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AGRADECIMIENTOS ACKNOWLEDGEMENTS ARCOmadrid 2014 ha sido posible gracias al apoyo y colaboración de ARCOmadrid 2014 is made possible with the collaboration and support of COLABORACIÓN INSTITUCIONAL INSTITUTIONAL COLLABORATION PATROCINADORES SPONSORSHIPS COLABORADORES COLLABORATION #FOCUSFINLAND MEDIOS OFICIALES OFFICIAL MEDIA ANA LOCKING / AMERICAN EXPRESS / ART GALLERY TOUR / ARTE LATERAL / ARTE MADRID / BANCO DE ESPAÑA / CACAO SAMPAKA / CAIXA FORUM – FUNDACIÓN “LA CAIXA” / CALLAO CITY LIGHTS / CARDBOARD / CASA AMÉRICA / CENTRO CENTRO / CENTRO DE ARTE ALCOBENDAS / CENTRO DE ARTE DOS DE MAYO DE LA COMUNIDAD DE MADRID / CINETECA / CÍRCULO DE BELLAS ARTES / COMUNIDAD DE MADRID. SALA ALCALÁ 31 / COMUNIDAD DE MADRID. SALA CANAL ISABEL II / CONDE DUQUE / CONSORCIO DE GALERÍAS / EL CORTE INGLÉS - ÁMBITO CULTURAL / EMBAJADA DE COLOMBIA / EMBAJADA DE LOS ESTADOS UNIDOS EN ESPAÑA / FILMOTECA ESPAÑOLA / FLORETTE / FUNDACIÓN CAJA MADRID / FUNDACIÓN CANAL / FUNDACIÓN EL GREGO 2014 / FUNDACIÓN JUAN MARCH / FUNDACIÓN MAPFRE / FUNDACIÓN TELEFÓNICA / HOTEL VILLA REAL / HOTEL WESTIN PALACE / INSTITUTO CERVANTES / INSTITUTO IBEROAMERICANO DE FINLANDIA / LA CASA ENCENDIDA / GÜELL LAMADRID / LATERAL / MAGASAND / MATADERO MADRID / MEDIALAB-PRADO / MEDWINDS / MNCARS – MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA / MUSEO ABC DE DIBUJO E ILUSTRACIÓN / MUSEO ICO / MUSEO DE ARTES DECORATIVAS / MUSEO LÁZARO GALDIANO / MUSEO NACIONAL DEL PRADO / MUSEO THYSSEN-BORNEMISZA / OTR. ESPACIO DE ARTE / PLAN INTERNACIONAL / RAMSÉS / RENFE / SALA DE ARTE SANTANDER / SALA DE EXPOSICIONES TABACALERA. SUBDIRECCIÓN GENERAL DE PROMOCIÓN DE LAS BELLAS ARTES. MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE / SCHNEIDER COLAO / STUA / TF ARTES GRÁFICAS / THE FLOWER ROOM / TRANSFEREX / VINCCI HOTELES SUMARIO CONTENTS 9 30 / COMITÉ DE HONOR COMMITTEE OF HONOUR 31 / COMITÉ ORGANIZADOR ORGANISING COMMITTEE 32 / ORGANIZACIÓN ORGANISATION 33 / COMISARIOS DE ARCOmadrid 2014 ARCOmadrid 2014 CURATORS 35 / ÍNDICES INDEXES 35 / GALERÍAS Y SECCIONES 35 / GALLERIES AND SECTIONS 41 / GALERÍAS GALLERIES 475 / PROYECTOS INSTITUCIONALES INSTITUTIONAL PROJECTS 484 / ARCO ESPACIOS CULTURALES ARCO CULTURAL SPACES 492 / LIBRERÍAS BOOKSHOPS 495 / REVISTAS MAGAZINES 541 / ÍNDICES INDEXES 541 / GALERÍAS POR PAÍSES Y ARTISTAS 541 / GALLERIES BY COUNTRIES AND ARTISTS SU MAJESTAD DON JUAN CARLOS I REY DE ESPAÑA PRESIDENTE DE HONOR DE ARCOmadrid HONORARY PRESIDENT OF ARCOmadrid As in previous years, the International Fair of Contemporary Art, ARCOmadrid, is opening to the public and joining in the ambitious and innovative range of cultural offers in our region, turning Madrid into the international centre of contemporary art over the month of February. ARCOmadrid is now established as an annual event not to be missed in the international art sector and as a privileged showcase for our artists and creators in promoting their work internationally. An event which, year after year, receives an exceptional reception by the public and which last year, attracted more than 118,000 visitors. Thanks to the support and cooperation of the whole sector, the fair is celebrating its 33rd edition with its usual vitality and innovative spirit, consolidating our region as a tourist destination and a major international focus of creation and cultural diffusion. This new edition of ARCOmadrid has a clear challenge this year; to enable the fair to maintain its position among the best in the world and attract new collectors, in a difficult economic context. An effort which, during last year’s edition, was focused specifically on international collecting and obtained excellent results. For the Government of the Regional Community of Madrid, it is extremely rewarding to once again be part of this annual event and organise a new edition – the eleventh –, of the ARCO-Community of Madrid Prize for young artists, which acknowledges the work of new talents exhibiting at the fair. As on previous occasions, the winning piece will be included in the Contemporary Art Collection of the Regional Community of Madrid, to enhance the collections deposited in the CA2M Dos de Mayo Art Centre. This year, the guest country is Finland, which will show us, through 13 galleries, the work of an emerging generation of Finnish artists whose participation in ARCOmadrid is, in most cases, their first international presentation. In addition, we have planned an exhibition at our Exhibitions Hall at Alcalá 31 entitled ¿Finlandia? to establish the artistic presence of the Scandinavian country in Madrid. I would like to wish all the artists and gallery-owners the greatest success at this new edition, and invite the citizens of Madrid and all those who are visiting us to take this new opportunity to enjoy the best of international culture and contemporary art in Madrid. I can assure you that it will be worth your while. IGNACIO GONZÁLEZ GONZÁLEZ PRESIDENTE DE LA COMUNIDAD DE MADRID PRESIDENT OF THE REGIONAL COMMUNITY OF MADRID Un año más, la Feria Internacional de Arte Contemporáneo, ARCOmadrid, abre sus puertas y se suma a la ambiciosa e innovadora oferta cultural que ofrece nuestra región, convirtiendo a Madrid en el centro internacional del arte contemporáneo durante el mes de febrero. ARCOmadrid es ya una cita anual imprescindible en el mercado mundial del arte y constituye para nuestros artistas y creadores un privilegiado escaparate para la promoción internacional de su trabajo. Un evento que, año tras año, recibe una excepcional acogida por parte del público y que atrajo en su pasada edición a más de 118.000 visitantes. Gracias al apoyo y la colaboración de todo el sector, la Feria celebra su 33ª edición con la vitalidad y el espíritu innovador de siempre, y viene a consolidar a nuestra región como un destino turístico y un foco de creación y difusión cultural de primer orden mundial. La nueva edición de ARCOmadrid afronta este año un claro desafío; conseguir que, en un difícil contexto económico, la Feria mantenga su posición entre las mejores del mundo y logre atraer a nuevos coleccionistas. Un esfuerzo que en la pasada edición se dirigió especialmente hacia al coleccionismo internacional, obteniendo excelentes resultados. Para el Gobierno de la Comunidad de Madrid es una satisfacción unirse un año más a esta muestra, y celebrar una nueva edición, la undécima ya, del Premio ARCO-Comunidad de Madrid para jóvenes artistas, que reconoce el trabajo de los nuevos talentos que exponen en la Feria. Como en anteriores ocasiones, la obra galardonada se incorporará a la Colección de Arte Contemporáneo de la Comunidad de Madrid, enriqueciendo los fondos depositados en el CA2M Centro de Arte Dos de Mayo. Este año, Finlandia será el país invitado y nos mostrará, a través de 13 galerías, la obra de una generación emergente de artistas finlandeses, cuya participación en ARCOmadrid constituye, en la mayoría de los casos, su presentación internacional. Además, en nuestra Sala de Exposiciones de Alcalá 31 hemos programado una exposición que bajo el título ¿Finlandia? reforzará la presencia artística del país nórdico en la capital. Quiero desear a todos los artistas y galeristas el mayor de los éxitos en esta nueva edición e invitar a todos los madrileños, y a quienes nos visitan, a que aprovechen esta nueva oportunidad de disfrutar en Madrid de lo mejor de la cultura y del arte contemporáneo internacional. Les aseguro que merecerá la pena. Once again, Madrid celebrates its International Contemporary Art Fair, ARCOmadrid 2014. As Mayor of the city, I would like to welcome the collaborating galleries, artists, curators and professionals of the industry, businesses and associations, art collectors and enthusiasts, who are such an essential part of Madrid’s cultural scene. Apart from the honour it is for the capital of Spain to celebrate ARCOmadrid, it is also a great honour for us that the name of Madrid is linked to one of the most consolidated and attractive international fairs of the contemporary art scene. It certainly helps strengthen Madrid’s international image We at Madrid City Council are very aware of the importance of the Fair for raising Madrid’s cosmopolitan, open and dynamic profile. That is why we have been working together with ARCOmadrid, since its inception, providing space and resources for activities that complement and enrich the artistic offerings of the Fair throughout the entire city. Promoting and encouraging collections is one of the great challenges, encouraged by ARCOmadrid, that will have our applause and support. We at the Madrid City Council, only too aware of the importance of collecting for the preservation and dissemination of art, are promoting a series of exhibitions entitled Patronage in the Service of Art. The aim is to present the best private collections in Spain and highlight their role in safeguarding our vast artistic heritage. Exhibitions held at CentroCentro-Cibeles, such as The Legacy of the House of Alba and the Helga de Alvear collection and current one on the Masaveu collection, are part of our work to lend recognition to collecting, an aim we share with ARCOmadrid and something which has always been central to the history of the Fair. ARCOmadrid plays the key role of helping to ensure the continued renewal of artistic contents and the international exposure of our new creators. Spain is a leading cultural power, and the prestige that comes with this is also measured by our capacity to renew and strengthen our presence in the international contemporary art circuits. I would like to give a special welcome to Finland, the
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  • The Negligent Eye the Negligent Eye

    The Negligent Eye the Negligent Eye

    The Negligent Eye The Negligent Eye Curated by Jo Stockham 8 March – 15 June 2014, the Bluecoat, Liverpool Russell A. Kirsch: The first digital image made on a computer in 1957 showing researcher Kirsch’s baby son. Courtesy of NIST (National Institute of Standards and Technology), USA. A detail of this image is also reproduced on the cover of this publication. 2 / 3 The Negligent Eye Introduction The Eye of the Scanner Bryan Biggs & Sara-Jayne Parsons Chantal Faust This publication accompanies the exhibition the human thumbprint – literally a digital One of the most prominent works in The The publication’s content comprises a text by Then God said, ‘Let there be light’; and There is one word in the English language requires immediate proximity in order to be on this blinding orb, ‘a certain madness is of the same name, curated by Jo Stockham, print – in the form of the ‘signature’ of wood Negligent Eye is Maurice Carlin’s beautiful Chantal Faust that perceptively introduces the there was light. And God saw that the light that is used to describe three very different able to see. The closer the subject is to this implied’.4 It is not that it is impossible to gaze Head of Printmaking at the Royal College of engraver Thomas Bewick who was born in large-scale print, Endless Pageless, screen ‘eye of the scanner’, relating this to our own was good; and God separated the light ways of seeing. A scan is a close examination, recording device, the greater the clarity of the at the sun, or at the beam of a scanner, but Art, and developed in collaboration with the the 18th century.