DOCSLIB.ORG

Catalogue Raisonné

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue Raisonné AGRADECIMIENTOS ACKNOWLEDGEMENTS ARCOmadrid 2014 ha sido posible gracias al apoyo y colaboración de ARCOmadrid 2014 is made possible with the collaboration and support of COLABORACIÓN INSTITUCIONAL INSTITUTIONAL COLLABORATION PATROCINADORES SPONSORSHIPS COLABORADORES COLLABORATION #FOCUSFINLAND MEDIOS OFICIALES OFFICIAL MEDIA ANA LOCKING / AMERICAN EXPRESS / ART GALLERY TOUR / ARTE LATERAL / ARTE MADRID / BANCO DE ESPAÑA / CACAO SAMPAKA / CAIXA FORUM – FUNDACIÓN “LA CAIXA” / CALLAO CITY LIGHTS / CARDBOARD / CASA AMÉRICA / CENTRO CENTRO / CENTRO DE ARTE ALCOBENDAS / CENTRO DE ARTE DOS DE MAYO DE LA COMUNIDAD DE MADRID / CINETECA / CÍRCULO DE BELLAS ARTES / COMUNIDAD DE MADRID. SALA ALCALÁ 31 / COMUNIDAD DE MADRID. SALA CANAL ISABEL II / CONDE DUQUE / CONSORCIO DE GALERÍAS / EL CORTE INGLÉS - ÁMBITO CULTURAL / EMBAJADA DE COLOMBIA / EMBAJADA DE LOS ESTADOS UNIDOS EN ESPAÑA / FILMOTECA ESPAÑOLA / FLORETTE / FUNDACIÓN CAJA MADRID / FUNDACIÓN CANAL / FUNDACIÓN EL GREGO 2014 / FUNDACIÓN JUAN MARCH / FUNDACIÓN MAPFRE / FUNDACIÓN TELEFÓNICA / HOTEL VILLA REAL / HOTEL WESTIN PALACE / INSTITUTO CERVANTES / INSTITUTO IBEROAMERICANO DE FINLANDIA / LA CASA ENCENDIDA / GÜELL LAMADRID / LATERAL / MAGASAND / MATADERO MADRID / MEDIALAB-PRADO / MEDWINDS / MNCARS – MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA / MUSEO ABC DE DIBUJO E ILUSTRACIÓN / MUSEO ICO / MUSEO DE ARTES DECORATIVAS / MUSEO LÁZARO GALDIANO / MUSEO NACIONAL DEL PRADO / MUSEO THYSSEN-BORNEMISZA / OTR. ESPACIO DE ARTE / PLAN INTERNACIONAL / RAMSÉS / RENFE / SALA DE ARTE SANTANDER / SALA DE EXPOSICIONES TABACALERA. SUBDIRECCIÓN GENERAL DE PROMOCIÓN DE LAS BELLAS ARTES. MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE / SCHNEIDER COLAO / STUA / TF ARTES GRÁFICAS / THE FLOWER ROOM / TRANSFEREX / VINCCI HOTELES SUMARIO CONTENTS 9 30 / COMITÉ DE HONOR COMMITTEE OF HONOUR 31 / COMITÉ ORGANIZADOR ORGANISING COMMITTEE 32 / ORGANIZACIÓN ORGANISATION 33 / COMISARIOS DE ARCOmadrid 2014 ARCOmadrid 2014 CURATORS 35 / ÍNDICES INDEXES 35 / GALERÍAS Y SECCIONES 35 / GALLERIES AND SECTIONS 41 / GALERÍAS GALLERIES 475 / PROYECTOS INSTITUCIONALES INSTITUTIONAL PROJECTS 484 / ARCO ESPACIOS CULTURALES ARCO CULTURAL SPACES 492 / LIBRERÍAS BOOKSHOPS 495 / REVISTAS MAGAZINES 541 / ÍNDICES INDEXES 541 / GALERÍAS POR PAÍSES Y ARTISTAS 541 / GALLERIES BY COUNTRIES AND ARTISTS SU MAJESTAD DON JUAN CARLOS I REY DE ESPAÑA PRESIDENTE DE HONOR DE ARCOmadrid HONORARY PRESIDENT OF ARCOmadrid As in previous years, the International Fair of Contemporary Art, ARCOmadrid, is opening to the public and joining in the ambitious and innovative range of cultural offers in our region, turning Madrid into the international centre of contemporary art over the month of February. ARCOmadrid is now established as an annual event not to be missed in the international art sector and as a privileged showcase for our artists and creators in promoting their work internationally. An event which, year after year, receives an exceptional reception by the public and which last year, attracted more than 118,000 visitors. Thanks to the support and cooperation of the whole sector, the fair is celebrating its 33rd edition with its usual vitality and innovative spirit, consolidating our region as a tourist destination and a major international focus of creation and cultural diffusion. This new edition of ARCOmadrid has a clear challenge this year; to enable the fair to maintain its position among the best in the world and attract new collectors, in a difficult economic context. An effort which, during last year’s edition, was focused specifically on international collecting and obtained excellent results. For the Government of the Regional Community of Madrid, it is extremely rewarding to once again be part of this annual event and organise a new edition – the eleventh –, of the ARCO-Community of Madrid Prize for young artists, which acknowledges the work of new talents exhibiting at the fair. As on previous occasions, the winning piece will be included in the Contemporary Art Collection of the Regional Community of Madrid, to enhance the collections deposited in the CA2M Dos de Mayo Art Centre. This year, the guest country is Finland, which will show us, through 13 galleries, the work of an emerging generation of Finnish artists whose participation in ARCOmadrid is, in most cases, their first international presentation. In addition, we have planned an exhibition at our Exhibitions Hall at Alcalá 31 entitled ¿Finlandia? to establish the artistic presence of the Scandinavian country in Madrid. I would like to wish all the artists and gallery-owners the greatest success at this new edition, and invite the citizens of Madrid and all those who are visiting us to take this new opportunity to enjoy the best of international culture and contemporary art in Madrid. I can assure you that it will be worth your while. IGNACIO GONZÁLEZ GONZÁLEZ PRESIDENTE DE LA COMUNIDAD DE MADRID PRESIDENT OF THE REGIONAL COMMUNITY OF MADRID Un año más, la Feria Internacional de Arte Contemporáneo, ARCOmadrid, abre sus puertas y se suma a la ambiciosa e innovadora oferta cultural que ofrece nuestra región, convirtiendo a Madrid en el centro internacional del arte contemporáneo durante el mes de febrero. ARCOmadrid es ya una cita anual imprescindible en el mercado mundial del arte y constituye para nuestros artistas y creadores un privilegiado escaparate para la promoción internacional de su trabajo. Un evento que, año tras año, recibe una excepcional acogida por parte del público y que atrajo en su pasada edición a más de 118.000 visitantes. Gracias al apoyo y la colaboración de todo el sector, la Feria celebra su 33ª edición con la vitalidad y el espíritu innovador de siempre, y viene a consolidar a nuestra región como un destino turístico y un foco de creación y difusión cultural de primer orden mundial. La nueva edición de ARCOmadrid afronta este año un claro desafío; conseguir que, en un difícil contexto económico, la Feria mantenga su posición entre las mejores del mundo y logre atraer a nuevos coleccionistas. Un esfuerzo que en la pasada edición se dirigió especialmente hacia al coleccionismo internacional, obteniendo excelentes resultados. Para el Gobierno de la Comunidad de Madrid es una satisfacción unirse un año más a esta muestra, y celebrar una nueva edición, la undécima ya, del Premio ARCO-Comunidad de Madrid para jóvenes artistas, que reconoce el trabajo de los nuevos talentos que exponen en la Feria. Como en anteriores ocasiones, la obra galardonada se incorporará a la Colección de Arte Contemporáneo de la Comunidad de Madrid, enriqueciendo los fondos depositados en el CA2M Centro de Arte Dos de Mayo. Este año, Finlandia será el país invitado y nos mostrará, a través de 13 galerías, la obra de una generación emergente de artistas finlandeses, cuya participación en ARCOmadrid constituye, en la mayoría de los casos, su presentación internacional. Además, en nuestra Sala de Exposiciones de Alcalá 31 hemos programado una exposición que bajo el título ¿Finlandia? reforzará la presencia artística del país nórdico en la capital. Quiero desear a todos los artistas y galeristas el mayor de los éxitos en esta nueva edición e invitar a todos los madrileños, y a quienes nos visitan, a que aprovechen esta nueva oportunidad de disfrutar en Madrid de lo mejor de la cultura y del arte contemporáneo internacional. Les aseguro que merecerá la pena. Once again, Madrid celebrates its International Contemporary Art Fair, ARCOmadrid 2014. As Mayor of the city, I would like to welcome the collaborating galleries, artists, curators and professionals of the industry, businesses and associations, art collectors and enthusiasts, who are such an essential part of Madrid’s cultural scene. Apart from the honour it is for the capital of Spain to celebrate ARCOmadrid, it is also a great honour for us that the name of Madrid is linked to one of the most consolidated and attractive international fairs of the contemporary art scene. It certainly helps strengthen Madrid’s international image We at Madrid City Council are very aware of the importance of the Fair for raising Madrid’s cosmopolitan, open and dynamic profile. That is why we have been working together with ARCOmadrid, since its inception, providing space and resources for activities that complement and enrich the artistic offerings of the Fair throughout the entire city. Promoting and encouraging collections is one of the great challenges, encouraged by ARCOmadrid, that will have our applause and support. We at the Madrid City Council, only too aware of the importance of collecting for the preservation and dissemination of art, are promoting a series of exhibitions entitled Patronage in the Service of Art. The aim is to present the best private collections in Spain and highlight their role in safeguarding our vast artistic heritage. Exhibitions held at CentroCentro-Cibeles, such as The Legacy of the House of Alba and the Helga de Alvear collection and current one on the Masaveu collection, are part of our work to lend recognition to collecting, an aim we share with ARCOmadrid and something which has always been central to the history of the Fair. ARCOmadrid plays the key role of helping to ensure the continued renewal of artistic contents and the international exposure of our new creators. Spain is a leading cultural power, and the prestige that comes with this is also measured by our capacity to renew and strengthen our presence in the international contemporary art circuits. I would like to give a special welcome to Finland, the
Load more

Recommended publications
  • Artist of the Day 2016 F: +44 (0)20 7439 7733
    PRESS RELEASE T: +44 (0)20 7439 7766 ARTIST OF THE DAY 2016 F: +44 (0)20 7439 7733 21 Cork Street 20 June - 2 July 2016 London W1S 3LZ Monday - Friday 11am - 7pm [email protected] Saturday - 11am - 6pm www.flowersgallery.com Flowers Gallery is pleased to announce the 23rd edition of Artist of the Day, a valuable platform for emerging artists since 1983. The two-week exhibition showcases the work of ten artists, nominated by prominent figures in contemporary art. The criteria for selection is talent, originality, promise and the ability to benefit from a one-day solo exhibition of their work at Flowers Gallery, Cork Street. “Every year we look forward to encountering the unknown and unpredictable. The constraint of time to install and promote an exhibition for one day only ensures there is a tangible energy in the gallery, with each day’s show incomparable to the other days. Artist of the Day has given a platform and context to artists who may not have exhibited much before, accompanied by the support and dedication of their selectors. The relationship between the selector and the artist adds an intimate power to the installations, and as a gallery we have gone on to work with many of the selected artists long term.” – Matthew Flowers Past selectors have included Patrick Caulfield, Helen Chadwick, Jake & Dinos Chapman, Tracey Emin, Gilbert & George, Maggi Hambling, Albert Irvin, Cornelia Parker, Bridget Riley and Gavin Turk; while Billy Childish, Adam Dant, Dexter Dalwood, Nicola Hicks, Claerwen James and Seba Kurtis, Untitled, 2015, Lambda C-Type print Lynette Yiadom-Boakye have featured as chosen artists.
    [Show full text]
  • Bloomberg New Contemporaries 2013
    Bloomberg New Contemporaries 2013 Bloomberg New Contemporaries 2013 www.ica.org.uk/learning Bloomberg New Contemporaries 2013 www.ica.org.uk/learning 27 November 2013 - 26 January 2014 27 November 2013 - 26 January 2014 CONTENTS Introduction to the Exhibition and Aims of the Pack 4 - 5 About the ICA 6 History of New Contemporaries 7 - 8 Lower Gallery 9 Upper Gallery 10 Bloomberg New Contemporaries 2013 Discussion & Activities 11 - 12 27 Nov - 26 Jan 2014 TEACHERS PACK Art Rules 13 About ICA Learning and BNC Selectors 14 Forthcoming Events 15 2 3 Bloomberg New Contemporaries 2013 www.ica.org.uk/learning Bloomberg New Contemporaries 2013 www.ica.org.uk/learning 27 November 2013 - 26 January 2014 27 November 2013 - 26 January 2014 INTRODUCTION TO THE EXHIBTION AND AIMS OF THE PACK The pre-visit activities have been designed to ensure that students gain a deep understanding of Bloomberg New Contemporaries 2013 from their visit. Suggested pre-visit activities allow students to engage more fully with the works on display and encourage a stronger understanding of the themes of the exhibition. Bloomberg New Contemporaries 2013 2013 Artists Upper & Lower Galleries Aisha Abid Hussain, Rebecca Ackroyd, Thomas Aitchison, Lewis Betts, Jason Brown, Fatma Bucak, Agnes Calf, Lauren Cohen, Patrick Cole, Menna Cominetti, Calum Crawford, Mark Essen, Adham Fara- For the fourth year running we welcome Bloomberg New Contemporaries with 46 participants to the mawy, Ophelia Finke, Grant Foster, Archie Franks, Joe Frazer, Kate Hawkins, Adam Hogarth, Catherine ICA. This year’s selectors Ryan Gander, Chantal Joffe and Nathaniel Mellors have chosen outstanding Hughes, Antoine L’Heureux, Roman Liška, Lana Locke, Alex McNamee, Steven Morgana, Laura O’Neill, works by the most promising artists coming out of UK art schools from a range of over 1,500 Hardeep Pandhal, Julia Parkinson, Joanna Piotrowska, Hannah Regel, Dante Rendle Traynor, Daniela submissions.
    [Show full text]
  • Kant St. Kongensgade 3, Baghuset, 1264 Copenhagen
    KANT ST. KONGENSGADE 3, BAGHUSET, 1264 COPENHAGEN Ea Vasko Born 1980 in Helsinki. Lives and works in Helsinki, Finland Education: 2004-2009 University of Art and Design Helsinki, Finland Department of photography. Studies for Master of Arts 2005-2006 Musashino Art University, Tokyo, Japan Department of Imaging Arts and Sciences 2001-2004 University of Art and Design Helsinki, Finland Department of photography. Studies for Bachelor of Arts 2000-2001 Voionmaan opisto, Ylöjärvi, Finland Department of photography 1999-2000 Västra Nylands Folkhögskola, Karjaa, Finland Department of photography Exhibitions 2015 Solo exhibition: Ea Vasko - Ma, KANT Gallery, Copenhagen, Denmark 2014 FIN(N)ISH, Fresh contemporary art from Finland, Curated by Peter Surace, RARE Gallery. New York, USA 2012 Gallery TaiK, Vienna Art Fair, Austria Helsinki Abstract, Curated by Olaf Becker, Gallery Nikolaus Ruzicska, Salltzburg, Austria 2011 Touching Dreams - The Helsinki School, The National Museum of Photography, Copenhagen, Denmark Galerie Forsblom, (Jacob Hashimoto, Ola Kolehmainen, Ea Vasko, Niko Luoma, Kaarina Kaikkonen, Helsinki Gallery TaiK, Madrid Photo, Madrid, Spain Solo exhibition: Ea Vasko - Photographs, Gallery Pictor, Vihti, Finland Gallery TaiK, Arco International Contemporary Art Fair, Madrid, Spain 2010 Galerie Forsblom, ArtHelsinki, Helsinki, Finland Galerie Forsblom, Billnäs Summer, Billnäs, Finland Galerie Forsblom, Art Paris, France Helsinki School-Photography and video now, Meilahti Art Museum, Helsinki Echoes of Light, Nanna Hänninen, Rita Jokiranta,
    [Show full text]
  • Books Keeping for Auction
    Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean
    [Show full text]
  • New Works on Video by Young British Artists to Open at the Museum of Modern Art
    The Museum of Modern Art For Immediate Release December 1997 NEW WORKS ON VIDEO BY YOUNG BRITISH ARTISTS TO OPEN AT THE MUSEUM OF MODERN ART New Video from Great Britain December 16,1997-February 1,1998 New Video from Great Britain, a survey of the remarkable new wave of work that has emerged from London and Glasgow in recent years, opens at The Museum of Modern Art on December 16, 1997. The program presents notable work by already established figures, such as Sam Taylor-Wood and Douglas Gordon, as well as emerging artists, some of whom are showing in New York for the first time. The two-hour program will be shown continuously in the Garden Hall Video Gallery on the Museum's third floor through February 1, 1998. The exhibition highlights the continuing penchant for conceptual- and performance-based works among young British video artists. Addressing themes of the body, personal identity, and subjectivity in ways that are provocative and playful, ironic and insightful, these works reveal an easygoing familiarity with popular culture that characterizes much of contemporary British life. "Simply and spontaneously shot (often on little more than a domestic camcorder), these 20 or so pieces have a visual impact, flair and invention that belies their low-tech origins and reverberates long after each tape has played," writes Steven Bode, Director of the Film and Video Umbrella, London, who organized the exhibition in conjunction with Barbara London, Associate Curator, and Sally Berger, Assistant Curator, Department of Film and Video, The Museum of Modern Art. -more- 11 West 53 Street, New York, New York 10019 Tel: 212-708-9400 Fax: 212-708-9889 2 "At first glance the young artists in this show appear to use the video camera to capture ordinary gestures, such as simply putting on clothes.
    [Show full text]
  • JYRKI PARANTAINEN / CV Born 1962 in Tampere, Finland. Lives and Works in Helsinki. Education 1999 Licentiate of Arts (Photogra
    JYRKI PARANTAINEN / CV Born 1962 in Tampere, Finland. Lives and works in Helsinki. Education 1999 Licentiate of Arts (Photography), University of Art and Design Helsinki (now Aalto University – School of Arts, Design and Architecture) 1992 Master of Arts (Photography), University of Art and Design Helsinki Academic Experience 10–17 Professor of Photographic Art. Aalto University – School of Arts, Design and Architecture 06–10 Professor of Photographic Art. University of Arts and Design Helsinki 92–05 Lecturer, Assistant, courses and workshops: UIAH Solo exhibition 2015 Maa, Gallery Taik Persons, Berlin, DE 2012 Between Heaven and Earth. Gallery Heino, Helsinki 2008 Dreams and Disappointments, Galerie PF, Poznan, Poland Fire, KFA Gallery, Berlin Horizon, Gallery Heino, Helsinki 2007 Dreams and Disappointments, Herrmann & Wagner, Berlin 2006 Dreams and Disappointments, Amos Anderson Art Museum, Helsinki 2005 Orientations, Herrmann & Wagner, Berlin (catalogue) 2003 The Mystery of Satisfaction, Galleri Pio Diaz, Copenhagen 2002 The Mystery of Satisfaction, Academy of Fine Arts, Sarajevo Stage, Gallery Krista Mikkola, Helsinki 2000 Fire, i8 Gallery, Reykjavik (catalogue) Fire, The Nordic House, Reykjavik (catalogue) Fire, Foto & Contemparary, Turin, Italy Fire, Fotografiska Center, Copenhagen (catalogue) 1999 Fire, Contemporary Art Museum, Tampere, Finland 1998 Fire, Zinc Gallery in Luma, Stockholm Fire, The Finnish National Gallery Ateneum, Helsinki (catalogue) 1997 Earth, Le Parvis, Tarbes, France (catalogue) The Sparkling Circle of the Heavenly Host, (installation in public place) Helsinki 1995 Paldiski, f-Gallery, Malmö, Sweden C2H5 o No, Gallery Hippolyte, Helsinki 1993 Earth, Gallery Luukku, Joensuu, Finland 1992 Earth, Tapetenfabrik, Bonn, Germany, Center of Culture, Turku, Finland, Gallery Elvis, Pori, Finland 1991 Earth, Gallery Laterna Magica, Helsinki Selected group exhibitions 2018 Paysages – les maitres d`une ècole Finlandaise Jumièges Abbey, France.
    [Show full text]
  • FRONT DESK / BACK Office
    FRONT DESK / BACK OffIce The secret world of galleries in xxx candid pictures and two texts. There’s something not quite the past five years, but allready right about commercial galleries. since the 1990s I look at the They are a kind of schizophrenic back rooms – the other side of space. On the one hand they the art machine – and became explicitly present things with an obsessed by the understatement intellectual and immaterial val- of the façades, the messy, clut- ue, while on the other hand it is tered desks in the small galleries clear that one could eventually and the cold professionalism of possess these things; the expe- the major players’ offices, and, rience has a price tag attached. above all, the uniformity of the They represent two different re- design. They all have the same alities or systems: the discourse MacBooks and iMacs, the same and the market. The discourse desk lamp by Michele de Lucchi is more at home in art institu- and the same designer furniture tions and artist- and curator-run by Charles & Ray Eames, Arne spaces, where looking at art is Jacobsen and Dieter Rams. not corrupted by finance. Selling Have you ever taken a good is, of course, the commercial look at the front desks? It was gallery’s main function, but the at Air de Paris that I first saw a discourse is equally important. gallery position its office partly It is for this reason that looking as a front desk in the midst of and buying are kept apart and the white cube.
    [Show full text]
  • CV 2010! Between Times
    Clare Strand CV Born 1973! Living and working in Brighton Uk.! www.clarestrand.co.uk! http://clarestrand.tumblr.com! !www.macdonaldstrand.co.uk.! ! ! Solo Exhibitions! 2015 ! Grimaldi Gavin. london . (Title TBC)! 2014! Further Reading. National Museum Of Krakow. Photomonth, Krakow.! 2013! Arles Discovery Award. Rencontre Arles. France.! 2012! Tacschenspielertrick, Forum Fur Fotografie, Cologne. Germany.! 2011! Sleight, Brancolini Grimaldi Gallery, London.! 2009! Clare Strand Fotographie Und Video, Museum Fur Photograhie Braunschweig,! Germany.! Clare Strand Fotographie Und Video, Museum Folkwang, Essen, Germany.! 2008! Clare Strand Recent Works, Fotografins Hus, Stockholm Sweden.! 2005! The Betterment Room – Devices for Measuring Achievement, Senko Studio. Denmark.! 2003! Gone Astray, London College of Communication, London.! 2000! Wasted, Galleri Image, Aarhus, Denmark.! 1998! Seeing Red, Museum of Photography Film and Television, Bradford, England; Imago! Festival, Universidad Salamanca, Spain; Viewpoint Gallery, Salford, England and! Royal Photographic Society, Bath England.! 1997! !The Mortuary, F-Stop Gallery, Bath.! ! Group Exhibitions.! 2015! A History of Art, Archetecture, Design from the 1980’s until Today. curated by Christiane Macel. Center Pompidou. Paris France.! European Portraits ( working title) The Centre of Fine Arts, Brussels, Bozor, Nedermands Fotomuseum , Rotterdam and The National Museum of Photography in Thessaloniki .! 2014! (Mis) Understanding Photography, Folkwang Museum, Essen, Germany. Curated by Florian Ebner!
    [Show full text]
  • Catalog-Arcomadrid-2013.Pdf
    ORGANIZA ORGANISED BY AGRADECIMIENTOS ACKNOWLEDGEMENTS ARCOmadrid 2013 ha sido posible gracias al apoyo y colaboración de ARCOmadrid 2013 is made possible with the collaboration and support of COLABORACIÓN INSTITUCIONAL INSTITUTIONAL COLLABORATION PATROCINADORES SPONSORSHIPS COLABORADORES COLLABORATION ARQUITECTURA SALA VIP VIP ROOM ARCHITECTURE MEDIOS OFICIALES OFFICIAL MEDIA ALVAREZ GÓMEZ / AMERICAN EXPRESS / AROUND ART / BLANKPAPER / CACAO SAMPAKA / CAIXA FORUM – FUNDACIÓN “LA CAIXA” / CALLAO CITY LIGHTS / CARPINTERÍA MARTÍN RODRÍGUEZ / CASA AMÉRICA / CENTRO CENTRO / CENTRO DE ARTE DOS DE MAYO DE LA COMUNIDAD DE MADRID / CINES VERDI / CINETECA / CÍRCULO DE BELLAS ARTES / COMUNIDAD DE MADRID. SALA ALCALÁ 31 / COMUNIDAD DE MADRID. SALA CANAL ISABEL II / CPARQUITECTOS_CRISTINA PARREÑO / EL CORTE INGLÉS-AMBITO CULTURAL / EMBAJADA DE LOS ESTADOS UNIDOS EN ESPAÑA / FILMOTECA ESPAÑOLA / FRANCISCO SEGARRA / FUNDACIÓN BALIA / FUNDACIÓN CAJA MADRID / FUNDACIÓN CANAL / FUNDACIÓN CULTURAL HISPANO BRASILEÑA / FUNDACIÓN JUAN MARCH / FUNDACIÓN MAPFRE / FUNDACIÓN TELEFÓNICA / HINOJOSA / HOTEL OCCIDENTAL MIGUEL ANGEL / HOTEL VILLA REAL / HOTEL WESTIN PALACE / INSTITUTO CERVANTES / KAPITAL / KARMA FILMS / LA CASA ENCENDIDA / MANDRILADORA LEIZA / MATADERO MADRID / MEDIALAB-PRADO / MIT MASSACHUSETTS INSTITUTE OF TECHNOLOGY / MNCARS – MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA / MUICO / MUSEO NACIONAL DEL PRADO / MUSEO THYSSEN-BORNEMISZA / OLIVA ILUMINACIÓN / OPTIONS / OTR. ESPACIO DE ARTE / PALACIO DE VELÁZQUEZ. PARQUE DEL RETIRO / PASIÓN TURCA / RED BULL
    [Show full text]
  • Co-Authoring Advanced Art
    This PDF is a selection from a published volume from the National Bureau of Economic Research Volume Title: Conceptual Revolutions in Twentieth-Century Art Volume Author/Editor: David W. Galenson Volume Publisher: Cambridge University Press Volume ISBN: 978-0-521-11232-1 Volume URL: http://www.nber.org/books/gale08-1 Publication Date: October 2009 Title: Co-Authoring Advanced Art Author: David W. Galenson URL: http://www.nber.org/chapters/c5793 Chapter 10: Co-Authoring Advanced Art Introduction Consistent co-authorship of painting or other works of advanced visual art did not occur prior to the late twentieth century. In recent decades, however, this practice has been followed by a handful of teams of important artists. Yet the history of visual artists working together suggests that co-authorship is likely to become more widespread in the future, and for this reason the practice is of greater interest than would be warranted by the limited number of artists who have already adopted it. A brief survey of this history can help us to understand its recent emergence. Before Modern Art Joint production of paintings was an accepted practice in the Renaissance, as eminent masters presided over studios that might comprise dozens of students and assistants. So for example Vasari reported that when Raphael became successful he employed a large number of assistants and “was never seen at court without some fifty painters.”1 John Pope-Hennessy noted that in this phase of his career “Raphael over a large part of his work became an ideator instead of an executant,” as he made detailed preparatory drawings or cartoons for works that would then be painted by assistants.2 Raphael’s practice of having his plans executed by others was a consequence of his conceptual approach to art, for he clearly considered the essence of his works to lie in their conception.
    [Show full text]
  • Artists & Photographs
    25_10_11 _ Artists & Photographs Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 12, rue Drouot 75009 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Pierre Bergé & associés - Belgique Grand Sablon 40 Grote Zavel Bruxelles B-1000 Brussel T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 10, Place Saint-Barthélémy Liège 4000 T. + 32 (0)4 222 26 06 Pierre Bergé & associés - Suisse 11, rue du général Dufour CH-1204 Genève BRUXELLES T. +41 22 737 21 00 F. +41 22 737 21 01 ARTISTS & PHOTOGRAPHS www.pba-auctions.com mardi 25 octobre 2011 1 2 JUST WHAT IS IT THAT MAKES THESE BOOKS SO DIFFERENT, SO APPEALING ? En 1986, alors étudiant en histoire de l’art à l’Ecole du Louvre, Philippe Nolde découvre « Après une première partie « historique » avec, quelques livres d’artistes de Baldessari au Musée d’Art Moderne de la Ville de Paris, l’exposition, « Fördertürme Chevalements ou Ruscha, une collection des catalogues de la Galerie Sonnabend, nous avons la Mineheads » de Bernd & Hilla Becher. La sérialité et le monde industriel le séduisent. boîte complète d’« Artists & Photographs » édité par Marian Goodman en 1970. Ileana Il retrouve des points communs entre cette œuvre photographique, répétitive et Sonnabend et Marian Goodman sont deux extraordinaires galeries d’art tenues par des typologique, et les musiques industrielles voire les chorégraphies de Trisha Brown, femmes. Une deuxième partie est consacré aux livres et aux œuvres des années ’80 / montrées au Théâtre de la Ville au milieu des années ’80.
    [Show full text]
  • The Negligent Eye the Negligent Eye
    The Negligent Eye The Negligent Eye Curated by Jo Stockham 8 March – 15 June 2014, the Bluecoat, Liverpool Russell A. Kirsch: The first digital image made on a computer in 1957 showing researcher Kirsch’s baby son. Courtesy of NIST (National Institute of Standards and Technology), USA. A detail of this image is also reproduced on the cover of this publication. 2 / 3 The Negligent Eye Introduction The Eye of the Scanner Bryan Biggs & Sara-Jayne Parsons Chantal Faust This publication accompanies the exhibition the human thumbprint – literally a digital One of the most prominent works in The The publication’s content comprises a text by Then God said, ‘Let there be light’; and There is one word in the English language requires immediate proximity in order to be on this blinding orb, ‘a certain madness is of the same name, curated by Jo Stockham, print – in the form of the ‘signature’ of wood Negligent Eye is Maurice Carlin’s beautiful Chantal Faust that perceptively introduces the there was light. And God saw that the light that is used to describe three very different able to see. The closer the subject is to this implied’.4 It is not that it is impossible to gaze Head of Printmaking at the Royal College of engraver Thomas Bewick who was born in large-scale print, Endless Pageless, screen ‘eye of the scanner’, relating this to our own was good; and God separated the light ways of seeing. A scan is a close examination, recording device, the greater the clarity of the at the sun, or at the beam of a scanner, but Art, and developed in collaboration with the the 18th century.
    [Show full text]