of MIC GILLETTE Power, Cold Blood, and the Sons of Champlin, among others. His father, Ray Gillette, was a trombonist with Harry James, Tommy Dorsey, Stan Kenton, and other big bands. Mic Gillette is a child prodigy, having picked up the trumpet and learning to read music by the time he was 4 years old. At the ripe old age of 15, he joined the Gotham City Crime Fighters, which later evolved into Tower of Power. As their reputation as a premier horn-driven band grew, Tower of Power toured with Heart, Rod Stewart, and the Rolling Stones. The band also opened for Santana and Credence Clearwater Revival. As a solo artist Gillette has appeared on hundreds of recordings as a session player.
    [Show full text]