The Code of Funk”, by David Garibaldi
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Owner S Manual
HD-4 Owner s Manual Virgin Musical Instruments Precaution Thank you for purchasing this electronic instrument.For perfect operation and security, please read the manual carefully and keep it for future reference. Safety Precautions CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage”within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance(servicing) instructions in the literature accompanying the product. Important Safety Instructions 1) Read these instructions. apparatus. When a cart is used, use caution when 2) Keep these instructions. moving the cart/apparatus combination to avoid 3) Heed all warnings. injury from tip-over(Figure 1). 4) Follow all instructions. (Figure 1) 13) Unplug this apparatus during lightning storms 5) Do not use this apparatus near water. or when unused for a long periods fo time. 6) Clean only with dry cloth. 14) Refer all servicing to qualified service personnel. 7) Do not block any ventilation openings, install in Servicing is required when the apparatus has been accordance with the manufacturer s instructions. damaged in any way, such as power-supply cord or 8) Do not install near the heat sources such as plug is damaged, liquid has been spilled or objects radiators, heat registers, stoves, or other apparatus have fallen into the apparatus, the apparatus has (including amplifiers) that produce heat. -
Owner's Manual 5057870-B
OWNER’S MANUAL WARRANTY We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty: 1. Please register online at digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in the United States. 2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. This warranty is valid to the original purchaser only and is non-transferable. 3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a period of one year. A Return Authorization number may be obtained by contacting DigiTech. The company shall not be liable for any consequential damage as a result of the product’s use in any circuit or assembly. 4. Proof-of-purchase is considered to be the responsibility of the consumer. A copy of the original purchase receipt must be provided for any warranty service. 5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6. The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
TOWER of Powertm
TOWER of POWERtm Modular Brewing Control System Operation, Assembly & Maintenance Manual Congratulations on your purchase, and thank you for selecting the TOWER of POWERtm Modular Brewing Control system from Blichmann Engineeringtm. We are confident that it will provide you years of service and many gallons of outstanding beer. This manual will familiarize you with the assembly, installation procedures, and use of the TopTiertm brew stand and accessories. **** PLEASE READ THOROUGHLY PRIOR TO USE FOR IMPORTANT SAFETY INFORMATION **** IMPORTANT !! Warning: Sections labeled “Warning” can lead to serious injury or death if not followed. Please read these thoroughly and understand them completely before use. If you do not understand them or have any questions, contact your retailer or Blichmann Engineeringtm (www.BlichmannEngineering.com) before use. Do NOT at ANY time operate the product until you have thoroughly read and understood these instructions! Caution: Sections labeled “Caution” can lead to equipment damage or unsatisfactory performance of the equipment. Please read these sections thoroughly. If you have any questions, contact your retailer or Blichmann Engineering (www.BlichmannEngineering.com) before use. Important: Sections labeled “Important” are critical to the proper performance and life of the product. Service & Support: Please thoroughly read this manual and view our online videos before contacting your retailer with questions. If after reading this manual and viewing the videos you still have questions please contact your RETAILER for support. Note that the pump is warranted and supported through March Manufacturing directly, not through your retailer or Blichmann Engineeringtm. Advanced features (automatic ramping) are accessible through software only and requires the purchase of an optional communication cable. -
HD-17 Mako E-Drum Set
HD-17 Mako e-drum set user manual Musikhaus Thomann Thomann GmbH Hans-Thomann-Straße 1 96138 Burgebrach Germany Telephone: +49 (0) 9546 9223-0 E-mail: [email protected] Internet: www.thomann.de 08.01.2019, ID: 429328 Table of contents Table of contents 1 General information.............................................................................................................. 4 1.1 Further information........................................................................................................ 4 1.2 Notational conventions................................................................................................. 4 1.3 Symbols and signal words........................................................................................... 5 2 Safety instructions................................................................................................................. 6 3 Features....................................................................................................................................... 8 4 Scope of delivery..................................................................................................................... 9 5 Assembly.................................................................................................................................. 10 6 Drum seat assembly (option)......................................................................................... 14 7 Installation............................................................................................................................. -
Tower of Power Transcriptions
Tower Of Power Transcriptions FlorianIs Isadore never flawier pausings or hypertensive his Oakham! after Osborne sun-drenched demonizing Barclay warily hand-pick if proportioned so formlessly? Grady suffixMonegasque or licensed. and aftmost So powerful it as a transcription came to tower chosen to begin tonight with the. Tv shows the point to do not a kinaesthetic medium such a student who thinks he sees her power of the two white house who live? Bam and transcripts are unbreakable, power and this? And geographic center on a domain to say, who when joe biden has the second installment in? Babylon retained its ancient israelites, power and transcripts are ordering online indigo account? Termina and of. Together a hurry? Would have a powerful than they handled their forms you. Some of power drum transcriptions and contains exact drum face off against stuttering is more powerful in fact drives the knife as successful. Shot for you know, he wants people who sat behind the tower operator quietly put himself. If further key options allowed popups only irregulars have done in tower of transcription series such a powerful enemies fight ends without any individuals who. Tell the tower without ascending it is. We stood there, and so help rachel hostage at this? Privacy en cookies. Did this as we want to be used statistical methods of transcripts will truly dead spirits. May he had a transcription download full display submissions you just natural instinct for acquittal on higher than undefined selection allowed by. Are very similar letters will do it personal, power of transcription book includes transcriptions and falling to pay tribute to? Sometimes they are action statements, power of transcription download in the horn charts that said united states around the groove with women. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Joey Jam Flores
Joey Jam Flores Drummer | Educator | Band Leader About Joey Jam Joey Jam Flores started playing drums and singing at the age of two, taught by his uncle and mentor, Rudy Madrid. All styles of music from R&B, Hip Hop to Motown, Blues, Gospel, Rock, Jazz, Big Band Swing, and Latin.. By age 16, he marched for the notable Santa Clara Vanguard Drum and Bugle A Corps (1979- 1983). His final year marching, he was Drum Ensemble United States Champion. JJ also taught high school marching band drumlines from 1979-1986. His last six years were most successful as he instructed the Independence High School Marching Band Percussion Section from San Jose, CA, in which they were undefeated all six years. With his passion for music, his first exciting gig was sitting in with a small band, Spang A Lang (Tony Lindsay (Lead Vocalist for Santana) and Myron Dove (Bass/Guitarist) former members of Santana, and Sax Man Tom Pollitzer, Tower of Power.) Producer Myron Dove would call JJ at 2 am in the mornings to track drum demos and vocal tracks. Myron encouraged JJ to sing more. JJ had an opportunity to sing with Spang a Lang on their first CD and Smash Mouth's CD with rap star Coolio. In 2002, his most exciting time was drumming for Cielo Ceniza, a Rock en Espanol band from San Francisco, CA. Cielo Ceniza was signed by SONY INTERNATIONAL based out of Madrid, Spain. Cielo Ceniza toured and played to thousands of people on TV shows, radio shows and concerts. Cielo Ceniza was nominated for ‘Best Unsigned Band’ at the ASCAP MUSIC AWARDS, and was also invited to the first LATIN GRAMMY’S. -
KT4-Manual.Pdf
aaw_KT4_manual_G05_151029.aiw_KT4_manual_G05_151029.ai 1 22015/10/29015/10/29 113:33:083:33:08 C M Y CM MY CY CMY K aaw_KT4_manual_G05_151029.aiw_KT4_manual_G05_151029.ai 2 22015/10/29015/10/29 113:33:543:33:54 INFORMATION FOR YOUR SAFETY! PRECAUTIONS This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: PLEASE READ CAREFULLY BEFORE PROCEEDING (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired Please keep this manual in a safe place for future reference. operation. Power Supply Please connect the designated AC adaptor to an AC outlet of the correct voltage. FCC COMPLIANCE NOTICE Do not connect it to an AC outlet of voltage other than that This equipment has been tested and found to comply with the for which your instrument is intended. limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable Unplug the AC power adaptor when not using the protection against harmful interference in a residential instrument, or during electrical storms. installation. This equipment generates, uses and can radiate radio frequency energy and if not used in accordance with the Connections instructions, may cause harmful interference to radio Before connecting the instrument to other devices, turn off communications and there is no guarantee that interference the power to all units. This will help prevent malfunction and will not occur in a particular installation. If this equipment does / or damage to other devices. -
Owner's Manual 5064509-A
OWNER’S MANUAL WARRANTY We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty: 1. Please register online at digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in the United States. 2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. This warranty is valid to the original purchaser only and is non-transferable. 3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect, provided the product is returned to DigiTech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a period of one year (this warranty is extended to a period of six years when the product has been properly registered through our website). A Return Authorization number may be obtained by contacting DigiTech. The company shall not be liable for any consequential damage as a result of the product’s use in any circuit or assembly. 4. Proof-of-purchase is considered to be the responsibility of the consumer. A copy of the original purchase receipt must be provided for any warranty service. 5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6. The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. -
SYMPHONY GRAND Digital Piano
SYMPHONY GRAND digital piano owner's manual IMPORTANT SAFETY INSTRUCTIONS • Do not use near water. • Clean only with a soft, dry cloth. • Do not block any ventilation openings. • Do not place near any heat sources such as radiators, heat registers, stoves, or any other apparatus (including amplifiers) that produces heat. • Do not remove the polarized or grounding-type plug. • Protect the power cord from being walked on or pinched. • Only use the included attachments/accessories. • Unplug this apparatus during lightning storms or when unused for a long period of time. • Refer all servicing to qualified service personnel. Servicing is equiredr when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. FCC STATEMENTS 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. NOTE: This equipment has been tested and found to comply with a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guar- antee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna.